Tag: metal

  • Of Mice and Men Band Members Respond to the Departure of Carlile

    News had spread that frontman for Of Mice and Men, Austin Carlile, has stepped down from the band that he helped start up in Orange County, California back in 2009 due to his ongoing battle with Marfan syndrome. Marfan syndrome is a genetic disorder that affects the connective tissue in the body, making Carlile vulnerable to illness at a moments notice.  Carlile stated that the disease, is now making it hard for him to scream, and could suffer permanent damage.

    of mice and men carlileCarlile stated that he will continue to write music as he heals and rests in Costa Rica, where he now resides, and that the band would not seek a replacement, and continue as a quartet.

    Hours after Carlile explained in a lengthy post on social media to fans about the reasons of his departure from Of Mice & Men, his bandmates, released this statement on social media:

    Dear Of Mice & Men Fans,
    It’s with heavy hearts that we announce Austin’s departure from the band for reasons pertaining to his health. As many of you are aware, Austin suffers from a rare connective tissue disorder called Marfan syndrome & has been struggling with the physical demands of touring since the band began.

    After his most recent series of surgeries at Stanford University Hospital, following the cancellation of our European headlining tour, his team of doctors informed him of the damage that performing, & more specifically his aggressive vocals, have been causing his body. They warned that if he were to continue on doing so, it would cause permanent & irrevocable damage to his spine & nervous system.

    Following the advice from his team of specialists, Austin decided it best that he step away from the band & change his lifestyle to better his health. Though we’re heartbroken that he can no longer continue, his health has always been of utmost importance to us & we support him now in this decision & are proud of his perseverance over the years.

    We’ve had an amazing & unforgettable past few years making music & touring the world together & the 4 of us look forward to sharing the next chapter of the band’s story with you. All previously announced shows will proceed as planned & we thank you for your continued love & support. We couldn’t do this without all of you! See you real soon.

    -Aaron, Alan, Phil & Valentino

    Carlile’s full Twitter statement can be read below. He touches all the grateful experiences he has had throughout his career, to the reason why he must step away from singing, and what the future holds.

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  • Avenged Sevenfold Surprises Fans with New Album Drop, Pop-Up Shows

    With the holiday season rapidly approaching, Avenged Sevenfold has decided to play Santa Claus, and give A7X fans an early Christmas present in the form of the band’s new seventh studio album The Stage. The music world was going crazy after the band’s virtual performance on top of the Capital Records building in Los Angeles on Oct. 27.

    An announcement that the band was working on a new CD would have been great news, but with all the hints that A7X has been showing the past couple of weeks, fans had a feeling something huge was around the corner.

    Others in the music business have released an album in this fashion before, but only through a digital media source. Avenged Sevenfold fans can head right out and pick up a physical copy of The Stage at any record store.

    Since the announcement, Sirius/XM Octane has been playing tracks off the new album with intro’s by A7X frontman M. Shadows. Shadows recently had an interview with Sirius/Xm’s rock and metal DJ Jose Mangin, to talk about how the release came about.

    Mangin showed some love to A7X for breaking the mold for an album release. He asked Shadows the reason why the band decided to go this route to release the new album:

    There’s a million reasons, but I guess the most prominent reason would be just the lack of, you know, originality in the way people are releasing records these days. The internet is so quick, things happen instantly. When your parents have iPhones, and they know everything that’s going on, you know everyone is connected and you can do something like this and the word is gonna get out there. A lot of it has to do with our boredom of having to go through three to four singles before you get to the record release, and then three months later it’s finally out, and all the excitement is gone. We just wanted to give the fans the cherry on top right off the bat and just say, here it is. You thought that we were messing around for a year, but we’ve been working.

    A lot of bands, you’re hearing what people are saying. You know their reviewing this, you’re hearing the vibe of the record before you even get to hear the music and that’s just wrong to me. Like I want people to make their own decision. Listen to the music and figure it out for yourself instead of being fed the press release. Like, this is what its going to sound like and it’s our favorite most melodic heaviest thing ever. It’s just so boring at this point.

    After Mangin plugged all the ways on media you can hear the album, he wanted to confirm that fans could purchase a physical copy immediately from retailers. Shadows replied:

    Well that’s the craziest thing, Props to Capitol Records for being able to pull that off. This is the first surprise release that actually has a  physical release with it. You know when you talk about Radiohead or Kanye (West) or Beyoncé, it was all digital, but we’ve been able to sneak records into the stores. So you can go anywhere and pick it up now.

    After joking with Shadows about hiding the new album with a fake cover or labels, Shadows confessed, “We definitely had some fake labels going around, and we also had (Chris) Jericho’s fake album title.”

    A7X set up pop up shops in New York and Los Angeles over the Halloween weekend to celebrate the release and for fans to get their hands on some A7X merch.

    The Stage Tracklist:

    01. The Stage
    02. Paradigm
    03. Sunny Disposition
    04. God Damn
    05. Creating God
    06. Angels
    07. Simulation
    08. Higher
    09. Roman Sky
    10. Fermi Paradox
    11. Exist

  • Reznor Responds to Questions of NIN Returning in 2016

    Ever wonder what happened to that Nine Inch Nails‘ return that Trent Reznor spoke about around last holiday season? Reznor sent out a tweet around the Christmas holiday in 2015 and stated that Nine Inch Nails’ would return in 2016.

    Well with 2016 rapidly coming to an end, the only thing NIN fans have heard from Reznor were a couple movie announcements he will take part in. Reznor will be apart of Leonardo DiCaprio’s documentary about climate change titled Between The Flood, and Peter Berg’s motion picture about the 2013 Boston Marathon bombings titled Patriot’s Day, which stars Mark Wahlberg.

    NIN 2016With less than three months left on the calendar year, COS reports that Reznor recently posted a photo to Instagram of him and some crew members from the movie Between The Flood. This prompted fans to comment and ask the front man, what’s the deal with NIN returning in 2016 like he said – Reznor responded with “2016 is not over yet!”

    Reznor over the summer registered a song titled “Dive and Slam,” on ASCAP’s Repertory and attributed the song to Nine Inch Nails’. The track originally had a September 16 release date, but that info was disputed by Reznor and has yet to be released. Reznor is the only original member of the band, and serves as the band’s main singer, songwriter, producer and instrumentalist. Once Reznor records a new album, he then sets out to assemble a band to play live on tour with him.

    Nine Inch Nails’ has released nine studio albums. The band’s most current album Hesitation Marks, was released in 2013. NIN has sold over 10 million albums in the United States and over 20 million worldwide.

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 3

    Day 3 of Riot Fest 2016 has arrived and it is the day I have been waiting for since I was twelve years old. The original Misfits lineup will be taking the stage and performing together for the first time since 1983.

    Santa Cruz punk band the Swinging Utters kicked off the third day of Riotfest. Led by frontman Johnny “Peebucks” Bonnel, the band led off with their classic hit “The Librarians are Hiding Something.” The crowd took over the singing duties during “No Eager Men” as Johnny jumped wildly around the stage. After a very spirited and entertaining set the band expressed their thanks and bid the crowd farewell.

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    Of course I have to mention the frontman for Twisted Sister, Dee Snider. Snider is currently touring in support of his solo album, We Are the Ones, scheduled to be released in October. Snider has acknowledged that the album is a new direction for him and he hopes fans like it and will continue to show their support. Snider gave the crowd a little taste of what he meant by “new direction” when he performed his version of the Nine Inch Nails hit “Head Like a Hole.” He performed a nice mix of his new music and of course Twisted Sister classics like “I Wanna Rock” and “We’re Not Gonna Take It.” It was truly a memorable performance by the rock legend. I was very fortunate to have been able to sit down with Dee Snider later that day and chat about his new music project.

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    There were so many memorable performances that it is tough to sum it all up. Bad Religion was amazing. Punk band Leftover Crack really got the audience revved up. Tiger Army brought their blend of punk and rockabilly to the festival, not to mention they were the best dressed band of the weekend. Me First and the Gimme Gimmes performed their unique versions of cover songs such as “Jolene” and my personal favorite “Over the Rainbow.” Earlier that day, I had the privilege of sitting down with Me First and the Gimme Gimme’s lead singer, Spike, to chat about Riotfest and the bands that he was looking forward to checking out.

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    The day kept getting better and better. The master of modern horror heavy metal, Rob Zombie, took the stage and performed the White Zombie classic album Astrocreep 2000 in its’ entirety. I have seen Rob Zombie live multiple times and had only heard him perform select tracks such as “More Human Than Human.” But getting to hear the entire album was awesome! Zombie’s current band consisting of John 5, Piggy D (Matt Montgomery) and Ginger Fish brought the album to a new level of intensity and depth.

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    Now, after 2 days and too many bands to count , it leads me to the one musical moment I have waited for since I was 12 years old… the Original Misfits were about to take the stage to close out Riot Fest 2016 in Chicago!

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    Looking around all you can see is an ocean of people jam packed into Douglas Park waiting to witness the music history that was about to unfold. The stage lights go down and the smoke rolls out over the stage and you could feel the anticipation building. Suddenly the curtain drops revealing two enormous pumpkins (from the Halloween 7” cover) on each end of the stage complete with eerie glowing eyes, and a wall of crimson ghost amps in the background. The crowd gets revved and then explodes into a massive mosh pit as Glenn, Jerry and Doyle lead right off with “Death Comes Ripping” the perfect song to set the tone for their set. They didn’t waste any time belting out classics like “20 Eyes,” “I Turned Into A Martian” and “Where Eagles Dare.” Backing up the original trio was the incredible and heavy hitting Dave Lombardo (formerly of Slayer) on drums and Acey Slade (Dope) on guitar.  Both were excellent choices! Glenn took time between songs to tell stories about how he and Jerry formed the band back in 78. At one point Glenn paused and asked the audience if they liked pumpkins. Glenn and company played a lengthy set list of 26 songs from the bands 38 year history. They even played the first song Glenn and Jerry ever wrote and performed together “She” during their encore.

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    For me, this was the band that I had listened to since I was a kid. I collect their records, posters and memorabilia. I never thought I would witness an original lineup reunion in my lifetime and I have to say that I was completely floored by their performance. It was everything I expected and more, not-stop, high energy punk, massive mosh pits and bodies crowd surfing everywhere. My dreams come true!

    Set list:

    1. Death Comes Ripping
    2. 20 Eyes
    3. I Turned Into a Martian
    4. Mommy, Can I Go Out and Kill Tonight?
    5. Vampira
    6. All Hell Breaks Loose
    7. Hybrid Moments
    8. Teenagers From Mars
    9. London Dungeon
    10. Earth A.D.
    11. Green Hell
    12. Devilock
    13. Horror Business
    14. We Are 138
    15. Hollywood Babylon
    16. Who Killed Marilyn
    17. Halloween
    18. Die, Die My Darling
    19. Astro Zombies
    20. Skulls
    21. Last Caress

    Encore:

    1. Bullet
    2. Night of the Living Dead
    3. She
    4. Attitude

    As the final notes rang out and the crowd starting to clear this first trip to Riot fest and to Chicago will definitely be one I won’t forget!

    Please enjoy the photos and interviews below from a killer final day at Riot Fest 2016!

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 2

    Punk veterans, The Vandals, kicked off day two of Riot Fest 2016 with some good old fashioned fast paced punk rock tunes. They whipped the audience into a beer throwing, pogo jumping frenzy. This was my first time seeing The Vandals and I am hoping I get the opportunity to catch them again at some point.

    Other notables included the UK band The Hives, who despite a late start to their set, belted out hit after crowd pleasing hit. Alternative punk pop band Motion City Soundtrack took the stage to perform their second to last show. In March of 2016 the band announced that they were calling it quits for now and didn’t know what the future had in store for them. They invited their fans to come out to a show and sing along with them one last time.

    It would be criminal not mention another icon who played an intense and incredible set, former Husker Du guitarist, Bob Mould! I was blown away by the passion and ferocity of his performance! At 55 he can easily shred and tear up the stage with the best of them! I was humbled to finally get the chance to see him perform.

    Day two of Riot Fest 2016 ended with some of my personal favorites. What can top the Descendents and Social Distortion playing live?  I have been fortunate enough to see both bands in the past and just like before, the Descendents were absolutely incredible live. Milo and the gang came out swinging hard and didn’t let up for the entire hour that they played. They tore through classic favorites like “Everything Sux,” “Rotting Out,” and “I Like Food” as well as some new songs. After an unforgettable 29 song set, the massive crowd was screaming for more. 

    I love Social Distortion and my favorite Social D album is White Light, White Heat, White Trash so you can imagine how thrilled I was when I found out that they would be performing the album in its’ entirety at Riotfest to celebrate its’ 20th anniversary. Normally, I don’t get star struck when I am shooting bands but being in the photo pit when Mike Ness and the band took the stage and started playing “Dear Lover” left me awestruck with my jaw on the floor. It was definitely surreal. They ended their set with Johnny Cash’s immortal classic “Ring of Fire” which had the audience screaming so loudly it drowned out Morrissey who was playing on the other stage at the time. Thank you Social Distortion for performing my favorite album.

    Earlier in the day I sat down with singer, songwriter Donna Missal. Even though I had missed her performance that morning, we had fun chatting about music and riot fest.

    Day 2 was amazing. Please enjoy the photos and interviews below.

  • Gwar Declares the Next President

    The night was beautiful, so beautiful in fact that the only thing that could make it better was blood covered concert goers. That is what was going to happen in downtown Buffalo and Town Ballroom in the heart of the theatre district.  People were wrapped around the building waiting to get in. You know who the veterans are in regards to going to Gwar concerts; they are the ones dressed in white or any lighter color they didn’t mind trashing.

    Hardcore metal band Mutoid Man was first to hit the stage, and that they did with vulgar sexual references; everything from penis to boob jokes. Guitarist Steve Brodsky and bassist Nick Cageao poured huge, unrelenting riffs out of their amplifiers, while Ben Koller drove songs with his innovative style of drumming. The thing that stood out most about Mutoid Man was they were having fun playing on stage and you saw it in each of them based solely off expression.

    GWARCrowbar is a sludge metal band from New Orleans known as “some dudes” and have been in the music scene for nearly 30 years now. Windstein interacted brilliantly with the crowd and kept everyone engaged in between songs as Crowbar tuned their instruments. Spitting like a cowboy who thinks he’s still in the saloon, Windstein rumbles and roars into pit-starter “Conquering,” and so the riffs start falling. Frontman Kirk Windstein, metal legend that he is, still sets up his own gear from scratch, tunes guitars himself, and distributes set lists to the band. This shows the humbleness he has a reputation for.

    Then as the lights lowered and the elaborate stage was set up by a crew of about 10 workers, people got as close as they could to the front of the stage. This is where my previous statement about being a beautiful night for concert goers comes into play. What`s the indication of Gwar coming on stage? When the music stops you know that’s when things are about to get messy.

    GWARThe screen they bring on stage lit up and showed an unflattering picture of Donald Trump and Hillary Clinton. First to the stage was ring announcer Sleazy P. Martini, who talked about what was going to unfold this evening – 3 separate wrestling matches and one of them would be Trump vs. Hillary. The fight between the two led to Hillary as the triumphant winner. She ripped his face off then took out his intestines and pointed his blood splattering chest towards the crowd, soaking several rows of patrons. As Hillary was celebrating her win, Blothar came up and ripped off her breasts and spewed even more blood onto the crowd ranging almost to the back of the venue in distance.

    Viciously some aliens from another planet came in and fought Blother and Bone Snapper, stealing the title! Musically this group of guys are very talented in their respected instruments; Brent Purgason (Pustulus Maximus) shreds a mean guitar, and Gwar front-man Blothar has appeared on Ted Talks and is quite intelligent. The cult following they have is undeniable. Dave Brockie (Oderus Urungus) was the front man prior and that’s what most people knew Gwar as, granted it will never be the same but Blothar is a great replacement.

    Back to the wrestling match, the intruder aliens came back to fight the final fight and this time Bone Snapper and Blothar were victorious! They won the title and Blothar announced to the crows that he was best suited to be the president of the United States. Fans cheered like they were at a rally and with the election candidates we have now, I think our best bet for a better future is Blothar for president!

    GWAR

  • 2016 Vans Warped Tour NYS Fairgrounds Syracuse

    The 2016 Vans Warped Tour made its first appearance in Syracuse at the New York State Fairgrounds on Thursday July 7. Despite the extreme heat, the punk rock music festival drew a large crowd. The fairgrounds was an ideal setting for the expansive set up that included seven  stages, vendors, local food trucks, an adult size slip and slide and the  air conditioned “chill out” truck that offered fans free energy drinks and some relief from the burning heat of the sun.
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    Warped Tour is celebrating its 22nd birthday this year and the impressive lineup included Warped Tour veterans Less Than Jake, Yellowcard, New Found Glory and Sum 41. The lineup also included popular metal acts Motionless in White, White Chapel and Every Time I Die. There were also a few Upstate New York bands, including Syracuse’s own One Last Shot and State Champs from Albany.
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    The Vans Warped Tour offered a perfect blend of veteran acts, rising stars, local favorites, punk rock and metal. The mix of offerings attracted a broad spectrum of fans of all ages and music preferences making for a one of a kind experience.
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    Check out the photo gallery for captured moments and memories from the day.
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  • Cradle of Filth Unleashes ‘Inquisitional Torture Tour’ On Cleveland

    Not since 2011, have the states been graced by one of the most renown British metal bands, Cradle of Filth. The North American Inquisitional Torture Tour was meant to kick off in Philadelphia, PA on January 26, but the first four dates were cancelled due to visa issues. The tour kicked off on January 31 in Charlotte, NC and wrapped up in New York, NY on March 8 before heading back overseas.

    Joining Cradle of Filth on this tour were Los Angeles natives, Butcher Babies and the Australian Progressive Death Metal band, Ne Obliviscaris, who were embarking on their first US tour.

    Cradle of FilthOn March 3rd, the House of Blues in Cleveland, Ohio fell under siege to the trio of metal bands. A long line of Cradle of Filth fans outside the venue, braving the elements eagerly waiting for the show. Some with their faces painted and donning wildly colored contacts similar to those of Cradle’s vocalist, Dani Filth.

    The night started off with Ne Obliviscaris, who immediately won the crowd over. From the powerful screams and growling vocals of Xenoyr to the clean vocals and symphonic cries of the violin by Tim Charles along with guitarists Benjamin Baret and Matt Klavins, bassist Brendan Brown and drummer Daniel Presland, this band knew how to leave you wanting more.  Their 2015 EPs Sarabande to Nihil and Hiraeth are worth checking out.

    Cradle of FilthIt’s always refreshing to see women, dominating the stage in the metal world and that’s just what the Butcher Babies did. With their their aggressive stage attire and vocals, the band’s frontwomen Heidi Shepherd and Carla Harvey kept the crowd screaming. Backed by Henry Flury on guitar, Jason Klein on Bass and Chrissy Warner on drums, the band played songs from their 2015 album, “Take It Like A Man.”

    Setlist: National Bloody Anthem, Blonde Girls All Look the Same, The Butcher, Gravemaker, Igniter, Jesus Needs More Babies for His War Machine, Monster’s Ball, Magnolia Blvd., The Deathsurround, Goliath, I Smell a Massacre and Axe Wound.

    Cradle of Filth’s long awaited US Tour brought fans flocking from out of state to Cleveland’s House of Blues. The band serenaded the crowd with favorites from albums past in addition to songs from their new album Hammer Of The Witches, the album cover which also made for the background for the stage. Frontman Dani’s entered the stage in spiked attire, a painted face and ghoulish contact lenses, later adding of a crown of horns. With their sometimes dark and provocatively poetic lyrics, symphonic musical style and macabre imagery  a Cradle of Filth performance is always a glorious spectacle. With the unique vocals of Dani Filth in addition to the vocal power of keyboardist, Lindsay Schoolcraft along with Martin ‘Marthus’ Skaroupka on drums, guitarists Richard Shaw and Marek ‘Ashok’ Šmerda, bassist Daniel Firth, Cradle of Filth never fails to deliver and outstanding performance.

    Setlist: Humana Inspired to Nightmare (Intro), Heaven Torn Asunder, Gilded Cunt, Blackest Magick in Practice, Lord Abortion, The Graveyard by Moonlight, Malice Through the Looking Glass, Right Wing of the Garden Triptych, Born in a Burial Gown, Cruelty Brought Thee Orchids, Nymphetamine (Fix), Her Ghost in the Fog, The Twisted Nails of Faith, Yours Immortally, From the Cradle to Enslave, At the Gates of Midian, Cthulhu Dawn, The Principle of Evil Made Flesh and The Forest Whispers My Name.

  • Choose Your Own Genre: Ether Band at Brooklyn Bowl

    Way back when on Friday February 5, Ether Band took their fans and the patrons of Brooklyn Bowl on an improvised auditory journey like no other. This experience is extremely unique as the audience is invited to aid in the style of music the band plays by choosing the key and genre before each performance. That means that every song or jam is very particular and a surprise for all in attendance. tmckenna_ether_bkbowl_14

    There was a very special guest present as famed trombonist Natalie Cressman joined the band for their improvisational expedition as the night ranged from “EDM in D” to “Nola Funk in F#,” “Williamsburg Chainsaw Massacre in F” and even some “Light Metal in D.” No matter what Ether Band played they exuded massive amounts of precision musicianship and talent; it’s as if they were reading each other’s minds during the performance. Every genre displayed someone’s chops in full swing and had the crowd moving non-stop.

    As a fan of live, improvisational music I realized that it is an absolute treat to witness an Ether Band performance; the audience CHOOSES what the band plays which ensures that no show is the same, the band is comprised of incredibly talented musicians that continuously find each other’s grooves, and lastly, there are amazing guest musicians that join in on the fun. If you’re able to see them live I implore you to do so, it’s certainly an adventure.

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  • Cannibal Corpse Thrashes Through North America, Vinyl Reissue

    This week death metal legends Cannibal Corpse kicked off a quick run through the United States, including stops in New York City and their hometown of Buffalo, before they’ll head off to Europe in April.

    Joining the group as supporting acts this tour will be fellow Floridians Obituary, as well as Cryptopsy and Abysmal Dawn.

    Cannibal Corpse is still touring in support of 2014’s A Skeletal Domain; however, in conjunction with the tour, the classic releases Butchered At Birth, Eaten Back To Life, The Bleeding, Vile and Tomb Of The Mutilated are to be commemorated on vinyl. Limited quantities are available as part of the Metal Blade Classics series. Each LP includes an exclusive poster.

    Tampa death metal vets Obituary will join the headliners throughout the full United States tour. The band’s last release was 2014’s Inked in Blood, which in his review for NYS Music, Jay Saint G noted that, “overall, fantastic album that really takes the listener back into the nasty swamps of Tampa and showcases what true death metal is all about.” Most recently, 3 Floyds Brewing co-created a session pilsner with the band called Hopped in Half. (3 Floyds crafted Amber Smashed Face with Cannibal Corpse last year.) Crytopsy, an extreme metal band from Montreal, released a series of EPs entitled The Book of Suffering October 2015, and Los Angeles-based black metal group Abysmal Dawn debuted their fourth studio album Obsolescence in 2014.

    Presented by the Noise, the 33-date tour got started last night in Atlanta and will cap off at Revolution Live in Ft. Lauderdale, Florida, on March 20. The five-piece band originally from Buffalo makes two stops in New York State, including a hometown gig at the Town Ballroom on Feb. 19 after performing at New York City’s Irving Plaza on Feb. 16. Tickets for the Cannibal Corpse 2016 U.S. spring tour can be purchased through the band’s website.

    2016 Tour Cannibal Corpse w/Obituary, Cryptopsy, Abysmal Dawn:
    2/13 The Sea – Wilmington, NC
    2/14 Baltimore Soundstage – Baltimore, MD
    2/15 Theatre Of Living Arts – Philadelphia, PA
    2/16 Irving Plaza – New York, NY
    2/18 Paradise Rock Club – Boston, MA
    2/19 Town Ballroom – Buffalo, NY
    2/20 Opera House – Toronto, ON
    2/21 St. Andrews Hall – Detroit, MI
    2/23 Turner Hall Ballroom – Milwaukee, WI
    2/24 The Ready Room – St. Louis, MO
    2/25 The Granada Theater – Lawrence, KS
    2/26 Cabooze – Minneapolis, MN
    2/27 Metro – Chicago, IL
    2/29 The Summit Music Hall – Denver, CO
    3/1 The Complex – Salt Lake City, UT
    3/2 Revolution Center – Boise, ID
    3/3 Hawthorne Theater – Portland, OR
    3/4 Commodore Ballroom – Vancouver, BC
    3/5 El Corazon – Seattle, WA
    3/7 The Fillmore – San Francisco, CA
    3/8 Avalon Hollywood – Los Angeles, CA
    3/9 The Observatory – Santa Ana, CA
    3/10 House Of Blues – San Diego, CA
    3/11 Club Red – Phoenix, AZ
    3/12 Sunshine Theater – Albuquerque, NM
    3/14 The Aztec Theatre – San Antonio, TX
    3/15 Gas Monkey Live! – Dallas, TX
    3/16 House Of Blues – Houston, TX
    3/17 Varsity Theatre – Baton Rouge, LA
    3/18 The Side Bar Theatre – Tallahassee, FL
    3/19 The Ritz Ybor – Tampa, FL *no Obituary
    3/20 Revolution Live – Ft. Lauderdale, FL