Category: Features

  • Saturday at Rochester Fringe Festival: Rocking with The Demos and Penthouse Views

    Excitement abounded downtown on Saturday September 16, the third day of the KeyBank Rochester Fringe Festival. With hundreds of shows on dozens of stages over a span of ten days, there’s a lot to see and do. I made my way down East Main Street of my native town, heading towards Parcel 5 to catch a set by power pop band The Demos and the second and final night of Plasticiens Volants. A sign on the corner of East Avenue invited festival-goers up to the building’s penthouse terrace. I kept that in mind for later, and continued on to the stage.

    The Demos were scheduled to play at Fringe Festival last year, but the show was called off due to rain. This time, the weather couldn’t have been better – a warm and sunny end-of-summer day. Native Rochesterians and visitors filled the square, milling about or relaxing on blankets and lawn chairs. Tonight, the stage was decked out in strands of fairy lights, with lawn flamingos perched about – the same flamingos from the videos The Demos used to promote their show.

    The band wasted little time on sound check, diving right into a cover of Velvet Underground’s “What Goes On.” While The Demos rocked out, the stage was flanked by a pair of girls with light-up hula hoops, who spun the circles with acrobatic skill to the rhythm and tempo of the music. Bubbles floated around the stage, carried by the wind from the street performer on the corner. The atmosphere was buzzing with a sense of fun and excitement, and people were drawn towards the sights and sounds of the stage.

    Members of the band were having fun, too, exchanging smiles and glances as they played “I Don’t Mind” and “Clearly” from their last release, Paramount Clouds. The synthesizer plays a particularly prominent role on these numbers, with Caela Moore grooving out at the helm of a double deck of keyboards. Frontman Jay Milton was on top of his game tonight, putting everything he had into the performance, from rich vocals to on pointe guitarwork.

    A rousing rendition of “Veronica” got the audience clapping along. They added some twists to the song, a few call-and-response-style lines sung by bassist Cal Saunders that aren’t on the version they recorded for their full-length album Lovely. Drummer RJ Papaleo may be the newest member of the band, but he didn’t miss a beat as they dug into the catalog of songs from the band’s archives. Jeremiah O’Reilley is also relatively new to the band, but has been a fan since the early days, and slipped seamlessly into the role of guitarist.

    The crowd continued to swell as the sun started to set. Jay asked the amassing audience who among us has seen the band before. A sea of hands flew into the air, with cheers. He asked who had been coming to see them since he and Cal started 15 years ago. There were still some hands in the air. “This one’s for you,” Jay said as they started playing a song called “Don’t Give Up On Me.”

    The tempo slowed a bit as they did a couple more stripped-back songs, starting with “Shooters and Fixers.” Then they played a new song, “All I Need,” a bittersweet ballad featuring Caela on ukulele, Jay on the keyboard, and Cal singing harmony. Jeremiah, his services not needed on the stage, took the opportunity to come down from the stage and dance with his wife. He hopped back on stage for a couple more new songs.

    The sea of people were nodding and moving along to the new tunes, but when the band followed them with their hit “Hardly Done,” people started singing along. Another new one, “Risin’ Up,” represents a departure from their typical lyrical themes. This anthemic song has more of a political bent. “People rising up, they’ve all had enough,” Jay sings. “Where do we go from here?”

    The pinnacle of the set was “Better.” The groovy pop song with a sweet hook peaked with a solo in which the instrumental sounds came crashing together in a frenzy of noise, amassing in a sheer wall of acoustic energy. The 75-minute long set concluded with an ode to Rochester called “My City.” They took a quick moment to thank their manager, friends and families before being whisked off the stage. Around me, a group was chanting for an encore, but Plasticiens Volants‘ “Big Bang” show was about to begin.

    Still buzzing with adrenaline and not ready to call it a night, I retraced my steps to The Penthouse at One East Avenue to scope out the scene. The 11th story penthouse is now a hip, upscale event venue which offers a unique perspective. The sleek interior does not detract from the view through floor-to-ceiling windows, and glass doors give way to a wraparound outdoor terrace. In the center of it all is a small bar which offers a selection of beer, wine, and spirits. In addition to private events such as weddings and corporate meetings, they’ve also held a series of musical performances and silent disco. Coming up on September 21 is a Bacon and Bourbon tasting, and on October 28 they’ve planned an interactive mystery night. Tonight, they’re open for viewing the events at Parcel 5, including the second and final Rochester performance by French street theater troupe Plasticiens Volants.

    Walking the length of the balcony, I witnessed the city alive with lights across the skyline glowing and traffic bustling down the main arteries. A crowd was already jockeying for position along the railing for a look at the multi-media show by Plasticiens Volants, featuring balloons the proportions of Macy’s Day Parade handled by puppeteers who walk through the crowd, a mix of narration and world beat music, pyrotechnics, lights and mirrors. For a more in-depth description, read the review from Friday night’s performance.

    The Demos’ next show is the Floated Halloween Bash at the Bug Jar on October 21. Find their music online at Bandcamp, iTunes, and Spotify. Read more about the band in their interview with NYS Music.

    The Demos’ Setlist: What Goes On (Velvet Underground), Regal Dimensions, I Don’t Mind, Clearly, Bobby Pins, Veronica, Impossible, Another Day, Only Want The World, Nervous, Truth & Lies, She Lives in Pictures, All I Need, We Could Do Anything, Elegant Ties, Not Coming Down, Hardly Done, Risin’ Up, Life’s A Gas (T. Rex), Better, My City

    Rochester Fringe Festival runs through September 24, with a wide variety of music, theatre, comedy, and other entertainment. Advance ticket purchases are recommended, as shows do sell out. For more information, visit RochesterFringe.com.

  • of Montreal Gets Weird in Ithaca

    of Montreal played to a full room at The Haunt in Ithaca on September 11. They brought with them their experimental pop led by lead singer and founder, Kevin Barnes. Barnes, who is sort of an androgynous David Bowie type, kept the crowd into it with his energy and interactions with the fans, along with the costumed performers that intermittently crashed the stage. You can check out their latest EP Rune Husk from early this year. They are still touring though the end of they year, but you’ll have to be down south or on the west coast to catch them.

    of montreal

  • Rochester Fringe Festival Starts Off with a Bang

    The city was alive with the sound of music Friday, September 15. Dozens of venues throughout the downtown Rochester area are participating in the fifth annual KeyBank Rochester Fringe Festival, featuring more than 500 music, art, and theatrical performances over a 10-day timeframe. I spent the evening at Parcel 5, the site on Main Street on which Midtown Plaza once stood. The plan for tonight was to catch a theatrical performance by French troupe Plasticiens Volants and a set of music by local legends Teagan and The Tweeds.

    Teagan and The Tweeds

    Upon approach to Parcel 5, I heard strains of syncopated reggae rhythms filling the air. Festival goers lingered around the lot, some heading closer to the stage, and others staring in fascination at props for the Plasticiens Volants show, and others joining the lines of food trucks parked along the street. Reggae music, courtesy of Rochester’s Noble Vibes, gave way to the sound of bagpipes from Rochester Scottish Pipes and Drums, as people continued to pour into the square.

    The sun went down, and the lights came up on the far end of the lot. Plasticiens Volants began to perform a show they call “Big Bang.” Although the French street performance troupe was founded in 1976, this is their first time on tour in the US.

    Curiosity abounded as people young and old were drawn to viewing a video projected onto an inflatable globe. Narration spoke about the origin of life. A film began, which showed the evolution of civilization. The significance of the experience was not lost on those who grew up in Rochester, the birthplace of modern photography and film.

    Shadow puppets were incorporated into the visuals, and speakers pumped world music with a heavy techno beat. Suddenly, large inflatable balloons came to life, lifted by puppeteers who carried them through the crowd. Seashells and fantastical beasts and planets soared above the crowd, dipping and swaying to the music.

    Children on tiptoe stretched their arms to the star-studded sky to brush the balloons with their fingertips. The music and narration told the story of The Big Bang as a sci-fi fantasy. The magnificently choreographed spectacle ended in a light display, with mirrors like facets of diamonds catching spotlights and splaying beams of light across the city skyline.

    Teagan Ward of Teagan and The Tweeds posted a video of Platiciens Volants on social media as they prepped for their set, the final event of the night at this location. People gravitated towards the stage as the band cranked out boot-stomping tunes.

    This was my first time seeing the band, and I was completely enraptured. My jaw dropped as I watched Teagan, a barefoot blonde bombshell, belt out whiskey bar blues.

    Once the mesmerized gathering got over their initial shock, an impromptu dance floor opened up in front of the stage. Drummer Alfredo Encina provided a strong backbone and bassist Jeremy Stoner laid down grooves as deep as the day is long. They provided a foundation for Katy Wright’s stellar performance on the keys and Lou Giglio’s fancy fretwork. Tommy Formicola took it on home with his pedal-steel guitar.

    The people behind me must have been fans, because they knew all the words to “Morning Glory” and “Give It Up or Let Me Go.” They even played a new song, “Route 100.”

    Elsewhere, the city-wide party was still going strong. A silent disco was about to rage around the corner at the Speigeltent. Attendees donned headphones, through which they could switch between channels as three DJ’s in the tent dueled for the crowd’s favor. The dance wound down at 2am. (If you missed it, don’t worry, they’ll do it again on Saturday September 16, Friday September 22, and Saturday September 23.)

    Plasticiens Volants will reprise their performance on Saturday, September 16 at 8pm. Arrive by 6:30 to catch local pop band The Demos, and plan to stay late for Ithaca’s Big Mean Sound Machine.

    Rochester Fringe Festival runs through Sunday, September 24. For a complete listing of events, go to the website. Advance ticket purchases are recommended, as several shows have already sold out.

  • X Ambassadors Release ‘Ahead Of Myself’ Music Video in Advance of Hometown Festival

    Ithaca natives, X Ambassadors, have released their new music video for the single “Ahead Of Myself,” which was released this past July. In what’s sure to be another hit for the band, the video was filmed near Rochester.  Frontman Sam Harris put in an amazing vocal performance, singing the song live for the shoot instead of the usual lip syncing as he and the band walked the streets of Monroe.

    Harris recently talked with Billboard about the new music video. He stated:

    We’ve done the narrative film structure of the music video. We’ve done full-on big performance video with lights and stuff and we wanted to do something that felt really intimate and real, authentic, so we shot this video in upstate New York, in Rochester. We’re from Ithaca, New York, upstate. My grandfather used to work at the Kodak building in Rochester.

    Syracuse.com also reports, according to Billboard, Harris wanted to do the live vocal take to feel more intimate, real, vulnerable, and in the moment. The singer avoided alcohol and fried foods for a week in preparation for the vocal video performance. X Ambassadors left an Easter egg in the new music video, as Harris is seen walking into the Monroe movie theater at TMAAC, the marquee above says the word “Joyful,” the band’s next single.

    X Ambassadors will co-headline, along with the Roots, the inaugural Cayuga Sound Festival at Stewart Park in Ithaca on Sept 23. The band hit number one on the Billboard Top 40 in 2015 with the hit “Renegades,” which also became a commercial tie-in for Jeep Renegade. The alternative rock group was formed by Harris, his brother Casey, and childhood friend Noah FeldShuh. The trio went on to college in New York City where they met drummer Adam Levin while attending the New School in 2006. XA blew up all over the N.Y. music scene, and were eventually signed by Interscope Records after Imagine Dragons frontman Dan Reynolds heard an acoustic version of their song “Unconsolable,” on the radio while in the hospital. Reynolds told Interscope to sign the band right away.

    The band’s inaugural festival, Cayuga Sound takes place this weekend in the band’s hometown. The official pre-festival parties Friday night at The Haunt and The Dock will feature live music from Jukebox the Ghost, Mail the Horse, the Blind Spots, Namahrah, the Miserable Genius, No Comply, Tender Cruncher and Beau Mahadev.

    Saturday night will be co-headlined by X Ambassadors and the Roots. There will be two stages at Stewart Park, with artists rotating throughout the day. General admission tickets are still available through Ticketfly. Special VIP packages are sold out. For more information about Cayuga Sound, visit the festival’s website here. See the new video from the band below.

  • Hearing Aide: Ocular Panther ‘Insistences’

    Ocular Panther, a prog rock band hailing from Rochester, NY, recently released their new album Insistences. With interesting chord progressions and guitar riffs, each song has a new, fresh sound that is easily distinct from the rest. Each track has an extremely full sound through the harmonies of each instrument, giving way to one large, almost orchestral sound. The band consists of members Jason Gilly (bass), Michael Pantano (guitar/programming), Collin Jones (guitar), and Tristan Greene (Drums).

    The largest thing that sticks out is the repetition of the beginning riffs. Everything starts out simple and gradually builds almost to the point of being out of  control but is as chaotic as can be while remaining clean. In “Protactinium” the basis of the whole song stems from the beginning guitar riff, which is gradually added on to with accents from other instruments, leading up to a finale ripping guitar solo and finally ending with a sudden halt amidst all the disarray while avoiding a sloppy finish.

    The final track “Ellipses” is easily the most avant garde of the whole album. Filled with white noise and other sounds indicative of outer space, the title of the track is a message that there is a lot more to come from this band.  So, prog rock fans get ready, because Ocular Panther isn’t finished yet!

    Key Tracks: Protactinium, Marking Houses, Ellipses

  • JRAD Announces Extensive Fall Tour, Including 10+ East Coast Dates

    During an absolute barrage of topnotch shows and tours coming up this fall, one revelation proves to be the most stirring.  Joe Russo’s Almost Dead have carved more than a niche for themselves in the current jam rock landscape, and it’s reflected in their unbelievable ticket sales and current momentum.  Joe and the boys gained some real notoriety over the summer, playing and arranging the Dead’s music in a genuinely awe inspiring style at several festival dates including Peach Festival and two nights of Lockn, as well as a sold out two-night run at the Capitol Theater.  Beginning in October, the RADness will continue with six sold out dates at the Brooklyn Bowl, with the first run being Oct. 5-7 and the second weekend being the 12-14.  Following later that month will be a pre-party for Hulaween Festival down at Suwannee in Florida.  After a brief west coast sabbatical, JRAD will be back in late November for several more sold out bangers in Philadelphia and Boston. See below for full schedule.

    Having already seen over 10 JRAD shows this year, nothing excites me more than a proper tour just over the horizon.  Call ’em a cover band all you want; they’re playing the Dead’s music better than any touring band in the scene is playing their own music currently.  The quartet is beyond a force to be reckoned with.

    Tour Dates:

    At the Brooklyn Bowl – October 5*, 6*, 7*, 12*, 13*, 14*

    At Suwannee Halloween – October 26

    At the Teragram Ballroom in Los Angeles, CA – November 9*, 10*

    At the Fox Theater in Oakland, CA – November 11*

    At the Fillmore Philadelphia – November 24, 25*

    At Dominican Holidaze in Punta Cana, Dominican Republic – December 1

    At the House of Blues in Boston, MA – December 8*, 9*

    *= SOLD OUT

  • Vulfpeck Rocks Brooklyn Steel With Sold Out Show

    The Ann Arbor, Michigan born quartet Vulfpeck took the Brooklyn Steel stage Friday, September 8, as well as the following weekend, before departing for their upcoming tour in Europe. The venue holds a max capacity of 1800, as well as multiple bar areas and a mezzanine. The Brooklyn Steel is a popular new theatre in Brooklyn, and was the perfect setting for Vulfpeck to perform a great show. The show was entirely sold out, but the crowd was very laid back before the show started, something not common in a crowded setting like this.

    Multi-instrumentalist Joey Dosik was the opening act for the night, but he was not alone, accompanied by Vulfpeck’s Theo Katzman. Katzman played both bass and drums for this portion of the evening. Dosik elicited large amounts of excitement from the crowd, who seemed to be starstruck by his acapella rendition of “Stories” by Bill Withers. His tone and dynamic control were something to behold, and he seemed to be humbled by the praise he received. When his set ended, he then joined Vulfpeck on the stage and played along side them for the rest of the night, this time equipped with a saxophone. The vibe of the show was incredible.

    While Vulfpeck performed, everyone in the venue became a unit. There was a magnetic pull that draped over the crowd like a blanket, and it seemed that not one person was standing still. With high energy, dancing, and lots of hollering, the people of the crowd could be seen having the time of their lives, living in the moment and through the songs the band banged out with expertise. Vulfpeck’s setlist for the evening contained some of their most iconic songs, such as “Daddy’s Got A Tesla,” “Game Winner,” and “Back Pocket.” However, not one song was played live in the same style as the studio version. Improvisation was a driving force at this show in the best way possible. They fed off of each other musically, trading ideas and including the crowd whenever possible.

    vulfpeck brooklyn steelThe crowd harmonized as a group a number of times, the harmonies led by Theo Katzman. Not only that, but Vulfpeck spoke to the crowd like they would to a friend. The atmosphere was comfortable, and Vulfpeck made it easy to relax and enjoy a quality night of music. The acoustics of the venue were crisp, making each sound travel smooth and clear. Vulfpeck is a force to be reckoned with, being arguably one of the most diverse and unique music groups in the scene as of right now.

  • Exclusive Premiere of ‘ANTS’ by NYC Ensemble Shouthouse

    Shouthouse, a 16-piece chamber orchestra from New York City has released their latest has released their single “ANTS” through NYS Music. Combining elements of jazz, hip-hop, and classical music, Shouthouse brings together talented artists from various backgrounds to achieve a new form of expression through powerful music while telling stories through notes, structures and words.

    ShoutHouse began in 2012 as members of the afrobeat/hip-hop band Yes Noyes collaborated with orchestral musicians and composers. Over the past five years, the group has grown into a small orchestra and a large community of performing artists. Altogether, the project includes more than fifty musicians, dancers, visual artists, poets, and rappers. In 2016, Shouthouse worked with hophop and classical dancers, to develop choreographed performances, first presented at The DiMenna Center as part of their CrossCurrents series.

    “ANTS” is part of a series of pieces that reflect on New York City, imagined through different time periods. Shouthouse’s upcoming album has pieces that are about the distant past, 1940’s New York, and the distant, dystopian future. For “ANTS”, pianist Will Healy shares “We were thinking about what modern life is like in an urban hive – a combination of massive, overwhelming concrete and exhilarating, fast-paced life. The track is constantly active with notes and fast changes, and the lyrics are full of stories, metaphors and references that all circle back to the concept of being a part of modern day life as specks in the big city.”

    “ANTS” features Bush Tea and Nuri Hazzard, with music by Will Healy. The song was produced by Harrison Keithline and Tyler Wood and mixed and engineered by Jack Frerer, with additional editing from Mikkel Christensen and Skei’n Studios. Shouthouse’s orchestra includes Megan Atchley (violin), Allison Mase (violin), Drew Forde (viola), Olivia Harris (cello), Luiz Bacchi (bass), Jack Gulielmetti (electric guitar), David Valbuena (clarinet), Kelley Barnett (flute) Jesse Greenberg (vibraphone/glockenspiel), Aaron Ewing (drumset), Will Healy (piano) and conducted by Alex Burtzos.

    Stay tuned next week for the premiere of Shouthouse’s video for “Ants,” exclusively from NYS Music. Follow Shouthouse on Facebook, Instagram, Soundcloud and YouTube.

  • Wild Woods Festival: An Intimate Affair

    Driving up the long dirt road to Page Farm, you start to realize just how far away from civilization you are. The trees get thicker, the houses scarcer. This comes as very good news because things get a little crazy once the sun sets on Wild Woods Festival.

    This small festival comes from the minds of Greenvibe Entertainment and founder Ryan Dubois. In its fourth year, Wild Woods had its best year yet, unfolding August 11-13. There’s something amazing about this place that you just can’t seem to put your finger on. It has an almost familiar feel to it.

    The campgrounds are tucked away in the forest, trails winding through with lights hanging overhead for when the day gets dark. As you walk out from your site, you pass a vendor village with treasures and trinkets of all kinds. A little further, you pass through a towering gate into an open field. Surrounded by trees on every side, you can’t help but feel at home. Every inch of the grounds feels like the woods you played in as a child. Except here, there was a wonderful lineup of music to be played.

    Strange Machines kicked off Friday with a bang. I said it last year and I’ll say it again this year: these guys had the best dance party of the weekend. Not to say it was the biggest, but the crowd was definitely dancing the hardest. Kung Fu gave us a huge dose of funk before the sun set on Page Farm and things took a very different turn. Supersyllius was joined by Lespecial for his “Lifeband” set. The main stage closed with a long intimate set from Papadosio. The crowd was really feeling it. The stage may have been small but The Reliquarium display that surrounded the stage was lit with mapped visuals. The night ended with sets from Lespecial, Esseks and Jade Cicada, rolling everyone into the early morning.

    Saturday was really quite a surprise. The threat of rain was constant and lightning in the distance was alarming at times but never came too close. Honestly, it made the whole night that much more memorable. The slight drizzle that came with it danced off of the lights and lasers. Local favorites, Harsh Armadillo, really brought the crowd to life that evening. It’s really hard not to dance to their high energy funk. The same could be said though for Hayley Jane and the Primates and Giant Panda Guerilla Dub Squad, both giving the crowd incredible shows. Hayley Jane was accompanied by her good friends in The What Collective. Their choreographed dancing was a really cool touch for the Primates’ set.

    New Hampshire’s own Roots of Creation played a very unique “dubtronica” set for the crowd. This is something the band is pretty used to playing. They love to put their own spin on the dub/reggae sound so it was a real treat to be able to get a lot more out of this set. Greenvibe was really proud to have Papadosio join the Wild Woods lineup this year, and the crowd was more than thankful. Their incredibly beautiful and deep tracks filled the field with violin and heavy bass sounds. The whole festival was in attendance for this set. The night finished with a huge set from Mr. Bill and Govinda played us deep into the morning with his mesmerizing tracks. Music bounced off the tents and tarps until the sun rose.

    The weekend was full of fun and laughter. The Wild Woods fam is a real thing, a real feeling you get after a weekend with these characters. Hopefully Wild Woods will return next year. If so, we can be sure that it will continue to live up to its name.

  • Photo Gallery: The Werks at Bearsville Theater

    The Werks arrived in Bearsville, NY fresh off a performance at Last Daze of Summer Music Festival in Sterling, NY. They capped off Labor Day weekend with their first ever show at Bearsville Theater, with an opening performance by Dharma Bums.

    Photos by Jim Rice

    Setlist: Fire Eater, Fly Like an Eagle, Slab, Waiting Room>Lights Out, Drop, Duck Farm

    Encore: Into the Moss

    the werks bearsville