NYS Music 20​16

Tag: the new deal

  • Dance 2016 Away in the Big Apple

    New Year’s Eve and New York City go hand-in-hand. While the celebration and ball drop in Times Square receive the most attention from people around the world, there are also a ton of musical happenings in the city, with Phish’s storied Big Apple New Year’s Eve run at Madison Square Garden, December 28 to 31, 2016 being one of the big highlights. Here’s a rundown of the shows happening, some billed as Phish after-parties and some shows worth mentioning on their own accord. There’s something for Phish fans and non-fans alike in the city during the days leading up to 2017.

    American Beauty, just a block from MSG, is hosting several Phish-related events. They kick off the run on Dec. 27 with a free show by Phish tribute band Jibooty and a late set from Escaper. The show starts at 7 p.m. The following four nights, they feature Phish pre-parties and after-parties. Dec. 28 sees PEAK and Gang of Thieves playing a pre-party at 4 p.m. for $5 and Particle and J. WAIL playing the after-party at 11:55 p.m. for $20. Dead Sessions plays tribute to the Grateful Dead for both the pre-party at 4 p.m. and after-party at 11:55 p.m. on Dec. 29. These shows are $20 each. Phanart presents a free pre-party on Dec. 30 with Formula 5 starting at 3 p.m. Spafford and the Magic Beans play two nights on Dec. 30 and 31 after Phish. They start at 11:55 p.m. and are $25 for each night. The pre-party on Dec. 31 features the Stella Blues Band paying tribute to the Grateful Dead at 4 p.m. with a $15 cover.

    DROM in the East Village hosts two Phish after-parties on Dec. 28 and 29. Aqueous plays the 28th with Mungion. The show starts at midnight with tickets at $12.50 in advance or $17 at the door. The 29th sees lespecial with Chromatropic. The show starts at 11:30 p.m. with tickets going for $12 in advance or $15 at the door.

    The Cutting Room, a handful of blocks from MSG, is also hosting several Phish parties, all presented by CEG. Elise Testone brings her “Thankful for Amy” tribute to Amy Winehouse with several special guests for an early show at 8 p.m. and a Phish after-party at midnight on Dec. 28. Tickets for both are $15 in advance or $20 at the door. Kung Fu plays an after-party on Dec. 29 at midnight with tickets at $18 in advance or $20 at the door. Holly Bowling pays tribute to Phish and the Grateful Dead through her solo piano work at pre-parties on Dec. 30 and 31. The shows start at 4 p.m. with tickets running $15 in advance or $20 at the door. The Marcus King Band plays the after-party on Dec. 30 at midnight. Tickets are $15 in advance or $20 at the door.

    The Brooklyn Bowl has a series of shows leading up to the new year. Zeppelin Bowl, featuring Gene Ween, Scott Ian and John Medeski, takes place on Dec. 28 at 8 p.m. Tickets are $20 and still available. Joe Russo’s Almost Dead plays a sold out show on Dec. 29 at 8 p.m. Late night on the 29th is Talib Kweli performing a DJ set at midnight for $10. Kamasi Washington and the Budos Band are playing Dec. 30 and New Year’s Eve. Tickets are $40 for the 30th and $65 to $75 for New Year’s Eve. Both shows start at 8:30 p.m. Sleigh Bells is playing a DJ set late night at midnight on the 30th for $15 with Animal Collective doing the same on New Year’s Eve for $20 to $25.

    Being New York City, there are plenty of other shows taking place that are worth checking out. See below for a rundown.

    Wednesday, Dec. 28
    PEAK with Gang of Thieves @ American Beauty (Midtown) – 4 p.m. – $5 *
    Zeppelin Bowl feat. Gene Ween, Scott Ian, John Medeski @ Brooklyn Bowl (Brooklyn) – 8 p.m. – $20
    “Thankful for Amy” with Elise Testone @ The Cutting Room (Midtown) – 8 p.m. & 12 a.m. – $20 each #
    Aqueous with Mungion @ DROM (East Village) – 12 a.m. – $17 #
    Particle with J. WAIL @ American Beauty (Midtown) – 11:55 p.m. – $20 #
    Madaila @ Arlene’s Grocery (Lower East Side) – 11:55 p.m. – $10 #
    Hayley Jane and the Primates do Bowie @ Lucille’s at B.B. King’s (Times Square) – 11:59 p.m. – $10 #

    Thursday, Dec. 29
    Harlem Gospel Choir @ B.B. King’s (Times Square) – 12:30 p.m. – $30
    Dead Sessions @ American Beauty (Midtown) – 4 p.m. & 11:55 p.m. – $20 each * #
    Joe Russo’s Almost Dead @ Brooklyn Bowl (Brooklyn) – 8 p.m. – $40
    Dar Williams @ The Bell House (Brooklyn) – 8 p.m. – $25-$30
    The Skints with The Far East and Rude Boy George @ Knitting Factory (Brooklyn) – 8:30 p.m. – $20
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 9 p.m. – $30
    Start Making Sense @ Irving Plaza (Gramercy/Flatiron) – Doors 11 p.m. – $20
    lespecial with Chromatropic @ DROM (East Village) – 12 a.m. – $15 #
    Kung Fu @ The Cutting Room (Midtown) – 12 a.m. – $20 #
    Talib Kweli (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $10

    Friday, Dec. 30
    Formula 5 @ American Beauty (Midtown) – 3 p.m. – free *
    Holly Bowling @ The Cutting Room (Midtown) – 4 p.m. – $20 *
    David Wax Museum with Auld Lang Syne @ Mercury Lounge (Lower East Side) – 6:30 p.m. – $20
    Tower of Power @ B.B. King’s (Times Square) – 7 p.m. & 9:30 p.m. – $45 each
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 8 p.m. – $45
    Gov’t Mule @ Beacon Theatre (Upper West Side) – 8 p.m. – $50-$60
    Kamasi Washington with The Budos Band @ Brooklyn Bowl (Brooklyn) – 8:30 p.m. – $40
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 9 p.m. – $30
    Cymbals Eat Guitars with Haybaby @ Mercury Lounge (Lower East Side) – 10:30 p.m. – $20
    Pink Talking Fish plays Animals @ Gramercy Theater (Gramercy/Flatiron) – 11 p.m. – $29.50 #
    Spafford with The Magic Beans @ American Beauty (Midtown) – 11:55 p.m. – $25 #
    Sprocket with Kabina @ The Bitter End (Greenwich Village) – 12 a.m. #
    The Marcus King Band @ The Cutting Room (Midtown) – 12 a.m. – $20 #
    Sleigh Bells (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $15

    Saturday, Dec. 31
    Stella Blues Band @ American Beauty (Midtown) – 4 p.m. – $15 *
    Holly Bowling @ The Cutting Room (Midtown) – 4 p.m. – $20 *
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 8 p.m. – $60
    Rainer Maria with Snail Mail @ Saint Vitus (Brooklyn) – 8 p.m. – $25
    Kamasi Washington with The Budos Band @ Brooklyn Bowl (Brooklyn) – 8:30 p.m. – $65-$75
    Gov’t Mule @ Beacon Theatre (Upper West Side) – 9 p.m. – $65-$75
    Guided by Voices @ Music Hall of Williamsburg (Brooklyn) – 9 p.m. – $70
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 10 p.m. – $40
    All-Star James Brown Dance Party @ Gramercy Theater (Gramercy/Flatiron) – 12 a.m. – $35 #
    Spafford with The Magic Beans @ American Beauty (Midtown) – 11:55 p.m. – $25 #
    Animal Collective (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $20-$25
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 1 a.m. – $35 #
    The New Deal @ B.B. King’s (Times Square) – 1:30 a.m. – $30 #

    * Billed as Phish pre-party
    # Billed as Phish after-party

    [embedyt] http://www.youtube.com/watch?v=zJyf5NqiMNE[/embedyt]

  • Pre/Post-Phish Shows at Brooklyn Bowl Las Vegas

    Brooklyn Bowl Las Vegas has a series of shows from the Disco Biscuits, Greensky Bluegrass and Twiddle lined up around Phish’s four-night Halloween run at the MGM Grand Garden Arena.

    brooklyn bowl las vegasThe Disco Biscuits play three nights Oct. 27 to 29. They’ll be joined by the New Deal on Oct. 27. Doors for the Oct. 27 show open at 7:30 p.m. with the show starting at 8:30 p.m. The shows on Oct. 28 and 29 are late night with doors opening at 11 p.m. with the show starting at 12:30 a.m. Tickets for all three nights are on sale now for $39.50. Three-night passes are also available for $118.50 for general admission or $180 for club level admission. Those interested in the club level must purchase a three-day pass.

    brooklyn bowl las vegasGreensky Bluegrass will play a late night show on Oct. 30 with doors opening at 11 p.m. with the show starting at 12:30 a.m. They will also play a special matinee show on Halloween to benefit the Waterwheel Foundation. Doors for that show open at noon with the show starting at 2 p.m. Tickets for both shows are on sale now. Tickets for the Oct. 30 show are $27.50 while tickets for the Waterwheel Foundation benefit are $22.50. Two-day passes are also available for $50.

    brooklyn bowl las vegasFor those looking to continue the party following Phish’s Halloween show, Twiddle will play a late night. Doors for their show open at 11 p.m. with the show starting at 12:30 a.m. Tickets are on sale now for $20.

  • The Disco Biscuits Sell Out Debut Run at the Capitol Theatre

    The Capitol Theatre in Port Chester is a venue that has earned itself a unique spot in the heart of American jam band culture. Being a regular stop for legends such as the Grateful Dead and Frank Zappa in the past, today the Cap continues its tradition of booking the cream of the progressive rock crop. The Disco Biscuits fit that role exquisitely, and it showed this weekend during their back to back maximum capacity shows on March 25th and 26th. With the New Deal opening on both nights, the bill would provide a trance-fusion treat that no fan of the band or the venue could deny.

    There was an anticipatory energy crackling through the Capitol as the New Deal started the evening smoothly. The unique blend of catchy and accessible electronic rock served as an excellent warm up as the crowd settled in; swelling to a size that would worry the fire marshal as the opening act concluded. Giving a salute to one of the many gods to grace the same stage, the Disco Biscuits kicked it off in style with Frank Zappa’s “Pygmy Twylyte.” Zappa can lubricate anyone’s mood, and the song clearly got it going perfectly as the crowd brimmed with positive energy. “Spraypaint” always being a pleaser, the set promised to be an uplifting one as bassist Marc Brownstein had everyone feeling mellow for the transition into “Rainbow Song”. Maintaining the upbeat theme immaculately, “Spectacle” was followed promptly by a thundering “Helicopters” introduction that had everyone singing along. The set concluded with keyboardist Aron Magner’s crushing organ outro for the set-closing end of “Spraypaint”.

    Guitarist Jon Gutwillig greeted us warmly to start the second set, with his fingers even hotter for the incendiary riffs of “Mindless Dribble”. A few people mentioned that the “Crystal Ball” that followed seemed to have a less lively jump than usual, and the set seemed to have changed course from the first. The Biscuits opted for their more contemporary sound when continuing with “Highwire”. Never before heard cover “She’s a Bad Mama Jama”, originally by funk forerunner Carl Carlton, continued to bring the show to a less engaging air. Intertwining back into “Dribble”, drummer Allen Acoin provided a thundering drum solo before the band broke into a haunting “Orch Theme”. The conclusion of “Highwire” would conclude the second set, with encore frequent “Frog Legs” leaving everyone with high hopes for the following evening.

    This wouldn’t just be one more Saturday night in Port Chester, however. Sold out yet again but feeling cooler and more breathable on the floor, the boys started the first set with a “Shem-Rah Boo” fake out which dubiously changed key into “Bernstein and Chasnoff”. The Disco Biscuits were clearly locked and loaded for the evening yet again, breaking out “Bombs” like they had something to prove. The inverted “Shelby Rose” filled us all with delight, and served as a perfect segue vessel into the true gem of the entire weekend, “And the Ladies Were the Rest of the Night”. Bringing it back to “Bernstein” before dismissing us to set break, where glowing faces abound chatted about the wholly satisfying experience we had all shared moments ago.

    They set the bar almost impossibly high with the first set that night of the 26th, and it seemed they would continue to exceed expectations with the beginning of “Hope” swooning us comfortably into the final set of the run. An inverted “Above the Waves” washed over the crowd as the band nailed the immensely technical composition. “Mr. Don” followed suit, leaving the impression that the closing set would be chalk full of Biscuits classics. This was not so, unfortunately, as they surprised us by playing LCD Soundsystem cover “Home.” The choice seemed lazy and out of place that late in the run; the consensus seemed to be that we all would’ve much rather heard a song written by the band themselves this close to the conclusion of their maiden voyage at the Capitol. Ending the fourth and final set of the run, the boys brought the “Helicopters” that was started during the first set of the previous evening in for a landing. The Disco Biscuits waved triumphantly as they returned for the encore “Caves of the East” adding a hip hop twist with a sample from A Tribe Called Quest’s “Check the Rhime” in salute to the late MC of the group, Phife Dawg, who passed earlier this week. Ending lightly with the last measures of “Mr. Don”, Brownstein ended the weekend by hinting that we should expect to see them again soon on the very same stage.

    All things considered, the Biscuits’ inaugural weekend at the legendary Capitol Theatre left the crowd flying high. Returning to our homes and hotels, with sleep came dreams of what may be just around the corner for the new alliance between the band and the theatre.
    03/25/2016 • Capitol Theater • Port Chester, NY

    Set 1: Pygmy Twylyte> Spraypaint> Rainbow Song, Spectacle, Helicopters1> Spraypaint

    Set 2: Mindless Dribble> Crystal Ball, Highwire> She’s A Bad Mama Jama2> Mindless Dribble> Orch Theme> Highwire

    Encore: Frog Legs

    1. Unfinished
    2. First time played

    03/26/2016 • Capitol Theater • Port Chester, NY

    Set 1: Jam1> Bernstein And Chasnoff> Bombs> Shelby Rose2> And The Ladies Were The Rest Of The Night2> Bernstein And Chasnoff

    Set 2: Hope3> Above The Waves2> Mr. Don> Home> Helicopters

    Encore: Caves of the East4> Mr. Don

    1. With ‘Shem-Rah Boo’ teases
    2. Inverted version
    3. Unfinished
    4. With “Check the Rhime” (A Tribe Called Quest) sample

  • Aura Music and Arts Festival Stacks the Collabs at Suwannee

    Although festivals are scheduled all year round, if you’re from New York, you typically kick things off in May or June. But, if you’re willing to travel south to a magical place called the Spirit of Suwannee Music Park, festival season starts early – this year with The Disco Biscuits and Thievery Corporation as headliners at Aura Music and Arts Festival.

    aura

    Aura drew us in on March 3-5 with its incredibly stacked lineup, sunshine and rumors of perhaps something bigger to be discovered. Everything seemed to fall in place throughout the trip, from something as small as a free burrito bowl at Tijuana Flats to a chance encounter that would lead to a dozen new best friends. This festival’s namesake is vibrant, full of light and overwhelmingly positive.

    Like most festivals, the first day of Aura brings a heightened sense of excitement. Guests find the perfect spot to camp under draping live oaks, walk the more than 500 acres of festival grounds and plan their strategy for attending their favorite sets. The park feels like an enchanted forest out of a fairy tale and the guests as happy as royalty attending a special kind of ball.
    _MG_5301 We kicked off Thursday with a passionate set from Florida’s own Greenhouse Lounge at the Amphitheater Stage. The electronic trio gave it their all for their last performance as a band, while welcoming their former drummers Jason Hunnicut who now runs the 1904 Music Hall in Jacksonville and Scotty Zwang, now of Dopapod who came to Aura as an “artist at large” (AAL).

    Fusik of Jacksonville delivered an upbeat and funky set in the vibe tent, covering The Talking Heads’ “Born Under Punches” and preparing the crowd for ultimate cover band Pink Talking Fish. PTF is the perfect night-one band by seamlessly blending favorites from each beloved group._MG_4477

    The Werks were a major draw for us, having only seen them once before, but making appearances in our earbuds on the regular. Unfortunately, the only rain of the whole weekend decided to come down mid-way through a powerful “Duck Farm,” After only three songs, the Werks were forced to call it quits as fans ran for cover.

    By late morning on Friday, the Florida sun dried things out. Georgia natives Dank delivered a hard-rocking set, reminiscent of the progressive rock style of Umphrey’s McGee. Crazy Fingers provided the familiar and beloved sounds of the Grateful Dead, while welcoming guitarist Ben Sparco for the later half of the set, who was clearly still feeling the adrenaline from his own set earlier that afternoon.

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    Mike Dillon brings a wild stage presence during his bands set, preceding an incredible show from Animal Liberation Orchestra (ALO). They are joined by Carly Meyers and Adam Gertner of ROAR for one of the best sets of the weekend just in time to release their new album Follow the Yarn.

    Particle delivered a stellar performance keeping the tempo of Escort’s “Cocaine Blues” throughout the majority of the set. At the same time, a special project called Nunchuck!, consisting of Mike Dillon, Craig Brodhead of Turkuaz and again Chuck Jones and Scotty Zwang of Dopapod, did something unique in the Vibe Tent. The “psychedelic punk rock” set was more quirky than it was tight leaving the crowd giggling, and blushing when Dillon “tea bagged” his own drum. (Yes, this happened.)

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    The New Deal and Thievery Corporation both had beautiful stage presence with lasers and lights for days. However it was Turkuaz that stole the show Friday night. The nine-piece funk outfit from Brooklyn, NY filled the Porch Stage with a powerful and truly fun set. Artists at large Jennifer Hartswick and trombone player Natalie Cressman of Trey Anastasio Band brought the brass to the party.

    On Saturday, Broccoli Samurai of Ohio welcomed artists at large Chuck Jones and Scotty Zwang of Dopapod adding to the delight of fans. The Heavy Pets brought us back to the 80’s covering Paul Simon, David Bowie, Thomas Dolby and R.E.M. Jennifer Hartswick and Natalie Cressman sat in as well.

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    Tom Hamilton’s American Babies welcomed Aaron Magner of the Disco Biscuits on the keys for a rendition of “The Wheel” into their own “Joelene” and back to “The Wheel.”

    Two-time Grammy-award winners Snarky Puppy was an experience in itself. The 13-member jazz/funk group is more of an orchestra than it is a band. Keeping with the guest appearances, they welcomed Dillon on percussion and again Hartswick and Cressman for an outstanding version of “Quartermaster.”

    The festival culminated with two sets of jamtronica giants The Disco Biscuits. Tom Hamilton helped them kick off the first set with “Scarlet Begonias” and “I Know You Rider.” “Pimp Blue Rikki” was a surprise to many leading into the ending of “Morph Dusseldorf.” Hartswick and Cressman joined tDB for “Funky Town” before taking a set break. The second set was geared towards the masses picking up again with “Morph Dusseldorf” and weaving in and out of Caterpillar with “A Fifth of Beethoven.” The laser light show was out of this world reflecting off the woodsy amphitheater.

    Throughout the weekend, both on stage and off, collaboration seemed to be a key theme. We ended our experience gathered around our own campfire we collectively built with a family who just days before were complete strangers. We came for the music, but we left so much, much more.

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