Tag: moon hooch

  • Daryl’s House Club Welcomes Moon Hooch, Honeycomb, and Karma Darwin

    As the year draws to an end and people gear up for New Year’s celebrations, Daryl’s House Club in Pawling will help kick the weekend off with three New York area acts this Thursday December 29 – Honeycomb, Karma Darwin, and headliner Moon Hooch.

    Based out of Massachusetts, Honeycomb is a beat box performer with a loyal following and a successful ranking finish in the 2015 American Beatbox Championships. Not only does he have a lot of studio experience including a collaboration with Moon Hooch, he has also worked with many DJs and jam bands at festivals. Appearing also before the headliner is Karma Darwin out of Brewster, NY. Formed in 2013, the band has an 18-track self-titled album and has won the Capitol Theatre’s (Port Chester) battle of the bands contest in May 2014.

    From their busker days in the NYC subways five years ago, Brooklyn’s Moon Hooch has since exploded, gaining many followers and refining and refocusing their drum-and-sax dance sound to build off the energy commonly found at their live shows. Earlier in 2016 the band released its second full-length album Red Sky and just before Christmas released The Joshua Tree EP, available for free (or small donation) from their website.

    Doors open at 5 p.m., show time is at 8 p.m.

    Tickets: $15 available from Daryl’s House here.

  • Night Lights Music Festival to Take Place This Weekend in Sherman, NY

    The lights and sounds will come alive next weekend as the busy festival season begins to hit the final stretch in the Western New York town of Sherman with Night Lights Music Festival. The August festival has become the go-to festival in the late  summer as it continues to grow and heat up. The event and  place this coming weekend in Sherman, NY.

    The event begins Thursday, August 25 and runs through Saturday, August 27. It was moved up a few weeks from its normal September occupancy in hopes of having a little better weather.

    This festival serves as a great bookend to what has been a spectacular concert season on this side of the state along with the very successful Great Blue Heron Festival and Buffalove Music Festival . This year’s festival has some great returning acts with Aqueous, Jimkata, Funktional Flow and Lazlo Hollyfeld to name a few and newcomers Beats Antique, Eric Krasno Band, Moon Hooch and London Souls joining in. There are plenty of other fan favorites such as Smackdab and Spinners, Flomentum out of Cleveland, with one of the most epic drum circles to date, you have to be there to understand the unique experience.

    There will be plenty of vending, including Community Beer Works, one of the main sponsors of  the event. They will be in attendance serving local craft beer selections at affordable prices. Camping is included in the ticket price which adds incredible value to the experience.

    One of the highlights of the festival has always been the lights.  The woods throughout the site come alive with lights as soon as the sun sets. When not at the stage, one can wander through lit up trails that bring you back without worry, a definite plus to an already fun night. Tickets are on sale now at participating retail outlets and can also be purchased at the gates.

  • Night Lights Music Festival to Hold Battle of the Bands 2016

    Night Lights Music Festival will hold a Battle of the Bands to give two bands an opportunity to perform at the sixth annual event on August, 25, 26 and 27, 2016. NYSMusic is proud to sponsor this year’s contest.

    Interested bands are asked to submit a current Electronic Press Kit including a Hi-Res live video performance, a current band photo and social media details to nightlightsfestbands@gmail.com.  All submissions must be received no later than 11:59 P.M. on Aug., 3, 2016.  Finalists will be announced on Aug., 4th. Voting will run Aug., 5th through 12th. NYSMusic.com voters will have the final word, with the band with the highest number of votes will open up the festival’s Friday Main Stage. A second artist or band will receive the Judge’s Choice Award and a slot in the festival’s line-up.

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    The Night Lights Music Festival is a magical three-day event in Sherman, NY that combines the power of sound and light to give festival-goers a unique sensory experience. At the top of the bill are the renowned fusion/electronica powerhouse Beats Antique, two-time Grammy Award winning guitarist Eric Krasno, Moon Hooch, the London Souls, Ithaca’s Jimkata, Holly Bowling, and Buffalo’s groove-rock quartet, Aqueous.

    This year’s festival will feature expanded and enhanced lighting trails and installations, and new daytime activities, such as a Kan Jam tournament, poetry readings from Just Buffalo Literary  Center, yoga, Hoop-a-Thon from UltraHoops, swimming, biking/ hiking and much more.

    For full lineup and more information on Night Lights Music Festival, visit their website.

  • Frendly Gathering 2016: Jack Mitrani Shares The Evolution

    The Frendly Gathering 2016 was an incredible 3 day adventure, that always delivers more love, compassion and new ‘frendships’ than one can imagine. Jack Mitrani & Danny Davis founders/owners of The Frendly Gathering festival, and the rest of the ‘Frends Crew‘ have had quite the journey throughout their growth with the Frendly community – fans, musicians, artists & ‘frends’.

    One thing that makes Frendly stand out far beyond any festival I have yet to attend, is the essence that remains year after year – no matter how big the festival gets, it maintains the inclusivity that it was founded upon. I got a chance to speak with Jack about his personal experience with this.

    jack mitraniChelsea Erin Wright: The Frendly Gathering 2016 has been incredible for me so far. Experiencing the evolution of Frendly since the very first one in Vermont, has been ahhh-mazing!

    Jack Mitrani: Ah yes, you’re a lucky one!

    CW: Yeah certainly, blessed. I’d love to hear a bit about how your journey manifesting your dreams to create Frendly, has transformed your life?

    JM: My life, wow…yeah. Great question. I think that over the years Frendly has just evolved and the way that it has evolved, is by so many amazing people being behind this to make it happen. It’s taught me so much…it’s taught me so much in business, in relationships, in health…the yoga, the musicians. It’s really been such a crazy lesson, and I take the lessons from what I’ve created with Frendly into my everyday life; a host in action sports, a boyfriend, and every other thing that I am outside of this, ya know? I just feel like I’m so lucky, because I never in a million years would’ve known if you asked me before I started this, if I would be an event planner or festival owner, or any of that…some of that kinda just popped up out of the ground, and has really shaped my life today.

    CW: Yeah that’s pretty incredible…it’s affected you on every level of your being.

    JM: Mhmm, literally. There’s so much you can learn from, like I was saying – the yoga, the community that this festival brings is so health conscious, Earth frendly conscious…you just get so much from it that I would never have gotten. In the action sports, snowboard world that I come from it’s definitely there, but this is like the core of real human beings.

    CW: Yeah, it is way more interconnected than any other festival I’ve attended.

    JM: Yeah exactly, on a spiritual level.

    CW: Definitely, and that’s one of the defining elements. It’s not about the typical kind of ‘party’ that you see at bigger festivals. The all inclusive vibe of Frendly is undeniable, which is one of many reasons why I have returned every year – what has been your favorite part of watching the Frendly community grow?

    JM: I can think about this and come up with one billion answers because there are so many things, but the first thing that popped in my head was year after year, it grows, it doubles in size, and no matter how many more new people come, everybody ripples with the Frendly inclusive energy. Like watching Twiddle play at the campfire, and everyone respects the band…no one trampled them for an autograph right after…it’s just great that no matter how big it’s grown, it’s still remained to the core of what it stands for.

    CW: You’ve been able to maintain the Frendly essence and it’s quite a beautiful, special energy. I’ll definitely say that where I come from there’s not a great sense of community, and this experience each year has opened my eyes up in a lot of ways.

    JM: That’s the best part about this weekend…for the Frendly crew that prepares the site beforehand, it’s like we’re building, and it’s stressful and crazy, and we’re like what are we doing?! And then all of the sudden everyone shows up, and we remember that’s why we do it – everyone’s so nice, everyone’s hugging you…we want to just embrace every single second around all of these people. I have a broken leg right now, for those of you who can’t see me, and people just come up to me and heal me…people ask if I’m okay, and what’s happened…it’s so nice, like you said, to just be surrounded by kindness everywhere you turn. I wish that the entire world was like that.

    CW: If only we could expand this to cover the Earth!

    JM: Yes if only…Vermont, I would say is very peaceful in this way. If you go to NYC and walk around on the streets you feel alone.

    CW: There has to be a pretty incredible shift, which needs to happen.

    JM: I agree, 100%…if we could bottle this up & turn this into a nuclear bomb of peace and blast it out everywhere…I was a huge John Lennon fan growing up, which is where a lot of this vision comes from, it’s is ingrained in me. I’ve always wondered why there needs to be borders and why everyone can’t be peaceful…this is like our version of it, our small little nugget of it that we get to live.

    CW: It’s a wonderful little world that you’ve created!

    JM: Thank you! That we’ve created…the team, and you for being here throughout the years…it’s all of us.

    CW: Yes! And speaking of Vermont being peaceful, this mountain is the perfect place for Frendly…what led you to Timber Ridge?

    JM: Well, we used to come to Timber Ridge when we were in highschool…a family friend owned it, so we would come here for prom and graduation parties…this was the spot, ya know? If Chris Waker was throwing a party at Timber Ridge, it was known that everyone was going to be there. So the first two Frendly gatherings we threw in California, and then we realized we should throw it in Vermont. So we called up Chris, he asked his dad and they were super excited…from that day on, it’s been the most solid connection and the ridge couldn’t be more perfect for this kind of event.

    CW: That’s wild that you’ve been coming here since you were in highschool…makes it even that much more special for you!

    JM: Yeah I know, if you only knew the memories I have from inside of this lodge from when we were kids! And I see a lot of people here from high-school, it’s kind of like a reunion. There are a lot of stories and history at Timber Ridge.

    CW: The stories that continue to be created are what make the space! Each year’s line-up has been pretty special…what inspired this years?

    JM: Every year the lineup comes from the same inspiration, which is a combination of myself and my partner Danny Davis’ vision…we’re huge music fans, so we spend the entire year looking for music. And then we have all of the facebook fans…we’ll throw out a post asking the fans who they think should headline and play the upcoming Frendly and we’ll get hundreds of comments. We go through each one and see who got the most recommendations, and we really spend time filtering through. We also have Higher Ground, a venue in Burlington that has talent booking, which suggests up and coming artists as well. It’s a year long process of making sure we’ve searched every band in the world!

    CW: It’s pretty incredible that you guys reach out to the fans & take their opinions into consideration. I’m not aware of any other festival that does that.

    JM: Yeah, of course – those are the people who are coming, and they have so many good suggestions…it’s a collaborative decision on the lineup. Our lineups are always very eclectic, and ultimately this is really about bringing people together for a good time, to shut off from technology and connect with each other, and the music is the catalyst for that experience. So we want bands from every genre, to hit every Frend. The whole point of this is because we want all of our frends to come here, to get them all in the same place…so in order to do that you have to cater to all of the frends!

    CW: It’s more about connection, which is most important! That’s just another aspect of what makes Frendly so special. What has been your favorite musical experience so far this weekend?

    JM: The Twiddle campfire set for sure…Thursday night Twiddle played around the campfire, and that was my favorite for sure. I talked to Mihali the lead singer and guitar player, and we were asking each other if it was possible…we talked about it for months. So then when it actually happened, and everyone was singing along, the feeling that we pulled it off. I think that’s the most special part about Frendly, is the unique performances that we get to put together and experience here.

    CW: There are definitely some unique ones! Like the pond sets, where people can be swimming & have the stage right there. I saw some very young kids right up in the front at the fire and was thinking wow, if I were one of those kids seeing Twiddle for the first time, at Frendly around a campfire…how incredible. And to look around, and see almost everyone singing along word for word. It was excellent!

    JM: Yes, yes! It’s so awesome! And the fact that the people respect it. Imagine if people didn’t respect that, ya know?…or like caused a riot…campfires can cause people to get wild!

    CW: A riot over Twiddle at the fire, imagine that…

    JM: Literally it could happen, our headlining band playing around a campfire…

    CW: Yeah it’s pretty incredible that we could have them there and they don’t have to be fenced in, they could be totally exposed and immerse in the experience. I’ve been seeing Twiddle since 2008, lucky for me I grew up about a half hour from where they formed in Vermont. I feel fortunate to have had the opportunities to see them play the much smaller and intimate shows around the area, including many of Mihali’s solo shows. Watching them transform over the past eight years has been so beautiful. But being able to see them play, without a fence…without a crowd pressing to be as close as possible – what a feat you pulled off! It says a lot about the energy created here, and the people that come.

    JM: Exactly! We don’t have to put a fence up, we don’t have security standing everywhere. We do have security in front of the big stage…and sometimes I just want to tell them to go home, like what are ya doing here?…ya look cool standing there with your arms crossed, but everyone’s respectful here.

    CW: Yeah exactly, it’s quite thing to know that you don’t truly need that barrier. What do you envision for the future of Frendly?

    JM: I’ve always envisioned multiple events…bottling up the same experience we have here, and trying to send it around the world to places that need it, places that need a sense of community. That would be the dream come true…doing what we do here around the world.

    CW: That would be awesome, and with how I’ve seen you manifest this into the beautiful creation that it is, I have no doubt that you’ll make that happen! Thank you for sharing your time with me, and for providing such a beautiful experience for so many people! I look forward to many more Frendly’s.

    JM: Thank you Chelsea! It was a pleasure.

    To read NYS’ review of the festival follow link: Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    Stay tuned for several other photo galleries to come, of the bands from each day.

  • In Focus: The New Mastersounds and Moon Hooch, Higher Ground

    The New Mastersounds and Moon Hooch layed out their deep and funky grooves for the crowded Burlington scene, at Higher Ground Ballroom on April 22nd. TNMS consists of Simon Allen on drums, Eddie Roberts on guitar, Pete Shand on bass and Joe Tatton on keys.

    new mastersounds moon hoochMoon Hooch opened up the night, riling up the crowd with their wild stirring of energy-their presence far exceeding any opener I’ve ever seen. Wenzl McGowen played what seemed to be a non-stop flow of contrabass clarinet, as well as baritone saxophone-along with Mike Wilbur on tenor saxophone and clarinet-dueling at points, as they are known to do. James Muschler on drums, maintained a strong presence throughout the entire show, steadily anchoring the rhythm. At one point he made his way to the corner of the drum-kit stage, to sit and play a very special and beautiful set of bongos. Just when no one was expecting it, Wilbur began belting out lyrics that were enough to shake the ground-the sentiments were shedding light on the truth of current political and environmental issues.

    They took over the stage, by the end leaving the crowd wondering if they were the main act. These guys have been building momentum for some time now, and seem to be focusing their energy towards a conscious revolution through their music. Not only do they put on a show that will leave you wanting for more, but they also share their philosophical beliefs, as well as sustainable cooking advice (“Cooking in the Cave”, see their website). If you haven’t experienced Moon Hooch yet, they are one that you absolutely do not want to miss if you get the chance-it’s sure to be a unique and mind-opening experience. In reference to their sound:

    Listening to this music, it’s easy to become emotionally invested….the emotional impact on both the musicians and their fans is visceral and undeniable.” –www.moonhooch.com

    Once Moon Hooch finished the transition of the atmosphere from their incredible performance, to the anticipation of The New Mastersounds taking the stage, was quite clear. The energy was so strong, I could feel it pulsating in the air.

    Starting off on a high note, these four kept the crowds energy rising with their sound, forming a wave of dancing fans from the beginning of the show until the close of the evening. They played with ease, collectively moving in and out from one soulful tune to the next. The vibe they created was effortlessly smooth, funky and rhythmic. Halfway through, Shand dropped a bass-line with a reggae feel to it, with Roberts following it to transform it into a funky flow, transitioning back and forth. It was at this point that Allen really started wailing on his drums, in turn pushing Tatton to speed it up-to then slow it back down to the rock-steady feel. Through this weaving of complex movement, it was obvious to see that these guys have a chemistry that reverberates through their entire composition as a group.

    You’ll find them playing shows all over the U.S. this year-from the south, to the west coast, and as far as Japan. They’ll be making a few stops in N.Y. towards the close of May and the early part of June, and popping up at well known festivals this coming summer such as Summer Camp Music Festival: Chillicothe, IL, Mountain Jam 2016: Hunter Mountain, NY, and Electric Forest: Rothbury, MI, just to name a few.

    A little tidbit about their style:

    From their inception nearly two decades ago in Leeds, UK, The New Mastersounds have wholeheartedly embraced the “old school” label—their sound rooted deeply in those classic soul jazz, boogaloo and funk albums on labels such as Blue Note and Prestige by artists like Wes Montgomery, Jimmy Smith, Jimmy McGriff and Lou Donaldson. The New Mastersounds’ latest LP, The Nashville Session, takes that devotion one step further by recording in the same tradition that many of those rare groove gems were made

    The New Mastersounds are at the very top of an elite selection of acts that bring the true soul out of funk.” www.newmastersounds.com

    The pairing of The New Mastersounds and Moon Hooch was genius-two incredible groups, bringing distinctly different, yet equally enticing and skillful performances to the table.

  • The New Mastersounds Return to Brooklyn Bowl

    The New Mastersounds’ extensive U.S. tour is under way with the first of three concerts at the Brooklyn Bowl on Thursday, coming after a quick appearance at Wannee Festival. Opening a three-night residency on a Thursday gave fans a unique opportunity to see a band deliver a compelling show to a small weeknight crowd while also gearing up for the rest of a big weekend. The jazz-funk quartet from Leeds, UK, was supported by Brooklyn’s own Moon Hooch.tkenna_newmastersounds_bkbowl_35

    Moon Hooch put on an opening performance that was brimming with creativity and authenticity. Their music is a sort of new wave-influenced EDM brought to life with an arsenal of carefully selected acoustic and electronic instruments. The HN3A8280compositions are rooted in tight dance rhythms precisely metered out by drummer James Muschler. Mike Wilbur’s saxophone melodies typically take the lead while Wenzl McGowen produces womping bass lines using anything from a contrabass clarinet to a baritone sax to a woodwind MIDI controller. Song arrangements did vary in surprising ways, though, such as when
    Muschler sat down on the floor of the stage to provide some excellent tabla playing or when Wilbur delivered a dope rap verse. All three members of the trio proved themselves to be versatile and cleverly skilled. Moon Hooch’s set had a spiritual undertone throughout, made explicit at times by slowed down samples of Alan Watts and McGowen’s closing remarks about imaginal cells, which turn caterpillars into butterflies.

    The New Mastersounds kicked off their set with characteristic pep and never slowed down for a second. Their brand of bouncy, uptempo jazz riffing was infectious and immutable. Drummer Simon Allen propelled the band with giddy enthusiasm. Bassist Pete Shand was an endless fountain of rhythmic momentum and complex harmony. Some of the most ebullient soloing came from keyboardist Joe Tatton’s organ. Guitarist and bandleader Eddie Roberts defined the character of each tune with a steady cascade of jazz-funk techniques. The set consisted pretty much entirely of cheery, major key groovers. Whatever it may have lacked in emotional range, it more than made up for in intensity. The buzz that the band created was one of pure joy and vigor. Even as the Thursday night crowd began to thin towards the end of the performance, the remaining audience was huddled in front of the stage, soaking in every moment of what came to feel like a very intimate musical experience. The band seemed to be projecting a humble appreciation for the setting and to be gearing up for the remaining shows on Friday and Saturday. These weekend shows are likely to see larger turnout and even more fiery performances from The New Mastersounds.