Tag: turkuaz

  • Saratoga Gets Down with The New Mastersounds and Turkuaz

    Funk comes in all shapes and sizes these days. Those eager to see two very different versions headed to the Putnam Den in Saratoga on December 6 to see The New Mastersounds, originally from the U.K., co-headline with Brooklyn’s Turkuaz.Turkuaz_NewMasterSounds_12-6-2016_SaratogaNY-6

    The two boast their own unique style, but both brought anyone with a pulse to their feet that night. The show was part of an extensive tour to promote a split 7” vinyl featuring both bands performing a cover song from the other’s catalog, while also joining in on the collaboration.

    The New Mastersounds came as a pleasant surprise to those witnessing the foursome’s raw talent for the first time. The band makes its rounds on this side of the pond, but the majority of those in attendance had likely never seen them before.

    With slicked back hair and a blue suit jacket complete with a pocket square, guitarist Eddie Roberts paralleled his fashion swagger with his musical prowess. He laid down soulful yet jazzy riffs throughout the evening with ease. Pete Shand thudded the bass to bring the familiar foundation of funk this upstate New York crowd came to see. The level of technicality in which Joe Tatton wailed on the organ was impressive and moving, even adding synthesized tones later in the set. The funk was here and the crowd was loving it, whistling loudly indicating their approval and awe.Turkuaz_NewMasterSounds_12-6-2016_SaratogaNY-

    Their set was upbeat and drove harder and faster as it progressed. They slowed it down slightly to do a one-of-a-kind version of Sneaker Pimp’s “Six Underground,” a song that became popular in the 90s, included on the soundtrack of the movie Can’t Hardly Wait.

    Without a horn section, their sound is old-timey soul but with a modern funk that hits just right. They welcomed Turkuaz saxophone player Greg Sanderson on stage who fits the band like a glove. Den dwellers had fogged up the windows at this point and many headed outside to catch some air only to be sprinkled with wet snowflakes. The already thick crowd swelled as more joined the party for Turkuaz.

    Anticipation built as the 9-piece ensemble entered the stage and prepared to take off. “You’re in for a treat” was heard muttered in the crowd from the more experienced Turkuaz fans to some of the “newbs.” They weren’t wrong.

    They set sail into fan favorite “Bubba,” and then to a speedy rendition of “Percy Thrills, The Moondog.” After big songs, the explosions of color and sounds end abruptly as the lights shut completely off on stage, like a period indicating the end of a sentence.

    The Turkuaz ladies, Sammi Garett and Shira Elias, choreographed their moves and vocals to add a splash of Motown to the pop funk. Chris Brouwers keyboard skills were reminiscent of the digital sounds of the 1980s. Josh Schwartz took a break from the sax and sang, and “Dude’s got some pipes on him,” was overheard in the crowd.

    Shira Elias and Sammi Garett took the lead vocals on a funked up rendition of The Band’s “Don’t Do It,” providing a welcomed twist on the beloved classic. The energetic and colorful evening came to a close with a one-two punch of “Chatte Lunatique” and “Ballad of Castor Troy” in which drummer Michelangelo Carubba delivered a solid solo.

    The tour hits the road and heads south to Pittsburgh, PA on December 8, Washington D.C. on December 9 and on to Philadelphia on December 10.

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  • Interview with Michelangelo Carubba of Turkuaz, Performing at Putnam Den with The New Mastersounds

    Nothing beats a night filled with funk—something the Putnam Den knows all too well. This time around on December 6, multi-talented, power funk collective Turkuaz, with drummer Michelangelo Carubba, will come together with old souls at heart, The New Mastersounds, ready to demonstrate their deep seeded talents for an Upstate New York crowd on a Tuesday night.

    Michelangelo CarubbaTurkuaz, a sizable group containing talent just as abundant as its 9-piece lineup, has explored their extensive vault of instruments, gripping vocals and dance moves each night during their 40+ co-headlining tour dates. While some might think that’s a tough act to follow, or open up for in this case, The New Mastersounds provide necessary balance to explosive dance music with their smooth tunes and classic style, crafted two decades ago directly from Leeds, UK.

    In conjunction with the country-spanning tour, the two outfits will come together to release a split 7” vinyl, where they take turns covering each other’s songs, while adding their own elements and sounds into the mix. Fans can also find tracks that feature the 80’s funk revolutionaries collaborating with the 4-piece smooth R&B and jazz fusion pioneers. The limited edition vinyl is now available to order, and will be exclusively available for pick up at merch tables on tour.

    This co-headlining tour is sure to jam the roof off of any venue with its thick grooves, synchronized dancing and encapsulating performances, which has proven to be true so far with praised stops across the board in New Haven, Chicago, Lake Tahoe and more. Don’t miss their Putnam Den gig this Tuesday, December 6! Doors open at 8PM with a harmonious show to follow at 9PM. 18+ with a $5 surcharge for those under 21. Tickets are $17 in advance/ $20 day of show.

    Ever wonder if anyone still uses ringback tones and if Mike Carubba of Turkuaz did, what it would be? I have the answer: “The Watcher” by Dr. Dre.

    Q & A with Turkuaz drummer Michelangelo Carubba:

    Alyssa Ladzinski: In today’s day of social media, things can blow up pretty fast. Can you explain how it felt when your performance video reached 2 million hits on Facebook?

    Mike Carubba: It was exciting for us. It was the first time any of us had been a part of something that had gone viral like that. The international reach of something like that was the most exciting part for me. I had google translator working hard as I read thousands of comments from people all over the world.

    AL: Being from Buffalo, NY yourself and the band being Brooklyn based, what did it mean to you guys and to your career to have your music soundtrack a New York Knicks game?

    MC: That was another moment where we felt like the hard work was paying off, and the Knicks and the city of NYC sort of giving a nod to us, as being something uniquely “New York”, felt really gratifying. We’re a lucky band.

    AL: You got your band name from a Turkish deli across the street from where Dave and Taylor used to live. They frequently bought Fantas—what flavor?

    MC:  I think Dave and Tay would dabble in all flavors Fanta. They like to really live on the edge.

    AL: What’s one band you would love to tour with that you haven’t gotten the chance to? Last time NYS Music interviewed you, you said Snarky Puppy but that has since been scratched off the list!
    MC: There’s a lot of cool music going on right now, so it’s hard to pick one band, but I think as a group we’re starting to really set our sights high, and look for a major tour to work with. Dave Matthews, Tedeschi Trucks, the Stones would all be amazing.
    AL: In conjunction with the tour, you and The New Mastersounds  are releasing a 7″ split vinyl where you cover each others songs and collaborate on others. What has been your favorite New Mastersounds song to cover so far? And what do you think theirs has been?
    MC: We’ve been playing their song, “On the Border,” and we’ve given it the P-Funk treatment, which is always fun for us. Eddie and the guys have been doing a really great job with our tune, “The Rules.” I’d like to think he’s been enjoying it.
    AL: As a drummer, do you have any specific brand loyalties?
    MC: Early on I was pointed in the right direction with the gear I used, and they’ve provided me with quality products for the last 20 years. Companies like Vic Firth drumsticks and DW hardware are companies I’ll be working with until I retire or my hands fall off, whichever happens first.
    AL:  Let’s be honest, artists always have that one song or artist they despise playing. If any, what are yours?
    MC: If you ask me to play Lady Gaga, I will refuse.
    AL: What’s your favorite CD, vinyl or song purchase from 2016?
    MC: Josh Homme and Queens of the Stone Age released a live acoustic concert called Like Cologne, and anyone that knows me knows I’m a sucker for QOTSA.
  • Catskill Chill Closes out Summer at New Minglewood

    Catskill Chill rounded out the New York summer festival season September 24-26 with a stacked line-up and a new location.   Moving just a few miles from its former location in Hancock, NY, the Catskill Chill found a new home this year in Lakewood, Pa. Previously held at Camp Minglewood, this year the Chill found its new home at New Minglewood and included an extra day of camping and more music.

    The festival’s inaugural Thursday night pre-party was a great addition to the weekend. Twiddle highlighted the evening with two sets including a sit-in with Scott Hannay of Mister F.  Although the turn out for the night’s first two bands, Aqueous and Jimkata, was light, the packed house for Twiddle verified that many festival goers had taken advantage of the Thursday night ticket.

    Arriving early had more benefits than just the music.  Many festival attendees enjoyed the ability to set up camp and explore the grounds before the barrage of attendees arrived on Friday.  “The best part of the Thursday ticket was being able to get the choice camping spots.” Jennifer Bliss of Saratoga Springs, NY told NYS Music. “It was also nice to have our camp ready to go, so that we could really enjoy the music on Friday.”

    Mike Gordon drew the largest crowd of Friday Night to the main stage. Among the songs performed, the Phish bassist debuted “Let’s Go,” a tune generally reserved for a Phish set list. George Clinton and Parliament Funkadelic also enjoyed a great turn out, many of whom had never seen the master of funk live.  “I had only heard the name George Clinton, but didn’t really know what he was about.  Thinking about it, that set might have been my favorite of the weekend.  I liked that Chill has artists like that on their line-up,” noted Brian Thomas of Cleveland, Ohio.

    Catskill Chill

    Other much talked about sets on Friday night included Pink Talking Fish and Pink Talking Fu. The Pink Talking Fish set included a variety of Phish, Talking Heads and Pink Floyd with a sit-in from Kung Fu’s Tim Palmeri on “Great Gig in the Sky” and “Crosseyed and Painless.” The B Stage was turned into a dance party during Pink Talking Fu (Pink Talking Fish and Kung Fu.)  The two bands highlighted the music of David Bowie and Prince in a tribute set that featured both top 40 hits and beloved deep tracks. Shira Elias of Turkuaz and Hayley Jane both sat in for vocal performances throughout the set.

    Friday’s sleeper sets included music by Funky Dawgz Brass Band, Mister F and Goldfish.  All three bands are well worth seeing and turned out amazing performances.

    Saturday’s main stage was highlighted with an assortment of musical styles that kept the variety going throughout the day. Ryan Montebleau, Cabinet and Keller Williams’ Grateful Grass added an element of relaxation and chill while Lettuce and Particle were funky and dance worthy.

    The B-Stage popped off thanks to sets from Turkuaz and Tauk. Formula 5, Big Something and the Magic Beans all generated note-worthy buzz at their various sets on Saturday as well.

    Saturday was the day of tribute sets, providing a plethora of familiar music performed by some of the festivals most beloved artists.  Fikus and Shwizz came together to perform as Shwikus Plays the Beatles, while the Heavy Pets played the 80’s and Lespecial paid tribute to Primus.

    “I just loved all of the tribute sets at Chill,” mentioned Nick Augustine of Silver Springs, MD. “Every one that I saw was executed perfectly!”

    The most intriguing set of the night went to Turbine, whose RadioDead set was at times mind twisting and enigmatic. The concept –  Radiohead songs played in the style of the Grateful Dead and Grateful Dead songs played in the style of Radiohead.  Turbine did a stellar job of translating the songs into the respective styles, so much so that many attendees couldn’t quite wrap their heads around what they were hearing.  “Wait, is this Radiohead or the Dead?” was overheard often during the set.

    For the second year in a row, members of Dopapod and Turkuaz brought the house down during their tribute set, this year with a tribute set to the preppie-loved classic soft rock of the 80s known as Yacht Rock.  The set was fun, campy and executed with perfection. It’s a nod to both groups of Berklee trained musicians, as they take such care with music that could otherwise be dismissed.  Somehow they find a way to celebrate not only the music, but the production quality that feels like you are square in the middle of a musical time capsule.

    Josh Schwartz (Turkuaz) receives MVP nods for his spot on vocal tribute to soulful baritone Michael McDonald. However, Rob Compa who tackled vocals on the Eagles classic “Hotel California” as well as the entire Dopakuaz crew wins honorable mention during a production perfect version of the song. The set also included the most “had to be there” moment as Dopapod bassist Chuck Jones took to the Chill Fam seas with a stage dive and crowd surfing adventure.

    The Chill Fam All-Stars tribute to Michael Jackson was another highlight of the night, however, many festival attendees were turned away as the Late Night Hall was packed to capacity before the music even started.  However, despite not everyone being able to attend, the set was highlighted by the vocals of Elise Testone, whuch were a milky and smooth compliment to the original. The Chill Fam All- Stars included Eric Gould (Pink Talking Fish); Adrian Tramontano and Robert Somerville (Kung Fu); Shira Elias, Chris Brouwers and Michelangelo Carubba (Turkuaz); Danny Mayer (Eric Krasno Band); Steve Molitz (Particle) and Robert Volo on trombone (Deep Banana Blackout).

    Sunday’s Main Stage was highlighted by performances from Dopapod, Greensky Bluegrass and Electron.  Although the festival grounds and attendance at sets appeared to begin to thin out by Sunday afternoon, festival goers that stuck it out were also treated to great performances by Perpetual Groove, Tom Hamilton’s American Babies, The Werks and Broccoli Samurai.

    Sunday’s most noteworthy performance went to Pigeons Playing Ping Pong.  They made the most of their two sets, including a two-hour cover set late night at Club Chill. The set was one of the most sit-in heavy of the weekend including performances by Tom Hamilton, Shira Elisa (Turkuaz), Steve Molitz (Particle), Elise Testone, and Rob Somerville (Kung Fu).

    The New Minglewood grounds felt like home for many Catskill Chill veterans. The added facilities of more “play areas” including the basketball courts by the B-Stage created a fun vibe that more people plan on taking advantage of next year.  Wins for the new location included closer parking to the camping grounds, more common areas and the B-Stage, whom many felt housed the best music and sound of the weekend.

    However, despite the great sound at both the main stage and the B-stage, many festival attendees found themselves hanging outside both Club Chill and the Late Night Hall due to the facilities acoustics.   “It was really loud in both the indoor venues,” noted Mike Dustin of Allentown, PA, “For the most part, we chose to just sit outside and listen there.  It just literally sounded like we were watching music in a high school gym.  So much of the sound quality was lost.”

    Most of this year’s attendees agreed that the cabins, vendors and security were in sync with previous years.  However, it was noted by several folks that this year the port-a-potties in the camping areas could have used much more attention, as the usual daily cleanings of the facilities seemed to have been missed in at least one location.

    As the weekend’s attendees packed up and returned home, most were happy with the new location and the line-up. But beyond that, it was the Chill Fam vibe that most were pleased to be a part of.  “Chill is my favorite festival – hands down,” said Kelly Kepler of Portland, Maine. “I was scared that this year would be different, that changing the location would mean all the things we loved about Chill would be different. Honesty, I think it was better.  It was a great way to bond with new people because everyone was on even ground. It only made our little Chill family stronger.  I can’t wait for next year!”

  • Catskill Chill Offers Fierce Line-Up at New Location

    If you’re not quite ready for the summer to end, the Catskill Chill offers many music lovers one last chance to spend a weekend immersed in sights and sounds at the festival’s new location. Just a mere ten miles southwest from its former location, 2016 ushers in a new era for the festival at the New Minglewood.  This year’s basic festival ticket includes three days of music and camping starting September 24-26.

    Catskill Chill kicks off this year with a Thursday pre-party, a new addition for the festival.  At the mere cost of $45, the pre-party offers a powerhouse line-up of northeast festival favorites. The inaugural evening features Buffalo grove rockers Aqueous, jamtronica favorites Jimkata, two sets from Vermont’s Twiddle and superduo Trakstar featuring Todd Stoops (RAQ) and Rob Chafin (The Werks). The evening will be filled with high energy music that looks to set the bar high for future pre-party festivities.

    Martie Locke who will be traveling from King of Prussia, PA, said that the Thursday pre-party is actually what sold him on the weekend.  “It’s amazing.  Aqueous, Jimkata and Twiddle offer some of the best musical vibes,” he told NYS Music. “I think Thursday night could be some of the best fun of the weekend.  Well worth the price of the entire ticket.”

    For folks not making the Thursday festivities, the entire weekend is packed with creative collaborations, solid headliners, as well as up and coming artists from all over the country.

    Friday offers a mixture of relaxed vibes and funk.  Zack Deputy kicks off Friday’s Main Stage music.  Kung Fu offers the day’s first look at Main Stage funk takeover while funk masters George Clinton and Parliament Funkadelic and Phish bassist Mike Gordon headline the Main Stage on Friday evening. Pink Talking Fish are sandwiched in between the two powerhouses, with their performance on the B Stage, creating a solid five hours of music.

    Ryan Montebleau sets the mood for the Saturday Main Stage, with Cabinet and Keller Williams offering up a Saturday afternoon filled with Bluegrass vibes.  Lettuce closes out the Saturday Main Stage Music.

    Sunday’s Main Stage is a variety of musical genres.  Roosevelt Collier’s NY Get Down will feature Dopapod’s Rob Compa and Eli Winderman as well as Michelangelo Carubba and Taylor Shell of Turkuaz.  Bluegrass favorites Greensky Bluegrass and electronic rock masters Dopapod fill out Sunday afternoon. Electron will conclude the activity on Sunday’s Main Stage

    This year’s Catskill Chill is filled with a variety of beloved music performed by some of the festivals most respected veteran artists as this year’s Chill is jam packed with tribute performances. Friday night will feature Pink Talking Fu paying tribute to this year’s passing legends David Bowie and Prince.

    Saturday hosts the majority of these performances. Shwikus, featuring members of Shwizz and Fikus, will pay tribute to the music of the Beatles.  The Heavy Pets bring their highly praised Tribute to the 80’s, while fans of Primus will want to check out Lespecial’s Primus set in Club Chill.

    https://www.youtube.com/watch?v=LN246u0Q7J8

    Dopakuaz, featuring members of Dopapod and Turkuaz, returns after a memorable performance of the music of Studio 54 at last year’s Catskill Chill.  This year, the two bands have collaborated to showcase the best of classic 80’s preppie soft rock, also known as Yacht Rock.  Saturday night’s tributes will conclude with the Chillfam All-stars Tribute to Michael Jackson. Fans of Led Zepplin should catch Elise Testone’s tribute set on Sunday. Bitches Bloom will perform the music of American Jazz legend Miles Davis on Sunday as well.

    The Catskill Chill is also offering a few unique choices on their 2016 line-up.  Primate Fiasco’s unique blend of Americana, street band and off humor lyrics are a refreshing change of pace for almost any festival line-up. Meanwhile, Reed Mathis (Tea Leaf Green) and Electric Beethoven featuring Jay Lane (Primus, Ratdog),Todd Stoops, Cochrane McMillian (Tea Leaf Green) and Clay Welch will perform a set of “classical dance music” with a reimagining of Beethoven classics.

    This year’s line-up is also highlighted by a laundry list of this summer’s most buzz worthy bands. Hailing out of New York State, Mister F, Formula 5 and TAUK continue to make noise on festival line-up’s all over the Northeast. Hayley Jane and the Primates are Chill vets, but their rising stock makes the Vermont based group one of the weekend’s acts to see.

    Pigeons Playing Ping Pong and Tom Hamilton’s American Babies are other noteworthy artists for the four-day weekend.  North Carolina’s based Big Something and Boston’s progressive eletrofunk outfit Strange Machines have also been gaining steam all summer long.

    “Strange Machines is just so epic and progressive as they make you want to dance harder,” said Nick Augustine of Maryland, “They blow me away again and again every time.”

    The Werks, Turkuaz and Indobox are also solid, ‘can’t go wrong’ choices amongst this year’s jam packed line-up.

    First time attendees will find themselves on even ground with experienced Chill attendees, as everyone will be learning the festival’s new lay-out.  However, festival organizers look to make the transition a bit easier by keeping stage names and key amenities the same.

    However, beyond the music, the hope of most attendees is that despite venue changes, the “Chill Fam” will maintain the vibe that has, in part, kept the festival growing.

    Rachael Dube from Vermont, a four-year Chill attendee isn’t worried about the venue change.  In fact, she says she is excited for the new location.  “There is just something pretty righteous about moving it from the original spot you know? Change is beautiful and inevitable, nothing should stay the same forever. Being able to take the great base that we have created at the Chill, and move it wherever we like, seems pretty cool to me. It’s something special that’s for sure.”

    And it’s not just the festival goers that are excited for the vibe that the festival offers.  Scott Hannay of the band Mister F was a three-year Chill attendee before his band played the festival in 2014. He told NYS Music, that it’s the “the ubiquitous Chillfam” that makes the festival special. “The vibe, the staff, all that music and unique combinations of musicians, it all melds together in a way that other festivals do not. Chill is exactly that, Chill.”

    Tickets for general admission as well as VIP packages are still available.

  • The LOCKN’ Report: Day 2

    Friday the Jam ‘Lympics at LOCKN’ swung into full effect with it’s first full day of music. In fact, from the opening notes of Upstate New York’s own Donna the Buffalo at 11am at the Blue Ridge Bowl, until Joe Russo’s Almost Dead closed out the night at the same venue well after 3am, there was live music to be heard for over 16 straight uninterrupted hours. As any veteran of the festival scene will tell you, it’s a marathon and not a sprint.

    DaveDeCrescente_Lockn2016-7

    Jam titans Phish closed out a long day at the main stage with a rare non-native festival appearance. After shaking off some early dust through opening takes of “Wilson” and “Down with Disease” the band proceeded to flex their muscles, showing why they are favorites to lead in the medal count at week’s end. Mike Gordon played the part of anchor in their version of the 4×100 relay, pushing and pulling the jams into deeper and funkier spaces throughout the first set. “Wolfman’s Brother” developed into an extended “Sneaking Sally”-esque jam, while the “It’s Ice” interlude grooved extra hard. The words said “falling on the ice” but the execution said, nailed the triple axle.

    DaveDeCrescente_Lockn2016-9

    The second set featured highlight jam after highlight jam, including a crowning jewel of a “Ghost” that had the entire Phish team jelling in ways they haven’t quite yet in 2016. It contained multiple segments, deep pocketed groove, ethereal noodling, raging rock anthem. It segued perfectly into “Bathtub Gin,” which was just another vessel to be navigated into improvisation waters. And the rapids were still raging, and they pushed through it masterfully.

    In order to get their proper stage set up, Phish was the only band to not utilize the rotating stage, shunning the seamless set concept with a 1 hour break. But in keeping with the LOCKN’ spirit, their show featured an almost seamless run of songs, with many noteworthy segues and nary a quiet moment, with no inter-song banter whatsoever. Just more wall-to-wall music.

    As the fans trudged off the main field following the final rings of the “Character Zero” encore, the main stage laid silent for the first time in 12 hours. Moogatu, Turkuaz and Vulfpeck got the day started off, each hosting their own little dance party. Vulfpeck followed up Thursday night’s preliminary round set with a cover-heavy set, again featuring Antwaun Stanley on vocals. After they played “Game Winner” it was clear they had earned a medal. Joe Dart again showed off his acrobatic skill, performing a handstand for the entire rotation of the stage as their set came to a close.

    Austin rockers White Denim rotated around on the other side, with a blast of pure rock energy. Their first few songs featured Scott Metzger on guitar, for takes on “Ha Ha Ha Ha (Yeah)” and a Roxy Music cover, that saw the band take full advantage of the two guitar assault, throwing their hat in the ring with the other jammers that would share the stage.

    Charles Bradley’s and His Extraordinaires came swinging around the turntable next, picking up with the rock, instrumentally introducing their team captain, Charles Bradley himself, who was dressed to kill in a black vest and black pants. He lead the band through a program of classic soul and funk sounds that showered messages of peace and love on the overheated crowd. A midset wardrobe change allowed for some more instrumental magic. Charles Bradley, a man that has as many nicknames as the best boxers (including Black Rose and Black Swan) deserves two introductions, and he received it. He finished out the stage decked out in glittering gold, and gold he shall receive.

    Peter Wolf, of J. Geils fame, continued with the elder statesmen segment of the festival, careening around the stage with rock star panache. He payed tribute even to his elders, including John Lee Hooker on a cover of “Serves You Right to Suffer.” The set featured straight blues, classic rock, and even dipped into some bluegrass with “Love Stinks.”

    DaveDeCrescente_Lockn2016-12

    Closing out the daytime portion before Phish’s appearance, Ween closed out their two show stint at LOCKN’ with a late afternoon set, of ‘Space age daytime rock.’ In their qualifying round, they concentrated on some rarer material, but for their medal round they played a set full of fan-favorites and hits. A bit more rocking, a bit more accessible, and a whole lot of fun. The set was peppered with heavy hitters that had the crowd singing and fist pumping, particularly a midset run of “Spinal Meningitis,” “The HIV Song,” “Roses Are Free” (unfortunately with no Phish sit-in), “Your Party,” “Bananas and Blow” and ending on a blistering version of “Voodoo Lady.” After shredding a lengthy guitar solo, Dean Ween exclaimed “I got a cramp from all that rocking!” But for Jam ‘Lympics glory it was totally worth it.

    More late night fun back at the village, Circles Around the Sun, the one-off band put together by guitarist Neal Casal for last year’s Fare Thee Well webcasts, played their live debut to a packed crowd at the intimate and appropriately named Woods Stage. Lights flashed over the trees giving the essence of a magical forest, and once the band kicked in the magic was ever-present. A four-piece Grateful Dead-inspired all-instrumental groove band, they had the crowd entranced. Meanwhile, Joe Russo’s Almost Dead was back at the Blue Ridge Bowl for more of the same. This time they brought out Nicole Atkins for “Dancing in the Streets” and “Music Never Stopped” and “Turn on Your Lovelight.” The set also featured an explicit bridge between the jam worlds of past and present, as Shakedown Street included a jam on “Bathtub Gin.”

    The final notes of Joe Russo’s Almost Dead were still hanging thick in the air later that morning when Keller Williams took the stage for his unique bluegrass takes on the very same source material. But that’s a story for another day. LOCKN’ day three beckons. Stay tuned!

  • Tumbledown: An Unforgettable Series of Musical Experiences

    Tumbledown was an incredible weekend of music, delivering countless excellent and unexpected moments. Upon arrival, the buzz of energy and anticipation in the air was strong. Sunshine, happy faces and eager ears covered the expanse of the Burlington waterfront.

    tumbledownThe first day started out with a few solo songs with Mihali, followed by an incredible set by Annie in the Water, which was a total surprise. The Kitchen Dwellers were originally in place to kick it off, but had a delayed flight, so Annie In The Water filled in on the spot. This ended up being a blessing in disguise, as the Kitchen Dwellers played at Higher Ground later in the evening, before Cabinet – we got the best of both worlds! Annie in the Water really started it off right with a mellow, jam/rock, reggae vibe. Up next came Turkuaz, a funky super-group that really lay it all out, featuring tunes from their most recent album Digitonium (2015). They drew a large crowd, which they amped up with their high-energy performance – a perfect opening for Twiddle’s first set of the evening.

    Twiddle tore up the stage for the first night of their event, leaving their fans wondering how it could get any better. They played some of their older tunes starting with “Blueberry Tumble,” “Brown Chicken Brown Cow” and “Amydst the Myst.” They finished off the first set with a few excellent tunes from their 2011 album, Somewhere On The Mountain, “Wescotton Candy,” “Beehop” and “Honeyburste.” The second set opened up with several of their newest songs which are heavy jams, “Fire on High,” “Blunderbuss” and the classic “Tiberius” followed by another new lyrical favorite, “Every Soul.”

    tumbledownTwiddle then played “Beethoven & Greene,” which led to a super connected interaction with the crowd, where, what seemed like the entire crowd echoed back the chorus: “Somewhere on the mountain they say that there’s a potion, that makes you truly happy and infinite in wisdom. It makes you shine as bright as the sun do shine, Keep your life doing right and your mind being kind, If your heart is true and your heart is pure, then this won’t undo the potion will endure in you.” They finished the second set off with a few more older tunes, and a classic cover, “Carter Candlestick,” “The Catapillar,” and an extra special version of “Funkytown,” joined by members of Turkuaz who belted out, “Won’t you take me to, Tumble Down?”

    Topping off the day of amazing music, was the after-shows which included Pigeons Playing Ping Pong with a sit in by Mihali at Nectar’s, and the ‘Kitchen Cabinet’ at Higher Ground. The Kitchen Cabinet show turned out to be an incredible surprise. First the Kitchen Dwellers played a set, followed by Cabinet. Then the two bands came together for their first ever collaboration. The chemistry between the two bands was undeniable, and they had everyone in the crowd stomping and dancing. This was the perfect way to end the first night of Tumble Down.

    Besides the array of musical experiences offered, Tumbledown also featured some other treats, such as the ‘Wompahoofus,’ a disc golf tournament held by the White Light Foundation, which donates proceeds to charity. There were games scattered throughout the waterfront such as corn-hole, frisbee, and even a squirt-gun powered boat race station. There were many excellent vendors, and even an art show hosted by PhanArt which was held at Club Metronome throughout the day. This was a good way for fans of the music to showcase their artwork, and make connections – the turnout was great, and the line at the door when they opened up it continued to grow.

    Day two began with a yoga class in the beautiful sunshine. Cabinet started off the music, bringing their deep bluegrass, Americana roots sound. The vibe they created was just right for Nahko & Medicine for the People to follow. MFTP’s set was another super high-energy show, featuring songs off of their most recent album Hoka (2016).  A request to the crowd for the cultivation of presence together, and grounding into the space in silence was made and Nahko then led the band into the songs “Directions,” “Make A Change,” “Love Letters to God”and “We Are on Time.”

    Nahko truly left an imprint on the crowd with the message he brought through the music during this set. Observing the onlookers, it was easy to notice that even the security guards were listening with a little deeper curiosity. Towards the end, Nahko invited Mihali on stage to play guitar alongside him during “Wash Away.” There was also a guest vocal appearance by singer/songwriter Madison Pruitt. These two bands really got the crowd riled up for Twiddle’s upcoming show.

    Twiddle shocked the crowd even more this set, with the biggest surprise of the weekend. They played mostly classic songs off of their first two albums, throwing a few new ones in here and there. They started off with “Subconscious Prelude,” doing what they do best – shifting from one jam into the next, into “Earth Mama” > “Brick of Barley” > “Daydream Farmer” > “Indigo Trigger” and back into “Subconscious Prelude” to finish it off.  The first set finished with their rendition of “Best Feeling” by Keller Williams, with a little tease of Michael Jackson’s “Smooth Criminal.”

    Holly Bowling took over for the setbreak, doing another ‘Tweener’ set, and then was invited to stay on stage for the beginning of the next. That’s when the big surprise came. The crowd could never have seen it coming. They started the second set with “Hatti’s Jam” – at this time I was over by the waterfront enjoying the tail end of the sunset, and I heard them shift into “When It Rains It Poors.” At that moment, I started feeling drawn to the stage, as that song typically does to most Twiddle fans. As I approached, I saw that Page McConnell from Phish had joined Dempsey on keys for “WIRIP.” Unexpected, unannounced to the crowd – the keys of Phish came onstage to sit in with Twiddle. The crowd was a sea of smiles, and all I could think was what an incredible and completely shocking moment. Truly a triumph for Twiddle, being life-long fans and deeply inspired by their music. After this, the vibe was electric. They ripped through a few songs I’ve heard them play many times, but with a new luster: “Dr. Remidi’s Melodium” and “Grandpa Fox,” into a new crowd favorite “Lost In The Cold” and finishing with “Wasabi Eruption” and “The Box.”

    And again for the second night, it didn’t end there. Finishing off the weekend full of amazing musical acts, was ‘Mihali & Frends’ at Higher Ground. This was a super cohesive collaboration, with Nahko Bear on keys and vocals, Justin Chittams on drums and Mihali on acoustic and vocals. After a few songs, they were joined by Tim Snider on the fiddle who really tore up the stage with his presence. As the night went along, Mihali invited musicians from the previous day’s acts to join him on stage.  Zdenek joined on the bass, then from the Kitchen Dwellers, Shawn Swain on mandolin and Torrin on banjo and vocals, and eventually Joe joined in swapping out with Zdenek.

    Brook Jordan and Ryan Dempsey also switched out with Justin and Nahko, coming full circle throughout several others coming and going from the stage also including Lowell Wurster from Lucid on vocals, harmonica and the washboard. At one point, Mihali re-joined the stage -after giving a guitar solo to the man who builds his guitars-and picked up the mic to MC and freestyle, shifting into a song that he created on the spot about Tumbledown. It was an incredible late-night show of revolving musicians. The best part, is that it was not rehearsed at all and it seemed as if they had all been playing together for years. To be able to pull off a show like that, is much more than a feat. It was an incredible array of talent joining forces, all put together by Mihali himself.

    The fact that this was Twiddle’s first big event, must have played a role in how well they played, because in the past eight years that I have experienced the pleasure of watching them grow as a band, this was by far the best I have witnessed yet. They were really interactive with the crowd, and it felt interconnected on a level that allowed for the vibe to rise and expand throughout the entire atmosphere over the span of both days. Stay tuned for a larger photo gallery coming soon, featuring coverage from the entire two days.

  • The Werk Out 2016 Looks to Pack a Punch

    Nestled inside the Legend Valley Concert Venue and Campground, the Werk Out looks to be  the sleeper festival of Summer 2016.  With a jam packed lineup and the intimacy of a smaller venue, this year’s festival features a variety of musical acts, vendors, craftspeople and activities. Now in it’s seventh year, the festival returns to Thornville, Ohio, August 4 through 6.

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    Headliners and host band The Werks will perform all three nights, while Twiddle and Dopapod will hit the stages for two nights.  STS9 tops the lineup with two sets while funk masters Lettuce and The Motet lead the festival’s late night efforts.

    The Werk Out will also play host to several tribute sets including the highly anticipated Twerkapod “Tribute to the 90s” featuring members of The Werks, Dopapod and Twiddle as well as Daft Phunk – a Daft Punk tribute performed by Earphunk.

    Bluegrass sensation Greensky Bluegrass, rock/funk fusion band Kung Fu,  hip-hop funktronica Manic Focus, NYC Funk outfit Turkuaz, and the Everyone Orchestra featuring Todd Stoops round out the already diverse, funky and fun weekend of music.

    The festival is also packed with many of Ohio’s finest up and coming festival artists including Broccoli Samauri, reggae rock fusion Tropidelic, and Ghost Gardens.

    Other must see non native Ohio see include North Carolina based rock jam fusion Big Something, Maryland-based band Litz, and New York state based bands Mister F and Teddy Midnight.

    “Don’t miss the Glostik Willy late night set on Saturday Night/Sunday morning,” noted Grand Haven, MI, native Zachary Burns,  a three-year vet of the Werk Out. He also suggests getting to the venue early to take advantage of wooded shady camping, as space in these areas is limited.

    “Definitely don’t skip out in the Disc-O-Pizza vendor,” Burns also suggested. “ Some of the best/fairly priced festi food you can get.”

    Columbus, Ohio native Jake Ashworth agrees with Burns.  “When in need of food, seek out Disc-O-Pizza.  And Gilligan’s has the best smoothies.”

    Ashworth also mentioned taking advantage of the showers near the stage to stay cool and suggest if you want to post up in your hammock, to get there early because “the trees fill up fast.”

    Music begins on Thursday at 4 p.m.  Saturday day passes are available at the gate for $80.  Weekend passes are still available and can be purchased in advance or at the gate.  Camping is included.  No alcohol is sold during the festival, however, according to the festival website, “Please bring your own alcohol for the weekend. And some to share.”

  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • Mountain Jam 2016: Day 2

    20160603_MountainJam_TheSuitcaseJunket_Performance_Timmermans_0039On June 3, festival-goers awoke in their tents, RVs, and hotel rooms to a beautiful day ahead. The temperature was in the low 60s, there was some light comfortable wind blowing through the mesh of tents, and some clouds in the sky, which kept the sun from waking people up hot and sweaty. Most importantly, there was the first full day of Mountain Jam 2016 ahead.

    The day of music got underway on the Valley Stage with The Suitcase Junket, a one-man-band out of Amherst, MA. Matt Lorenz entertained the crowd with his adaptation of a music man, crooning out sweet lyrics, while smoothly playing a combination of a variety of instruments to accentuate those heartfelt vocals.

    The next couple of acts to hit the Valley Stage were Marcus King Band and Love Canon. Marcus King and his band proved to be a crowd favorite and was invited to play a small acoustic set live on Radio Woodstock, which is broadcasting on-site all weekend. NYS Music captured a moment of that radio set on Instagram. Love Canon, a fast-paced bluegrass band with a keen ability to cover Top 100 songs got the late-afternoon crowd fired up for the evening to come. Their covers of J. Geils Band’s “Centerfold” and Africa’s “Toto” ensured that as few butts were on the grass or in chairs as possible.

    The Mountain Stage had its first act early in the afternoon, with And The Kids, a band based in Northampton, MA, who labels themselves as not just indie rock, but as an existential and accessible form of music.  After this unique and subtle yet powerful trio was a band who has worked hard to be thought provoking with the depth to assist generations with escaping the ease of apathy.  That band with such an intense charge is Nahko and Medicine for the People.  NYS Music was fortunate enough to catch a few minutes with Nahko, an artist with a great heart and his mind truly in an enlightened state.

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    “A lot of the music that I eventually opened up to that fueled my own style of writing came from [the Sixties]. The old story-telling of a time when there was a very strong movement, as far as a social movement goes, to become aware of yourself and to be involved in your political structure and to be involved in making democracy work for the people.” He goes on to explain that he doesn’t see his music having a political drive. Instead he prefers to label it as having political content and some non-fictional history lessons, which is ultimately positioned to open fans’ minds in order to do their part in shaping a better world.

    The Santa Monica, CA based band was here playing their first Mountain Jam and were excited to say the least. The only disappointment was that they had to leave almost directly after their set. However, the reason was nothing short of incredible: they are performing at a Bernie Sanders rally in San Diego, CA.

    The Mountain Stage then welcomed Courtney Barnett, the Melbourne, Australia-based singer, song writer, guitarist and all-around bad-ass performer. Courtney brought her attitude-filled full-bodied sound to the Catskill Mountains, introducing many to her music and galvanizing the crowd when she played The Grateful Dead’s “New Speedway Boogie” for her first time ever in front of an audience. NYS Music posted a clip of that excellent cover on Instagram as it happened.

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    Immediately after the Australian indie-rocker finished her set, Brooklyn’s own Turkuaz got things started on the Valley Stage. Anyone who has seen this power funk ensemble knows that the impending set they stand anxiously waiting to see will fill everyone’s ears with a ground shaking orchestration. Turkuaz shows everyone why this relatively young band has started to gain the momentum that is likely to carry them to very high places in the national music scene and possibly beyond.

    S Malinski - Turkuaz - Mountain Jam-4

    As the evening led into night, Mountain Jam 2016 was captivated by the music of Jason Isbell and Chris Robinson Brotherhood, who was making their return after having been on the Mountain Jam X billing in 2014. By the time CRB was wrapping up their ever-soul-filled set, dusk had settled in nicely and the previously anticipated rain had decided to issue a stay of aquatic festival execution.

    The soon to be chilly night was then taken over by an incredible pair of Mountain Stage acts.  Wilco was tasked with firing up the crowd for the historical host of Mountain Jam, Warren Haynes. The veteran band completed their assignment with mastery, giving a massive crowd of long-time Wilco fans and first-timers alike the 90’s alternative rock fix they’d been seeking, whether they knew it or not.

    After Wilco, there was a 30 minute lull. That gave people enough time to run and prepare for the host to present his musical bounty. Gov’t Mule took the stage just before 11:00 pm to a crowd itching to hear the drawl of that Southern rock. It’s not easy to forget how breathtaking of a show the Mule gives its fans, but if someone in that crowd had forgotten, they were immediately reminded when the band opened up with the Black Sabbath cover “Sweet Leaf.”  They proceeded to give the audience some of their favorites, including “Thorazine Shuffle” and “Funny Little Tragedy,” which finished with a “Thorazine” reprise, Traffic’s “Dear Mr. Fantasy,” “Mule,” in which the festival was teased with riffs of “Shakedown Street,” and then finished with a “Soulshine” encore.

    S Malinski - Wilco - Mountain Jam 2016-3

    When Warren and his crew of troubadours left the Mountain Stage the crowd was split in two.  Those who filed toward Healey Hall for The New Mastersounds and those who sought the comfort of their camp sites, RVs and hotels after a long first full day of Mountain Jam 2016. For the latter, rest was needed to ensure the best experience of the Saturday of music and events to come, while the former knew that it would take a powerful force to stop their momentum.S Malinski - Gov't Mule - Mountain Jam 2016-4

    Today, the third day of the 12th annual Mountain Jam, the festival-goers are in store for a day filled with amazing music and other incredible events. Sister Sparrow & The Dirty Birds, Beck and Thievery Corporation have Mountain Stage duties.  Son Little, Lettuce and Houndmouth will be playing their sets on the Valley Stage. All the while there will be workshops, documentaries and Q&As from the likes of Jay Blakesberg and Lettuce. Late night will be covered by the sounds of Con Brio and then Lettuce. Whether you haven’t yet streamed Mountain Jam 2016 or if you have all along, be sure to visit Tourpedo to stream all of these great artists. In the meantime, check out these galleries from yesterday by our staff photographer, Steve Malinski.

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  • Bands on the Bricks at Rochester Public Market Reveals 2016 Lineup

    Bands on the Bricks is back for summer 2016 at Rochester’s Public Market. The free Friday evening concert series kicks off at the Union Street location on July 8, and this year’s lineup includes Giant Panda Guerilla Dub Squad, Donna the Buffalo, Turkuaz and Aqueous, among others.

    The concert series welcomes July with an opening evening show dubbed Latino Night, created in partnership with the local Puerto Rican Festival, followed by Three Heads Brewing Night on July 15 with Giant Panda Guerilla Dub Squad and Rochester’s own Suburban Plaza. July 22 is the Food Truck BBQ Contest for the Rohrbach Brewing Company Night with Cats Under the Stars: A Jerry Garcia Band Tribute and Flour City’s Subsoil, before Donna the Buffalo headlines on July 29 and Turkuaz with the Buffalo-based rock group Aqueous on Aug. 5.

    Bands On the Bricks takes place from 6 to 10 p.m. every Friday starting July 8 and ending Aug. 5 at the City of Rochester’s Public Market — seating is limited, so don’t forget your folding chair. Gates open at 5:30 p.m., and remember, no shoes, no shirt, no entry.

    Bands on the Bricks summer concert series 2016:

    7/8 – Latino Night in partnership with the Puerto Rican Festival of Rochester, Inc.
    7/15 – Three Heads Brewing Night with Giant Panda Guerilla Dub Squad and Suburban Plaza
    7/22 – Food Truck BBQ Contest Night with Cats Under The Stars: Tribute to Jerry Garcia Band and Subsoil
    7/29 – Donna the Buffalo
    8/5 – Turkuaz with special guest Aqueous