NYS Music 20​16

Tag: the hollow

  • Best of NYS Music 2016: Staff and Reader Picks for Best Shows by Region and Best Venue in NYS

    NYS Music is celebrating the end of 2016 by posting staff and reader picks on 10 various categories, and today we are highlighting the winners of the Best Show by Region and the Best Venue in New York State.

    We polled the staff and asked our readers for their input in eight other categories: Best Albums by NYS Artists, Best Albums Overall, Biggest Musical Loss, Best Live Cover or Tribute Performances, Best NYS Festivals, Best Out-of-State Festivals, Best Music Town, and Bands on the Rise.

    Best venue in New York State:

    The number one venue, according to our staff pick, is the Saratoga Performing Arts Center (SPAC).

    SPAC is a focal point for music for areas like upstate New York, the Hudson Valley, Vermont, the Berkshires, and Connecticut. Originally instated in the late 1960’s,  the concert venue has held some of the greatest acts of our age, including an iconic performance by the Doors in 1968, and others such as, Santana, Guns N’ Roses, Aretha Franklin, Whitney Houston, KISS, Pearl Jam, Bruce Springsteen, Pink Floyd, Phish, Dire Straits and The Grateful Dead, to name just a few. Dave Matthews Band holds the title of the most sold-out performance at the venue.

    This summer, SPAC had a full schedule of not-to-be-missed performances, in celebration of their 50th anniversary summer. NYS Music staff writer, Mike Kohli, wrote a preview to highlight the eventful 2016, that you can read here.

    “…highlights of this season include a three-night run from Phish July 1 to 3 and a double bill of Dave Matthews Band July 15 and 16. Dead and Company pay a visit to SPAC June 21 with John Mayer laying down Jerry’s licks, and Mumford and Sons bring their electric brand of folk to a sold-out show on June 15.”

    We are looking forward to seeing what summer 2017 at the SPAC will bring!

    Our readers picked differently, however, and the winner this year for the Best Venue in NYS was the Brooklyn Bowl. The Brooklyn Bowl was opened in 2009 and has since become one of the more prominent venues in New York State.

    Following closely behind it were The Capitol Theatre, SPAC, The Hollow and The Town Ballroom which all tied for second place.

    Best Show by Region:

    The staff pick for the Best Show by Region was Dead & Co. at the SPAC on June 21.

    Pete Mason wrote the following in his review of the evening:

    “With Dead and Company having started their fall tour in Albany this past October, Capitaland got the first taste of John Mayer in a Jerry Garcia role, one that brought criticism and concern from those who weren’t familiar with Mayer’s guitar prowess but experts in tabloid fodder. But to those in the know, musicians and real fans alike, convivial awe and heightened expectations were the emotions directed toward Mayer, and when the October show ended with “Touch of Grey,” any musical concerns were laid to rest.

    And they were laid to rest over and over, as the tour wrapped around the country, culminating with New Year’s Eve in Inglewood, CA, and now a summer tour that began this month, including a stop at Bonnaroo. Four shows deep and the expectations for the performance at SPAC on June 21 were as high as ever, partially because three members of the original Grateful Dead were back in Saratoga for the first time in more than 20 years, and partially thanks to no repeats in the setlist during the previous four nights.”

    To see a full recap and photo gallery by Jim Gilbert, go here.

    The readers’ picks for the best show were Twiddle, TAUK, Holly Bowling and Matisyahu at Capitol Theater on May 7.

    To read the full review of the event, go here:

    “Take the fastest rising jamband in recent years, add in a hot prog-rock band boiling over with talent, a classically trained pianist performing the music of Phish and The Grateful Dead, and a cross-genre reggae singer and you have the fixings for one of the best nights of live music The Capitol Theatre has seen this year, and that’s saying a lot.”

    NYS Music had a chance to talk to Ryan Dempsey of Twiddle before the show, see the interview below:

  • Mister F and lespecial hit The Hollow on Friday, October 21

    Mister F brings lespecial to town this Friday, October 21 to The Hollow Bar and Kitchen in Albany. Featuring performances of brand new material and some very special guest collaborations between the bands, Mister F is stoked to be back on their home turf before heading out into the Midwest for a tour with McLovins next week. Tickets are $12 in advance and $15 day of show.
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    Having recently returned from Luna Light Festival in Maryland, Mister F welcomed Holly Bowling to the stage to play keytar on “Answer the Dog.” Keyboardist Scott Hannay shared the story on the sit-in: “We had talked a number of times in the past about having her throw down on my keytar, but the timing just hadn’t yet worked out. She reached out to me shortly before we pulled into Luna Light festival this past Saturday and we made it happen. She’s a natural on that thing. Someone get that girl a keytar!”

  • Talking Bernie & 4/20

    We sit around in the green room at The Hollow in Albany, NY, listening to the muffled sounds of Dr. Jah and the Love Prophets play their opening set of the 4/20 Party above us.  From my left to my right sit Formula 5’s Joe Davis (guitar, vocals), Matt Richards (keys, synth, vocals), and James Woods (bass).  They’re a great group of guys who have an incredible rapport, making fun of one another and seldom not laughing or smiling.  It’s no wonder they have a symbiotic stage presence and ability to make the music talk to the crowd.

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    We start talking about the fact that they are playing their first official 4/20 party and what kind of importance the day has.  Aside from the obvious sociopolitical talking points and stoner jokes, Joe quickly says, “It’s just another day,” which receives instant consensus from his bandmates.  They talk about how the day does mean a lot to many people and it’s a great opportunity to play a show on a day that’s so widely celebrated.

    Formula 5 is no stranger to playing in front of large crowds during massive celebrations.  The Monday before, they played in front of 4,000 people at the Albany Rally for Bernie Sanders, at which the 2016 Democratic Presidential Candidate gave an invigorating and inspiring speech.  When asked about their individual experiences they all gave answers filled with excitement and pride, reflecting on a day that they really didn’t see coming.

    Matt’s friend, Brian Maier, organized the rally and invited Formula 5 to be the musical act to support Bernie.  Since the event was planned and announced in short order, the band found out only two days before, on Saturday.  “It all happened really quickly,” said Woods.  “Matt let us know (Saturday night) that [the rally] was Monday morning.”

    Load-in was Sunday night and first set started at 11 AM on Monday.  It was an experience few bands ever get; organizing with Secret Service, playing for a large room where people attending were there for something other than music, and the intensity of meeting one of the most popular Presidential candidates in the history of the US.

    “It was a sweet experience for us,” said Joe.  “I had never been to a political rally or anything like that before.  To go to one in my hometown and to be a part of it was pretty sweet.”  He went on to talk about how, contrary to what he thought an event like that might be like, the energy was very high and attributed it to Bernie’s ability to really get a crowd excited about changing the country for the better.

    Matt added that their exposure as a band has grown quite tremendously since being able to support Bernie Sanders at his rally.  Playing for 4,000 people and getting publicly thanked by Bernie at the commencement of his speech has boosted their social media support by the hundreds and grew their video exposure by the thousands.  “It was a very surreal experience playing to that many people,” he said.  “It was very different from any show we’ve ever played; not just the experience, but the atmosphere itself.”

    Being entertainment for the day, while not being the main attraction, along with the typical club security experience being replaced by Secret Service police officers made for a truly unique adventure.  Matt was probably the most excited to talk about dealing with the Secret Service.  “It was kind of cool just being backstage in an area where no one is allowed to be,” which is quite different from even the most strict security at the green room door.  Matt continued to boast about Secret Service commanding him that he wasn’t allowed to be backstage and being able to reply, “No, I can. I actually can. I’m in the band.”

    Even with Matt’s ability to tell those federal police officers what was what, they still had to follow strict protocol, especially when getting to meet Bernie after his speech was done.  They were guided in very structured fashion to what they called, in unison, the “safe room.”

    After we wrapped up our conversation they took the stage.  They instantly galvanized the crowd by opening up with a flow of “Q&A” into Phish’s “Makisupa Policeman,” followed by “Pokeman Battle Theme” and then back into “Q&A.”  For a relatively young band Formula 5 has an ability to act as one musical organism as if their 4 years was more like 14.  They paid homage to the day of celebration by playing “Low Rider,” featuring Mister F’s Scott Hannay on synth, as well as laying down a crowd favorite “Legalize It” jam.

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    If you didn’t get a chance to see this 4/20 show, don’t fret.  The momentum of Formula 5’s schedule won’t be stifled any time soon.  Their summer is filled with great shows and festivals, some of which they couldn’t even share because of impending announcements.  Their announced festival billings include Disc Jam and Ohana Music and Art Festival.  They also have some exciting shows coming up including a few with Dude of Life, Steve Pollak, and his band, Fluid Druids. Keep an eye on Formula 5’s Facebook page and website to keep track of updates to their growing summer schedule.

  • Update: Project/Object Cancels Spring Tour

    Announced this afternoon via Facebook, the Frank Zappa Tribute band Project/Object is postponing their April 2016 tour dates until further notice. The cancellation comes due to the ongoing health issues surrounding the group’s production assistant-social media manager-merch seller Robin Gelberg, who survived a tragic car accident about a month ago near Shelby, NC; she is the partner of the band’s guitarist Andre Cholmondeley. According to Cholmondeley’s post, this is the first time Project/Object has cancelled concerts during his time with the band since the 1990s. A support page has been set up for Gelberg through GoFundMe.

    Project Object2:58 pm For Immediate ReleasePROJECT/OBJECT TOUR POSTPONEDIt is with a heavy heart that I have to…

    Posted by Andre Cholmondeley on Tuesday, March 29, 2016

    Original story:

    On April 14, Project/Object will bring the sounds of Frank Zappa back to life on stage at The Hollow in Albany.

    The alumni-based Zappa tribute band, featuring Ike Willis and Don Preston, is touring the Northeast this spring in celebration of the 50th anniversary of Zappa’s debut album, Freak Out! Willis’ booming baritone vocals and rhythm guitar appeared on Zappa band tours and albums from 1978 to the final FZ tour in 1988. Preston, a well-known synthesizer and jazz pioneer, played on the Mothers Of Invention records until 1974’s Roxy and Elsewhere; he has also scored soundtracks for feature films like Apocalypse Now.

    The tour kicks off in Bridgeport, Connecticut, on April 7 and makes stops in Marlboro the following night before shows in Brooklyn, Buffalo, Rochester and closing out in Teaneck, New Jersey, on May 1.

    Each show this tour will feature two sets of Zappa music with Willis and Preston; the Boston show is double billed with Consider the Source. And this April run continues the voter registration partnership with HeadCount, as shared on Twitter last month:

    Project/Object: The Music of Frank Zappa has toured the United States, Canada and Europe during its 20-year existence. The group was founded in the 1990s by guitarist Andre Cholmondeley as a tribute to Zappa, who died of cancer in 1993 at 52. In 2015, Willis and Denny Walley came out of retirement for a special tour in celebration of Zappa’s late ’70s catalog, playing several shows in New York state. Alongside Willis (guitar, vocals), Preston (keys, vocals), Cholmondeley (guitar, vocals) and Walley (bass), the group will include musicians Ryan Berg (drums), Kendall Scott (keys, synths) and special guest Rich Rakowski (sax) at select shows.

    Tickets for the 9 p.m. show at The Hollow are on sale through the venue’s website, along with passes for Brooklyn’s The Hall, Tralf Music Hall in Buffalo and Rochester’s Lovin Cup. Project/Object’s show at The Falcon in Marlboro does not require a cover charge for live music, but donations are appreciated. See the full tour dates below and visit the band’s website for more venue and ticket sales information.

    Project/Object Spring 2016 tour dates:

    4/7 – The Acoustic – Bridgeport, CT
    4/8 – The Falcon – Marlboro, NY
    4/9 – House of Independents – Ashbury Park, NJ
    4/10 – Iron Horse – Northampton, MA
    4/12 – Higher Ground – Burlington, VT
    4/13 – The Middle East – Boston, MA
    4/14 – The Hollow – Albany, NY
    4/15 – The Hall – Brooklyn, NY
    4/16 – Arch St. Tavern – Hartford, CT
    4/17 – American Brewing Company – Harrisburg, PA
    4/19 – The 8×10 – Baltimore, MD
    4/20 – Club Café – Pittsburgh, PA
    4/21 – Radio Radio – Indianapolis, IN
    4/22 – Shank Hall – Milwaukee, WI
    4/23 – Martyrs – Chicago, IL
    4/26 – Beachland Ballroom – Cleveland, OH
    4/27 – The Tralf – Buffalo, NY
    4/28 – Lovin Cup – Rochester, NY
    4/29 – Havana’s – New Hope, PA
    4/30 – River St. Jazz Café – Wilkes Barre, PA
    5/1 – Mexicali – Teaneck, NJ

  • American Babies Raise the Dead in Albany

    On Thursday, February 25, those willing to boogie down on a school night took to the Hollow Bar and Kitchen in Albany to see Tom Hamilton’s American Babies. Considered to be “the hardest working man in show business,” Hamilton proved once again that this hard work pays off. The crowd, while somewhat sparse considering the talent on stage, was thoroughly impressed as evident by cheers, dancing and plenty of “Hamilton’s the man” exclamations.

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    The evening began with opening act Bump, a three piece ensemble with Americana sounds similar to that of their headliner. American Babies rhythm guitarist Justin Mazer joined the trio for a rendition of “Angels from Montgomery,” which was as rocking as it was sweet.

    American Babies played “What Does it Mean to Be” early in their set, a song from their new and still unreleased album, An Epic Battle Between Light and Dark, which kept the crowd as equally intrigued as it was satisfied. The song is about not feeling your age or what society tells us we should feel like at a certain age; the album is set to release on March 18.

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    The rest of the set was cover heavy and was surely influenced by Hamilton’s experiences in his other projects. “State Police” and “Let’s Start a Gang,” both Brother’s Past songs, provided opportunities for spacey yet upbeat jams. Directly following this was several Grateful Dead covers including “Big River” and “Cumberland Blues,” in which Mazer delivered the solo of the night.

    ER.COKER-AMERICAN.BABIES_05“Buckle in, we’re just getting started,” Hamilton tells the crowd as he took off his pin-decorated jacket to reveal a black t-shirt with the text “9:30” in large white letters, likely from the famed club in Washington D. C.  Drummer Al Smith also changed out a cymbal in preparation for what was to come.

    They picked up with another Grateful Dead song, “The Wheel” which led into the American Babies’ version of “Jolene” and then back into “The Wheel,” adding depth to the familiar sound and inches to my perma-grin.

    The Babies then did another cover, this time Bruce Springsteen’s “Atlantic City,” but again adding something to it all their own.

    Throughout the set, Hamilton seemed to have chemistry with every member of the band. Smith and Bassist Mark Sosnoskie looked to him as a leader, awaiting cues for their next move while he and Mazer bounced back and forth taking turns as the star. His professional chemistry was only amplified by that of the romantic sort with guitarist Raina Mullen. They harmonize well on stage and off it as well as a couple.

    The night ended with even more Dead, “Deal,” and I’m just left thinking how much Hamilton really sounds like Jerry Garcia at this point. Clearly, his work with Billy and the Kids and Joe Russo’s Almost Dead has become ingrained in his repertoire. If for any reason John Mayer stops playing with Dead and Company, Tom Hamilton is the obvious choice to step in.

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