Surrounded by avid clubs and music venues dawning bright lights, all host such enthusiastic musicians and performers. One in particular performs to achieve one simple objective: Give em’ what they want! This is the essence of the solo act that is Rob (the guitar guy) Baione.Category: Profiles
-
The Local Limelight: Rob The Guitar Guy
Patchogue Village, The setting of incredible nightlife teeming with live entertainment! Walk down Mainstreet Friday and Saturday nights and you’ll find yourself immersed by one of Long Island‘s greatest music scenes.
Surrounded by avid clubs and music venues dawning bright lights, all host such enthusiastic musicians and performers. One in particular performs to achieve one simple objective: Give em’ what they want! This is the essence of the solo act that is Rob (the guitar guy) Baione.Step into Patchogue’s neighborhood restaurant and bar The Tap Room located at 114 W Mains St, and you’ll immediately feel a warm environment and feel-good vibes creating the mood for the place where Rob entertains his local audience.When becoming a solo act, songs began to take on a new life when stripped down to an acoustic guitar and a vocal. Selections range from classical to country, rock to rap, folk to metal, etc. There’s a song for everybody. Audiences are always entertained by his charisma and ability to include them in the show!One way Rob the Guitar Guy does this, is by allowing the audience to choose the songs. “It’s like having your own personal jukebox. No one wants to leave when they hear ‘their song’ played.”Each show is unique and you never know what to expect! But one thing is for sure, you’ll always leave feeling good, and that was definitely the case last week at The Tap Room.You can find Rob performing there the 3rd Friday of every month, with a musical repertoire growing larger and larger each return! -
Josh Casano traded away life in the kitchen for time with family and music
Have you had a taste of what Josh Casano can cook?
Standing in front of an audience, the man loops an elaborate arrangement of ingredients, all with the use of his voice, his guitar and a delay unit at his feet.
The chef-turned-musician ran a few kitchens in his time before the life changing events of meeting his wife, Sarah, and the eventual discussion of starting a family. Suddenly, aspirations of becoming the next Ric Orlando reduced over the flame of wanting to be a family man.On his Facebook page, the music man’s vita reads: Husband, Father, Brother, Friend, Musician. Like a recipe, he starts with the base of the dish, and along the way, adds the spice. What’s first is vital: Being the husband, the father. And, what’s added next is the flourish that makes Casano’s life unique. His own. What’s missing from the list is his former life as a chef, and a clearer definition of his present day job as a high school music teacher. All those details are found further down his page.
“I know a lot of people who are head chefs, executive chefs, especially those who have started their own businesses. When you do it in the very beginning, it is really hard to be away from the business,” said Casano. “So, I went back to school to teach.”
The 39-year-old Casano got a late start to his current career path, which involves folding musical compositions into the minds of young students by day, splashed with stealing hours away to earn his master’s degree at the University at Albany, and a sprinkle of a few live gigs throughout the Capital District. Casano can still cook up a good meal at home, but he said he walked away from the culinary arts because — would you believe it? — the hours would be more demanding on him. The prospect of trying to start up a restaurant included hours of investing in the kitchen, taking him away from a family life he and his wife had only discussed. Today, the Casano start-up has flourished into a marriage with two kids and a home in Latham.
Casano enrolled into the College of Saint Rose’s prestigious music program. There, he quickly earned his bachelor’s degree to teach. Last year was his first, full year as a music teacher at Schenectady Public Schools. Though he’s just getting started with a career in music, music has been with him since his parents pushed the piano on him in elementary school. When he protested and asked to play drums instead, they bought him a trumpet.
“[Drums] were too loud,” said Casano. “They were aware of practice pads. My father thought to play drums I had to have a kit.” So, the trumpet stayed with Casano throughout his high school career. Once he started learning music on his own, “I started kicking myself for not paying attention to those piano lessons.”
Though Casano is often playing covers at his live shows, he is trained and practiced as a classical guitar player and songwriter, writing both the music and lyrics. Pay attention, and you may recognize a few of his songs as they have played on both 102.7 WEQX and 97.7 WEXT. The pressure of playing solo acts in front of an audience is akin to running a kitchen, said Casano. In both cases, he said, you’re “in the weeds” and focused on your task besides the commotion surrounding him.
“It’s nerve-wracking,” said Casano, about looping at live shows. “It was awful [starting out]. I’d practice a whole movement, get confident, and get up on stage to play it, ‘Oh, man. Please don’t screw this up.’ … You just learn to go with it. I’ve done theatre. I’ve performed in orchestra and band. You make a mistake, you just keep going. You just play it off like you meant it and keep going, and no one’s the wiser.”
You can find Casano playing Friday, Aug. 25 at the Saratoga Performing Arts Center, at 5 p.m. and at the Dana Park Concert Series in Albany, on Monday, Aug 28, at 5:30 p.m.
This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
-
Songsmith C.K. Flach Talks about His Songwriting and What Inspires Him
Curtis “C.K.” Flach — pronounced flack — has a look and sound to him that clashes with today’s world. But, when he opens his mouth, people listen.

The 25-year-old Coeymans Hollow native often takes to the stage dressed one necktie away from a job interview, with a clean white shirt and sports jacket, topped with a whimsical head of hair reminiscent of a flamboyant Jerry Lee Lewis.
But, flamboyant, he is not. Though people may want to mispronounce his name as flash, there is little flashy about Flach, but the self-described “quiet kid” commands the stage like a master craftsman at work in the backwoods, strumming his guitar and sharing stories of struggle through a voice others have compared with the late Lou Reed.
The association with Reed is no mistake. As Flach started listening to music as a musician, he came across Reed’s “Walk on the Wild Side,” and thought he could learn how to develop his vocal range through the late artist. “I felt I could learn a lot about what to do vocally by listening to him,” he said. “Then I found that I really, really like his writing style, how bold it was, and just went from there.”
Reed’s music was often described as avant garde. Credited as one of the pioneers to the punk rock genre that started in the late ‘60s. A rebel renowned by music lovers of today, but woefully underappreciated by critics of today. Upon his death in 2013, Rolling Stone magazine apologetically held vigil by tweeting and reporting about his every last moment. But, in the past, the magazine was one of his harshest critics. So goes Reed’s style and polarizing persona. For the deadpan singer sharing stories about drug addicts and social misfits, there was no middle ground. People either loved him or hated him.
“He’s a tough guy rebel. He’s the godfather of punk rock. You listen to him talk, he’s got that New York accent. He’s got a toothpick in his mouth while he’s playing on stage. Yeah. A real rebel. I don’t see myself like that at all. I’m quiet, to be honest with you. I don’t really stand out like that. I’m a pretty nice guy, I think. And, really shy at times as a kid. It’s amazing that I get up on stage and sing in front of people.
Flach was born and raised on a steady diet of classic rock. He started drumming when he was ten. He only learned to play a few chords on the guitar when he was a teenager. By 2012, he was out of high school and in a band he started with his brother, called “The Kindness.” Then he started to songsmith.
As a songwriter, Flach said he draws inspiration from what is around him: the landscape, lifestyle and people here in the Hudson Valley. Flach started singing and writing for “The Kindness,” which released an EP in 2015. That immediately took Flach to a solo project that produced “Empty Mansions” in 2016.
Flach prefers to describe himself as a songsmith, because he sees himself more as a craftsman that is considering all aspects of music and not only the lyrics. Standing front and center on stage, he is wrapped in layers of song structure, lyrics, tone, and delivery. The placement of the bridge. Where to start the chorus. How does it relate to the previous song.
“It’s important to think all of those things through,” said Flach. “I think the difference between writers and craftsman is that [a songsmith] thinks of all the angles, and tries to approach it as a total project and not just song. … I like that term “smith” because it makes me feel like a craftsman. That’s important to me.
Flach began writing songs that spoke of social strife — politics, racism, division and corruption — and stories of love, loss, heartache and salvation. He said he was heavily inspired by Reed’s critically acclaimed album “Berlin,” which does the same. Stories, he said, that come through the “eyes of empathy.”
“It’s an interesting world we live in,” said Flach, who said he doesn’t feel today’s pop music speaks to today’s problems — drug addiction, financial struggles and Washington politics. Though, he said, music is often an escape for some people, “but I also know there’s a place for songs to be realistic,” he said. “Sometimes things happen that we prefer didn’t. I think having a song or two about it wouldn’t be the worst thing in the world. It might be comforting at times to have that relatable song that we can go to that helps us square up with reality and be aware of what’s going on around us. Another part of it comes through the eyes of empathy. Because, there are people out there who are struggling, and go through different things than we do. They may not have a use for a poppy song. It doesn’t really reflect their life at the moment, and I hope that anything that happens to someone, that’s not quite ideal, is temporary. Maybe in that moment, they could use a song or two that speaks from where they are coming from. … That place of empathy is where I’m coming from.”
Flach said opportunities have presented themselves to him since the release of “Empty Mansions.” Aside from opening this year’s MOVE Music Festival with a sold out show at Cohoes Music Hall, people have approached him about collaborating. Though he is currently writing for another release, no timetable is set for a second album just yet. He plays next at the Dana Park free concert series on Monday, Aug. 7, with Let Go Daylight and Two Guys in Albany.
This article was originally published by The Spot 518.
-
Guitarist Cal Kehoe Talks ‘Limbo’ and more on Under the Scales
Cal Kehoe one of the newest guitarists in the jam/rock scene, employs looping or a full band to bring together elements of Phish, My Morning Jacket, Pearl Jam and Red Hot Chili Peppers, to name a few. His sound draws comparisons to Andrew Bird, and most notably, Keller Williams. With a distinct unique style that makes looping look easy, Kehoe employs rock and soul influences into his music and recently collaborated with Phish lyricist Tom Marshall to produce “Limbo,” recently released on Spotify and iTunes. The song was produced, mixed and engineered by Greg Giorgio (The National, Kurt Vile, Local Natives) at Tarquin Studios in Bridgeport, CT. Nick Burns, an Emerson film graduate edited and directed the video below.Kehoe said of the collaboration, “It was an honor to work and write with Tom. I’ve been listening to his podcast “Under The Scales” religiously every Monday since the day it came out and I have learned so much more about the Phish community and the heart and soul of the Phans involved. I’m looking forward to playing with Tom, Anthony Krizan and the members of the Amfibian All-Stars at the Iridium on July 25th for our Phish Baker’s Dozen after show.”

Tune into the Under the Scales interview with Cal and stay up to date via Facebook, Twitter and Instagram. Tune into the episode on iTunes or listen here. -
Mountain Jam 2017 Keeps Pumping out Great Jams
Mountain Jam Music Festival in Hunter, NY celebrated their 13th anniversary with a tremendous lineup of legendary, famous and diverse musicians. Passes to Mountain Jam were an unforgettable gift for Fathers Day!
You know you’re on a ski resort when you see ski lifts overhead and snow machines beside you. RV’s and tents were discretely and comfortably located making for exceptional accommodations. Only a bit of cool light rain cast a shadow, but it’s cooling was welcome.
The Thursday night pre-party crowd packed The Healy Brothers Automotive stage in Hunter Lodge for Marco Bennevento Band, who warmed up the audience with their rendition of Sunday’s Headliner Steve Miller Band’s “Fly Like an Eagle.” Most of the hits they played were from their newly released album Live from Woodstock. Closing out the pre-party and reappearing on Friday night was adopted Brooklyn son Sinkane. He’s an English man via Sudan who blends kraut-rock, progressive-rock, electronica, free rock, funk and Sudanese pop, creating one big late night dance party.
The endurance award goes to the energetic Andy Frasco and the UN. The joyous smiling Frasco with his giant wavy afro played five different times during Mountain Jam. Twice he performed impromptu because he’s so much fun to dance to. Andy’s energy is so contagious the audience just needs to let loose.
The star of Friday and perennial crowd favorite was Colorado’s own The String Cheese Incident. For their debut to Mountain Jam the band played a distinct blend of rock and jam grass for about three hours. They played twenty songs spanning their 23-year career. They encored with their song “Nothing but Flowers.”
Seattle’s own The Head and The Heart also performed earlier on Friday playing energetic folk rock blended with beautiful harmonies. Their catchy tunes made for a fun sing-along. Also from Colorado was Elephant Revival who delighted Hunter Mountain with a mix of folk and bluegrass exporting the Rockies to create a Colorado high that was thoroughly delightful
Toronto’s own highly anticipated Glassnote recording artists The Strumbellas brought an exciting mix of pop folk rock. Their performance of “Spirit” lived up to The Mountain Jam video preview with the whole crowd singing along almost knowing all the words.
Warner Brothers recording artist Gary Clark Jr, a recent guest on the CBS show NCIS New Orleans brought soulful blues which rocked the mountain. He sure did not disappoint the ladies. His shredding on the guitar echoed legendary blues musicians in a Louisiana blues tradition. He’s scheduled to open for Eric Clapton in Los Angeles in September. (Did I tell you the line up was fabulous? Let me say it again).
Shovels and Rope project a big booming sound for a Southern rock duo. Hailing from South Carolina the couple delighted the crowd featured their 2013 song of the year “Birmingham.”
Saturday’s headliner Tom Petty and the Heartbreakers would have been great alone but bringing out Marty Stuart was a bonus guest playing on a classic hit. He also played plenty of hits including “Mary Jane’s Last Dance,” “I Won’t Back Down,” “Free Falling” and “Refugee” which turned Mountain Jam into one big sing-along. The crowd knew every word of all his songs including songs from the 90’s album Wildflower.
The handsome 6’4″ Matisyahu, a Jewish American reggae vocalist and beat boxer played hits like “King without a Crown” and “One Day.” Best of all Matisyahu introduced his new album Undercurrent. Performing with his band, we were truly wowed by his control of the audience
Michael Franti, a Bay area native led the crowd in the Sunday morning yoga session. Later he and his band Spearhead played a really fun afternoon love-dance set. Encouraging the crowd to dance together and mingle was just more joy to compliment the beautiful sun shining day. His special guests were Lucas Nelson and his percussionist to magnify his great party atmosphere on this beautiful bright sun shining day, playing his hits “Say Hey” and “Sound of Sunshine.” His spouse, an ER nurse inspired their foundation Do it for the Love, supporting the terminally ill. Please go to their website and nominate a deserving hero today. It’s free for all to do.
Nashville and Hollywood Walk of fame recipient Peter Frampton sparkled as ever with phenomenal musical energy playing all his hits including “Show Me the Way” and “Do You Feel Like I Do.” He played “Black Hole Sun,” a tribute to acknowledge the recent loss of former tour mate Chris Cornell. His use of the talk box made it one of the coolest cover renditions I have ever heard.
Top headliner Steve Miller Band closed out the fabulous Jam. Recent Rock and Roll Hall of Fame inductee The Steve Miller Band played an energetic sing along set including their most popular hits “Abracadabra,” “The Joker” and “Fly Like an Eagle.” The hi-light of the set was when he brought out Peter Frampton to play a rocking blues hit that awed the audience with all their skills.
With so many great bands playing with such beautiful weather, Mountain Jam 2017 was one great festival, so if there are some bands on the lineup you love, buy some early bird tickets and go jam on the mountain because you will have a blast!!!
-
Saranac Jams Lineup Includes Taking Back Sunday, Dark Star Orchestra, Dirty Heads, Get The Led Out
Saranac Brewery has booked some exciting jams and shows this summer. American Reggae bands Dirty Heads and SOJA will be taking the stage on Tuesday, June 20. Zeppelin tribute band Get the Led Out will perform Friday, July 21. Grateful Dead tribute band Dark Star Orchestra will be playing on Tuesday, Aug. 1. Alternative rockers Taking Back Sunday are slated to play alongside Every Time I Die and All Get Out on Friday, Aug. 18.

Saranac Brewery, located at 830 Varick Street in Utica, offers summer music events, a tavern on site, tours, and a gift shop. See the website for more information and hours of operation.
Saranac Jams Lineup
June 20 – Dirty Heads & Soja with the Green, RDGLDGRN
July 21 – Get The Led Out
Aug. 1 – Dark Star Orchestra
Aug. 18 – Taking Back Sunday with Every Time I Die, All Get Out -
Eddie Angel Comes back Home, and brings The E Street Band’s Garry Tallent for a Show in Troy
Rensselaer native Eddie Angel is coming back home, and he’s bringing along a guest.
The former Star Spangled Washboard Band guitarist has not been a stranger to the Capital District since he moved down to Nashville in 1984. When he’s not performing with his band, the Los Straitjackets, he still gets together with Johnny Rabb to tour regularly as members of The Neanderthals. But, Angel’s recent plans don’t involve getting pre-historic on a local audience. He will, however, be tipped a hand to his familiar rockabilly roots during a May 9 performance at The Hanger in Troy.Angel is currently touring with Garry Tallent, a Rock and Roll Hall of Famer and the only founding member of The E Street Band (sans Bruce Springsteen) still performing. It’s Tallent’s first solo tour since he started playing along with those kids from Asbury Park 46 years ago. And, he does so in support of the release of his Break Time LP.
“Fans always wonder what it is I do between E Street Band tours: This is my answer,” Tallent told Backstreets Magazine, a quarterly periodical exclusive to news on Springsteen. The E Street Band has long been associated with Springsteen since the 1973 release of Greetings from Asbury Park, N.J.
Break Time is the E Street bassist’s first solo album, on the label he co-owns, D’Ville Record Group. Initially available only on vinyl and digital download, a CD edition is to be released later this month. The 12-track release serves as an anthology of American rock and roll in several different forms: from Cajun to honky-tonk, rockabilly, and rhythm and blues.
“They’re my songs,” said Tallent, “and I chose the ones that fit the mold of the album that I was trying to do, which is my tribute to the ‘50s. That’s always been my favorite era of music.
“It’s not a Bruce Springsteen record.”
Angel co-produced the album at Tallent’s Moon Dog Studios in Nashville. They are joined on the album by Johnny Cash’s bassist Davie Roe, and the versatile Fats Kaplin on fiddle, mandolin, and banjo. Also appearing on the album is Jimmy Lester on drums, Dave Roe on standup bass, Randy Leago on accordion and Kevin Mckendree on piano. It should be noted that E Street band mate Nils Lofgren sings harmonies on one of the tracks, too.
Tallent has spent nearly half a century playing alongside Springsteen. In those years, there have been a handful of E Street Band members who have stepped out on their own to make a name for themselves. Before his death in 2011, Clarence Clemons released several solo albums, and was featured with Aretha Franklin, the Grateful Dead, and Jackson Browne, with whom he charted a hit single “You’re a Friend of Mine” in 1985. Most recently Steve Van Zandt appeared prominently as an actor in the hit cable series “Sopranos.” Despite his band mate’s successes, Tallent has only now struck out on his own.
And, Angel is right along with him.
At first glance, one can’t see how a Jersey boy and a Rensselaer kid managed to cross paths. But, it’s a friendship that goes back more than 20 years. Angel said it’s based upon a mutual love for good ol’ rock and roll.
“We’re both fans of ‘50s rock and roll,” said Angel, who can recall his first love for music involving The Beatles and its 1964 release of “I Want to Hold Your Hand.” “But, this is the first time we’ve done something like this. It’s the first time Garry’s ever done a solo tour. When he called me up a few years ago… he asked me if I could help him produce and play on it, I was really thrilled. I was very flattered that he would think of me. Because, he could ask anyone, you know?”
Break Time is Tallent’s interpretation of rock and roll’s roots. It’s not Top 40, and not alternative. Tallent and his band play a sound that is steeped in rock’s primordial soup that produced Chuck Berry, Buddy Holly and Lee Dorsey. Despite it not fitting into your typical radio format of today, it’s still very popular.
“It’s like asking why blues is still popular today,” said Angel. “There’s no time limit on it. When I hear on the radio, Chuck Berry or Jerry Lee Lewis, that never sounds dated. When I hear a Madonna song, it sounds dated. Something from the ‘90s? It sounds dated. So, I think there’s something classic in that music. A timelessness.”
Just a few days prior to the launch of the tour, Angel said he was looking forward to coming back home to the Capital District. Though Nashville was where he struck out to pursue his music career more than 30 years ago, he said he still won’t see it in the same way he does Rensselaer.
“It’s a great city but it’ll never be home,” said Angel. “My dream is when we become empty nesters, we’ll come visit in the summer. We won’t ever move back. We can’t afford New York state taxes.”
This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
-
Hollis Brown in the Kitchen
Hollis Brown markets itself as an American rock band which, lately, is the best way to describe groups that lean towards the origins of rock and roll — a little bit of blues, a little bit of soul and a splash of funk.
Listen to Hollis Brown’s latest single, “Run Right To You,” off its October release Velvet Elk, and you’ll hear nothing that resembles the fabricated sound of Top 40 radio, or anything that would remind you of their home. The band takes its name from Bob Dylan’s “Ballad of Hollis Brown,” which opens with “He lived on the outside of town.” Vocalist Mike Montali said the homage pays respect to what he perceives to be the song’s message of redemption and rebirth. He and band co-founder Jonathan Bonilla call Queens home. Along with drummer Andrew Zehnal, from Cleveland, keyboardist Adam Bock, from St. Louis, and bass player Brian Courage, from Long Island, they play a sound that’s more in place at a roadhouse in rural America than your coffeehouse in neighboring Brooklyn.

“We somehow fit in though,” said Montali, who admits the roots-edge sound of Hollis Brown clashes against any dance scene perceived to come out of Manhattan or Long Island. “New York, historically, has had a lot of great bands come out from all different styles and great songwriting. So eclectic, that it’s hard to really define.’
“In particular with the New York scene, and the press, we’re outsiders for sure, in a way,” he said. The perception, however, is only reality to those expecting a band with “a couple of iPads and some synth.”
“We do really well in New York,” said Montali. “It’s home, and it’s been good to us.”
Since forming in 2009, Hollis Brown has attached its name to Lou Reed, Bo Diddley and the Counting Crows. Its 2013 debut album Ride On The Train, garnered song and video premieres from Rolling Stone, Paste and American Songwriter, along with placement in several movie trailers and an online ad campaign for Abercrombie & Fitch. Following a Reed tribute concert in New York City, Alive Naturalsound asked the band to record a tribute to the Velvet Underground’s Loaded as a limited-edition vinyl release for Record Store Day 2014. Hollis Brown Gets Loaded took on a life of its own, with airplay on influential radio stations, resulting in a full CD and digital release.
Locals who didn’t catch Hollis Brown’s music through the above likely caught on when the band tagged along with Counting Crows and Citizen Cope when the three played the Saratoga Performing Arts Center in the summer of 2015. Still relative no-names, the band that sounds nothing like New Amsterdam garnered the admiration of Crows’ frontman Adam Duritz. Duritz, who updates Twitter more often than President Trump, constantly expressed praise towards Montali and his crew.
“I think that’s pretty rare for a guy with his level of success,” said Montali of Duritz. “He’s a fan first. He always has been, more than a musician, himself. He loves music and he loves the process of seeing bands starting out in their hometowns to become national acts. … We’re fortunate that we got on his radar and made good friends with him.”
Flash forward to 2017, Hollis Brown will tour across the country with stops at Mountain Jam, Karoondinha Festival and more. “Steady Ground” is a featured-exclusive on Amazon’s playlist Amazon Acoustics. The band’s vinyl EP, Cluster of Pearls, was chosen as one of the 300 select releases throughout the world for Record Store Day last year. “Cluster of Pearls” followed the 2015 release 3 Shots, which featured Diddley’s collaboration “Rain Dance,” and the duet “Highway 1” with acclaimed alt-country songstress Nikki Lane.
This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.











