Tag: Todd Stoops

  • RAQ Ends Comebaq Run: Makes a Splash at Thunder Road with Swimmer

    A double header of Vermont jammers treated a Massachusetts crowd to a night of improvisational grooves, saxophone sit-ins and Christmas carol teases in true holiday fashion at Thunder Road Music Club & Rock n’ Roll Bistro. Vermont’s own RAQ, restocked with a reputable drummer in the scene, teamed with an up and coming group, Swimmer, who share roots in the same town of Burlington. Both drew an impressive gathering of fans both local and branching across the Northeast, making it safe to say many left the MA venue newly admitted “swimmers.”

    The progressive rock-fusion quintet based out of Burlington, took the reigns early in the night, kicking things off with a kinetic performance that displayed a melting pot of genres over a six-song set list. Carefully crafted, it brought forward original compositions intertwined with covers of some of their largest musical influences, Frank Zappa and Phish. The night found mesmerizing flair from keys player Matt Dolliver, bassist Jack Vignone, guitarists Paul Klein and Joe Agnello, who swapped vocals with man behind the drum kit, Cotter Ellis. Original and innovatively named tracks “5 Seed and Feeble,” “Godmeat” and “Sea Cerebral” truly portrayed the unique sound Swimmer bears to those who have never been introduced to their music–seemingly effortless tight grooves, progressive journeys and charismatic originality.

    Highlights of the set instantly point towards Matt Dolliver as he delighted the audience with smooth saxophone performances and Swimmer’s conquering of Frank Zappa’s “Pound for a Brown” > Phish’s “F*ck Your Face” > “The Impossible Engineer,” an original track that ended the set with high-energy and roars of approval.

    RAQ certainly came baq and kept the crowd fully captivated throughout a two-set performance. The audience and RAQ members alike were elated with the fact that former Dopapod drummer Scotty Zwang, has completed the final piece in their lineup puzzle–one that has proven to be tossed up in the past and especially interwoven with Kung Fu. Todd Stoops was nothing short of vocal, proudly admitting from behind the keys that Zwang is the “best drummer they’ve ever had” as he corralled multiple rounds of applause throughout the first set, which included “Bootch Magoo,” “Clamslide,” “Bobs Your Uncle,” “Crazy Tonie” and “Gabvonie.” Before heading offstage for a 15 minute reprieve, RAQ incited a sing-a-long on fan-favorite “Walking in Circles.”

    Also displayed on two TV’s hanging above head at a full-stocked bar, the second set of the performance found a few dressed in Christmas colored velour and blazers in the holiday spirit as their atmosphere quickly turned into a reggae sound-tracked snowglobe. RAQ dove into Peter Tosh’s “Legalize It” before taking on a string of Christmas classics from “The Little Drummer Boy” and “Joy to the World,” to “Rudolph the Red-nosed Reindeer,” which paired nicely with the “Deck the Halls” ornament and garland decor at Thunder Road. Newly confirmed “swimmer,” Stoops, re-introduced Matt Dolliver to the stage after approaching him in the crowd between set changes. An impromptu sit-in on Men at Work’s “Who Can it Be Now?”ultimately brought down the house.

    Swimmer will resume gigs after the holidays with their first 2017 appearances across Clear River Tavern, Showcase Lounge and The Snow Barn in Vermont before heading to Stella Blues in CT. RAQ ended their trifecta of North East comebaq performances, with stops through The Westcott Theatre in Syracuse, a penultimate gig with Twiddle at Port Chester’s Capitol Theatre and last night’s Thunder Road wrap up. Saturday night alone determined that both groups have big moves on the horizon for the upcoming new year.

  • Reed Mathis Resurrects Beethoven in Buffalo

    Bassist Reed Mathis is embarking on a new adventure. His album, Beathoven, just out September 30, features nine different trios tackling his rearrangements of Beethoven’s 3rd and 6th Symphonies.

    But the true nature of the project is the live band, with Jay Lane (Primus, Ratdog) on drums, Todd Stoops (RAQ, Kung Fu) on keys, and Clay Welch, a young guitarist who literally honed his craft while following Mathis’ old band Jacob Fred Jazz Odyssey. As Mathis explained before leaving the stage at set break, Beethoven’s music was conceived from improvisation and was heavily improvised on when Beethoven himself performed. Mathis felt it was time to take the music out of the museum, dust off the 200-year-old masterpieces, and get back to the true spirit of the original music. So he is taking it on the road for a couple of years with his new band, to resurrect the life of the long-dormant spirits. They stopped at the Iron Works in Buffalo during their short tour surrounding the release of the album.

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    Writing good songs has long been a crutch for many jambands. Many rely on playing lots of cover material, some exclusively so. Though if you are going to do that, you might as play material from one of the greatest composers of all time. Beethoven’s original music served as a mere blueprint, an inspiration, and a launching off point for what became deep dives into massive exploratory soundscapes. The first piece they played, the 3rd movement of the 3rd Symphony, aka “Rebirth,” clocks in just over five minutes on the album. Live, on this night, it ran 45 minutes. Their jams flowed from theme to theme, each taking on a life of it’s own before dissolving or sometimes abruptly shifting into the next. This constant movement kept the long-windedness feeling remarkably shorter, easily digested and invigorating.

    The quartet played wonderfully off of each other, under the direction of Mathis, who belted out instruction now and again. Encouraging for more of the same when he heard something he liked, calling for a change when it was time to move on, etc… At one point, during the second composition, he almost brought the music to a stop as he took a survey of those on stage and all in attendance if they liked the last bit they had played. It was something new they were testing out. Moments like these and the freshness of the music to both the band and audience, gave the concert a feeling of an intimate dress rehearsal. It felt like we were in on the ground floor of something big.

    The music wasn’t just electric, but eclectic as well. Each member brought a full arsenal to the table. Mathis’s bass could hold the groove or step up and become the lead in any number of unique sounds he could conjure from his numerous pedals. Lane’s drumming, highlighted often, was a constantly moving rumble rolling the music forward with a controlled chaos of bops booms and crashes. Stoops could fill in every empty space with swirls of organ or take the lead in mystifying runs through Beethoven melodies on a variety of keyboards. Welch’s guitar was the line that tied through it all, jawing directly with Mathis, dancing with Stoops’ plinks or crunching out rhythms along with Lane, all the while, never devolving into self-indulgent soloing. It was some high brow jamming, or as Mathis calls it, CDM (Classical Dance Music).

    If you’re wondering what Ludwig himself would think of it all, you need look no further than his infamous trip to San Dimas in 1989. He would love it of course! And so did we.

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  • Catskill Chill Offers Fierce Line-Up at New Location

    If you’re not quite ready for the summer to end, the Catskill Chill offers many music lovers one last chance to spend a weekend immersed in sights and sounds at the festival’s new location. Just a mere ten miles southwest from its former location, 2016 ushers in a new era for the festival at the New Minglewood.  This year’s basic festival ticket includes three days of music and camping starting September 24-26.

    Catskill Chill kicks off this year with a Thursday pre-party, a new addition for the festival.  At the mere cost of $45, the pre-party offers a powerhouse line-up of northeast festival favorites. The inaugural evening features Buffalo grove rockers Aqueous, jamtronica favorites Jimkata, two sets from Vermont’s Twiddle and superduo Trakstar featuring Todd Stoops (RAQ) and Rob Chafin (The Werks). The evening will be filled with high energy music that looks to set the bar high for future pre-party festivities.

    Martie Locke who will be traveling from King of Prussia, PA, said that the Thursday pre-party is actually what sold him on the weekend.  “It’s amazing.  Aqueous, Jimkata and Twiddle offer some of the best musical vibes,” he told NYS Music. “I think Thursday night could be some of the best fun of the weekend.  Well worth the price of the entire ticket.”

    For folks not making the Thursday festivities, the entire weekend is packed with creative collaborations, solid headliners, as well as up and coming artists from all over the country.

    Friday offers a mixture of relaxed vibes and funk.  Zack Deputy kicks off Friday’s Main Stage music.  Kung Fu offers the day’s first look at Main Stage funk takeover while funk masters George Clinton and Parliament Funkadelic and Phish bassist Mike Gordon headline the Main Stage on Friday evening. Pink Talking Fish are sandwiched in between the two powerhouses, with their performance on the B Stage, creating a solid five hours of music.

    Ryan Montebleau sets the mood for the Saturday Main Stage, with Cabinet and Keller Williams offering up a Saturday afternoon filled with Bluegrass vibes.  Lettuce closes out the Saturday Main Stage Music.

    Sunday’s Main Stage is a variety of musical genres.  Roosevelt Collier’s NY Get Down will feature Dopapod’s Rob Compa and Eli Winderman as well as Michelangelo Carubba and Taylor Shell of Turkuaz.  Bluegrass favorites Greensky Bluegrass and electronic rock masters Dopapod fill out Sunday afternoon. Electron will conclude the activity on Sunday’s Main Stage

    This year’s Catskill Chill is filled with a variety of beloved music performed by some of the festivals most respected veteran artists as this year’s Chill is jam packed with tribute performances. Friday night will feature Pink Talking Fu paying tribute to this year’s passing legends David Bowie and Prince.

    Saturday hosts the majority of these performances. Shwikus, featuring members of Shwizz and Fikus, will pay tribute to the music of the Beatles.  The Heavy Pets bring their highly praised Tribute to the 80’s, while fans of Primus will want to check out Lespecial’s Primus set in Club Chill.

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    Dopakuaz, featuring members of Dopapod and Turkuaz, returns after a memorable performance of the music of Studio 54 at last year’s Catskill Chill.  This year, the two bands have collaborated to showcase the best of classic 80’s preppie soft rock, also known as Yacht Rock.  Saturday night’s tributes will conclude with the Chillfam All-stars Tribute to Michael Jackson. Fans of Led Zepplin should catch Elise Testone’s tribute set on Sunday. Bitches Bloom will perform the music of American Jazz legend Miles Davis on Sunday as well.

    The Catskill Chill is also offering a few unique choices on their 2016 line-up.  Primate Fiasco’s unique blend of Americana, street band and off humor lyrics are a refreshing change of pace for almost any festival line-up. Meanwhile, Reed Mathis (Tea Leaf Green) and Electric Beethoven featuring Jay Lane (Primus, Ratdog),Todd Stoops, Cochrane McMillian (Tea Leaf Green) and Clay Welch will perform a set of “classical dance music” with a reimagining of Beethoven classics.

    This year’s line-up is also highlighted by a laundry list of this summer’s most buzz worthy bands. Hailing out of New York State, Mister F, Formula 5 and TAUK continue to make noise on festival line-up’s all over the Northeast. Hayley Jane and the Primates are Chill vets, but their rising stock makes the Vermont based group one of the weekend’s acts to see.

    Pigeons Playing Ping Pong and Tom Hamilton’s American Babies are other noteworthy artists for the four-day weekend.  North Carolina’s based Big Something and Boston’s progressive eletrofunk outfit Strange Machines have also been gaining steam all summer long.

    “Strange Machines is just so epic and progressive as they make you want to dance harder,” said Nick Augustine of Maryland, “They blow me away again and again every time.”

    The Werks, Turkuaz and Indobox are also solid, ‘can’t go wrong’ choices amongst this year’s jam packed line-up.

    First time attendees will find themselves on even ground with experienced Chill attendees, as everyone will be learning the festival’s new lay-out.  However, festival organizers look to make the transition a bit easier by keeping stage names and key amenities the same.

    However, beyond the music, the hope of most attendees is that despite venue changes, the “Chill Fam” will maintain the vibe that has, in part, kept the festival growing.

    Rachael Dube from Vermont, a four-year Chill attendee isn’t worried about the venue change.  In fact, she says she is excited for the new location.  “There is just something pretty righteous about moving it from the original spot you know? Change is beautiful and inevitable, nothing should stay the same forever. Being able to take the great base that we have created at the Chill, and move it wherever we like, seems pretty cool to me. It’s something special that’s for sure.”

    And it’s not just the festival goers that are excited for the vibe that the festival offers.  Scott Hannay of the band Mister F was a three-year Chill attendee before his band played the festival in 2014. He told NYS Music, that it’s the “the ubiquitous Chillfam” that makes the festival special. “The vibe, the staff, all that music and unique combinations of musicians, it all melds together in a way that other festivals do not. Chill is exactly that, Chill.”

    Tickets for general admission as well as VIP packages are still available.

  • The Werk Out Music and Arts Festival Exceeds Expectations

    The 7th annual Werk Out Music and Arts Festival at Legend Valley Music Venue and Campground was stacked for success with a powerhouse line-up.

    Taking place in Thornville, Ohio, August 4-6,  it was more than just the music that fueled the success of this year’s festival.  Anchored by moving tributes in honor of former Werks’ keyboardist Norman Dimitrouleas, as well a plethora of artist sit-ins and breakout performances, this year’s festival was marked with emotion and surprises.

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    The Werk Out’s biggest surprise literally fell on STS9 drummer Zach Velmer, when a female fan managed to bypass festival security.  Once onstage, the fan made Werk Out history by attempting a trust fall onto Velmer and his kit.  STS9 left the stage to regroup and returned for a high energy second set that closed out the Main Stage on Friday Night.

    Friday afternoon was highlighted by the Big Damn Jam’s performance of the Beatles’ classic album Abbey Road. The performance was dedicated to Dimitrouleas, who passed earlier this year.  As a member of Big Damn Jam, Dimitrouleas always wanted to perform the album.  After his passing, BDJ decided to honor him posthumously with the performance at this year’s Werk Out Music Festival.

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    The Abbey Road set included a rotating cast of musicians most notably Dino Dimitrouleas (The Werks), Todd Stoop, Alex Delk (Octopus’ Garden), Marcus Cornwell (The Vibe) and Justin Robb (Litz) as well almost a dozen other musicians throughout the afternoon set.  Most of the musicians participating had played with Dimitrouleas in various projects over the year.  During the set, fabric flowers fashioned from Dimitrouleas’ old shirts were passed out in his honor.  Fans and musicians wore them on hats, backpacks and various pieces of clothing throughout the rest of the weekend._MG_8188

    The tributes to Dimitrouleas continued throughout the weekend including The Werks’ Saturday night encore with a dedicated performance of “Carry Me Back Home.”

    “I’ve never been so emotionally touched by a musical performance as I was during the Werks encore tribute to Norman on Saturday night,” said Zachary Burns of Grand Rapids, MI.  “Everything from the crowd chanting ‘DINO! DINO! DINO!’, to Dino’s speech before the song starting, to seemingly every member and a good portion of the crowd crying during ‘Carry Me Back Home.’ That was the definition of being happy and sad at the same time.”

    The Werk Out’s most talked about performance came in the form of the Twerkapod “Tribute to the 90s.”  Featuring members of Twiddle, The Werks, and Dopapod, the Friday night late night set was packed with a mix of obvious choices (Green Day, Blink 182, Sublime, Nirvana, Rage Against the Machine) and stunning surprises (Britney Spears, Hanson and TLC).  Highlighted performances from the set included “Gangsta’s Paradise” which featured a perfect reproduction of the song’s ending choral arrangement and Twerkapod’s word perfect performance of TLC’s “Waterfalls.”

    Fans of The Werks weren’t in agreement on which of the weekends multiple sets were the band’s best.  Most found that each of the weekend’s set contributed a different experience for the weekend.

    “I really enjoyed the first Werks set on Thursday,” noted Tyler Raymond of Michigan. “I’ve seen the Werks more than any other band and the sound and production was top notch from them. The way the light show was coordinated with the band was seriously next level. You could really tell that they were putting the shows on for us and that the guys really love us.”

    Dino Dimitrouleas, currently on a hiatus from bass duties with The Werks,  joined his band mates on several occasions for sit-ins throughout the weekend starting Friday night.  “When Dino came on stage in the tent everyone was so happy” Raymond told NYS Music, “Definitely a moment to always remember.”

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    Vermont based quartet Twiddle continued to create a buzz about their unique brand of jam.  Raymond also noted that the band’s Saturday night sunset performance on the Side Stage was among his favorite non-Werks set of the weekend.  “They are moving up the list of my favorite bands quickly because what they bring to the take is so fresh and different than anyone else out there right now.”

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    The weekend also featured several breakout performances.  New York’s Mister F and Teddy Midnight created a buzz in the Big Tent Stage.  North Carolina’s Big Something capitalized on their first Werk Out appearance on the Side Stage with a high energy afternoon performance on Saturday afternoon, while Maryland based band Litz turned heads during their Big Tent Stage set, which featured a sit-in from Twiddle keyboardist Ryan Dempsey.

    In fact, the weekend was full of sit-ins including Twiddle’s Mihali Savoulidis and The Werks’ Chris Houser performing with Greensky Bluegrass and Dopapod’s Rob Compa shredding during Twiddle’s “Apples.”  And according to Derrick Webber of Ypsilanti, MI, these sit-ins add a new element of musicianship for some of his favorite musicians. “It blows me away to hear such clean performances from guys that don’t typically play together, and the passion they still have is inspiring.

    The weekend’s ultimate sit-in featured members of the Werks, Twiddle, Greensky Bluegrass and Big Something in Matt Butler’s Everyone Orchestra. Butler finds a way to coordinate a variety of musical sounds, while leading his EO members to create unique and one time only jams. Twiddle bassist Zdenek Gubb stepped on stage to lead the EO to the highest energy, grooved out dance party of the set.  However, Houser received the set’s MVP award for showcasing a variety of styles, genres and face-melting solos throughout the performance.

    Beyond the music, the Werk Out featured a large number of vendors, giving attendee’s a variety of food, beverages, merchandise and crafts to choose from over the weekend. Vendors for the weekend all were competitively priced, creating a fairly priced and active marketplace throughout the weekend.

    Nick Augustine, a first time Werk Out attendee from Maryland, noted that his favorite non-musical part of the weekend was the fire spinners and propane dance floor set up near the late night stage.  “What a cool addition to the atmosphere!”_MG_8359

    The Werk Out looks to return to the Legend Valley Music Venue and Campground for its eighth installment next August.  The venue has plenty of space for the festival to grow without the inconvenience of having to move locations to accommodate its growing popularity.  What the Werk Out does right is that it cultivates an environment of friendship and community while packing its line-up with musicians and artists that clearly have solid working relationships and mutual respect for their fellow musicians.

    Augustine, who told NYS Music that he will be making the Werk Out an annual addition to his summer festival plans, said it was the overwhelming sense of community that made the festival a stand-out event.  “The staff, the crew and the people were all adding to making this festival fun, beautiful, exciting and safe. From the decorations to the sound and lights to the amount of good vibes and vending, this festival was one of the best I’ve attended!”

  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • Bearsville Theater Announces Spring Schedule

    It’s no surprise that the Bearsville Theater in Woodstock released an exciting schedule for the spring.

    This unique venue draws a variety of world-class artists throughout the year. This April and May will feature familiar names from several genres including folk, jam bands, reggae, funk and DJ sets.

    Bearsville Theater sits in a wooded area about one minute outside of Woodstock. Guests can enjoy the Bear Café next door while checking out the Sawkill Creek. Radio Woodstock 100.1 WDST FM also shares the property. Fans of the venue return time and again for both the music and the incredible atmosphere.

    Next week features rising stars Pink Talking Fish on April 7 followed by a funky treat a few days later on April 10: Paul Barrere & Fred Tackett of Little Feat with special guest the New Orleans Suspects featuring members of Neville Bros., Dirty Dozen Brass Band, the Radiators, James Brown and the Meter Men.

    Grateful Dead fans can get their fix on April 15 with the Garcia Project and April 16 with Skeleton Keys featuring Todd Stoops of RAQ (formerly Kung Fu) and Alex Mazur of Gratefully Yours.

    Folk group Elephant Revival from Colorado will play on April 30 and rising jam band stars Formula 5 take the stage on May 13.

    A full schedule is available below. Please visit www.bearsvilletheater.com for details and tickets.

    April 1 – The Mountain Goats

    April 7 – Pink Talking Fish

    April 10 – Paul Barrere & Fred Tackett of Little Feat with special guest the New Orleans Suspects featuring members of Neville Bros., Dirty Dozen Brass Band, The Radiators, James Brown, and The Meter Men

    April 15 – The Garcia Project

    April 16 – Skeleton Keys with Todd Stoops (Kung Fu) & Alex Mazur (Gratefully Yours)

    April 23 – Ladies Night with DJ Lady Miss Kier of Deee-Lite and DJ Lady Verse

    April 30 – Elephant Revival

    May 6 –  Feast of Friends (Doors Tribute)

    May 7 – Tangoman & The Latin All Star World Beat Dance Band

    May 13 –  Formula 5 with Hayley Jane and Justin Hancock of Hayley Jane and the Primates

    May 14 – Gary Nest Pine (former lead singer of The Wailers) & The Big Takeover

  • RAQ Stuffs the Hollow on Reunion Run

    RAQ is baq. Let’s hope they continue this upward trajectory.

    The four-piece band has not played much in recent years due to members being tied up in a cavalcade of other projects. A somewhat perfect storm recently paved way for the band to start playing shows again, and let’s just say the group’s performance in Albany, N.Y. at the Hollow proved these guys are quite well-oiled.

    Guitarist Chris Michetti and keyboardist Todd Stoops seem to have a connection that goes beyond what might happen between confident and talented band mates, as displayed by the opening pairing of “Premium”> “Hannah,” which saw virtuous playing from both. Drummer Neal Evans and bassist Jay Burwick held down the rhythm section, which settled nicely into the background.

    “Push the Lil Daises”>”Late Night”>”Will Run” kept the show at a sprinter’s pace, before “Momamoth”>”Dance Hall Days”>”Momamoth”>”Wax” did nothing to put anyone to sleep. Michetti is a guitar player who can shift from trance to metal to jazz to chunky rhythm and back around again without missing a measure. I don’t know how else to describe him.

    “Transcontinental,” “Shirley,” “Donkey Show” and a “Late Night” reprise closed out the rocking set. The encore consisted of “Tequila All Day”, “Nationwide”, and the ever elusive “Sweet Cream Butter”. The packed crowd exited the Hollow content, from what I could tell.

    Let’s hope that RAQ decides to keep this train rolling so that everyone who wasn’t there last week can experience this group for years to come.