Tag: live music

  • Foreigner Turns Heads at Turning Stone

    No Lou, no Mick … No Foreigner? NO WAY! Despite the fact that original Foreigner founding member and guitarist Mick Jones was not on stage last Tuesday, July 26, at the Turning Stone Event Center was not indicative of Foreigner’s inability to turn heads, wow the audience and put on a huge rock show at its sold out shows wherever it is on tour.

    The band performs all the classic and top Foreigner hits flawlessly, never missing a beat, a lick or even a second of doubt. The seasoned band, most who have been with this current version of Foreigner for the greater part of the last decade play the music as it was most likely heard in 1983. Close your eyes and you would swear this is the original Foreigner. For all intents and purposes, it really is Foreigner with Jones still performing when he is able. Jones, who has been hit or miss as of late due to speculated health issues was surely missed at the Turning Stone show, however the band which he cherry picked to become the new generation of Foreigner, picks up in his absence in superb form. Especially Bruce Watson, who is handling Jones amazing and timeless guitar work on all the Foreigner classics from “Hot Blooded” to “Feel’s Like the First Time,” “Dirty White Boy” and more.

    Foreigner, one of the world’s best selling bands of all time with worldwide sales exceeding 80 million records, formed in New York City in 1976 by veteran English musician Mick Jones and American vocalist Lou Gramm. The band’s debut album, Foreigner was released in 1977 and featured the mega-hits “Cold as Ice,” “Feel’s Like the First Time” and “Long, Long Way From Home.” This year marks the 40th anniversary of Foreigner and the band has currently been promoting the iconic success of the band with Foreigner40 merchandise from t-shirts to guitar picks and highlighting the milestone at every show. Jones has recently discussed, in a 2016 interview, a possible 40th anniversary reunion tour, featuring the Head Games era lineup. If a 40th Anniversary reunion tour becomes a reality and, “… hopefully feasible and possible to pull it off next year,” as Jones relates, It may include a line-up of original members including Lou Gramm, Ian McDonald, Al Greenwood, Dennis Elliot and Rick Wills.

    At just a little after 8:00 p.m. with the Turning Stone Casino Event Center totally blacked out, the pre-show recorded music stopped and gave way to Foreigner’s dramatic opening score as drummer Chris Frazier entered stage left and greeted the exuberant crowd with a wave of his sticks before sitting on his drum throne. At the same time, entering from stage right was Foreigner’s multi-talented keyboardist Michael Bluestein who also gave the crowd a well received greeting gesture before settling down behind his rig. As the opening score continued to build, the other members of Foreigner walked on stage including Jeff Pilson, Bruce Watson and Thom Gimbel. Then in an instant the house lights went up illuminating the band as lead singer Kelly Hansen ran out on stage and the band immediately broke into their first number, “Double Vision”. The large crowd at Turning Stone was now on their feet screaming and singing along and did not have time to catch their breath before Foreigner went right into their second song, “Head Games”. At 55 years of age, Hansen shows know signs of getting too old to rock as he has the stage energy and moves that keeps the fans engaged and entertained at the same time. Hansen performs and sings all the classic Foreigner songs effortlessly, all while running, jumping, leg kicks and mike stand twirling like a twenty something year old warped tour rocker. He shows know signs of letting up and seems to perform each show like it was his first.

    Foreigner continued throughout the night with Hansen engaging in the crowd to interact and engaged with the band and each other. Next on the set the multi-talented Thom Gimbel, who plays guitar, sax, flute, and backing vocals, moved in place behind a diamond plated piano case as Hanson reminded the crowd of this next song being heard “Maybe in their late twenties” and chuckled as he introduced one of the top hits of the 1977 album, “Cold As Ice.” As expected, as soon as Gimbel hit those unmistakable first notes of the hit song, the crowd at Turning Stone went absolutely wild. There was no letting up from the hit parade as Hansen talked briefly to the crowd telling them to grab their partner, lover or just find someone in the crowd to hold on to as he announced Foreigner’s 1981 mega-hit power ballad “Waiting for a Girl Like You” featuring the talented Bluestein on keys. Despite this being the digital cell phone era, there were actually a few old school lighters in the air for this one.

    Foreigner had the audience highly engaged and up on their feet for the entire set. Kelly Hansen urged the crowd to move up to the front of the stage where there was no barricade. It was elbow to elbow in front of the stage and Hansen, the energetic crowd pleaser made the fans feel a part of the show by high fiving them, running out into the crowd during “Head Games” interacting with fans as he circled the floor before jumping back up on stage. In fact, all band members were certainly into the performance and not lacking for energy. One highlight of the show was an acoustic version of “Say You Will”. Hansen shared this was the idea of bassist Jeff Pilson who arranged the song acoustically which ultimately led to their successful unplugged album Acoustique: The Classics Unplugged. Again, with much reverence for the Foreigner classics, Hansen announced the next song in their set, the mega 1977 hit that launched Foreigner into the big-time “Feels Like the First Time”. And again, as expected the crowd was enthralled in the moment, with most of them bodies deep in front of the stage waving and extending their hands in the air hoping to grab a high five or catch a guitar pick from one of the band members.

    The hits kept coming all night including “Urgent” from the 1981 number one album Foreigner 4, Then Bluestein and Frazier got the already pumped crowd even more riled up with an amazing keyboard/synth solo followed by a killer Chris Frazier drum solo. At times Frazier would take a drink from his bottled water then dump the rest on his floor tom and thrash it while the water lit by an underneath spot illuminated the splashing liquid. “Juke Box Hero” and “Long, Long Way from Home” followed.

    The kids backstage could probably barely contain their excitement and anticipation to join Foreigner onstage next to perform their number one and biggest hit to date, “I Want to Know What Love Is” from 1984’s Agent Provocateur album. One by one the students from the Vernon-Verona-Sherrill Central School Choir made its way to the riser between keyboardist, Bluestein and drummer, Frazier as the intro to the number one song began. Foreigner has been inviting local high school and singing groups onstage to accompany them with this song for the last several years and it never gets old. This gesture continues to remain a very noble and gracious act on the band’s part. It is humbling to witness and very entertaining.

    Foreigner completed its summer 2016 tour at the end of July. The band then departs for a European tour the first two weeks of August before returning to the states to finish up its regular show. A much anticipated acoustic tour begins in the fall of 2016 beginning in October running through the end of November 2016. Whether you’re an old fan or a newcomer to Foreigner, the band is timeless and the current line-up features hand picked top notch musicians that perform all the Foreigner hits with flawless sound, energy, and passion check out the upcoming tour dates, news and more at their website.

    Foreigner’s Current Line-up:
    Mick Jones – Founding Member, Guitarist
    Kelly Hansen – Lead Vocals
    Bruce Watson – Guitar
    Thom Gimbel – Guitar, Sax, Flute, Keys
    Jeff Pilson – Bass Guitar
    Michael Bluestein – Keys
    Chris Frazier – Drums

    Set List:
    1. Double Vision
    2. Head Games
    3. Cold As Ice
    4. Waiting for a Girl Like You
    5. Dirty White Boy
    6. Say You Will
    7. Feels Like The First Time
    8. Urgent
    9. Keyboard Solo
    10. Drum Solo
    11. Juke Box Hero
    12. Long Long Way From Home
    13. I Want to Know What Love Is (w/VVS School Choir)
    14. Hot Blooded

  • Hinder Brings its Stripped-Down Acoustic Show to Binghamton

    Hinder, best known for their hits “Get Stoned,” “Lips of an Angel,” “Better than Me,” “How Long,” “I Don’t Wanna Know,” and many others brought their acoustic set to Magic City Music Hall in Binghamton, NY, on June 7 in support of their new six-song acoustic EP titled Stripped. Stripped was released on May 13 via the End Records and includes the songs “Not An Addict,” “Intoxicated,” “Wasted Life,” Hit The Ground,” “If Only For Tonight” and “Get Stoned.” This is the band’s first strictly acoustic project to be released and is their second EP; the first being their 2003 debut Far From Close.

    hinder Binghamton

    In March, the band announced the album would be titled Stripped and would be released on May 13. At the time the band also announced that they would be touring June through July with the New Zealand-based rock band Like a Storm in support of the new EP.

    hinder Binghamton

    hinder Binghamton

    After a stellar didgeridoo-infused, 45-minute acoustic performance by Like a Storm, who played several numbers including “Becoming The Enemy,” “Amazing Grace/Southern Skies,” “Love the Way You Hate Me” and a cool rendition of Coolio’s “Gangsta’s Paradise,” Hinder took the stage and began their set with “Intoxicated,” “I Don’t Wanna Know” and “What Ya Gonna Do” that had lead singer Marshal Dutton and the band joking with the crowd about mixing up the brands when your usual whiskey “ain’t workin’ no more.”

    Despite a smaller than expected crowd, longtime band members Mark King, Joe “Blower” Garvey, Mike Rodden, Cody Hansen and lead vocalist and guitarist Marshal Dutton put on a fun-filled, entertaining and interactive show with an intimate audience and performed each song exceptionally well with great vocals and musicianship that they are known for. At times throughout the evening, various members swapped instruments with each other, showcasing how musically talented they are as individuals as well as a band. Hinder played a 12-song set with fun interactive breaks at times between songs and swapping instruments.

    hinder Binghamton

    Hinder and Like a Storm continue their acoustic tour throughout the summer. If you’re out there and looking for a great show this summer, be sure to check out Hinder and Like a Storm.

    Hinder Set List 6/7/16:
    Intoxicated, I Don’t Wanna Know, What ya Gonna Do, Shoulda Known Better, Hit the Ground, Last Kiss Goodbye, Not an Addict, Red Tail Lights, Better Than Me, Get Stoned, Pussy Control, No Excuses

  • Luke Bryan Hit the Lights at the Carrier Dome

    The Carrier Dome in Syracuse held it’s largest country music concert to date with Luke Bryan and his Kill The Lights Tour, featuring Grammy award-winning performers Little Big Town and rising star Dustin Lynch this past Saturday night. Fans from all across the country traveled to the Salt City to attend the event and indulge in some of country’s most popular music. As the chilled spring evening got underway, the halls and seats began to fill with enthusiastic concert-goers dressed to the nines in jeans, boots, plaid shirts,  cowboy hats, and ball caps.

    luke bryan carrier dome With no time to spare, the house lights dropped as the sound system started thumping, synchronizing with blue pulsating stage lights. Dustin Lynch and his band invaded the stage for their brief set and kicked off the night with “To the Sky,” from his latest release Where It’s At. Strapped with his Taylor acoustic and cowboy hat, the Nashville-born singer warmed up the eager crowd with more of his hits including “Cowboys & Angels,” “Mind Reader,” and topped off with “Hell of a Night.” Bearing a smile the entire time on stage, Lynch frequently thanked the audience for helping him feel welcome to their town.

    Four-part vocal group Little Big Town, began their set with an a cappella version of Dolly Parton‘s “Jolene,” giving nod to the accomplished female singer. The full band joined in with “Little White Church,” an upbeat single led by elemental vocalist Karen Fairchild, who donned a Ramones tee and sparkling silver coat. Their hip-swinging summer anthem “Pontoon,” allowed the energy to settle a bit before building up again with their latest title track “Pain Killer.” Kim Schlapman took to the catwalk with her flashy gold dress while she led vocals on “Sober.” The memorable moments of their set were embellished by crowd participation in Fleetwood Mac‘s “The Chain,” the disco ball lighting during “Girl Crush,” and the unified whistling of “Day Drinking” before ending with the classic homage to their hometowns, “Boondocks.”

    luke bryan carrier dome After an extended intermission, the house lights dropped one final time and the audience erupted as green lasers beamed through the hazy interior. The host and star of the evening, Luke Bryan, kicked off his set with “Rain is a Good Thing” as he appeared at the top the LED-lit steps and danced his way the down to the stage with a video montage of stormy landscapes in the background. Bryan took his “signature” pelvis-shaking moves down the catwalk to heat up the crowd during “Kick the Dust Up.”  Bryan and his band continued to shake the sold-out Carrier Dome with more of his hits including “Crash My Party,” “Play It Again,” and “Roller Coaster,” before rising up through the catwalk with Karen (Little Big Town) for a intimate vocal duet on “Home Alone Tonight.”

    Sparing little time, Fairchild and Bryan hustled back to the stage to welcome the remaining members of Little Big Town for a mash-up of Ed Sheerans‘ “Thinking Out Loud” and Marvin Gayes‘ “Let’s Get It On,” all while toasting each other with celebratory shots of liquor.  Luke stepped up his game with having tour opener Dustin Lynch join him for a rockin’ rendition of Brooks & Dunn‘s “Play Something Country.”  Moments after, the 2016 CMA Entertainer of the Year directed the crew to turn the stage lights out and asked the audience to light up the dome with their cell phones, displaying a beautiful  fluorescent glow upon the dome’s white canopy.  Luke delicately sang “Drink A Beer,” while strumming his acoustic at the edge of the catwalk and asked the crowd, “If any of you out there have lost a loved one that you used to drink a beer with, lets take a sip right now and think of them,” while holding his Miller Lite can up high.

    With the recent passing of country legend, Merle Haggard, Bryan wouldn’t let the evening go by without paying tribute to him with his 1982 classic “Big City.”  As the historical evening started to wrap up, the country star busted out a few more popular hits like “All My Friends Say,” “That’s My Kind of Night,” and  “Country Girl (Shake It For Me)” before ending with “I Don’t Want This Night to End.”  Bryan recognized and thanked Syracuse consistently throughout his performance, for making this night so special to him and his band.

    Luke Bryan Setlist: Rain Is a Good Thing, Kick the Dust Up, Kiss Tomorrow Goodbye, Move, I See You, Crash My Party, Play It Again, Roller Coaster, Strip it Down, Home Alone Tonight, Thinking Out Loud (Ed Sheeran)/Let’s Get it On (Marvin Gaye), Play Something Country (Brooks and Dunn), Huntin’, Fishin’ and Lovin’ Every Day, Drink a Beer, We Rode in Trucks, Big City (Merle Haggard), Drunk on You, All My Friends Say, That’s My Kind of Night

    Encore: Country Girl (Shake it For Me), I Don’t Want This Night to End/Can’t Feel my Face (The Weeknd)

    luke bryan carrier dome Little Big Town Set:

    Jolene (Dolly Parton), Little White Church, Pontoon, Front Porch Thing, Pain Killer, Sober, Pavement Ends, Tornado, Stay All Night, Save Your Sin, The Chain (Fleetwood Mac), Day Drinking, Girl Crush, Boondocks

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    Dustin Lynch Set:

    To the Sky, Halo, Cowboys and Angels, Where it’s at, Small Town Boy Like Me, Mind Reader, Hell of a Night

    [FinalTilesGallery id=’737′]

  • Choose Your Own Genre: Ether Band at Brooklyn Bowl

    Way back when on Friday February 5, Ether Band took their fans and the patrons of Brooklyn Bowl on an improvised auditory journey like no other. This experience is extremely unique as the audience is invited to aid in the style of music the band plays by choosing the key and genre before each performance. That means that every song or jam is very particular and a surprise for all in attendance. tmckenna_ether_bkbowl_14

    There was a very special guest present as famed trombonist Natalie Cressman joined the band for their improvisational expedition as the night ranged from “EDM in D” to “Nola Funk in F#,” “Williamsburg Chainsaw Massacre in F” and even some “Light Metal in D.” No matter what Ether Band played they exuded massive amounts of precision musicianship and talent; it’s as if they were reading each other’s minds during the performance. Every genre displayed someone’s chops in full swing and had the crowd moving non-stop.

    As a fan of live, improvisational music I realized that it is an absolute treat to witness an Ether Band performance; the audience CHOOSES what the band plays which ensures that no show is the same, the band is comprised of incredibly talented musicians that continuously find each other’s grooves, and lastly, there are amazing guest musicians that join in on the fun. If you’re able to see them live I implore you to do so, it’s certainly an adventure.

    [FinalTilesGallery id=’670′]

  • Bell Serenades The Knitting Factory

    On Sunday February 28, Bell brought their tranquil sounds to an eager crowd at The Knitting Factory in Brooklyn. The southern-bred, NYC-crafted folk group is comprised of Caitlin Marie Bell (guitars/vocals), Gab Bowler (bass), Harper James (guitars) Jared Saltiel (drums) and Jason Sager (keyboards).

    It was a fitting night for their bright, soaring harmonies and placid soundscapes as Mother Nature had graced the borough with warm(ish) temperatures and plenty of sunshine earlier in the day.

    The band took the stage, made quick introductions and graciously thanked the crowd for their support. They opened with a cover of “Let the Mermaids Flirt With Me” which was performed with so much character and earnest, you’d think it was an original. Caitlin’s soft and honest vocals weave a serene story over the band’s crisp and considered notes. They’re able to tell a different tale with each song and have the audience feel as if they’re a part of it; “Isn’t That Life,” an original, is a great example of this.

    They performed an excellent rendition of Hozier’s “Work Song” showcasing their tact at turning music into serious emotion. My favorite song of the night was their amazing performance of “In the Pines.” I’ve heard this track covered before but not quite how Bell did it justice; their harmonies and endearing sentiment allowed me to perceive the pain and worry the song imbues in a way I hadn’t heard before. Once the track ended you could hear a pin drop; they have an uncanny ability to tug on heartstrings through sound.

    I’m excited to hear and see more from Bell as they certainly possess an abundance of talent. Be on the lookout for upcoming shows in the NYC metro area!

  • Soulful Folk: The Wood Brothers at Carnegie Hall

    On March 5, the Wood Brothers closed their 2016 Winter Tour to a sold-out crowd at Carnegie Hall. Oliver Wood reminded the crowd that even though the show was in Zankel Hall, we were to refer to the venue as the world famous Carnegie Hall, which is where this smaller room resides. (He mentioned, “…because it sounds fancier.”) Eleven years ago to the date in Manhattan, the Wood Brothers picked their first notes to a live audience. The recording of that show would later debut as their first official release, Live at Tonic EP. The soulful folk-filled family reunion from that evening in 2005 planted the seed for numerous records, dozens of tours and thousands of die-hard fans waiting to have their spirits moved at the next gathering.

    The band entered the front of the stage with percussionist Jano Rix on his homemade “shuitar” and opened with an instant fan favorite, “Never and Always,” off their new album Paradise. The trio took advantage of the amazing acoustics of the room and stayed standing for the next song “Atlas” which they also performed at their first show more than a decade before. Oliver delivered the lyrics, “It’s no accident I landed here, eyes wide open and seein’ clear, I have come a long, long way,” which couldn’t be more true on this milestone show. Time travel seemed to be the theme of the evening as they jumped from new tunes to old tunes and everything in between. Rix sat down at the drums for their third song, “Mary Anna,” and Oliver made sure the crowd knew it was a Saturday night party during “Snake Eyes,” another one from their freshest batch.

    During band introductions, Oliver referred to Chris Wood as his “little dancing brother” followed by Chris playfully firing back, calling Oliver his “older, but not more mature brother, and he meant that in a good way.” Over the years, we have seen the brothers create a signature sound while simultaneously forming a stronger bond with each other. The on-stage family banter always adds a bit of comic relief before returning to their deep and thought-provoking lyrics. “Heartbreak Lullaby” cooled things down before Chris Wood made his lead vocal debut for “Pay Attention.” Oliver thanked the crowd for embracing yet another Paradise tune, “American Heartache” before Chris grabbed his stand-up bass for an eerie, tripped-out intro to “Who The Devil?”

    The band brought out their “fourth member, Big Mic,” which is an old-fashioned, “time-machine” microphone utilized by the band to create an intimate sound or as Oliver calls it “O Wood Brother, Where Art Thou?” “The Muse” was the perfect piece for their sonic time portal which led to a blast from the past with “One More Day.” Even a tame, well behaved, Carnegie Hall-dressed audience was having difficulty staying in their red velvet seats during the quiet rendition of this classic, also performed live at Tonic, way back when. The Wood Brothers from the future returned as Chris pulled out his electric bass, which Oliver noted, “Some say it’s an abomination, I say it’s the bomb!” They got electric-funky right off the bat with their intro and jam during “Wastin’ My Mind” and “Singin’ to Strangers.”

    Once again, the band went back in time with an emotional “Postcards From Hell,” which was dedicated to their light designer, Heather, on her last night with the band. After they wiped the tears from their faces, Chris slapped the bass for the memorable cover of “Express Yourself” to get the crowd wiggling in their seats again. The energy reached an all-time high as the crowd began standing up and shaking for the set ending “Honey Jar.”

    Rix came out alone for the encore and played a beautiful intro to “Luckiest Man” on the keyboard before Chis and Oliver joined to send this jazzed-up version home. The crowd was encouraged to sing along and there wasn’t one person that didn’t know every word to one of their most played songs. Oliver kept the time-travel theme alive by closing out the encore with “When I Was Young,” a song soaked with memories from the past. In the small, dark space that is Zankel Hall, the crowd leapt to their feet to give the guys a well deserved standing ovation as we all looked ahead to a big and bright future for the Wood Brothers.

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  • The Lightkeepers Serve a Hot Dish to a Hungry Shifty’s

    Jim Houle Photography - Lightkeepers - Shifty's NYSMusic Watermark-2Aside from their famous hot wings, Shifty’s in Syracuse is known for hosting some incredible musicians including local quintet The Lightkeepers. The 2016 SAMMY awards nominated group settled in last friday night and cooked up a heater to a packed house, hungry for more than just chicken. Nestled into one corner of the tavern, no bigger than a port-o-potty, is where the five-piece rock band stationed themselves allowing the most room possible for their fans to dance comfortably.

    As folks trickled in, the band eagerly took the stage and kicked off the first set with the very groovy tune “Miracle,” from their recent self-titled album. Jes Sheldon led the band on this swinging song with her sassy, powerhouse vocals that rival the likes of Aretha Franklin and Amy Winehouse. Swaying and twisting her slender frame from song-to-song, provoked the crowd to boogie without hesitation. Aaron Fried escorted the parade on Bob Dylans’ “Serve Somebody” and their original, “Empty” with some distinct bass-influenced rhythms.  Participation from the audience began to pick up as they helped sing a soulful rendition of “Come Together” by the Beatles. Having never played at Shifty’s as The Lightkeepers until now, the group collectively played their cards right, mixing up a balanced list of originals and covers.

    After a short break, the troop of entertainers hit the stage once again and brought the fire with a funky original, titled “Bruteforce.” Following closely was an attractive trio of segued covers “Boogie On Reggae Woman,” “The Weight,” and “Hard to Handle.” P.J. Will governed the rhythm guitar on “Rock Steady” with funky-fast guitar wahs while Mike Vincitore tore up the proverbial rug with his untamed six-string guitar. Tucked neatly along the photo-blanketed back-wall, sat Jim Dunham on the drums, vigorously driving the Lightkeepers with his cognizant flow and time-keeping.

    A slow psychedelic rendition of “Whole Lotta Love” featuring a heap of sensual vocals and swelling guitar licks brought the energy of the room to a lull only for brief moment before the band jumped into the riff-heavy, “Cryin’ Shame.” Before closing out the second set, the ensamble knocked down the Doors with “Light My Fire” and a new unreleased rock song titled “Damaged.” Nearly consumed by the supportive crowd, the band finished up the evening with a spot-on “Soulshine” segueing into “Sugaree” for one last heightening sing-a-long.  Check out the full set list below and be sure to catch another show coming up where you can purchase their full length album and some cool swag.

    Jim Houle Photography - Lightkeepers - Shifty's NYSMusic Watermark-1

    Listen to “Mr. Coltrane” (written by P.J. Will) and “Snowflake” (written by Aaron Fried) performed at Shifty’s and recorded by sound engineer Patrick Allen.

    Set I: Miracle, Birdie, Just Dropped In, Gypsy Lights, Serve Somebody, Empty, Come Together, Mr. Coltrane, Snowflake, The Thrill is Gone, Mae, Love the One You’re With, River of Atonement, Tried & True, Water Needs Wine, Gimme Shelter

    Set II: Bruteforce, Boogie On Reggae Woman > The Weight > Hard to Handle, Rock Steady > Mr. Charlie, Mexican Plane, Save Me > Stormy Monday, Whole Lotta Love > Cryin’ Shame, Astronaut, Valerie, Light My Fire, Dear Mr. Fantasy, Damaged

    Encore: Soulshine, Sugaree

    Video by Lori Newcomb

    [embedyt] http://www.youtube.com/watch?v=p7XenJILrDg[/embedyt]

    [FinalTilesGallery id=’642′]

  • RAQ Stuffs the Hollow on Reunion Run

    RAQ is baq. Let’s hope they continue this upward trajectory.

    The four-piece band has not played much in recent years due to members being tied up in a cavalcade of other projects. A somewhat perfect storm recently paved way for the band to start playing shows again, and let’s just say the group’s performance in Albany, N.Y. at the Hollow proved these guys are quite well-oiled.

    Guitarist Chris Michetti and keyboardist Todd Stoops seem to have a connection that goes beyond what might happen between confident and talented band mates, as displayed by the opening pairing of “Premium”> “Hannah,” which saw virtuous playing from both. Drummer Neal Evans and bassist Jay Burwick held down the rhythm section, which settled nicely into the background.

    “Push the Lil Daises”>”Late Night”>”Will Run” kept the show at a sprinter’s pace, before “Momamoth”>”Dance Hall Days”>”Momamoth”>”Wax” did nothing to put anyone to sleep. Michetti is a guitar player who can shift from trance to metal to jazz to chunky rhythm and back around again without missing a measure. I don’t know how else to describe him.

    “Transcontinental,” “Shirley,” “Donkey Show” and a “Late Night” reprise closed out the rocking set. The encore consisted of “Tequila All Day”, “Nationwide”, and the ever elusive “Sweet Cream Butter”. The packed crowd exited the Hollow content, from what I could tell.

    Let’s hope that RAQ decides to keep this train rolling so that everyone who wasn’t there last week can experience this group for years to come.

  • Ha Ha the Moose Bring Late Night Shenanigans to Irving Plaza

    If you love watching your favorite musicians become a band of late night time traveling trash talkers donning capes and Mexican wrestling masks, you may have already seen Ha Ha the Moose. For those unfamiliar with the genre, the band consists of moe.’s Rob Derhak – Dr Guano (bass, vox), Jim Loughlin – Sludge (drums, vox), and Chuck Garvey – Jeff VonKickass (guitar, vox) and prides itself on being anything but a great show.

    Ha Ha the Moose
    Ha Ha the Moose

    However, it always is and the joke was not lost on fans when last Saturday Ha Ha the Moose performed at Irving Plaza following moe.’s New Years Eve in Albany and offered up as a late night option during Phish’s 4 night run in NYC.

    As with most HHTM shows they begin with booing from the crowd and insults tossed from the stage and in this instance went right into a ripping’ “Awesome Gary” to start the show followed by a longer than normal “Mr. Her,” a song about a transvestite that they dedicated to Caitlyn Jenner, for whom 2015 truly was her year. The boys also debuted two new songs this year: “Courtesy Flush,” a ripper about coming back through time to warn mankind the dangers when one does not have the courtesy to flush. Chuck’s sweet guitar arrangement alongside Rob’s powerful message has turned this tune into a beautiful reminder to always be considerate of others.

    Ha Ha the Moose
    Ha Ha the Moose

    With no setbreak the boys kept it going with “The 10 Things Vin’s Most Likely to Say,” “(Ha Ha the) Moose Theme,” and “Thirsty Carbunkle,” an instrumental that gives a nod to garage rock and makes you feel like you’re on nothing less than a heavy metal surf adventure. The second new song of the year, “F*** me, F*** you,” was dedicated to the fans and is probably the most exciting new tune from HHTM. This song featured not only hilarious lyrics, but some very heavy bass lines not recognized by the normal moe. trained ear. This song is a rager and while HHTM sticks to similar setlists each show, they are making time to introduce new material showing they like what they’re doing and hopefully continue to do it!

    Ha Ha the Moose
    Ha Ha the Moose

    The Moose proved there isn’t much one wouldn’t do at 3 am in NYC in the name of freedom, closing out the show with, “20lbs.,” “Devil Toad,” and “Redneck Trilogy.” There’s a saying when a Ha Ha show is announced that “the moose is loose”. Seeing Jim, Chuck, and Rob explore their musical boundaries all while keeping a casual atmosphere of belligerent antics, one can see the definition gets left open to their interpretation and for the fans, all for their benefit!

    Review by Mary O’Hara