NYS Music 20​16

Tag: syracuse university

  • Hearing Aide: Mike Powell “Tied to the Rail”

    Singer/songwriter Mike Powell has no shortage of inspiration for writing music. Raised in the foothills of the Adirondack Mountains, he taught himself guitar at the age of 13, boasting a catalog of 20 or so songs by the age of 15. Powell went on to become one of the most decorated college lacrosse players in history for Syracuse University, declining an offer to play in the pros straight out of college, opting instead to follow his passion for music and songwriting to the stage.

    With the reverent simplicity of his soulful voice, an ax, and a harmonica, he delivers nine heartfelt, timeless songs on his fourth album, Tied to the Rail. Eliciting influences from Bob Dylan and John Prine, Mike Powell has been described as a “polite rebel; a truly unique and inspiring American voice,” by The Boston Globe. Powell has also released Blue Eyes and Hand Me Downs, Replevin, and the 2014 Syracuse Area Music Award-nominated Kapow.

    Powell eventually did play lacrosse professionally – for the Baltimore Bayhawks in 2005 and the Boston Cannons in 2007. Two years later, he was back on stage, touring alongside Sarah Lee, the granddaughter of Woody Guthrie. A woodworker, Powell nearly lost his ring finger on his playing hand while moving a stack of logs in 2014. With a varied past such as his, it comes as no surprise that Powell is such a great storyteller!

    The album kicks off with the folk/southern rock hybrid “Empire,” a track that showcases the power of what one can accomplish with the simplicity of an acoustic guitar and Powell’s smokey yet earnest voice. It’s a taste of what’s to come – a no-frills album showcasing powerful lyrics by a seasoned vocalist.

    The second track, “Bibles and Bourbon,” features a signature steel guitar and is a short but sweet busker song, good for helping you get out of your own head.

    His lyrics – like these from “Mary Anne” – are pieces of Americana.

    When the water cost money and the drugs seem cheap

    When all your dreams stay lost in your sleep                                    

    And you can feel a break down coming soon

    When your head gets dizzy from the rattle and the spin

    And the sadness seems to burn on your skin

    And every night you’re left yelling at the moon

    Conjuring up images of dusty railroad tracks and bible thumping preachers, “Tied to the Rail” combines folk, soul and a bit of country to create a sound that is sure to give you the feels. Inspired by the birth of his daughter in 2016, Powell is back on the road promoting his third album.

    You can catch Powell on the road Tuesday, December 13 at the Light Club Lamp Shop in Burlington, Vermont, at Ray Brothers BBQ in Bouckville, New York on Friday, December 23 and at the Brae Loch Inn in Cazenovia on Friday, December 30.

    In January, he returns to the studio with his Black River Band to record a new record set to release in March. He resumes his tour in early 2017 with over a dozen upstate New York appearances already scheduled, many of which Powell will be joined by Black River Band featuring John Hanus on guitar, Shane Kelson on keys, Joe Bell on bass and Dom Scicchitano on drums, with intimate solo shows when appropriate.

    Visit Mike Powell on Facebook or his website for more dates or to pick up a copy of Tied to the Rail.

    Key tracks: Empire, Bibles and Bourbon, Mary Anne

  • Shiffley Premieres New Single “Systems”

    A lot of great bands form in college. The Pixies, for example, formed after guitarists Black Francis and Joey Santiago shared a suite together at U-Mass. By fortunate accident, the two spent hours at a time collectively reveling in the glory of late ’70s punk and David Bowie. Similarly, after actualizing their musical ambitions at Harvard, the members of Galaxie 500 swiftly began practicing with a drum set Damon Krukowski borrowed from classmate Conan O’Brien. Queen’s Brian May and Tim Staffell, too, discovered each other on a noticeboard on the grounds of Imperial College.

    Starting a band in college, is by no means, uncommon or unnatural. Being a campus band, however, is a staggering decision, one more impertinent than being a band that merely makes music at college together. Being a campus band entails adhering to the collegiate lifestyle, pandering to the Thursday night red solo cup agenda, often by playing Beyoncé and Zedd covers to a house-full fraternity party. Being a campus band is not akin to writing songs with striking relevance to the collegiate lifestyle (see: “U-Mass,” “Tugboat“). It is not akin to playing a basement house show, wherein indie kids gather around the makeshift stage, acknowledging the band as the main event.

    Shiffley
    Shiffley

    But Shiffley is different. They are, by no means, your average campus band, subsumed under the forgetfulness that follows a night of cheap and hard drinking. Not only did this Long Island band make the best of their Craigslist success story, but they also broke the long pattern of campus bands that came before them. Shiffley, instead, drew from their red solo cup collegiate starpower, collaborating with students that have all sorts of different skills from arts to business. They built their core team from friends at Syracuse University, finding a manager in co-founding member of A Cappella group Otto Tunes, Cormac Dennehy.

    “I was a fan that wanted to help out in any way I could. It started out with them hitting me up for help promoting shows and just turned into me helping out with all corners of their camp. One day we just decided to put it in writing,” explained Dennehy, who currently works at talent agency ICM, which tends to clients like Bonnaroo, Coachella, Lollapalooza, SXSW, Lilith Fair, Sasquatch and Summerfest. “Every day I interact with new people in the entertainment industry — and if I can turn them into a viable contact, or at the very least a fan, then you bet your fanny I will do so. It’s also helpful to see how other people operate in a similar space. I have the opportunity to watch seasoned industry pros do what they do, and occasionally, I am able to apply that to my work with Shiffley.”

    Shiffley indeed got their footing on campus, playing house show after house show until the concert board took notice and billed them as openers for 21 Pilots. In January 2014, Shiffley was handpicked by Fall Out Boy, Emeli Sande and Austin Mahone as a finalist in CBS’ nationwide Grammy Gig of a Lifetime competition, placing fourth out of 40 finalists. They were also semi-finalists in VH1’s Make A Band Famous competition. After releasing their EP Atomic Robot Man (mixed by Tony Gallis, the man behind several Steely Dan records), Shiffley is back this year with a new single, “Systems,” and an album slated for a July release.

    “‘Systems’ is the second part of a two-song story off of the album about a robot that learns how to feel and then instantly regrets the decision,” the band shared over a warm email exchange, after revealing that they got their name from singer Alex Ganes’ illustration of a sleazy salesman. “As a band, we can relate to the idea of being sleazy salesmen of music.” It’s not long before they casually mention that they got their song mixed at Freshly Baked Studios, in exchange for a shout out. Their flagrant audacity is marveling, and it’s brazen barters like this that truly define Shiffley. Shiffley, as a band, lies on the other side of DIY, on the side that is transparently earnest in its outreach for commercial success. And this, in itself, makes the band that much more endearing, and that much more likely to succeed.

    The idea behind “Systems” stemmed from spending their Syracuse weekends chasing down parties until the winter dipped into the negatives, thereby surpassing their threshold for the cold: “[Systems] is about the regret. The robot casts off his/her emotions in an effort return to max efficiency. The main hook, ‘Systems are down, it’s getting cold, I’m going home’ is about crossing that threshold and returning to logic at the expense of the fun times.”

    Stream “Systems,” the first single off their TBD album slated for a release later this year, below, and follow Shiffley on Facebook and Twitter, videos on YouTube and music on SoundCloud and Spotify.

    Shiffley July 2016 Tour Dates:
    7/21 – Studio at Webster – NY, NY
    7/23 – SUSIEPALOOZA – Deer Park, NY
    7/25 – Chapala Blue Beetle Rock Bar – Burtonsville, MD
    7/26 – Jammin Java – Vienna, VA

  • Syracuse City Ballet Stages Classic Fairytale This Weekend

    This weekend, Syracuse City Ballet will present Tchaikovsky’s fairytale classic Sleeping Beauty, starring local Central New York dancers with New York City Ballet’s Ana Sophia Scheller as Aurora at the Crouse Hinds Theater. And in addition to professional choreography, glittering costumes and magical sets featuring original puppetry, audience members might catch the real chemistry between the prince and princess, as the two leads are actually a couple.

    syracuse balletScheller and Nicolai Gorodiskii, who will dance the role of Prince Desire, met back in 1996 in Argentina where the two began their dance training, as reported on Syracuse.com. Scheller, a native of Buenos Aires, became a principal ballerina with NYCB in 2012, and she first performed the role of Princess Aurora for the prestigious company in 2013. Ukraine-born Gorodiskii is a former soloist with the Pennsylvania Ballet, and this will be his premier performance as Prince Desire. As told to Syracuse.com, Syracuse City Ballet  Artistic Director Kathleen Rathbun said, “Engaging a dancer who is at the level of Ana Sofia Scheller is a big step for our company. And we know that she and Nicolai will enchant our audiences with their skill and artistry in this sumptuous new production.”

    syracuse ballet
    Ana Sophia Scheller as Princess Aurora in New York City Ballet’s 2013 production.

    After months of preparation, Scheller and Gorodiskii arrived in Syracuse this Monday and began rehearsing in the theater with the Syracuse City Ballet Corps de Ballet and other cast members. The Corps consists of 12 dancers from across New York state who auditioned for the spot and have been training with Ballet Mistresses Stephanie Dattellas and Rachael Cierniakoski since January. Professional dancer Anton Kandaurov will perform the role of Bluebird and Gvansta Gavashelishvili of the Connecticut Ballet dances the role of Princess Florine, while Leonid Goikhman and Rie Aioki will play Puss-n-Boots and the White Cat. Other soloists are former SCB dancers and now Rock School for Dance Education students, Kameron Triche (yes, of the same Syracuse Basketball royalty) as the sorceress fairy, and Mary Coon as the young fairy who alters Sleeping Beauty’s curse from death to deep sleep.

    Immediately following Friday night’s show, Syracuse City Ballet hosts its second annual champagne soiree to present local arts champions with Grande Jete Awards. This year’s honorees are Syracuse University Associate Professor of Dance Anthony “Tony” Salatino and Jean Fahey, owner of the Turning Pointe. The soiree is a benefit of membership at the $100 donor level or higher. Dignitaries for the weekend performances are WSYR Newschannel9 anchors Carrie Lazarus and Jennifer Sanders. Lazarus will also emcee the awards reception, which will take place behind the stage after final curtain.

    Syracuse City Ballet is a nonprofit corporation founded in 1997, and it remains one of the only professional ballet companies serving the Central New York community. Through its dance education programs, SCB is deeply committed to serving the full diversity of youth in the community, and its special student performances of The Nutcracker each December are a well-attended and much cherished tradition. Syracuse City Ballet presents Sleeping Beauty on Friday, March 11 at 7 p.m. and Sunday, March 13 at 2 p.m. at the Crouse Hinds Theater, John H. Mulroy Civic Center. Tickets are available through Ticketmaster or the Oncenter Box Office. Check out the official production trailer below for a sneak preview of the family friendly ballet.