NYS Music 20​16

Tag: reggae

  • Bumpin Uglies Jam out at Nietzsche’s

    Buffalo’s Nietzsche’s got a healthy dose of reggae on December 3, thanks to the smell of weed in the air and a band from Annapolis, Maryland called Bumpin Uglies, with Buffalo their latest stop on a tour promoting their new album, Keep It Together.”
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    Bumpin Uglies, made up of Brandon Hardesty on lead vocals and guitar, Dave Wolf on bass and backing vocals, and TJ Haslett on drums, have quite the resume for a modern reggae band. Since forming in 2008, the Uglies have recorded 3 LP’s, 2 EP’s, a live album, and constant touring in the form of eight national tours and many more regional tours, including performances at Warped Tour and California Roots. On their tours, they’ve stopped in Buffalo seven times.

    The tone of the show was set even before the band took the stage. During one of the opening acts, a Buffalo reggae band named Reggie Childs got the crowd grooving thanks to the help of the main band’s fan group, the Uglies Nation, whose members danced near the stage and kept a drumbeat going on wooden boxes by the merchandise stand. This continued well into the main show, which briefly had beach balls pulled down from the space’s chandelier.

    It’s hard to call the Uglies style traditional reggae. It’s more a combination of that, plus some occasional fast ska tempos, dub vocal and guitar effects, and some good ol’ alt-rock. A good example is one of their new songs, “Place Your Bets.” The verses and chorus come off as your usual reggae with a bit of dub thrown in, but the instrumental breaks play off like a 311 song. Add a few reverb-laden guitar solos and you’ll have a good idea what these guys sound like.

    Given there were a sizable amount of Uglies fans present, the band had great crowd interaction. Hardesty would ask for shots, get a reaction out of saying he saved his drinking just for tonight, and share stories regarding songs like “Bad Decisions” and “Officer O’Hurley.” A fair amount of the show was spent on their new album, with songs like “Load in Load Out” and “Sorry I’m Not Sorry” getting a fair share of audience participation. The odd thing about the set was that on their albums, a horn section will occasionally be present, adding more reggae cred to their songs. There was no horn section present for the show, which didn’t take away that much, but could’ve added a bit more.

    Still, it was a fun evening for those in attendance, even for those who appear to have been at several of the band’s shows already. We’ll definitely be hearing from these guys again soon if the topic of modern American reggae music ever comes up, and how it can effortlessly co-opt other styles into it’s own.

  • Long Island’s Bête Noire Offers a Ska Twist on Christmas

    Desmond Dekker, Dandy Livingston, The Clash, The Specials. These artists aren’t typically associated with Christmas. Long Island‘s Bête Noire is out to change that perception with the release of its new Christmas single, “A Message to Rudolph.”

    bete noireThe song is heavily influenced by The Specials’ 2 tone remake of Dandy Livingstone’s reggae classic “Rudy, A Message to You,” recalling the infamous rude boy reindeer’s tale of one foggy Christmas Eve in a campy video.

    Bête Noire is a music collective based in Long Island. Members of the collective appearing in the video play with the bands Oogee Wawa, Aqua Cherry, Radio 4 and Hot and Ugly.

    Now that December has arrived, add a new carol to your playlist. You can download the single at Bête Noire’s Bandcamp page or through iTunes. Check the video below.

  • Hearing Aide: Spiritual Rez “Setting in the West”

    This is not just a reggae album. This group of Boston, Massachusetts dwellers have created an in depth and diverse Jamaican roots album that stands out miles ahead of most contemporary bands alike. Setting in the West is the fourth album from Spiritual Rez since the birth of the band in 2002 and they’ve really nailed the niche they define themselves. Their sound is heavy on a powerful reggae sound, but it’s garnished with a number of genres, with hints of pop, rock and funk that set the sextet above most other reggae groups.

    Each song is diverse and though each song is heavily rooted to a reggae groove, they manage to make the first two songs sound like two different bands. The first track, “Sober,” has the exact recipe for a reggae song, but the drums and bass line gives the song a certain power that isn’t found in most songs in that style. The tonality changes throughout the song so things stay interesting, instead of falling into a drone which some reggae songs tend to do. The sound is still sultry and lazy but a more prominent beat perks up the song while still holding the roots of the genre.

    But then, “Red Room” comes on, and the listener is taken to a whole new world of pop beats. Featuring rapper Duddy B and loads of computer generated tones, this track sounds like something that would be played on today’s pop radio stations. There’s a hint of popping, staccato guitar riffs, but an almost complete delete of all other reggae influences. It’s still just as good as any other song in this collection, but might be a deal breaker for some listeners as well as “Tidal Wave” and “Digital Age.” There are still traces of the defining characteristics that made reggae sound the way it does, but the band is obviously trying to reach a greater audience. The producer of the album, Kenny Carkeet, a founding member of AWOLNATION, might explain the more pop based tunes, which was definitely a smart move as Spiritual Rez strives for greater recognition.

    For those that may see these tracks as the band selling out, worry not because the majority of the tracks stick to a standard reggae formula, still dropping hints of dance, funk and rock into the mix, with “Bad Girl” and “Square Grouper” show casing the talents of the group. The spice of a reggae group is the horn line, with Quinn Carson (trombone) and Julian Dessler (trumpet) deserving much credit for making this band sound the way it does. Although there are countless reggae bands without such, the duo brings a more cultured and complex sound that helps separate this group from others. Of course, the talents of Toft Willingham (vocals), Ian “Meat” Miller (drums), Jesse Shaternick (bass) and Mohamed Araki (keys) are not to be undersold being the backbone of the group, setting up a solid and groove for every track.

    Spiritual Rez will be spending some time in New York this year playing from Canton to New York City all this month. More info is on their website.

    Key Tracks: Sober, Bad Girl, Square Grouper, Whisky

  • Road Trip: Bunny Wailer and Highway 50 at the Ogden in Denver

    They say this is a bad year for music legends. They say all the good ones are gone. Shhhhh! Don’t tell that to Bunny Wailer, the last original member of the legendary Wailers. Because, not only is he alive, but skipping and skittering across stage while belting out tropical sun-drenched roots reggae songs with sinewy finesse. The three-time Grammy winner recently assembled a robust band along with a buzz-cut sharp horn second called the Solomonic Reggaestra. Wailers assemble sparked the Ogden Theatre last week in Denver, Colorado with jaunty renditions of classic Wailer favorites like “Trenchtown Rock.” Local ska/reggae favorites, Highway 50, led by former Samples keyboardist, Al Laughin, started the evening with lemon bright set of melodies punctuated by the brass jags of The Horns of Destruction. The bloggers may not have it quite right. Maybe it hasn’t all been bad this year for music legends. And they aren’t all dead. Not by a back roads Jamaica mile.

  • Hearing Aide: Baked Potatoes “Loaded”

    Baked Potatoes is a group of reggae, ska-rockers based out of Oneonta, New York. The first time I heard their album I was pleasantly surprised to say the least. A lot of the colors in my musical palette have been the likes of Reel Big Fish, Phish, and Badfish, so it was phenomenal to finally find a more accessible, equally talented group.

    baked potatoesThe guys follow opening track “The Builder” with a tune called “Blue Dream,” a lovely reggae song that evokes mental images of innocence, relaxation, and contentment. Guitar and drums gently ease listeners into a euphoric mix of horns and hand percussion. With that, the scene is set for the vocals, sung in a style adds to the overall reggae flavoring.

    After this, “Don’t Close The Door,” a song about winning a breakup, provides a nice change in pace to the album and leads into one of my favorite tracks on the album “Homewrecker.” Horns, a halftime drum shuffle, a vibey melody. THIS, this is what I need more of in my life. The precision of the guitar parts, the lyrics, and the way the instruments blend make this one of the highest of highlights in my books.

    There is no drop in quality throughout the entirety of this album. Sometimes in the middle on album the project’s goals can seem to go off the rails a little bit, not here. ”No Shirt No Shoes,” “Postcard Song,” and “Satellite Beach” are a block of 3 songs that I would say stray out of the norm, and become more like an experiment. These songs seem dip their toes in the water of a more poppy sound, a sound I can still relate to nonetheless.

    The project ends with “Satellite Beach” and “Unity,” two songs that give the album a strong finish. Unity’s rock-jazz influenced complexity makes it a strong ending song, and a great way to close out the project.  I hope that others share my excitement in the future of this great band. Seriously, if Baked Potatoes are in your area, try and make it out to a show. Take it from a guy who’s seen enough to Ska to know the cream of the crop.

    Key Tracks: Homewrecker, Blue Dream, Unity

  • Rochester’s Giant Panda Guerilla Dub Squad Returning To Buffalo

    Since forming in 2001, Rochester’s  Giant Panda Guerilla Dub Squad (GPGDS) has been a steady force in the reggae and jam scene. The five piece band includes James Searl on bass and vocals, Chris O’Brian on drums and vocals, Dylan Savage on guitar and vocals, Dan Keller on guitar and vocals and Tony Gallicchi on keys.

    GPGDS notes some of its musical influences as Burning Spear, Sublime, Phish and Bob Marley and the Wailers. The band has been playing at least 100 shows a year recently and have toured through many countries. They have played at music festivals like the Peach, All Good, Mountain Jam and Gathering Of The Vibes. Their current Where There’s Smoke Tour rolls into Buffalo this Saturday April 16 at the Tralf Music Hall.

    Their latest album was released May 15 last year. It has a heavy bluegrass and country influence and features G. Love and his harmonica on the track “Humbolt County Gold.” It’s a welcome change hearing the addition of a banjo on a few tracks. Bright Days goes a long way to show how far the band has come and breaks down any barriers labeling the band in just the jam or reggae genres.

    Giant Panda Guerilla Dub Squad’s unique sounds and melodies will surely have your feet moving from the first beat. If any of their previous performances at the Tralf Music Hall are evidence of what is to come on April 16, you are not going to want to miss this show. Doors at 8:00 P.M.  The show begins around 9:00 P.M.

    If unable to catch GPGDS in Buffalo, the band is taking part in the MOVE Music Festival in Albany April 23.

  • Mighty Diamonds, Highway 50, Mono Verde Shine at the Fox Theater

    The atmospheric weather phenomenon known as El Nino has blown more snow over Colorado than the state has seen in several years. One recent show at the Fox Theater on January 22 in Boulder, CO featuring a trio of roots reggae/ska bands, including reggae pioneers, the Mighty Diamonds, provided a brief respite from winter with a night full of warm, tropical melodies from Jamaica.

    Two area favorites, Mono Verde, and Highway 50, helmed by former Samples keyboardist Al Laughin, jumpstarted the evening with a series of percussive world beat and roots ska melodies. Highway 50’s elevated the languid, easy-going style of reggae melodies with a powerful horn section and brawny lead guitar riffs.

    The night’s headliners, the Mighty Diamonds, featuring Lloyd “Judge” Ferguson, Fitzroy ”Bunny” Simpson and Donald “Tabby” Shaw, formed in 1969 in the Trenchtown area of Kingston, Jamaica. They showed, even after 46 years, that they can jump, spin, and belt out Motown-infused reggae with unbridled enthusiasm.