Category: Venue Profile

  • The Addy Opens at Proctors Theatre

    “You should know that as of five o’clock last night there were still lights and speakers still being hung,” said Proctors CEO Philip Morris at a Wednesday morning press conference to announce the opening of the Adeline Graham Theatrical Training and Innovation Center on Nov. 29 (The Addy for short) “In fact, you might even smell the dust burning off of the LEDs.”

    Named after the philanthropist and longtime supporter of Proctors Theatre, the third floor space of the complex now houses a 100-seat theatre, multi-use classrooms, a media lab, a dance studio and a variety of amenities Proctors expects will serve more than 500 students and 10,000 patrons annually.

    Proctors CEO Philip Morris speaks with visitors during the unveiling of The Addy on November 29

    “There is nothing for us as exciting as opening The Addy,” said Morris. “This is as laser focused as our mission gets — bringing together education, entertainment and economic development in one ‘wow’ package. We are beyond proud.”

    The Addy is already in use by the Empire State Youth Orchestra’s CHIME program, serving 60 musicians from local elementary and middle schools. But, in January, The School of the Performing Arts at Proctors will host more than 200 students in weekly classes, including the middle school-based Acting Academy and the high school-oriented TheatreTECH.

    Built as part of a larger capital campaign, the $2.2 million project was supported by grants from Empire State Development and the Capital Region Economic Development Council, Schenectady County, Schenectady Metroplex Development Authority and the Wright Family Foundation.

    “Philanthropy was such an important part of Adeline’s life,” said her niece, Heather Ward, now chair of The Wright Family Foundation, Inc. “She shared this passion with so many organizations, and she dedicated so much of her time and energy to Proctors because she really understood the importance of education, training and community education through the arts.”

    With the Workforce Development Institute and TheatreTECH, The Addy will provide participants apprenticeship programs, training and certification that will allow them to work in a variety of performing arts careers. The performance space will also add another distinct venue to Proctors—serving as art house cinema, concert hall and theatrical stage.

    A classroom currently used by the Empire State Youth Orchestra’s CHIME program at The Addy.

    “Any time you are willing to affect youth, you have an opportunity to change the world,” said Arnold Will, deputy regional director of Empire State Development. “In this case here, it’s really what we’re doing. We’re glad to be a part of taking a vacant facility, renovating it, being a part of the revitalization of downtown Schenectady, and we wish our continued support for Philip and continued success of this project.”

    Ray Gillen, chair of Metroplex, said the new creativity hub should only help Schenectady as a whole, as it adds another venue to attract visitors to the city.

    “This new venue completes the renovation of the cherished Carl Company, one of the last undeveloped spaces on State Street,” he said. “The third floor now features performing and exhibit space, including a versatile 100-seat theatre that will draw more people to downtown Schenectady.”

    This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • The Monopole in Plattsburgh Celebrates 120 years

    The Monopole, Plattsburgh‘s historic bar known for its live music will celebrate 120 years later this month. First opened in 1897, the bar has withstood prohibition, bitter winters and thousands of customers over the years, with live music a staple of the ‘single stick’ for the past 30.  On November 30, West End Blend will be part of a night long celebration of The Monopole reaching the ripe old age of 120, with many years of live music and revelry yet to come.

    To discuss the legacy of The Monopole, NYS Music talked to owner Corey Rosoff about the notable history of the venue, live music memories and how they’re celebrating 120. Photos courtesy of The Monopole.

    the monopole

    Pete Mason: The Monopole has a history spanning over a century that few institutions reach. What do you credit this longevity to?

    Corey Rosoff: I think a big part of the longevity has a lot to do with staff and how no matter who you are, we make you feel welcome. The Monopole has always been a melting pot of diverse clientele including doctors, lawyers, contractors, locals, college and also visitors to the area that all are made to feel comfortable here. We also have been very aware of the history and have worked hard to keep as many original features of the building and the bar. We still have the original woodwork and stained glass and mirrors.

    PM: Among the decades found in the walls of The Monopole, what is your favorite anecdote about the bar’s history?

    CR: I think one of the best story is how Theodore Roosevelt would be here every time he visited the barracks in Plattsburgh. I am still amazed of the amount of couples that come in or email about how they met their husband or wife at the Monopole.

    the monopolePM: How has the role of music changed in the history of The Monopole? What was the earliest music performed here?

    CR: I started working here in the late 70’s when I came to college up here and the Monopole was the first place to install high end stereo equipment. In fact the speakers were such high end they still are in use today. We started doing live music upstairs in the early 80’s with mostly acoustic acts and then evolved into what we have today.

    PM: Who are some of the most notable bands to gain their start playing The Monopole?

    CR: Some of the more notable bands that got their start here would be the Ominous Seapods (one of their songs is titled “Leaving The Monopole”) the South Catherine Street Jug Band and Christine Santelli (Grammy nominee for Songwriting & NYC Blues Hall of Fame ) who got her start in music hosting Open Mic with Matt Mousseau (NYC Blues Hall of Fame here in the early start of Open Mics at The Monopole which is still running every Wednesday night. Also Dave Grippo who is a saxophone player on some of Phish’s albums was a regular performer here back in the early 80’s.

    PM: Why is West End Blend a good choice for a 120th birthday party?

    CR: We chose to do this with West End Blend because after their initial performances in Plattsburgh (once for a city festival & then here in the early fall) everyone who saw them were impressed with their talent so we had been trying to fit a date where they could come back to the venue. We wanted to do this event with a band that we don’t get in the area much to create some extra hype for the special occasion.

    Stay tuned for our interview with West End Blend next week and see what’s in store for November 30th. And if you’re looking for a New Year’s Eve show in Plattsburgh, don’t miss Groovestick with the venue staying open until 8:00am for a New Years party.

  • The Aptly Named Finger Lakes Live Open For Business in Geneva

    The Finger Lakes region, Rochester included, is bursting with live music lately. Dan Smalls Presents has a handle on things on the south side of Cayuga Lake. On the north side of the lakes, The Smith hosts medium-sized shows at the theater and occasionally puts on some club-sized shows in smaller spaces around Geneva. But there hasn’t been a venue hosting live music consistently on a weekly basis in Geneva for a long time. Until now…

    flx liveFinger Lakes Live – FLX Live – a near 300 capacity space, opened this past August and has been holding shows every Thursday through Saturday (and sometimes Wednesdays) ever since. The venue is drawing in both national talent like Billy Strings or Molly Tuttle Band (who played the night we visited), regional acts from Syracuse, Rochester or Buffalo and bands from their own backyard.

    Finger Lakes Live FLX LiveOwner Ian Pattison, General Manager Nicholas LaChance and Musical Director Matthew Elkin met at Hobart and William Smith College and watched as the landscape of Geneva changed throughout their time in school. The city has recently undergone a renaissance linked closely to the boom of wine and beer tourism in the area. With that success came a bunch of great restaurants and bars. But the friends spotted a need for a music venue.

    Part of the beauty of FLX Live is that it is first and foremost a live music venue, and a bar second. The sound and sight lines throughout the place speak to this, with improvements still in the works. It’s a warm and welcoming place, with wood accents throughout. A long and easily accessible bar is backed by beautifully lit wooden cask bottle displays. The beer list spans all tastes with something to satisfy the snobbiest of drinkers as well as those preferring something that advertises on sports broadcasts. There is also plenty of wine and alcohol available as well. Within the next couple of weeks, they will begin offering pizza and other finger foods.

    Patrons can view the show from hightop tables and chairs in an elevated area at the back of the room, which for some shows will be available for reservation, with bottle service possibly in the near future. There is also a large floor immediately in front of the stage, for those wishing to get closer to the band and dance. They will be hosting live bands of all kinds, everything from rock to folk to salsa to funk and everything in between, with DJs spinning dance music after many shows. Just a 45 minute drive from Rochester, Syracuse or Ithaca, FLX Live is well situated to draw people from out of town to downtown Geneva for live music. So look at their upcoming schedule and make a plan to check it out.

    Schedule highlights:
    11/22 – Aaron Lipp and the Slacktones, A Girl Named Genny
    12/2 – After Funk
    12/8 – Dead Winter Carpenters
    12/30 – Big Mean Sound Machine

    Learn more and hear from the owners in a great interview with Evan Dawson on Connections from September.

  • Saranac Jams Lineup Includes Taking Back Sunday, Dark Star Orchestra, Dirty Heads, Get The Led Out

    Saranac Brewery has booked some exciting jams and shows this summer. American Reggae bands Dirty Heads and SOJA will be taking the stage on Tuesday, June 20. Zeppelin tribute band Get the Led Out will perform Friday, July 21. Grateful Dead tribute band Dark Star Orchestra will be playing on Tuesday, Aug. 1. Alternative rockers Taking Back Sunday are slated to play alongside Every Time I Die and All Get Out on Friday, Aug. 18.

    Saranac Jams

    Saranac Brewery, located at 830 Varick Street in Utica, offers summer music events, a tavern on site, tours, and a gift shop. See the website for more information and hours of operation.

    Saranac Jams Lineup

    June 20 – Dirty Heads & Soja with the Green, RDGLDGRN
    July 21 – Get The Led Out
    Aug. 1 – Dark Star Orchestra
    Aug. 18 – Taking Back Sunday with Every Time I Die, All Get Out

  • The Record Archive Backroom Lounge Officially Opens: NY’s First Music Store To Serve Beer and Wine

    In a time when locally owned stores are struggling to stay afloat, The Record Archive in Rochester is finding new ways to thrive. On Friday, April 8, they unveiled their latest endeavor, The Backroom Lounge, with an official Grand Opening Party. A venue like no other, this all-ages community space is annexed to the region’s largest record store. It’s a place to kick back, enjoy live music and have a drink – The Record Archive has the distinction of being the first and only record store in New York with a license to serve alcohol. NYS Music was invited to be part of this prestigious event.

    record archivePulling up to the building at 33 1/3 Rookwood Street in Rochester, there’s an immediate sense that this is not your run of the mill music store. From the sunshine yellow exterior to the enormous record framing the front door, everything about The Record Archive feels extraordinary.

    The interior opens up to a 10,000 square foot retail space, chock full of music, stereo equipment, gifts and memorabilia. For music lovers, it is the equivalent of being a kid in a candy shop. It is a veritable feast for the eyes and ears. It’s hard to imagine that the entire operation began in 1975 with a crate of records on the floor of a flea market stand.

    The entrance to the lounge is beyond the extensive collection of CDs, through tall arched doorways framed in black curtains. For the Grand Opening event, guests were greeted with glasses of blue champagne. We also had the choice of a wide variety of drinks. The shelves held regional wines, craft beers, music-themed beverages and some new discoveries. Beer was available on tap. The cooler is stocked with non-alcoholic beverages, including the local brand FIZ Pop.

    Near the entrance of the lounge, Record Archive founder Richard Storm greeted guests. I asked him what he thought about all of this, and he said, “I never in my wildest dreams imagined I’d have a venue with a bar.”

    The space is furnished eclectically – a mishmash of eras and styles, like remnants of random time travel. Jukeboxes are scattered around the room. Lava lamps bubble up on a far table near bookshelves overflowing with biographies of musicians. One wall is lined with boxes containing a myriad of 45’s spanning decades and genres. Seating options included a diner booth, a cozy couch, pub tables or a 1960’s ball loveseat. The room is lit by the warm glow of chandeliers in varying styles. The look of the space was put together by Reo Alderman. His design aesthetic brings the seemingly disparate pieces together in an artful showcase. And speaking of showcases, many of the pieces in the lounge are available to purchase.

    At the antique piano near the bar sat a musician who could have also been plucked out of a bygone era. Honky Tonk Henry was playing jaunty old-timey tunes. These are the songs I used to listen to with my grandparents back in the day. It was comforting to know that someone is keeping the music tradition alive.

    In the corner, under the watchful gaze of a full-sized T-Rex skeleton, is a stage large enough for bands to perform comfortably. I sought out the Record Archive’s Events Coordinator Deb Jones to get the scoop on the sound system.

    “We’re very proud to have Fulcrom Acoustic speakers,” Deb said, “It’s a locally-based company. They’re world class speakers -they’re being installed in Madison Square Garden. We’re the only place in Rochester to have them. And the amps are Ashly Audio.” Ashly Audio is also a local company, which produces state-of-the-art sound equipment.

    Deb introduced me to Alayna Alderman, business partner and Vice President of The Record Archive. She was the driving force for creating The Backroom Lounge.

    “I told Rich I wanted the place to be an extension of what we’ve been – a touchstone for the community,” she told me. “This is not a club. We’re a record store that sells beer and wine, not a bar that sells music. You can come, have a slice of pizza and a drink, enjoy live music and be home by 9. The music will always be our business. This is the next layer.”

    Obtaining a liquor license was not a decision that they took lightly, she told me. It was a lengthy process, and required lots of forethought (not to mention the amount of paperwork!). In the end, they decided to license the entire space, including the retail area, so that people can enjoy refreshments while they browse through the store.

    The guest list was a who’s who of friends and supporters of The Record Archive over the years. Frank DeBlase, writer/photographer and front man for The Busted Valentines, described the scene as “a new living room that comes furnished with guests.” Among them was Andy Babiuk, a founding member of The Chesterfield Kings and owner of Andy Babiuk’s Fab Gear music shop. Greg DeLuca from the local visitor’s bureau was also there. Members of the local press in the crowd included Emmy-award-winning journalist Seth Vorhees from Spectrum News, Susan Rogers, Executive VP of WXXI, and Mark Shuttleworth from Legends 102.7.

    True to their commitment to support other local businesses, the Grand Opening event included sweets from Savoia’s bakery and was catered by Tasteful Connections. The spread was divine. My favorite of the offerings was a Bacon Rind Shrimp Shooter – a Bloody Mary with shrimp and celery, served in a bacon-rimmed shot glass.

    Alayna took the podium and thanked everyone for their support in this endeavor. And a round of speeches ensued. Ted Potrikus, president and CEO of the Retail Council of New York, talked about working at The Record Archive in 1984, and about all the effort that went into making this venue possible.

    “It’s the coolest place in Rochester,” he concluded, “I’m thrilled to be here.”

    City Councilman Adam McFadden presented The Record Archive with a certificate from Mayor Warren. He also shared fond memories of times spent at the Record Archive, including the joy of meeting the members of Stetsasonic after seeing them perform in the store back in their heyday.

    Baye Muhammad, Commissioner of Neighborhood and Business Development, presented a plaque from the City of Rochester and thanked the owners of Record Archive for being committed to staying within the city limits when they relocated to this space nine years ago.

    After the speeches, shiny blue ribbon embossed with the City of Rochester logo was stretched across the stage. Members of The Record Archive family and key supporters made cuts, marking the official opening of The Backroom Lounge.

    The Backroom Lounge is open to the public during normal business hours, with the exception of when it is reserved for private events. The bar stops serving an hour before closing.

    The room is available for special occasions such as weddings and birthdays. Furniture can be rearranged to meet the needs of events (for example, theater seating or banquet-style table arrangements). Talk to Events Coordinator Deb Jones for more information about reservations.

    The space naturally lends itself to musical performances. Happy Hours are held every Wednesday. Themed nights for metal and blues occur monthly. In-store performances are plentiful. They have a full bill for Record Store Day on April 22, including The Fox Sisters, Teagan & The Tweeds, Teressa Wilcox and more. There are performances by Staly on April 28 and Zara Larson on April 29 in collaboration with local radio station KISS FM. This is also becoming a popular venue for release parties, the next one with Junkyard Fieldtrip on the evening of April 29. For a full event listing, check The Record Archive’s webpage or Facebook.

  • OmniZen Studio in Cohoes Set For Grand Opening

    Local artists looking to make their first professional recording or those simply looking for a change have a new option beginning this Saturday. OmniZen Studios in Cohoes is holding its grand opening Saturday, March 18 from 4:00 -8:00 p.m.

    Hosted by the owners, entrepreneurs and New York natives, Shane Morris and Peter Alexander, the grand opening located at 3 McElwain Ave. in Cohoes will feature local artists including Carl Daniels. Free food, beer and liquor will be on hand for those attending the event. Morris and Alexander will be on hand to answer any questions and discuss what they are looking to accomplish.

    OmniZen Studio will provide services in audio/video recording and editing, audio mastering, artist management and production and graphic design. OmniZen will also feature yoga classes during the studio’s downtime.

    Morris and Alexander met each other through a mutual friend and quickly found that they both share a love for music, artistry and people. The duo’s ultimate goal is to make OmniZen, an actual record label, and help mold local talent into the stars of tomorrow.

    Morris on his and Alexander’s plan for OmniZen:

    We plan to make this the best studio for artists that are trying to get up and running with their music, while also producing and managing artists. We plan to progress to a point where we eventually start a record label, where we will be using my connections with music industry professionals to shop artist and songwriters to major labels like Sony Music and Warner Music. Eventually, we also plan to develop a music engineering workshop for people to learn mixing and engineering skills. Further, this studio will be more than just a recording studio, as we currently have a professional graphic designer on staff, and Peter is a talented videographer who produces music videos and web series weekly. Going even further with diversity we will be hosting yoga classes in our studio during downtime. We are both Avid certified engineers (Avid is the company that makes Pro Tools recording software).

    Alexander on the upcoming venture:

    While attending school I gained much more knowledge and understanding on sound as a whole, my perspective has changed immensely. Also, I was able to connect with people and work live sound almost my entire time attending the new school. After finishing the course, I became a stay at home dad who currently spends most every evening building toward my dreams, goals, and putting together our recording studio in hopes to make our services the best available.

    Shane Morris is a native of Newburgh and was part of the College of Saint Rose’s Music Industry program, where he perfected his skills in Pro Tools and audio engineering.

    While attending St. Rose, Morris worked in several local venues as a live sound engineer including Valentines Music Hall, Red Square, and Legends on Pearl to name a few. Morris started DownBeat Music Group to record and do live sound after he graduated. He also gave private vocal and  guitar lessons during this time. In 2014, Morris worked the MOVE Music Festival in Albany as a promoter and sound engineer

    Peter Alexander is a Kingston native. During his time trying to get a solo career off the ground, Alexander managed other local artists booking studio time and shows as well as online promotion. Alexander worked live sound at local bars and venues while performing throughout the northeast for a year. After needing a change in his surroundings, Alexander moved to Albany. After just over a year in Upstate N.Y., Alexander became a certified Avid Operator in Pro Tools after attending the New School For Media for Engineering and Music Production.

  • Castle Studio: Rehearsal and Recording Studio for Burgeoning New Paltz Scene

    In the Hudson Valley, the village of New Paltz is giving rise to a healthy music scene. With venues like Snug’s Harbor and Oasis Cafe, and bands including The Other Brothers and Upstate Rubdown, Castle Studio arrives as a key component to the scene. Castle Studio serves as a welcome recording and practice space for bands in the area who seek to stay local while playing and recording music in the midst of touring out of the greater lower Hudson Valley region. Open for less than two years, Castle Studio is the preeminent recording studio in the area, and Danny Berger spoke to NYS Music about the early history of the recording space and how the studio benefits New Paltz area bands.

    Pete Mason: What inspired you to open Castle Studio?

    Danny Berger: Two years ago, Jim Kramer had bought this really stunning 4 acre property just outside of New Paltz, and I went to check it out for the first time in August 2015. There was all this extra space on the property, including this garage-workshop that was in its own building. It was like looking at a blank canvas. I knew I wanted to do something creative with it and proposed the idea of turning it into a cool music rehearsal space. I’m a musician, so I wanted to use it for myself, and I also felt there’d be a demand in the community for a fully equipped studio, especially among the college students. Jim’s company, Organic Harmony Music Management, manages the local band Upstate Rubdown, and they needed a place to rehearse at the time, so he was into the idea. So we started the project as part of his company.

    PM: Where did the name come from?

    DB: When Jim worked full time in the music industry, he and his friends lived in a mansion they nicknamed “The Castle.” Fast forward a few decades and my friend Henry, who is also Jim’s son, dubbed the new property “The Castle” in reverence to the mansion of yesteryear. Plus, it really was a shock to see such a beautiful and expansive property after living in college housing. We all sort of knew it was much more than just a house, but at the time we didn’t know what form it would take.

    castle studioPM: Castle Studio is not just a rehearsal space, but also a studio and music venue. How has managing these three focal points contributed to your success? How has it hampered success?

    DB: The main focal point has always been rehearsals, and we’re doing well in that regard. This past fall, as the space was starting to take shape, I realized I needed to get creative in order to get the word out about the studio. I got a bunch of my friends in bands to play a show to get bodies into the space to see the mural that had just been finished by my talented friend, Mel Berardicelli. I think it was really successful. A lot of people showed up, the bands all sounded great and everyone had a blast. But once you promote a show, and it goes over well, you get bit by the bug. It’s kind of a high, and you have to do it again. It’s a lot of work but it’s worth it. So I put on a couple more shows and I think it’s provided additional publicity as well as being a ton of fun.

    The first time we did a recording session was a surprise. The Other Brothers had booked a couple of days and brought in my friend Max Siegal to engineer the session. It went really well, so Max and I decided to offer recording services to anyone who wanted them. For me, Castle Studio is a rehearsal space first, but if someone likes the sound of the room and thinks the view of the mountains is pretty enough to hole up for a recording session, we’re more than happy to have them.

    PM: What background do you and Jim Kramer have that makes you confident in the future of Castle Studio?

    DB: Jim and I both have strong backgrounds in music, but in different ways. He used to work in the industry as a booking agent for a lot of big bands, and has a solid business-oriented mind. Plus, I know the local scene in New Paltz. I know the young musicians and some of the long-time veterans. I have connections at the college and some of the local music businesses in town and they’ve really helped me out with referrals. The reciprocal, collaborative nature of the music community here has really been a blessing.

    PM: What variety of events do you currently hold at Castle, and what long term ideas do you hope to explore and bring to fruition over the next two years?

    DB: There are a lot of ideas cooking in the pot right now. Yoga classes with live music, monthly jam sessions, big cookouts with great local bands, live art installations during concerts, flow arts, hopefully even a mini-festival. I think we’ll just have to wait and see.

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