NYS Music 20​17

Author: Ben Albert

  • Rochester’s Anthology to Host a Three Night New Years Marathon

    It should come at no surprise that there is a staggering amount of music roaring into New York the weekend of New Years Eve. One noteworthy music venue illustrating this trend is Anthology in Rochester, bringing concertgoers a three-night music marathon over New Years. On Friday, Dec. 29, Rubblebucket soars into Rochester with special guest, Cuddle Magic. Following that, Forever Party, a two night reggae-infused New Year’s celebration will thunder into the humble city on Dec. 30 and 31. Night one of Forever Party will showcase Ithaca’s reggae juggernaut John Brown’s Body and co-headliner, Rochester’s Giant Panda Guerilla Dub Squad. Thunder Body, another Rochester reggae powerhouse will open up the night. On night two, G.P.G.D.S. will perform again with the legendary Easy Star All-Stars headlining and the Saplings opening up the night. It’s safe to say harmonious melodies will echo through the streets New Year’s weekend.

    Indie-dance sensations Rubblebucket of Brooklyn, have developed a cult-like following in Rochester, stopping by the city annually ever since they began creating music extensively over ten years ago. Rubblebucket is set to entertain its audience with the harmonious bliss of howling vocals, a horn section, and a crunchy synth. Rubblebucket’s eccentric take on funk and pop music fuses into a genre better left undefined. Dec.29 is just the beginning of NYE at Anthology in Rochester.

    Dec. 30, night one of Forever Party, marks John Brown’s Body’s second to last show before taking an indefinite hiatus. This hiatus will hold a place in New York history as it may mark the end of John Brown Body’s nearly 25 year journey. Since their formation in the mid 1990s, J.B.B. has spearheaded the resurgence of roots and dub throughout the region, modernizing the genre, and keeping it relevant with their “Future Roots” style. This bittersweet evening will be their last headlining show for the foreseeable future. Dec. 31 will be their final show indefinitely as they open for Stick Figure at the House Of Blues in Boston.

    On Dec.31, New York City’s Easy Star All-Stars will play their internationally recognized album, Dub Side Of The Moon in its entirety. For those who missed the pun, the album is a Reggae/Dub interpretation of Pink Floyd’s historic Dark Side Of The Moon. Easy Star All-Stars masterfully echoes Pink Floyd’s mysterious psychedelia through the lens of a Jamaican rude-boy.

    Following the Easy Star All-Stars on night two of Forever Party, the proverbial reggae torch will passed to Rochester’s Giant Panda Guerilla Dub Squad for their second night in a row. G.P.G.D.S started rocking roots reggae in the mid 2000’s, creating a buzz by regularly touring and opening for John Brown’s Body. Rightfully earned, the young band grew into one of the most respected reggae acts in the U. S. Their seamless ability to cross between the genres of reggae, jam, and country has earned them the reign of Rochester’s top music festival band. On Dec. 31, G.P.G.D.S will hold the torch as they return to set the city of Rochester aflame on New Years day.

  • Interview: Folkmaster Chaz Hearne

    Just last month, after a seven-year run in Chicago, Illinois, indie folkmaster Chaz Hearne returned home to Rochester to continue his music career in his hometown. Hearne is a folk musician that enjoys the roots but is not shy to cross genres and experiment. Although banjo is his primary axe, Hearne is a multi-instrumentalist that performs everything from finger picked acoustic tunes to all-out rock anthems on banjo, guitar, piano, and violin, adding layered vocal harmonies. Regardless of the tune, Hearne performs with passion, honesty, and fragility.

    Ben Albert of NYS Music was humbled to sit down and converse with Chaz Hearne about his experience in Chicago, the message behind his conceptual songwriting, and his new politically critical concept album, Rise of Voluminous.  The conversation was recorded in collaboration with Rochester Groovecast and released as a Rochester Groovecast podcast episode.  Take a peek below and click the play button to listen to the episode.  Scroll farther below to find a timestamp of the show.

    TIMESTAMP:
    00:17: Chaz Hearne- Fun in 82
    05:12: Episode Intro
    07:19: Interview Part One
    14:11: Chaz Hearne- Spicy in The Dim Halls
    17:15: Interview Part Two
    39:29: Closing Comments
    41:21: Raw Performance by Chaz Hearn

  • Donna the Buffalo Poised to Stampede into Rochester

    Groove-heavy americana quintet Donna The Buffalo of Trumansburg, is returning to Rochester this weekend to distribute an eclectic mash of folk, roots, country, reggae, jam and zydeco, to a devoted local crowd. Accompanied by Rochester’s own, Aaron Lipp and the Slacktones, the foot-stomping, hug-sharing, and partner-twirling will take place on Saturday, Dec. 9, at 7:30 PM at Anthology. Advanced tickets are $22.50 and the gate price is $25.

    “I love playing music. I love playing the fiddle…I love to sing. I never thought too much about it. I never wondered why I play music. I’ve just always done it. There was never anything else I was gonna do instead. There has never been a question. I was drawn to music. I love listening to it. I love playing it. Music fills me up. It’s one of my languages.” -Tara Nevins of Donna the Buffalo

    Nearly thirty years since their humble beginnings, Donna the Buffalo is warming into an extensive winter tour, traveling from New York, to Florida, to Texas, with many show stops in between. There is good reason Donna the Buffalo has toured extensively for the better part of thirty years. The group provides a dynamic high-energy performance that is at one moment completely fun-loving and carefree, then in the next, undoubtably heartfelt and deeply insightful. At every show, the audience experiences poetic stories about life, family, and the human condition. To top off the enthusiasm brought by their live performance, Donna The Buffalo brings improvisation and spontaneity to the table. The band doesn’t work off a set list, rather, co-leaders Jeb Puryea and Tara Nevins take turns choosing the next song in real time.

    When I asked Nevins if she had any advice for a young musician with aspirations to pursue the music industry, she retorted, “Do it because you love it don’t do it because you think you’ll be famous. And enjoy the journey..” I think it is crystal clear that Tara Nevins and all of the Donna the Buffalo family do indeed play music that they love, and do indeed enjoy the journey.

    If you’re in the Rochester area, check out Donna the Buffalo on Saturday, Dec. 9, and everyone, stay tuned, Donna the Buffalo is recording a new record in February.

  • In Their Own Words: Joey Arcuri of Driftwood

    Binghamton’s native four-piece Driftwood needs no introduction. However, they sure deserve one! Driftwood’s precise mix of folk, country, singer/songwriter, punk, pop, and rock has earned a grassroots following, mowing through the Upstate, NY music scene. Whether it’s with the complexity of their lyrical poetry, simplicity of the quiet melody, or the rampage of a old-timey fiddle, Driftwood continuously impresses their audience. The friendly folk family is currently working on an album with world-renown producer Simone Felice and are ready to take the world by storm. NYS Music sat down with Joey Arcuri, bassist of Driftwood. Arcuri riffed on his experience as a full time bass player for Driftwood, focusing on both the rewards and struggles of a career in music. Please enjoy “In Their Own Words,” bitesized nuggets of wisdom quoted directly from Joey Arcuri of Driftwood:

    On Bass

    Keep it simple…

    When you’re young you want to play all these notes. You want to play fast and virtuous, but, what you learn as a bassist is to be tasteful and support the group. This is the most important thing with all instruments, but especially with the bass. It’s not about you. It’s about the band, song, and lyrics. Ultimately, if lyrics are happening, the band is supporting the singer; the band is supporting the story. I learned that. I came from more of a virtuosic instrumental kind of mindset and matured into supporting the music and the song as a whole…Being that rock. Half notes are bad ass…holding it down…I didn’t see that when I was younger.

    I had a gig with a band once and they didn’t call me back. I wouldn’t have called myself back either. I was playing too fast and adding too many eighth notes. I was trying to do too much and not doing my roll. Often, you have to mess up to learn. I didn’t always have anyone telling me how to play a part properly. At the time, even if I did have someone, I probably wouldn’t have listened. Sometimes I didn’t get asked back, or i’d be getting looks instead of the high-five I was expecting. Not until that happened did I realize I needed to continue to learn and grow.

    On Driftwood

    I grew to love bluegrass, folk, and singer/songwriter music through Driftwood. Before, I didn’t love it, I appreciated it, but, playing and feeling the music of Driftwood inspired me. I remember when we were on the road and saw Del Mccoury for the first time…that was a huge thing for me, I was like, woah!

    We all write lyrics and our instrumental parts. Often at practice, someone will write a song and then present it to the group. We are all a little nervous presenting our own songs…it’s like, you feel naked, no one’s ever like ‘hey, you’ve got to hear this hot new track.’ Next, we let the parts come together naturally, and we give advice as we move on.

    Ultimately, we put the song through what we call the ‘road test.’ You don’t always know things until you perform a song live for a reacting and staring audience. For instance, you can tell so much by simply the crowds clapping and overall audience feedback. Like when you get a burner of a song, and you just kill it, the audience will give you a roar. And if something is not jiving, after the song, everyone’s just like giving a pity clap or something. There is so much to live performing I’ve learned on the road. It never stops; I am constantly learning.

    What makes a good show is when the people who come to see you dig it, the quality of sound, and our performance. Always, If  you have good sound and people listening to you, you’re going to kick ass and play well.

    Sound can be a battle. We’ve had shows where the audience just stare or they’re not really moving their heads too much.  We can tell if it’s good sound based on how the audience is looking and moving… you can feel it if the sound’s not on. It’s such a bummer! We want to share music and have it transferred in a smooth and comfortable way, and when it does go well, it’s so gratifying.

    I acknowledge I have chosen a field that isn’t always great financially like other ‘normal jobs.’ In a band, you need to all love each other… you hear the horror stories of bands that are fighting on the road. It’s so important to like who you’re making music with. I feel very fortunate. And when we’re on, I feel so blessed to be doing what we’re doing. It’s great to be a musician.

    On The Future

    We are preparing for creating and recording an album ten days in November. We are working with producer, Simone Felice. Simone is brothers with Ian Felice of the Felice brothers, a band he used to be a part of. Simone grew up a poet and a writer, and he has such an ear for words and lyrics. His reputation speaks for itself.

    We all wrote songs of our own and sent them in as demos and Simone has chosen 12 that he believes are cohesive and our strongest.  He’s helping bring together what songs go together as a whole, creating an album that works as a beautiful masterpiece, and so, as our producer, we’re leaving him the space to create and tell us what to do.

    We’re also excited for some special shows coming up. We’re playing a two night Thanksgiving weekend run at the Ransom Steele Tavern in Apalachin, NY on November 24 and 25. We’re calling it Foxfire Weekend. Foxfire is like the bioluminescence of fungi on wood…It creates these cool trippy colors that are vibrant. It’s just a cool word we found and it fits Driftwood. In addition, Driftwood is playing a two-night run at The Haunt in Ithaca, NY on December 30 and 31 for New Years Eve.

  • The Blind Owl Band Returns to Rochester to Host a Halloween Bash

    Freight train string quartet, The Blind Owl Band of Saranac NY, is returning to Rochester, NY this weekend to host a spookily impressive Halloween Bash. Accompanied by local favorites, The Honey Smugglers and Folkfaces, The Blind Owl Band Halloween Bash will place on Saturday, Oct. 29, at 7:30 pm at Anthology in Rochester, NY. Advanced tickets are $15 and the gate price is $18.

    The Blind Owl Band is a 4-piece string band, featuring Arthur Buezo (Guitar, Vocals), Christian Cardiello, (Double Bass, Fretless Bass), James Ford, (Banjo Vocals) and Eric Munley (Mandolin, Vocals).  After first harnessing the rawness of traditional bluegrass instrumentation, the band taken the genre into an entire new dimension, crossing between genres of bluegrass, folk, country, and soul, infused with their own unique Appalachian Mountain sound. The fast-fingered, high energy, cohesive group explores their live performance with an element of improvisation, gaining energy from their audience.

    Fresh off releasing their third studio album Skeezy Patty earlier this month, The Blind Owl Band is hungry to put on the show of our dreams. In the five years prior to Skeezy Patty, the quartet have played over 700 shows across 17 states, building their rowdy & dedicated fan base across the east coast. Every show brings back the energy of the last, and the Halloween Bash will be no exception. Grab your tickets here!

  • In Their Own Words: JP Biondo of Cabinet

    On Friday September 29, folk powerhouse Cabinet landed in Ithaca, NY, and played two long sets at The Haunt. Since their birth in 2006, Cabinet has built a committed grassroots following by providing an eclectic roots sound. They have earned unconditional respect with their commitment to quality songwriting, and impressive ability to cross between genres of bluegrass, country, jam, and psychedelic. Before Cabinet’s foot-stomping performance, NYS Music had the  opportunity to sit down with Cabinet co-founder, singer, songwriter, and mandolin player JP Biondo. NYS Music is ecstatic to present you this edition of “In Their Own Words.” Here we have a collection of bite size nuggets of knowledge, quoted directly from J.P Biondo of Cabinet:

    On a Musical Childhood:

    My first instrument ever was a Tuba. I joined the band as a young teenager in around 1998. As a child, I always loved music. I always loved singing a bunch. I came from a very musical family. Growing up, I was surrounded by music all the time. For example, my dad would teach me how to sing harmonies on car rides.

    I come from a very large musical family. My dad has eight brothers and sisters, and so, I have like a whole slew of 1st cousins. There is a total of 35 of us or something like that. The family has at least one family reunion every year at grandma’s house. She lives on a big farm near Scranton, PA. At last year’s family reunion, there was like 180 us. Every year, the sun goes down and everybody knows  it’s time to get around the campfire and sing. We sing, play harmonies, and just hang out and have fun. This is how I first learned to sing. At our family reunions, I would pick an elder out for the night and stand by their side and listen to everything they were singing. I would be like, “ohh thats how you do that. Ok cool.”  So a lot of my teaching came organically that way.

    Later on, I started to take playing very seriously.  I started playing guitar when I was about 14 or 15. I learned every Dave Matthews song in the book–like any young kid does. I just loved it. I always loved music. Until this very day, music pulls me like nothing else in life. When it came to playing music, I didn’t really have a choice in the matter.

    On Songwriting:

    I don’t have a specific goal. Every song is different for everybody. I like to write about life experiences, For example, I wrote a song called “The Tower,” about this place where I grew up, we called it the “Dry Dam.” It’s a dam that was supposed to provide drinking water for the town of Scranton, but, for whatever reason or another, it didn’t end up working. The lake stayed there, and above this dam there was a big tower.  It was like 30 or 40 feet high. As kids we would climb up the tower and jump off into the lake. We also would just hang out, drink under age or whatever, all the stuff kids do. It was a big time hang out spot for me and friends. I had a lot of fun experiences there. I like writing about my personal experiences and hopefully, someone can relate to them in some sort of way.

    Advice For a Kid or Young Adult With A Passion For Music:

    Follow your heart…Decide if music is something you’d like to make money at or if it’s something you just enjoy doing. Try to decide that as soon as you can, and either way is fine, but, just make that decision at some point and know where you’re at with it.

  • Music, Craft Beer, Food: A “Finger Lakin’ Good” Time

    Who is ready for a “Finger Lakin’ Good” Time full of music and craft beer? If you answered yes, maybe, or even “huh?”,  NYS Music encourages you to come down to the Inaugural Lincoln Hills “Finger Lakin’ Good” Fall Fest in Canandaigua, NY, on Saturday, October 14. 

    For the humble ticket price of $15, you’ll gain access to more than seven live bands, craft beer, food vendors and a beautiful autumn breeze. The lineup will include The Eric Krasno Band, Floodwood, Dirty Blanket, Pearly Baker’s Best, Aaron Lipp & Yarms, Workingman’s Dead, Badfeet and more to be announced! Music will run from 12am until 8pm. Get your tickets .

    The Eric Krasno Band will headline the event. Eric Krasno is the guitarist, songwriter and co-founder of the world famous bands Soulive and Lettuce. He is also respected as a producer and songwriter, working with everyone from Norah Jones, The Tedeschi Trucks Band, Talib Kweli, 50 Cent, Pretty Lights, Aaron Neville, Allen Stone and beyond. In promotion of his latest solo album, Blood From a Stone, Eric Krasno is touring extensively this fall with his hand selected band. The Lincoln Hills “Finger Lakin’ Good” Fall Fest will be a prime opportunity for locals to catch a live performance of Eric Krasno’s self titled band.

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the Inaugural “Finger Lakin’ Good” Music Festival. During the episode, you’ll listen to The Eric Krasno Band, Floodwood, Dirty Blanket, and Aaron Lipp & The Slacktones (Lipp and Yarms). All of these bands will be at The “Finger Lakin’ Good” Fall Fest. If you scroll even further down, you’ll find a detailed episode timestamp. Find directions to the event here. 

    Timestamp:

    00:00: Eric Krasno Band- Waiting On Your Love

    03:32: Introduction

    07:25: Eric Krasno Band- Blood From A Stone

    10:54: Floodwood- North Country Winds

    14:57: Floodwood- Whiskey After Breakfast

    18:39: Dirty Blanket- My Getaway

    24:42: Dirty Blanket- Dead Or Alive

    30:53: Aaron Lipp and the Slacktones- Catching That Train (ft. Oliver Wood)

    35:20: Aaron Lipp and the Slacktones- Weary Bones

    39:26: Conclusion

    41:22: Eric Krasno Band- Jezebel

  • Dive Into Fall: A Fall Down Music Festival Preview

    Don’t let the weather deceive you, believe it or not, autumn began on September 22. Festival season in New York is nearing it’s close and festival goers are itching for a few last hurrahs. Next weekend, locals will be traveling to The Fall Down Music Festival at The “G” Lodge in Hannibal, NY. Presented by local booking and promotion company Hey Dude After Hours, The Fall Down is an intimate Central NY based music festival specializing in string music, jam bands, and singer-songwriters. Progressive string band Floodwood will be the headliner. Floodwood is lead by national talents of Vinnie Amico (moe) and Tony Markellis (Trey Anastasio Band). The Fall Down will take place next week at The “G” Lodge (81 Keller Rd, Hannibal, NY) on October 6th and 7th. Get your weekend passes for $50 here!

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming 2nd annual The Fall Down Music Festival.  During the episode, you’ll listen to The Crooked North, Floodwood, Haewa, The Dwayne Johnsons, Folkfaces, Dirty Blanket, Timothy Braley, and Jungle Steve & The Gysophelias. All of these bands will be at this year’s The Fall Down Music Festival. If you scroll even further down, you’ll find a detailed episode timestamp.

    Timestamp:
    00:00: The Crooked North- Hop High My Lulu Gal
    03:24: Introduction
    06:19: The Crooked North- You Don’t Fit In
    10:02: Floodwood- Waiting For The Punchline (Moe Cover)
    18:58: Floodwood- Caught
    24:22: Haewa- Chem De-Vision
    28:04: Haewa- Swampin
    33:37: The Dwayne Jonhsons- About That
    37:17: The Dwayne Johnsons- Cold Pizza
    41:24: Folkfaces- Angels And Demons
    44:31: Folkfaces- Freedom Fries
    48:24: Dirty Blanket- My Getaway
    54:28: Dirty Blanket- Getting In The Way
    57:58: Timothy Braley- Graceland (Paul Simon Cover)
    1:02:15: Conclusion
    1:03:55: Jungle Steve- Safe & Sound

  • In Their Own Words: Freekbass

    On a sunny Friday evening on August 18, funk icon’s Freekbass and The Bump Assembly rocked the main stage at Nights Of Fire Music Festival in Franklinville, NY. Before the big performance, NYS Music was honored to sit down with Chris “Freekbass” Sherman in Freekbass and The Bump Assembly’s tour van. As we began,  Freekbass wittily commented, “It’s appropriate that we’re doing this in the van, because this is where we live.”

    Born, raised, and currently based out of Cincinnati, OH, Freekbass has released six full length albums and has collaborated with modern legends including Bootsy Collins, DJ Spooky, Mike Gordon, Buckethead, Bernie Worrell, and many others. His touring band, Freekbass & The Bump Assembly includes Razor Sharp Johnson (Bootsy’s Rubberband/P-Funk) on keys and synths and Rico Lewis (George Clinton & P-Funk) on drums.

    Whether he’s rocking the cover of Bass Guitar Magazine, playing upward of 150 shows each year, or working on his new album with Ropeadope records, Freekbass is one of the hardest working musicians in the funk business. NYS Music is humbled to present you this edition of “In Their Own Words.” Here we have a collection of bite size nuggets of knowledge, quoted directly from Freekbass:

    On Life On The Road:

    Living in the van, we play about 150 dates a year. I enjoy the road life. I always say you sorta have to have that trucker gene in you to really enjoy it. In James Brown’s autobiography, he explains how they started in a station wagon, then they moved to a van, then to a bus, then a plane, and then a private jet. It doesn’t matter if you’re in that private jet or that station wagon, the road is still the road.  You have to enjoy yourself.

    I like meeting new people all the time. It’s always exciting because you gain energy from new people, and the energy is always different in different places. The audience becomes as much a part of the music and the band as we are. I used to thank the audience at the end of the show. I’d say, “thanks for letting us play for you,” nowadays, i’m always saying, “thank you for letting us play with you.” It feels like our audience has become as much a part of the music as we are. We can play a song for 20 minutes long or the same song for 5 minutes. It all has to do with what the vibe is that night. A lot of our performance has to do with what’s happening with the audience.

    In the last few years, music streaming, illegal downloading, and torrenting has taken over the industry. Five to ten years ago, you recorded a record and then you played live to promote the record. Nowadays, it feels like it’s almost the opposite. A band records a record to help bolster their live show. For instance, when they first began, Pretty Lights gave all of their music away for free. Some people said, “oh wow this is a pretty odd business model,” but, the idea was to get inside everyone’s ears. All of a sudden, they created this huge live buzz, it was all about going to see them live. We have a brand new business model. I think it’s great. Nowadays, you have to be a really good live act. The one thing you can’t replace is a good live show.

    On Cincinnati Ohio’s Funk Music Scene:

    The Cincinnati music family is pretty tight knit. In the music industry, there already is just six degrees of separation between everybody, but, the funk community is even smaller. That’s one thing that’s great about being in Cincinnati. The history goes back to the days of James Brown and King Records; that’s how many great funk players such as Bootsy Collins got their start. There’s always been a strong community of funk musicians in the midwest. When there is a plethora of musicians playing the same kind of music, it’s easier to connect then it might be in other parts of the country.

    On Pre-Performance Rituals:

    We always get together and meditate and pray before a show. It’s something we do no matter what. This is nice because sometimes-at festivals especially-performing can be freaking chaotic due to changeovers and all sorts of things. I feel like prayer grounds us. Right before we go on, no matter how chaotic the day is, even if we have to run behind the back of the van and do it, we always pray.

    Fun Facts:

    I’m looking forward to the new Justice League movie…I also listen to a lot of superhero podcasts. My favorite one is called Holy Batcast. There is also Batmannews.com, Suicide Squadcast, Batman On Film, ect. I’m a big podcast fan. I also listen to WTF with Marc Maron quite a bit. I enjoy putting my headphones in and listening on long road trips.

    Listen To The Entire Freekbass Live at Nights Of Fire Performance:

  • One Final Trip To The Pines: A Sterling Stage Last Daze Festival Preview

    Three festival weekends each summer, Sterling Stage Kampitheater (‘The Pines’) returns to Sterling, NY for four days and nights of music, dancing and art. This year’s Sterling Stage Folkfest and Sterling Stage Ameribeat have passed us by, however, Sterling Stage Last Daze of Summer 2017 is just around the corner.

    This summer’s annual Sterling Stage Last Daze 2017 will take place Thursday August 31 through Sunday September 3.

    Take a glance below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming Sterling Stage Last Daze of Summer Festival.  During the episode, you’ll listen to The Werks, The Blind Owl Band, Root Shock, The Honey Smugglers, Creamery Station, Los Blancos, Electric Mud, Personal Blend, Boogie Low, Subsoil, and Chris James & Mama G. All of these bands will be at this year’s Sterling Stage Last Daze of Summer. If you scroll even farther down, you’ll find a detailed episode timestamp. Get your tickets here!

    Episode Timestamp:
    00:00: The Werks- Into The Moss
    03:41: Episode Introduction
    07:21: The Werks– Magic
    13:24: The Blind Owl Band- Map With Roads
    18:03: The Blind Owl Band- Sailor Song
    23:44: Root Shock- Freedom
    27:55: Root Shock- Sage
    33:55: The Honey Smugglers- Nasty Old Man
    37:49: The Honey Smugglers- Should Have Been A Farmer
    45:49: Creamery Station- Back To You
    49:03: Creamery Station- Wash Away
    53:56: Los Blancos- Backbeat Rhythm
    59:26: Los Blancos-Get Along
    1:04:45: Electric Mud- Cover of Eddies Gospel Groove By Ronnie Earl & The Broadcasters
    1:10:55: Electric Mud- Cover of T-Bone Boogie By T-Bone Walker
    1:14:31: Personal Blend- Judgement
    1:18:10: Personal Blend- Wiseman
    1:23:15: Boogie Low- Mckenna
    1:28:38: Boogie Low- Miss Bliss
    1:34:00: Subsoil- Joe Rogan
    1:37:39: Subsoil- On The Bus
    1:41:49: Closing Comments
    1:43:48: Chris James & Mama G- Thank You For The Diamonds
    1:48:22: Chris James & Mama G- Further

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