Tag: Times Square

  • Plenty of Treats for Fans in moe.’s NYC Run

    moe. pulled out some excellent segues and rare songs for their St. Patrick’s Day run in NYC.

    The weekend started off St. Paddy’s Thursday with an intimate show at a smaller venue, Stage 48. The concert hall opened three years ago and has a capacity of about 1,100, with a horseshoe-shaped balcony area around the top, multiple bars and plenty of room for dancing.

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    The boys didn’t waste any time getting into it, launching into a nearly half-hour-long “McBain” to start the show, which then slid into “Down Boy.”

    When guitar player Chuck Garvey took to his talk box in “Happy Hour Hero,” he sang into it a holiday wish for the crowd: “Happy St. Patrick’s Day you guys,” “I hope you have a very nice St. Patrick’s day. I hope you get real fucked up.”

    The band then played “Downward Facing Dog,” but they didn’t finish it; instead they transitioned into “Deep This Time” to end the set. DFD is broken into two distinct parts, so it’s perfect to break up within a show, but it doesn’t happen often, if ever.

    At the end of the set, bassist Rob Derhak, who had been coughing here and there throughout, made it pretty clear how he was feeling: “Thanks folks, I’m going to have to go get a blood transfusion, because that was like a four-hour first set.”

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    The second set didn’t let up, though. It was a festive ride from the opening notes of “Billy Goat” all the way through the set to the apropos “New York City.” The set only stopped once, after going “all the way down to the bottom” with “The Pit” then finishing up “Downward Facing Dog” with the part that gets dark and guitarist Al Schnier nearly growls out the lyrics.

    After taking a quick breath, the band dove into the creepy-yet-whimsical “Bearsong,” which transitioned into Pink Floyd’s “Interstellar Overdrive.” Then the whole thing became a “The Pit” > “Tubing the River Styx” sandwich before going into “Farmer Ben.” Percussionist Jim Loughlin didn’t venture out from behind his setup as he often does when he’s singing a song, but it didn’t take any energy out of the crowd favorite that’s on the rarer side. The song always breaks down into a few covers, and this Ben had some very appropriate treats: “If I Should Fall From Grace With God” by the Pogues, “Shipping Up to Boston” by the Dropkick Murphy’s, and moe.’s own traditional Irish-sounding tune, “Raise a Glass.” The band played the full RAG and didn’t finish Ben before going into “New York City.”

    Jess Collier - moe. - Stage 48 - 3:17:16 - 20

    The encore featured some neat play with lyrics. moe. started with Neil Young’s “Down By the River,” which they hadn’t played since 2002, then played their own “Wind It Up.” “River” begins with the phrase, “Be on my side. I’ll be on your side,” and WIU both starts with similar lyrics and ends with a repetition of that phrase.

    3/17/16 Stage 48 setlist:

    I: McBain > Down Boy, It >(nh) Smoke, Rise > Happy Hour Hero, Downward Facing Dog > Deep This Time

    II: Billy Goat > Tubing The River Styx > The Pit > Downward Facing Dog, Bearsong > Interstellar Overdrive > The Pit > Tubing The River Styx > Farmer Ben > Raise A Glass > New York City

    E: Down By The River > Wind It Up

    Farmer Ben jam section: Ben> If I Should Fall From Grace With God > Ben > Shipping Up to Boston > Ben > Raise a Glass

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    On Friday, the fun moved to PlayStation Theater in Times Square. The band played the same venue in March 2015, but it was called the Best Buy Theater back then. This show kicked off right with “Yodalittle,” and the first set also featured a great “Puebla.”

    The second set began with the band’s second time ever playing “Cosmik Debris,” a Zappa cover that moe. debuted at their Halloween show in Philly. That gave way to a string of songs lasting nearly or more than 15 minutes each, the highlight of which was “She.” The set ended with “Suck a Lemon,” which the band hasn’t performed since 2014, and they encored with “Bodhisattva,” a Steely Dan tune moe. hasn’t played since 2003.

    3/18/2016 PlayStation Theater setlist:

    I: Yodelittle > Blue Jeans Pizza, Puebla > Bullet, Calyphornya, Gone, Queen Of Everything

    II: Cosmik Debris, Silver Sun >(nh) Kyle’s Song > Opium, She, Suck A Lemon

    E: Bodhisattva, Mexico

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    Returning to the Playstation Theater on Saturday for the final night of the run, the revived audience welcomed moe. back to the stage with cheers and hands-full of beers.  With a quick entrance and a 4-count, the evening blasted off with a rocking, short but sweet “The Ghost of Ralph’s Mom.”  The highlight of the first set was the tasty “Brent Black” sandwich that included two fan-favorite covers from last year, House of Pains‘ “Jump Around” and “The Imperial March” from Star Wars.  As the intermission approached, some fans filtered outside into the streets of Times Square and some took to the media center of the theater lobby to play the few select Playstation console games mounted to walls.

    Set two came in easy with “The House of the Rising Sun,” which set a mellow mood for the “Lazarus” that followed. Special guest Suke Cerulo, from NY bands Lynch and Conehead Buddha, joined the group for a jammed out “Moth,” allowing Suke to explore the fretboard of his six-string guitar for the better part of ten minutes.   That song is what the crowd needed to be picked up into full dance-mode again and Cerulo delivered with class.  As the song ended, Suke waved to the grateful moe.rons and exited the dimly lit stage as Chuck melodically picked his way into “Rebubula.”  It seemed as though the setlist for the evening was hand picked by Rob, since most of the songs were either written/sang by him or rhythmically driven by the bass guitar.

    Jim Houle Photography - moe. NYC Playstation - 031916 - Small Watermark-10Before the encore, Al came out to sound off a few of the Al.nouncements for the night.  Since some of the songs ran a tad over length and the “Hard” curfew was only a few minutes away, Rob hilariously slapped the scribbled on pieces of notebook paper out of Al’s hands and apologized to the audience saying, “Sorry.  Blame me, blame me,”  The crowd took it in stride and cheered as moe. executed an emotional “Ziggy Stardust” by the late David Bowie.  A song which has become increasingly popular amongst the crew and community since Bowie passed away.

    3/19/2016 PlayStation Theater setlist:

    I: T.G.O.R.M., George, Blond Hair and Blue Eyes, Brent Black > Jump Around > Brent Black > The Imperial March > Brent Black

    II: The House of the Rising Sun, Lazarus > Ricky Marten > Time Ed, Moth, Rebubula > Four > Rebubula

    E: Ziggy Stardust

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  • Gramatik Electrifies Sold Out PlayStation Theater

    Gramatik kicked off his Epigram Tour at PlayStation Theater this past Saturday, Feb. 20th, 2016. Those lucky enough to snag a ticket to the sold out performance were gifted an amazing live show and the chance to experience the new album, Epigram, in full.  Gramatik knows his New York crowd and he delivered thusly.

    Alexander Lewis and Sweater Beats provided some serious bass fodder for their opening performances and warmed up the fans for the main attraction.  Once Gramatik and his guitarist, Andrew Block, took the stage the crowd lit up. Gramatik got into a groove immediately and invited Queens rapper, Adrian Lau, out for a few tracks which got everyone super hyped.

    It’s safe to say that Epigram is going to be an amazing album as the music everyone was raging to touched upon numerous genres; 70s funk and soul meshed effortlessly with crunching French electro-esque beats with tons of hip hop influences for good measure. Throughout the night some Grizmatik tracks made a cameo, heavy, hard, bassy remixes of 90s hip-hop appeared, a tease of Stevie Wonder’s “Superstition” went down and my favorite moment of the night was an absolute beast of a remix of Michael Jackson’s “Smooth Criminal” which had people getting out of their seats and swiftly dance-walking to the crowd to get in the groove. Familiar tracks like “Just Jammin’” were also segued into the set to the crowd’s delight.

    A highlight of the night was when Orlando Napier came out and performed his vocals on “Native Son,” the first single off Epigram. It was a wonderful moment to experience the song live as that dude has some serious pipes and charisma.

    I’ll jump at the opportunity to see Gramatik perform again as his skill in creating funk-infused, crystalline soundscapes is unmatched. The Epigram Tour continues through the US this Spring. Check out Gramatik at Mysterland in Bethel Woods, NY this June as I’m sure he’s going to throw down some heat. Be on the lookout for Epigram’s release this Spring and be sure to download Gramatik’s entire discography for free here.

  • The Disco Biscuits 2016 New Years Eve Run: Keeping Everyone On Their Toes

    Fresh off of Holidaze in the Dominican Republic, the Disco Biscuits returned to New York City for their 2016 New Years Eve run at The Playstation Theater.

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    You could tell that the band was excited for the run, as they had many tricks up their sleeves. They started the run off in style with a setlist constructed by two fans, Sean Gruchik wrote the first set, and Rich Steele the second. The second set featured a brilliant “Basis for a Day”/”Spacebirdmatingcall” pairing that took up most of the set and let everyone know that they hadn’t missed a beat since Holidaze.

    New Years Eve featured a “Hot Air Balloon” countdown, along with a mix of some old and new sounds. After “Helicopters” > “Feeling Twisted” > “Pimp Blue Rikkis”, the band ended the set with a “Spaga” that included a “Final Countdown” by Europe intro. The Biscuits went all out for the third set which was almost entirely improv. The band played along as the 1982 Disney film Tron was projected onto a see through screen before dropping back into “Helicopters.” The set was incredible and was up there among the best things the Biscuits have done production-wise.

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    The show on the 1st was a wheel show, the second if it’s kind, which featured a wheel with songs and a few prizes. Fans, friends and even a band member spun it throughout the night to determine the set list. When it was spun while they weren’t in the middle of a jam, they fell back into the same “Mario Star Jam” which they played at the last wheel show in 2007, which gave you the feeling like you were watching some demented T.V. game show. The wheel added a few interesting kinks to the show as the band had to work their way through some uncommon segues and also had to play some rarities. No time for New Years hangover rust, the band stepped up to the challenge and delivered.

    After the “Voices Insane” opener, the band played a robot porn soundtrack of “Moshi Fameus” > “Orch Theme” before the wheel delivered a one-two punch of “Mindless Dribble” and “Spraypaint Victory” to end the Set.

    Showing their drummer Allen some love after 10 years with the band, they let him spin the wheel to open the second set. Coincidentally, it landed on “Floes,” a song penned by their previous drummer Sammy. That led into the highlight of the night, “Lunar Pursuit” > “Sweating Bullets.” Everyone was completely locked in but Allen and Barber really played off each other well for the segment, which was a nice reminder of just how far the two have come along in the last 10 the years since Allen joined.

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    Next up was the rarity, “The Unspoken Rhyme,” which the band had not played since 2001. The next person to spin cheated and stopped the wheel on “Munchkin Invasion” but the band decided to mess with her a bit, playing a rare standalone Waves instead, which wasn’t inverted, dyslexic, or chopped up like usual. The band then gave her what she wanted and played a “Munchkin Invasion” encore.

    The last night of the run brought the heat and the horns. The Philly Stray Horns came out for the first set along with some Blues Brothers impersonators who sat in for some fun covers of
    “Soul Man” and “Everybody Needs Somebody to Love”. The Biscuits finished up their run doing what they do best. The last set was heavy on the improv, starting off with an almost hour long version of “I-Man” before slipping into “Svenghali” > “Astronaut” > “Reactor.”

    The Disco Biscuits next run will be at the Fillmore in Philadelphia at the end of February, their first time playing the new venue. Tickets are on sale now.

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