Tag: Wild Adriatic

  • Mountain Jam 2016: Day 1

    On the first day of the 2016 Mountain Jam at Hunter Mountain, there was a much expected buzz throughout the festival grounds. Thursdays of a four-day festival can be one of the greatest days; it’s the kick-off to the annual celebration of music and arts. Attendees, staff and volunteers are just gaining their bearings for the weekend to come, but most notably, Thursdays tend to be a bit more exclusive. Not everyone has a schedule that allows for them to arrive so early, making attendance on the first day much lighter than the rest. This was the case in Hunter on June 2.

    Mountain Jam 2016 kicked off on the Valley Stage with a quartet of consecutive acts who were not only the musical welcoming committee as the first wave of fans poured in, but they were the catalyst for a day and evening of incredible music. Jane Lee Hooker, a New York City-based blues quintet, were first to play. The all-female blues band brought fervor and soul to the stage, which proved their respect to the blues craft and their namesake, John Lee Hooker. Next up was the Capital Region’s own Wild Adriatic; they lived up to expectation and performed an amazing set, which only substantiated the next act, Cabinet, a Pennsylvania bluegrass band that always makes the crowd shake and stomp.

    The fourth band of the initial quartet was Donna the Buffalo, a Central New York-based band riddled with Americana influence from old-time Appalachian music to modern rock and country; this was the group’s first Mountain Jam billing. NYS Music sat down with Tara Nevins and Jeb Puryear, who founded the band in 1989. When asked how they came to be, Jeb said, “We’re both old-time fiddle players, and in that form of music, a lot of people jam with each other.  All you have is acoustic instruments, so you can just meet easily.” He added that Tara was the first person he’d met that wrote songs like the ones heard on the radio.  A smile instantly hit her face when he paid her that compliment.

    Over the course of time, Donna the Buffalo, comprised of these old-time players Tara and Jeb, met back in the ’80s and evolved from acoustic fiddle and banjo music to a more modernized, electric bluegrass. “The music [Appalachian music] kind of predates bluegrass; the kind that bluegrass grew out of,” Tara added.  “I started writing songs that were more pop-oriented and then Jeb started writing songs. Then we [started to] transfer to electric instruments, and thus, was the formation of Donna the Buffalo.”  Although they evolved into a more modern sound, they still stick close to their roots, continuing to play bluegrass festivals around the country, including their own called the Finger Lakes Grassroots Festival of Music and Dance in their hometown of Trumansburg.

    As the evening progressed, the heavy hitters started to come out. The first Mountain Stage act was Train Play Led Zeppelin II. Festival-goers throughout the grounds were hypothesizing how the performance would go. Only those who had heard Train play Zeppelin tunes on Howard Stern’s Sirius/XM radio show knew just how amazing it was going to be. The band’s frontman, Pat Monahan, was a true embodiment of a young Robert Plant. The band masterfully moved through the entirety of Led Zeppelin II and finished off their set with a crowd-pleasing reprise of  “Stairway to Heaven.”

    After Train finished their jaw-dropping performance, an amazing duel between Marco Benevento and Superhuman Happiness on the Valley Stage and Umphrey’s McGee on the Mountain Stage commenced.  Marco and his collaboration of astounding musicians and singers paid homage to the late David Bowie by covering a vast amount of his catalog, including legendary hits like “Oh You Pretty Things,” “Let’s Dance” and “Life on Mars.” Chills were brought to many spines in the audience as this well-orchestrated performance not only gave everyone a live listen of Bowie tunes, but paid breathtaking amounts of respect to Ziggy Stardust—a face, voice and mind that the music world and its fans miss very much.

    The echos of Bowie off of Hunter Mountain were responded to by a true fan favorite, Umphrey’s McGee.  Although the Thursday crowd was light, it seemed every soul in Hunter was on the concert field. The boys from Chicago started their set off with “Similar Skin,” after which Brendan Bayliss delivered the message that instead of everyone pacing themselves for the weekend to come, a full-on party should take place since they were only around for the one night. After that public service announcement, Umphrey’s kicked into “Rocker (Part II),” and it didn’t slow down much from there. As is often a staple at Mountain Jam, Warren Haynes came out to jam during the first set, helping to breakup “Higgins” with a mid-song jam of southern rock and blues.

    Another guest hit the Mountain Stage to make an appearance. Dressed in his eye-grabbing garb for the Bowie tribute set, Marco Benevento sat with Joel Cummins during the adapted and absolute monster cover of Pink Floyd’s “Breath.” After the first set was over, the crowd was filled with electricity. Marco played his second set of Bowie music, which made way for the second set of Umphrey’s; this second set seemed to step-up from the groundwork laid out in the first. Starting off with “40’s Theme,” the band moved through their second set making head-banging and fist-throwing and, of course, the Ryan Stasik-patented style of rock horns, explode throughout the crowd.

    The boys finished their set with a line of “Educated Guess, “Conduit” and “Relax, Have a Thunderkiss.” Surprisingly, the crowd didn’t chant out the so-often-heard “We want the Umph!” chant, but they came back onstage with a certain vengeance, encoring with “Hajimemeshite” into “Bridgeless” to end the night; the perfect bookend to a perfect first night of Mountain Jam 2016.

    Today’s lineup has some much anticipated acts throughout the day. Jay Blakesberg is personally looking forward to Courtney Barnett and Jason Isbell, both hitting the Mountain Stage in the late afternoon. Also playing today are favorites Chris Robinson Brotherhood, Wilco and Warren Haynes’ own Gov’t Mule. Be sure to log into the live stream, so you don’t miss any part of the Mountain Jam 2016 weekend.

  • Sister Sparrow Celebrates Live Album Release in Brooklyn

    Friday nights at the Brooklyn Bowl typically carry a heightened sense of expectation for a combination of sights and sounds that so reliably induce ecstasy. And the New York City-based funky soul-rock ensemble Sister Sparrow and the Dirty Birds made Friday, March 4, one to remember.

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    The early crowd was welcomed onto the dance floor by the Suitcase Junket, a one-man band performing original songs on a junkyard guitar and an arrangement of foot-operated percussion instruments, including a circular saw blade. The dedication that went into perfecting such rich and yet simple instrumentation rang through clear, and the set ended with strong crowd participation on the refrain of “Wherever I Wake Up.”

    Follow-up act Wild Adriatic could perhaps be likened to Upstate New York’s version of the Black Keys. Their musical territory, that of the hard-rock trio, is well trodden, but they inhabit it with purity of intention, as if there is no one to compete with. Frontman Travis Gray led the band through a set of speaker-frying blues and pop-rock driven by big, hot riffs and punctuated with psychedelic solos that shone with the emotion of personal soliloquies. Rich Derbyshire’s boxing-glove basslines bounced and jabbed all over drummer Maceo Vosganian’s pounding beats. Gray expressed thanks to the headliner and acknowledged Sister Sparrow’s common upstate heritage, giving a sense of cohesion and solidarity to the evening’s lineup.

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    The Dirty Birds began to unleash something fierce with their uptempo opener “We Need A Love.” From the get-go, the band projected a swagger that spoke of power, growth and change. In the most mundane sense, the band has changed its personnel with the recent addition of drummer Dan Boyden and the departure of founding trombonist Ryan Snow. But Sister Sparrow and her crew are evolving in a more profound sense that is impeccably documented on the live double-LP Fowl Play and showcased unadulterated at this Brooklyn Bowl gig, which also functioned as the release party for the aforementioned album. The past two years have seen this band undertake an exercise in the live recreation of a classic rock masterpiece (Led Zeppelin’s IV performed at Irving Plaza in January 2014) and a cycle of songwriting that resulted in their third studio effort The Weather Below, released last year, plus more songs debuted live since that release. The focus now seems to be on upping the ante in the live sphere. Hence the decision to drop a live disc at this juncture.

    The experience at Brooklyn Bowl last Friday night must have been similar in terms of energy and execution to the Fairfield, CT, New Year’s Eve shows that were captured on Fowl Play just two months ago. At the Bowl, the Birds were dishing out cuts from their latest studio record, playing other newer songs to boot, and sounding more musically in command of their older material than ever. Elements of improvisation hitherto unseen from this band were present throughout the handful of tunes that have been in heavy rotation over the past few years. In staples like “Don’t Be Jealous,” “Sugar” and “Mama Knows,” songwriter and vocalist Arleigh Kincheloe impressively varied the melodic inflections and rhythmic delivery of her compositions; she added an unprecedented new layer of nuanced personal expression to these tunes, which already resonate as autobiographical and sincerely heartfelt. Also present were new extended passages showcasing the band’s instrumental soloists and pushing the songs to the 10-minute mark.

    If you have ever been excited about Sister Sparrow and the Dirty Birds in the past (and many New Yorkers rightfully have been by now), now is the time to get even more excited. Ever the relentless touring band, the Sparrow and crew will make their way across the country between now and mid-April, delivering refined rock prowess to their loyal party fowl and hopefully reaching new ears at every show.

  • Sister Sparrow & The Dirty Birds Returning to Brooklyn Bowl

    Sister Sparrow & The Dirty Birds make you feel like you’ve stumbled upon the real deal. Like eight vibrant, youthful individuals arrayed across the stage who would be your friends if they only knew your name, but in lieu of that, simply pour their hearts out musically just to see you smile. Almost a year to the day since their last appearance at Brooklyn Bowl, vocalist Arleigh Kincheloe and crew will once again be giving New Yorkers something to shake their tail feathers to on Saturday, March 4. Following recent appearances around Colorado, this Brooklyn gig lies just after the start of a 9-date East Coast tour running through the month of March.

    https://www.youtube.com/watch?v=EJcFr4Vygeo

    The Dirty Birds are a soul-blues-gospel-rock band supporting a singer-songwriter vocal powerhouse whose songs ride the line between inwardly self-aware and personal and outwardly party oriented. The band’s current LP, The Weather Below, released last year, was recorded at the famous Bear Creek Studio near Seattle with producer Ryan Hadlock (Brandi Carlile, The Lumineers), who brought Kincheloe’s latest material to life with the greatest feeling of directness and transparency thus far achieved on any Dirty Birds recording. Several of the songs on this album are autobiographical in terms of Kincheloe and her band and have been staples of their live sets in recent years.

    Attendees of this show can expect to see ebullient original horn arrangements and soloing, the electronically processed harmonica virtuosity of Jackson Kincheloe, potential covers of Michael Jackson and Led Zeppelin or the like and a whole lot of original rock music in a range of styles and moods generally catered to the dance floor.

    Albany-based power trio Wild Adriatic and one-man gritty blues band The Suitcase Junket will open the show. Doors open at 6 pm and the music starts at 8 pm.

  • Wild Adriatic Record Live Album in Saratoga at Putnam Den

    Wild Adriatic brought its show to the Putnam Den in Saratoga Springs with a bit more hype than a typical show. The three-piece rock band, based out of Albany, announced months ago it was going to record a live album on February 20 in the Spa City. For a group that has been on a straight upward trajectory, which included an appearance at Bonnaroo last year after winning a lengthy Battle of the Bands put on by the Den, Wild Adriatic seems to have the hunger and determination to rise to the top of the rock world.

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    But before the near capacity crowd would be treated to two hours of in-your-face rock and roll by Wild Adriatic, Greenwich-based Let’s Be Leonard set the tone for the evening with a jazzy, up-tempo performance that lends itself somewhat to Steely Dan-meets-Herbie Hancock. The five-piece — displaying two guitars, bass, drums and a saxophone — weaved together a show reminiscent of a sunny Saturday afternoon set at a small festival. Guitarist Matt Griffin and saxophonist Connor Dunn traded solos over Karl Bertrand’s chunky rhythm and Chris Cronin’s bopping bass. Paul Gauy provided the beat.

    Toward the end of Let’s Be Leonard’s set, the Den grew crowded as fans filled in to support the local boys. Wild Adriatic’s drummer, Mateo Vosganian, was darting around the venue, greeting friends and fans. There was a festive and mildly rowdy feel, as many people had undoubtedly enjoyed the Saratoga Beer Summit in the hours prior.

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    As soon as the trio took the stage, the energy in the room grew electric. “Never Enough,” “Letter,” “Tight Grip” and “Lonely” started the show and saw guitarist Travis Gray and bassist Rich Derbyshire hop around the stage. Gray’s voice is a solid fit for their sound, which has a classic rock with an edge feel. The crowd in the front sang along as the band kicked it up with some fiery guitar work from Gray.

    After a breather, they launched into the Led Zeppelin favorite “The Ocean.” Gray again danced up and down the fret board with precision. “Can’t Be Your Man,” “Woe” and “Because of Me” continued the energetic theme. A spirited take on Neil Young’s “Keep On Rockin’ in the Free World” showcased Gray’s vocal abilities.

    Derbyshire and Vosganian provide an air tight rhythmic combo that gives Wild Adriatic a sound that is unique, funky and noticeable. Add in Gray’s fret work, and the band has a winning combination, no better displayed than during the show-closing combo of “Good Times, Bad Times”>”Communication Breakdown.” The crowd hadn’t thinned out at all and judging by the satisfied look on most faces, Wild Adriatic accomplished what it set out to do. It will be exciting to see how the raw energy translates to tape.

    Wild Adriatic Setlist:

    Never Enough, Letter, Tight Grip, Lonely, The Ocean, Can’t Be Your Man, Woe, Because of Me, Trouble, 40 Days 40 Nights>Rockin In The Free World>40 Days 40 Nights, Heavy Soul, The Fool, The Spark, Cooperstown, Use Me, Bound To Let You Go, Lose My Mind, Strange Persuasions, Mess Around

    Encore: Untitled New Song, Superstition, Good Times Bad Times>Communication Breakdown

    Let’s Be Leonard Setlist: 

    Jumpship, Rocky Road, Open Your Eyes, Comet> High and Dry, Most Days> LGWC> Most Days> Sad Town tease> Boy Into Man> Pourdungchoo> Sad Town, TOT, Wandering Frisbee

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  • Wild Adriatic Hits the Road for Eurotrip

    Capital Region rockers Wild Adriatic recently rolled out dates for a Eurotrip and U.S. tour as well. The three-piece group will head out on the road beginning Feb. 11 in Boston and wrapping up May 15 in Spain.

    Fresh off the heels of their debut voyage on the Rock Boat, where they played an all-Zeppelin set and jammed onstage with Sister Hazel, Michael Franti and Gavin Degraw, WA’s upcoming tour includes Northeast-heavy dates with home state stops in Corning, Saratoga Springs, Rochester, Syracuse, Brooklyn, Buffalo and Jamestown before returning to Europe for a four-week headlining run.

    The blues-rock band consists of Travis Gray (vocals, guitar), Rich Derbyshire (bass) and Mateo Vosganian (drums); supporting groups that will share the bill with WA during this winter/spring tour will be the Mallett Brothers Band, Let’s Be Leonard, Turkuaz, Sister Sparrow and the Dirty Birds, the Suitcase Junket and Animal Years.

    This January, WA released their first full-length live album from their two-night performance in Albany last October and will record the upcoming Feb. 20 show at Putnam Den for a possible future album. The band’s self-titled EP dropped in 2011, and their most recent collection debuted May 2015 as the five-song Never Enough. Although, according to the press release, WA has a new record in the works:

    We’ll be back in the studio making our second full length record in Fall 2016. Hoping to release Early 2017 and we have never been more excited to get in the studio and create! So much inspiration over the last few months, I know we have a few more tunes in us to get out before we hit the studio but we are very excited with how the material has come together so far!” 

    Tickets for all 2016 show dates are on sale through Wild Adriatic’s official website.

    Wild Adriatic 2016 Tour Dates:

    2/11 – Boston, MA – Lansdowne Pub^
    2/12 – Burlington, VT – Nectar’s^
    2/13 – Sugarloaf, ME – Sugarloaf Mountain^
    2/18 – Corning, NY – Corning Museum of Glass 2300 Series
    2/19 – Portsmouth, NH – Birdseye^
    2/20 – Saratoga Springs, NY – Putnam Den*
    2/25 – Rochester, NY – Flour City Station
    2/26 – Syracuse, NY – Funk N Waffles Downtown*
    2/27 – Stratton, VT – Grizzly’s%
    3/3 – Worcester, MA – Electric Haze
    3/4 – Brooklyn, NY – Brooklyn Bowl#
    3/10 – Sellersville, PA – Sellersville Theater
    3/11 – Mifflinburg, PA – Rusty Rail
    3/12 – Asbury Park, NJ – Wonder Bar
    3/16 – Washington, DC – Black Cat~
    3/17 – Mercersburg, PA – Mansion House~
    3/18 – Philadelphia, PA – Milkboy~
    3/24 – Hartford, CT – Arch Street Tavern
    3/25 – Manchester, VT – The Perfect Wife
    3/26 – Stratton, VT – Grizzly’s*
    3/31 – Pittsburgh, PA – Thunderbird Cafe
    4/1 – Buffalo, NY – Buffalo Iron Works
    4/2 – Jamestown, NY – Shawbucks

    ^ – w/ The Mallett Brothers Band
    * – w/ Let’s Be Leonard
    % – w/ Turkuaz
    # – w/ Sister Sparrow and the Dirty Birds & The Suitcase Junket
    ~ – w/ Animal Years

    4/14 – Oostende, Belgium – Bada Bing
    4/15 – Kortrijk, Belgium – Den Trap
    4/16 – Krefeld, Germany – Kulturrampe
    4/17 – Turnhout, Belgium – Dax Cafe
    4/19 – Norderstedt, Germany – Music Star
    4/20 – Malmo, Sweden – St Gertrund
    4/21 – Hamburg, Germany – Sound Yard
    4/22 – Bordesholm, Germany – Albatros
    4/23 – Singwitz, Germany – Kesselhaus
    4/26 – Bratislava, Slovakia – Muzeum Obchodu
    4/27 – Kufstein, Austria – Eggers
    4/28 – Besancon, France – Passengers Du Zinc
    4/29 – Alencon, France – La Luciole
    4/30 – Rouen, France – Hipster Cafe
    5/2 – St Etienne, France – Thunderbird Lounge
    5/4 – Bilbao, Spain – Antzokia
    5/5 – Ourense, Spain – Cafe Auriense
    5/6 – Cangas, Spain – Salason
    5/7 – Aviles, Spain – Centro Niemeyer
    5/8 – Leon, Spain – Gran Cafe
    5/11 – Estepona, Spain – Louie Louie
    5/12 – Murcia, Spain – Garaje Beat Club
    5/13 – Castellon, Spain – Veneno Stereo
    5/14 – Valencia, Spain – Pabersematao
    5/15 – Torredembara, Spain – La Traviesa

  • Update: Mountain Jam’s Final Lineup Includes Wild Adriatic and Other NY Acts

    Update 2/24/2016:

    Mountain Jam finalized their lineup for this year’s festival. Among the additions are Houndmouth, Nahko and Medicine for the People, Quilt, Darlingside, the Record Company, the Movement and Scott Sharrard. Three New York acts were also added to the lineup, including Albany’s Wild Adriatic, Woodstock’s Elijah Wolf and New Paltz’s Upstate Rubdown. Marco Benevento will play a tribute to David Bowie with Superhuman Happiness.

    The non-musical activities have also been announced and include yoga with Michael Franti, lectures and Q&A sessions on the cannabis industry, and hula hoop classes. There will also be a screening of “Let Us Play,” a new documentary about funk band and festival performer Lettuce.

    Original post:

    An annual tradition nestled in the heart of the Catskills, Mountain Jam has unveiled their lineup for 2016, featuring big names, newcomers and familiar acts that make the festival one of the most established in the Northeast.

    This year’s lineup features headliners Beck, Wilco, The Avett Brothers, Gov’t Mule and Umphrey’s McGee. Additional acts include Brandi Carlile, Jason Isbell, Gary Clark Jr., Michael Franti & Spearhead, Chris Robinson Brotherhood, Courtney Barnett, Nathaniel Rateliff and the Night Sweats, Lettuce, Sister Sparrow and the Dirty Birds, the New Mastersounds, and Third World.

    A few New York acts are on the bill, including Turkuaz and Donna the Buffalo, plus regional acts Son Little, the London Souls, Cabinet, the Ballroom Thieves with Maine Youth Rock Orchestra, And the Kids, Love Canon, Marcus King Band, Con Brio, Jane Lee Hooker, Copious Jones, Madaila, the Suitcase Junket and Paul Green Rock Academy.
    Thievery Corporation will take things into the late night. More acts will be announced in coming weeks.

    Tickets are on sale now.