Tag: PA

  • Rock Allegiance Stands Strong Among Competition

    For the second straight year, Chester, PA was home to Rock Allegiance. The Rock Allegiance festival, which is one of the many Danny Wimmer Presents events, returned to Talen Energy Stadium (formerly PPL Park) on Saturday and Sunday September 17 and 18.

    Unlike last year’s festival, Rock Allegiance 2016 was set for 2 full days that included some of the biggest bands today, such as Avenged Sevenfold, Alice In Chains, The Offspring and Slayer. To accompany two full days of music, this year added even more of the festival’s signature Gourmet Man Food and other experiences for fans to check out. Some of this year’s experiences included The Music Experience, The Jack Daniel’s Experience, FYE Experience and Zippo Encore. As always, proud sponsor, Monster, was on site giving away free products and hooking fans up with chances to meet their favorite bands.

    Saturday’s festival lineup featured quite a mix of bands. There were heavy metal bands, cover bands, comedy bands, grunge bands and more. Some of Saturday’s stand-out performances were Skindred, Avatar, and Motionless In White. Each one of these bands brings something unique to the table that not an everyday band does. Skindred had the most unique sound of the day. The Welsh rockers mix heavy metal with reggae and create some insane grooves. Lead singer Benji Webbe certainly knew how to lead his band and give the crowd a set to remember past the weekend.

    Certainly no one was disappointed with headliners Alice In Chains, Breaking Benjamin and The Offspring. Each one of those bands has earned their keep and each had their own die-hard fans in attendance. Alice In Chains was joined by Billy Duffy of The Cult for their song “Rooster.” One band that failed to bring out the special guests that everyone was hoping for was Taylor Hawkins’, Chevy Metal.  Chevy Metal, which is Hawkins’ cover band that rips through classic rock songs with ease, is known for bringing out big names at their shows. Unfortunately, when the band closed out the Liberty Stage, no guests came out to join the band.

    Fans of Sepultura got to hear the legendary album, Roots, in its entirety during Max & Igor Cavalera’s Return To Roots set. This was one of the most bad-ass sets of the day. Seeing the two brothers back on stage doing Sepultura songs was absolutely incredible and the crowd went wild. One band that seemed to sneak its way into a huge main-stage slot was Baroness. These guys have been growing and growing non-stop and have been receiving incredible support from some of the biggest musicians on the planet. The love and support of Baroness landed them a late evening slot and definitely gave the band a chance to reach an audience of plenty of Baroness virgins.

    It’s impossible to not mention Trivium when it comes to kicking ass. The guys in Trivium seem to live on the road and never show any signs of slowing down. Although their last album Silence In The Snow, wasn’t as “heavy” as some old fans would have liked, this monster of an album has been a commercial hit and the tracks are solid. Gone are the signature screams of singer Matt Heafy, but the record showcases Heafy’s ability to actually sing. Together with long time band members Corey Beaulieu and Paolo Gregoletto and new drummer Paul Wandtke, Trivium continues to give festival crowds around the world a brutal, fast and a seemingly too short set.

    Saturday’s top performance didn’t come from any headliner or by any band that played on either stage inside the stadium. The top band of the day took the Liberty Stage at 4:15. That band was letlive. For people who skipped letlive., saying they missed out is a complete understatement. Often times, writers will say a band had “high energy” and all these other generic compliments about a band they thought was pretty good. On Saturday, letlive. could be described to someone who missed them simply as, f*&King insane. Singer Jason Aalon Butler gave Rock Allegiance everything he could, without getting in too much trouble. Butler ended up hanging upside down at the soundboard tent and running throughout the crowd while his team of roadies tried to keep the audience from becoming strangled with this microphone cord. If there’s one thing fans at Rock Allegiance aren’t ever going to forget, it is letlive’s set.

    Out of the 2 day festival, Sunday was definitely the day with the stacked lineup. The day started off with what would be one of the best sets of the day from Death Angel. Singer Mark Osegueda is by far one of the best vocalists in heavy metal. This guy can hit any note imaginable. If there was one bad thing to say about Sunday, it would be Death Angel’s set was too damn short. Next time, Death Angel deserves a mid-day main stage slot to show the crowd what they bring to the table.

    After Death Angel, bands like Devour The Day, Twelve Foot Ninja, Crobot and Kyng were all back to back one after the other. Although none of these bands have hit it big yet, they’re all in the process of knocking down that door. This year was Devour The Day’s second year in a row playing Rock Allegiance and the crowd was definitely excited to see them again. The singer of Kyng wasn’t too happy with them and Crobot playing at almost the same exact time. He went on to say that whoever booked that should be fired.

    From 2:30 onward, many fans may not have even left the two main stages inside Talen Energy Stadium. Unfortunately for bands like Neck Deep, Amity Affliction and Pierce The Veil, the main stages where were the party was at. Although, even though the inside floor was packed in, these bands attracted their own die-hard fans and fans who may have been curious to check out someone new. Pierce The Veil certainly could have played inside due to the crowd and the stage setup they had. The guys in Pierce The Veil are an absolute blast to watch on stage and their spaceship on stage isn’t something every band brings out on the road.

    Sevendust had a huge crowd over at the Bridge Stage for their set. One of those fans at the Bridge Stage was Anthrax singer, Joey Belladonna, who joined Lajon Witherspoon to sing “Face to Face.” Sevendust was another victim of the dreaded short festival set. Only having time for a handful of songs, Sevendust wasted no time between songs and gave fans as much as they could. The band closed out their set with their Grammy nominated track “Thank You.”

    Some other highlights of the day were Hellyeah and Killswitch Engage. Both of these bands are entertaining to watch from start to finish. Hellyeah singer, Chad Gray is one of the most explosive front-men in metal. Hellyeah’s setlist only featured songs off their 2 latest albums Blood for Blood and Unden!able. During the track “Sangre por Sangre,” bassist Kyle Sanders spit fake blood all over Chad’s face. Chad would sport this blood for the rest of the set and it was clear this band meant business. Hellyeah have certainly been working their asses off creating new music and trying to win over the haters of their group.

    Killswitch Engage, on the other hand, doesn’t have to do anything fancy on stage to win over fans. The guys in KSE are purely bad-ass and get the crowd going regardless if they’re fans of their band or not. Certainly one of the rowdiest crowds of the day, Killswitch gave them all the reason to be. Guitarist, Adam Dutkiewicz, did what he does best and got the people of Rock Allegiance in the KSE mood. Dutkiewicz and singer Jesse Leach lead the charge and helped give Killswitch Engage one of Sunday’s best performances.

    The rest of the evening after KSE was great as anyone would have guessed. Chevelle, Anthrax, Volbeat and Slayer were all fantastic. Each band had a giant fan base in each section of the floor. Slayer fans waited all day along the rail of the Bridge Stage to be in front of Kerry King and Tom Araya. Having half of the big “four” on one stage was an easy choice for thrash metal fans on where to set up camp. Getting that front row spot for both Anthrax and Slayer would put any thrash metal fan in heaven, or in this case, hell.

    As expected, Anthrax stuck with their casual festival setlist. This setlist is fine for any casual fan of Anthrax, but the die-hard fans who traveled to see them definitely wanted something a little different. Tracks like, “Got The Time” and “Antisocial” could definitely be replaced by songs off their latest two albums, which were both outstanding. Both Chevelle and Volbeat, on the other hand, picked their setlists well offering a nice balance between new and old material. Slayer was also another band that seemed to surprise the crowd with their setlist choice. Instead of playing mainly tracks of their latest album Repentless, they only chose to play the title track. The rejuvenated Slayer lineup dug into deep cuts as well as playing the fan-favorite classics like “Raining Blood” and “Angel of Death.”

    The two top performances on Sunday belonged to two bands that toured together not too long ago. Those two bands are Ghost and headliner Avenged Sevenfold. Ghost, who just kicked off their Popestar Tour days before, opened their set with their new EP single “Square Hammer.” For fans who hadn’t caught on to Ghost already, were probably walking out of the stadium that night with a shirt or CD from the FYE tent. Ghost definitely had one of the biggest fan bases over the entire weekend. Ghost shirts were seen by the minute on both days of the festival. The stage show wasn’t what fans will see at headlining shows due to time restrictions, but fans weren’t complaining. The Ghouls, complete with their new female bassist, ripped through 6 more songs after “Square Hammer.” Together with Papa Emeritus III, the band flawlessly performed songs such as “From the Pinnacle to the Pit,” “Cirice,” “Year Zero”, and more. Unlike headlining shows where the band closes with “Monstrance Clock,” Ghost changed things up and said their goodbyes with “Mummy Dust.”

    The chance of Avenged Sevenfold disappointing the fans at Rock Allegiance this year was practically 0%. It’s been a while since Avenged Sevenfold has toured and fans were ready for something that was new and fresh. The band went on stage and opened with “Nightmare.” Fans could quickly point out that Avenged no longer had the extensive stage setup like they did on their Mayhem Festival run a few years back. This time, Avenged kept things simple with an empty stage and a giant LED screen. People who thought that was all they brought were definitely mistaken. It didn’t take long for the onslaught of flames to come from the back of the stage song after song. The new tour not only meant a new stage but also a refreshed setlist. This time around, Avenged played tracks like “Planets,” “Acid Rain,” “To End the Rapture,” and “Second Heartbeat.” The weekend ended with “Unholy Confessions,” instead of the typical encore of “A Little Piece of Heaven.”

    At the end of the weekend, it would be hard to say fans were left disappointed. The lineup for both days of the festival was solid and seemed to have something for everyone. It may have been noticed by people at Rock Allegiance that it wasn’t close to a sold-out capacity crowd, but that doesn’t affect the experience negatively. With two other festivals going on over the same weekend, both within reasonable driving distance, Rock Allegiance held its ground and drew a decent size crowd for what it was up against. Hopefully next year, Chester, PA. can once again be the host of Rock Allegiance for the 3rd straight year.

  • Steel Panther Brings Hair Metal To The Sherman Theater

    On Saturday, July 30, the greatest 80s hair-metal band to not come out of the 80s took over the Sherman Theater. Steel Panther, the comedic hair-metal/glam-metal band came to Stroudsburg, PA to give fans a taste of what they can’t get anymore, unless they’re listening to classic-rock radio stations that have been playing the same songs for 30 years.

    Unlike bands like Motley Crue, Van Halen, Skid Row, etc. Steel Panther can give fans a live performance that’s absolutely spot on. Perhaps it’s because the band only got its start in the early 2000s or maybe they have some special potion that keeps their musical talents from slipping away.

    Steel Panther - Photo: Mark McGauley

    After releasing a live acoustic album called Live From Lexxi’s Mom’s Garage Steel Panther has been playing gigs in select cities. Between gigs the band has also been working on its official follow-up album to 2014’s All You Can Eat. While fans are anxiously waiting for new material, they get to watch Steel Panther do what they do best out on the road.

    Saturday’s set started off with “Eyes of a Panther,” which is off Steel Panther’s official debut album Feel the Steel. The debut album seemed to be focused on the most throughout the night. Over half the setlist came from that first album, but the crowd didn’t seem to care.

    Steel Panther - Photo: Mark McGauley

    As always, Steel Panther’s show wasn’t without the jokes, banter, and crowd interaction with the ladies. Even though some of the act may be repetitive for some fans, that didn’t stop them from laughing hysterically. For fans who aren’t familiar with Steel Panther, mix together a glam-metal band with Dr. Dirty and that’s what is created.

    Lead singer Michael Starr, at the age of 51, continues to exceed expectations for live performances. At his age, Starr continues to blow away fellow vocalists in his age group. Singers from other 80s bands should be getting on top of their game before Starr takes their job. Starr and fellow guitarist both played in the Van Halen cover band called The Atomic Punks, so if Van Halen ever needs a new singer, Starr should be getting a phone call.

    Steel Panther - Photo: Mark McGauley

    During Satchel’s guitar solo, he made his way up to the drum kit. From the kit, Satchel played some famous guitar riffs while also playing the bass drum. Watching Satchel play is just mesmerizing. The guy comes up with some bitchin’ riffs and can shred up and down the neck of the guitar with ease. Michael Starr and guitar master Satchel shouldn’t be getting all the credit though. Lexxi Foxx and Stix Zadinia do a kick-ass job on the bass and drum-kit.

    The only downfall of the night was that it seemed to end too fast. Only playing 15 songs including a guitar solo just doesn’t seem to feed the Steel Panther hunger. With more songs though, the band would probably have to cut out the comedic segments between songs and that’s a part of the experience.

    Setlist: Eyes of a Panther, Tomorrow Night, Fat Girl, Party Like Tomorrow Is the End of the World, Let Me Cum In, Asian Hooker, Turn Out the Lights, Guitar Solo, Ten Strikes You’re Out, Girl From Oklahoma, 17 Girls in a Row, Gloryhole, Community Property, Party All Day, Death to All but Metal

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  • Domefest 2016, The Flock Congregates for a Weekend of Pleasure

    Smaller festivals are considered to be a more intimate and familiar experience. Domefest 2016 is certainly that, but on a whole different level. There is a palpable energy, a feeling that being a part of this Flock brings with it a love that pulsates in every interaction, welcomes you as you are and most importantly, makes you belong without any doubt.

    This year’s Domefest was held in the beautiful back hills of Bedford, PA, at Front Royale Farm; it was the event’s seventh anniversary. The new location was favorable primarily to VA Flockers, PA Flockers and some from New York, but the Flock is everywhere, and some dedicated fans made a much longer drive. Over the years, the event has moved locations a number of times, most recently relocating from Tripp’s Farm in Terra Alta, West VA, where it was held last year. While making my rounds talking to veteran Flockers, I got the impression that this year’s location was the best one yet, due to proximity, ease of navigation and lay of the land.

    On Thursday, everyone arrived at the farm greeted by sunlight and a warm breeze pushing the clouds overhead. There was a large forest camping area most of which lined a long stretch of the main cleared road. There was also an option for field camping in the Dome Field that some people opted for. A path with wooden bridges that were fairytale picturesque, albeit a little risky, connected the general camping areas to the concert area. Camps set up and hammocks suspended, the early arrivals had a chance to enjoy the afternoon sun, while soft sounds of acoustic guitars from nearby campsites floated on the wind, laughter and conversation filled the woods.

    domefest 2016Music kicked off at 6 p.m. on the Flo Stage with Star City Disco, led by DigitalDevy. Lespecial followed at the main stage sparking the evening heat, spreading their melodies on hard electronic grooves and stirring vocals. This year’s Domefest had three stages again, the Flo Stage for in-between sets, the main Runa Stage and the Late-Night Stage, sponsored by the Bamboo Eater.

    Electric Love Machine (ELM) took us into the first evening with an energetic, ethereal “Hattori,” a spectacularly haunting “Rabbit Hole,” closing with a hard grooving “Tomorrow knows.” After that, the Flock, in full dancing mode from ELM’s set, got ready to see the first Pigeons set of the weekend. This set featured old favorites and tracks off their newly released third studio album Pleasure, such as, “Burning Up My Time” and “Live It Up,” along with a first-time cover of “1999” (Prince tribute). Broccoli Samurai did not give people a chance to miss them; opening with a Lotus cover that stopped people in their tracks, and kept them dancing well into the early morning.

    domefest 2016Friday morning was perhaps the best weather the Flock saw before rain took over for the rest of the weekend. Everyone emerged from their tents to meet the warm sun, shaded from the heat by the surrounding forest. Workshops kicked off with a Rise and Shine Yoga Flow both Saturday and Friday mornings, with the talented Rebecca Simms. Music kicked off at 1 p.m. with Mateo Monk’s soothing tones, “like gospel on a Saturday morning.” The Jauntee, Litz and McLovins kept the crowds glued in the concert area, while Puremotion and Vibe and Direct kept them from leaving during set changes. The Jauntee started the marathon with funky grooves, which Litz later picked up and reverberated with their unforgettable vocals by Austin Litz, closing out their set with the first song guitarist Justin Robb has ever written for the band, “If you haven’t heard our name, you’re overdue.”

    domefest 2016The evening was beginning to gather more and more of the Flockers, as Aqueous played their first set of the weekend (live stream by our Amanda Siedner available in AQuaintences Facebook group), followed by a heavy Mantras set with a memorable “The Way Life’s Been Good During Wartime” mashup. The second night of Pigeons certainly did not disappoint, with a Funky start, “Funk e Zekiel,” slowing a little for “Walk Outside” and “Sunny Day” before bringing the funk back with “Penguins>Funkijam” and a “Julia” with an “Under the Sea” tease. The Pigeons played an original debut “Fun in Funk” before closing out with “Ocean Flows” and “E. The Liquid.” The rain was starting it’s own marathon right around that time. Consider the Source mesmerized the crowd for as long as possible, until they thinned due to the heavy outpour, but many were determined not to let weather deter them from the amazing set. ShwizZ took the stage as the sky really opened the water flow for the remainder of the night, but again those determined were not dismayed and danced with ShwizZ until 5 a.m.

    domefest 2016Waking up on the last day of Domefest was a little less warm and a lot less sunny. Flockers were slower to emerge, hoping that the downpour would take a break, but a drizzle was present for the whole day. Music kicked off at 1 p.m. with Strange Machines and Out of Beardspace, while Mateo Monk once again soothed in between sets. The Hornitz rocked the stage with a cool “Dayman” cover (Always Sunny in Philadelphia), vibrating their horns through Dome. Mister F brought their funk with deep bass, synthesizers, high-energy tunes and great covers,  at one point sharing the stage with Hornitz. Scrambled Greg got the crowds ready for a Splintered Sunlight Grateful Dead set. Deaf Scene rocked the crowd before and after the amazing Big Something set that got the rainy night rolling with “Closer” and later “Passenger>Tumbleweed” and “Love Generator>The Curse of Julia Brown” to finish. Pigeons closed out their festival with an amazing run, with a “Skipjack” teased with “Paint it Black,” “J-Town>Black Dog>Whoopie” with the Hornitz boys and a first-time cover of “99 Red Balloons” that was sublime. A “Zydeko” finished the set, weaving into “Rainbow” in the middle. The last late-night was held by ELM and Aqueous, who held a sizable crowd in the soft mist until early morning. ELM kicked off the rainy dance party with “Captain Disco” and later went into a fly “Weird Fishes” cover, and Aqueous took the crowd home with “Origami” and “Skyway>Dave’s Song>Kitty Chaser (Explosions)” with Marty teases in Origami and Dave’s Song.

    This is the second year that Domefest has held three days of music. The stacked line up made it difficult for Flockers to leave the concert area, despite nature’s best attempt to wash them out. At the end of the weekend, although cold and wet, the Flock packed up with warmth in their hearts from the new memories and friendships that they will hold until we get to do it all over again next year. “Tell the right people,” Greg finished their last set with wisdom for keeping that very special energy that lives at Domefest alive.