NYS Music 20​16

Tag: Paramount Hudson Valley

  • Photo Gallery: The Machine at Paramount Hudson Valley

    No one can replace the likes of Roger Waters, David Gilmour, Rick Wright, Nick Mason, or Syd Barrett of Pink Floyd, but in The Machine’s recent stop in Peekskill the band showed that it’s possible to get fairly close to doing so.

    S Malinski - The Machine - Paramount 2016-4

    The Machine lived up to their 26-year reputation for accurately recreating the Pink Floyd catalog in their first ever appearance at Paramount Hudson Valley, a sort of hometown show as they are from across the river to the south in Nyack, NY.

    The set list pulled from each of Pink Floyd’s distinct sounding eras including the songwriting of Syd Barrett, the Roger Waters-driven songwriting, and the post-Waters take-off under the wing of David Gilmour’s guitar. The Machine wasn’t shy in reaching deep, either. “Wut’s…Uh the Deal” and “Burning Bridges” were in the mix as treats to the true Pink Floyd fans in the crowd.

    S Malinski - The Machine - Paramount 2016-6

    Each of the key elements that identify Pink Floyd’s style were obvious during The Machine’s set. Joe Pascarell’s guitar intonation mimicked that of Gilmour’s Black Strat and was almost note-for-note on solos, particularly the show-closing “Comfortably Numb.”  The distinct vocal leads of both Waters and Gilmour were well represented in similar tones particularly when the two roles play off each other in “Run Like Hell.”

    The Machine returns to New York for two shows in November in Ithaca and Tarrytown.

    Setlist

    Set 1: Welcome to the Machine, Another Brick in the Wall, Wot’s…Uh the Deal, Hey You, Astronomy Domine, Sheep, On the Turning Away

    Set 2: Shine On You Crazy Diamond (Parts 1-5), What Do You Want From Me, Echoes, Money, Arnold Layne, Wish You Were Here, Shine On You Crazy Diamond (Parts 6-9)

    Encore: Burning Bridges, Comfortably Numb

  • Carl Palmer’s ELP Legacy Pays Tribute to Keith Emerson

    When it comes to rock and roll drummers, Carl Palmer joins the ranks of the most regarded drummers in the genre. Under the touring name of Carl Palmer’s ELP Legacy, the drummer intended it to be a celebration of his 50th year as a professional musician. However, in early 2016 when tragedy struck his former bandmate Keith Emerson (who was set to join Palmer on a few shows), the show quickly turned around to a tribute to Emerson.

    S Malinski - Carl Palmer ELP Legacy - Paramount-2

    Palmer stopped by the Paramount Hudson Valley theater on June 16 with his performance, joined by Paul Bielatowicz on guitar and Simon Fitzpatrick on bass. Without Emerson’s legendary keyboard role in the mix of the sound, the group took a new form of power trio to interpret and present Emerson, Lake and Palmer’s music. Channeling the groundbreaking progressive rock format in this setting doesn’t seem like an easy task, but Palmer did it in a fresh way that was just as exciting as ELP’s recordings.

    S Malinski - Carl Palmer ELP Legacy - Paramount-15

    The two-set show started off with a punchy version of the Peter Gunn theme and continued with many of the iconic original and classical re-arrangements that make up the ELP library. Throughout the evening, Palmer took a moment between each song to break from the kit to share a story about the tune, particularly if there was a connection to Emerson. Most notably, he dedicated “Pictures of an Exhibition” to Emerson, which had been one of Emerson’s favorites.

    S Malinski - Carl Palmer ELP Legacy - Paramount-12

    Palmer’s band can properly be called a power trio — their sound was rich, robust, and complete to fill out the fresh take on ELP’s songs. In a way, it sounded like a really good garage band with a progressive rock influence.

    Fitzpatrick alternated between bass and Chapman Stick, which coupled with Bielatowicz’s guitar recreated Emerson’s keyboard parts which defined many of ELP’s songs. Behind them (or rather, front and center on the stage), Palmer’s technical  and powerful drum playing was just as, if not more, vivid than in his younger ELP years. Both Fitzpatrick and Bieltowicz had opportunities to show their chops with solos — an instrumental version of “Take a Pebble” by Fitzpatrick on Chapman Stick and Bielatowicz with a multi-part solo guitar solo right before the intermission.

    Leading out of “Fanfare for the Common Man,” Palmer broke out an extended solo, fairly routine at the start. Building up the solo, he mixed in some electronic drums buried in the kit. After a few minutes navigating the kit, a grin grew on his face as he stood up to show off some Buddy Rich-style stick tricks that drew some quick applause.

    Before calling it a night, Palmer introduced the encore by encouraging the audience to take their phones out and record and post a video of it in memory of Keith.

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  • Melissa Etheridge Sends a Pulse Through Peekskill

    When Melissa Etheridge took the stage at the Paramount Hudson Valley, her presence was immediate as the sold-out theater greeted her with a standing ovation at her first notes. As she appeared from the shadow behind her wall of guitars adorning the stage it was apparent that she was just as excited to be there as the audience was.

    For a solid two hours, Etheridge presented a dynamic set (with no break) complete with both delicate moments and high-energy songs. Although the show was a solo act, her two hour set wasn’t just a singer with a guitar. Using loop effects and some percussion she backed herself up with more than just a guitar. At one time, she played a game of guitar roulette – looping a few background percussion and rhythm lines as she contemplated which of her ten guitars to pick next to play a bit of the lead part.

    With a few words shared between songs, she took particular attention – honest attention – to the surrounding Peekskill community citing the art that she took in earlier in the day. Particularly stunning to the audience was her lead into “Silent Legacy” where she picked up the bass behind her and introduced it as the bass guitar she had bought just that day from Division Street Guitars (a small shop just around the corner from the Paramount) which is a permanent addition to her collection and is appearing with her elsewhere on tour.

    Etheridge’s setlist included many of her chart-topping songs and a few off her latest album This Is M.E. A few came in as requests including “Ready to Love” on piano which had never been recorded and only performed a few times. Two other highlights included the swampy tune “Stranger Road” played on her resonator and “Chrome Plated Heart” played on the candy blue guitar she called “Trouble” which included a lot of looping and soloing.

    Etheridge responded to the Orlando shootings which occured just days prior in the way she knew how buy writing, recording, and releasing a brand new song, “Pulse,” just two days later. Three days after the song was received by the public, Etheridge paused near the middle of her set to reflect about it and the song before performing it for one of the first times live. It was just as emotional for Etheridge as is was for some of the audience who held up signs supporting the song (a surprise to her).

    Etheridge brought a driving close to her set with a one song encore, building out a complete jam on the beautiful white 12-string Ovation. The ascending chord lines in the jam kept the audience wanting more each time, but sadly a show has to conclude at some point.

    Setlist: Ain’t It Heavy, If I Only Wanted To, Silent Legacy, I Want to Come Over, Ready to Love, Pulse, Come to My Window, Stranger Road, The Weakness in Me, Chrome Plated Heart, I’m the Only One, Bring Me Some Water

    Encore: Like the Way I Do

  • Paramount Hudson Valley Kicks Off 86th Anniversary With Michael McDonald June 25

    The historic Paramount Hudson Valley theater in Peekskill celebrates its 86th year this Saturday June 25 with a special fundraising anniversary event featuring multi-Grammy award winning artist Michael McDonald. This year marks the third year of the theater’s stewardship by Red House Entertainment, who brought the venue back to life after it took a brief hiatus in 2012.

    The evening starts at 8 p.m. with the Hudson Valley’s own Marc Von Em of the Rob Thomas Band. As a regular at clubs throughout NYC and the northeast, Von Em’s dynamic performance on both vocals and acoustic guitar round out a complete sound for a one-man show. Following Von Em’s set Michael McDonald’s son Dylan McDonald takes the stage with his band Dylan McDonald and the Avians for a set.

    The evening’s headliner has made a name for himself apart from the bands he has worked with – Steely Dan and The Doobie Brothers – along with many other musicians he has collaborated with after his time with those two bands. His work has won five Grammy Awards throughout his career. At the Paramount, McDonald will bring a collection of songs from his years with Steely Dan and The Doobie Brothers along with his solo hits.

    https://www.youtube.com/watch?v=X3v8LEb1LxA

    The 86th anniversary fundraising celebration at the Paramount will include giveaways and merchandise auctions. The theater asks for support “to assure [they] provide world-class entertainment to the Hudson Valley all year-round.”

    Show: 8 p.m.
    Tickets: $70/$90/$105/$130 available online or by calling the Paramount box office at 914-739-0039

  • Valentine’s Day Pairs Local and Veteran Rockers at Paramount Hudson Valley

    More than a musical blind date is coming to Paramount Hudson Valley this Valentine’s Day. Veteran indie pop rockers Gin Blossoms will be joined by Peekskill’s own Joe Duraes & The Skills for an exciting Sunday night double-bill.

    Over the past two decades, Gin Blossoms have been a staple in ’90s playlists with their albums New Miserable Experience and Congratulations I’m Sorry peaking high on the charts and each achieving Platinum status. Since the band’s 2002 reunion following a five-year hiatus, Gin Blossoms have recorded two studio albums and continued to tour.

    Complementing the iconic 90’s sound of Gin Blossoms is the hometown outfit Joe Duraes & The Skills, making their second appearance on the Paramount stage. The band drives home their own style of Hudson Valley rock building off of Duraes’ previous solo acoustic songwriter work fit for any house, whether coffee house, theater, or street festival.

    Sunday’s show is set to start at 8pm, and the Paramount Hudson Valley has special prix fixe dinner-and-a-show tickets available through participating Peekskill restaurants. Visit the Paramount’s website for more information on this offer and tickets to the event.