Tag: lettuce

  • Okeechobee Makes Great First Impression

    Aquachobee, Coronachobee, okeechobeings, yogachobee, are just a few of the new words  learned while attending the sold-out inaugural Okeechobee Music Festival. From March 3-7 thousands of music fans “entered the portal” to spread their Okeechobee love and good vibes in south Florida paradise. The news of the festival hit the town of Okeechobee about three years ago and could not have been more of a success.  The festival is the brain child of Paul Peck, a graduate of Tulane University who had years earlier sowed the seeds for Bonnaroo with Rick Farman.  Years later Peck took his knowledge from the Bonnaroo experience to create a musical and art themed wonderland.  Held on hundreds of acres of wide open spaces, the Okeechobee Festival was massive yet elegant.

    Okeechobee was hosted on a former equestrian area that was expected to be turned into a housing development but after the project failed, festival promoters soon discovered it would be the perfectly ideal place for a large outdoor four day festival.  With concrete walking paths through most of the festival ground getting around Okeechobee was a breeze. However, an increase of signs next year would make for a great improvement.  The festival consisted of The Chobeewobee Village, Yogachobee,  Jungle 51, Aquachobee, and the Grove which housed the three main stages “Be”, “Here” and “Now”  Each festival area had its own theme and different stages. The Aquachobee stood out as being a favorite during the day. Many happy festival goers made their way to the manmade beach to sun bathe and swim while taking pics and making custom bags courtesy of Corona. One of the greatest things about Okeechobee was the many special places to take unwind and relax while within listening distance of the music.  There were a few groves of trees which were decorated with vintage furniture and warm mood lighting. There was also nice lounge chairs throughout Aquachobee.

    Most of the festival’s audience was college aged students from nearby cities like Miami, Tampa and Orlando. This was a first time camping festival for many that had learned about the fest on their cities’ local radio stations.  Although there were many first time festival goers presented an overall positive vibe which was upbeat and respectful. Everyone united and thrived in peace over the course of the four days and many new festival families were formed. Each camping area was named after texting acronyms for example NSFW, LOL, ROFL, etc but there were no signs anywhere indicating the different camping areas. Hopefully, signs will be in place next year.  There were showers available for $7 but tickets had to be purchased prior at a general store that was a significantly large distance from the shower facilities. The food vendors truly represented a plethora of culinary diversity with decent prices.

    The Festival kicked off Thursday afternoon with an opening ceremony in The Yogachobee Village. Which led to a night of enjoyment featuring the Okeechobee Allstars led by The Lee Boys Rosevelt Collier, Big Gigantic’s Jeremy Salken, Lettuce’s Nigel Hall and many more great musicians  For late that night Jungle 51 was opened and many danced well into the early morning dancing to great Dj’s like Big Wild. On Friday the grove was finally opened. The stages were placed perfectly. Although the stages were evenly distanced from each other and there was no sound bleeding over.  Moon Hooch got the party started on the “Be” stage and made way for an incredible set by the great Grace Potter later in the afternoon. Other bands that played on the stages were Twiddle, X Ambassadors, and Lil Dicky and the legendary Robert Plant. That evening Hall and Oats took the “Be” stage and rocked the place with all their greatest hits. It was obvious most of the fans rushing the stage that night were there for Bassnectar. Thousands packed in tightly to be as close to the DJ as possible and absorb the beats and bass rising up from the ground.

    Saturday afternoon crowds were treated to sets by Dr. Dog, Lotus, Booker T. Jones, Lotus, and Mac Miller. As the sun went down the temperature dropped to the high fifties and the stars finally came out. Crowds danced to the beats of Kendrick Lamar, Preservation Hall Jazz Band and Big Gigantic.  Then came the moment everyone was waiting for: Skrillex. The set was intense and dynamic; the bass and electronic melodies flooded the concert area as thousands moved in a trance-like state.  Toward the end of the Skrillex set many migrated back to the “Now “stage to claim a space to dance during the all star jam known as the Pow-Wow. This super jam included R&B Heartthrob Miguel, Win, Butler, John Oates, Skrillex, Mac Miller, Eric Krasno of Lettuce, three members of Mumford and Sons, the horn section of the Preservation Hall Jazz Band kamasai Washington and the legendary George Porter Jr.

    Sunday was another perfect day of music to end this very high energy musical weekend. Starting off with the rap rock band Bangarang who were Destination Okeechobee winners from Tampa started the Grove right on the now stage. Later on the now stage was one of the anticipated acts of Big Grams featuring Big Boi of Outkast and the duo of Phantogram.  The “Be” stage took a modern Americana theme and welcomed award winning songwriter Jason Isbell and the 400 Unit which featured his very talented wife Amanda Shires on the fiddle. Next was the long time running band Ween which earned many new fans.  The evening followed with Odeza, The Heavy, and The Avett Brothers overlapping on each of the three main stages. Which led to the grand finale of Mumford and Sons on the “Be” stage?  Mumford and sons did there amazing set for the first half and then there set morphed into one great super jam joined by The Avett Brothers, Tom Morello and many more musicians  By early Monday morning  the music on the main stages ended but there was plenty of room to party near the art installations and Ferris wheel near Aquachobee.

    Okeechobee has been a labor of love from some very creative people. The event not only sold out at 30,000 but still maintained its intimate vibe. Okeechobee will take its place among the festival giants like its big brother Bonaroo.  The hard work and dreams made for a magical weekend of musical discovery and camaraderie.  See you next year in the portal!

  • Funk Yes: Lettuce Set to Groove University of Rochester

    Although you won’t find it listed on their current roster of dates, Lettuce will make a third appearance in New York state during this spring/summer tour. According to the University of Rochester’s event ticketing website, the funk-fueled jazz band is booked for a Feb. 26 show on the River Campus. The New York City group will also return to their home state for performances at the Capitol Theatre in Port Chester on April 8 and Hunter Mountain Jam Festival this June.

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    Known for soulful super jams, Lettuce debuted their fourth studio album, Crush, last year. Jeremiah Shea said in his NYS Music review that this album “is the convergence of road tested and polished material, musical exploration, deep pockets of groove, and a band that is simply on top of their game.” Brian Ferguson was on hand to catch the two-night Crush release party at the Playstation Theater last November, where Marco Benevento opened the show and Lettuce encored with a new tune titled “Phyllis” (hear the song below).

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    Eric Krasno

    The band, featuring Adam Deitch (drummer), Adam Smirnoff and Eric Krasno (guitarists), Erick “Jesus” Coomes (bassist), Neal Evans (keyboardist), Ryan Zoidis (saxophonist) and Eric Bloom (trumpet player), last played in Rochester June 2015 for the city’s Party in the Park (after Taj Mahal cancelled) and made a stop at Water Street Music Hall October 2014.

    Doors will open at 8:30 p.m. with show time of 9 p.m. Tickets are available online through the University, or at the Common Market in Wilson Commons. The concert is open to the public; special ticket pricing applies for students and faculty. If you’re nearby the Finger Lakes area next Friday, pencil in this performance as it’s guaranteed to be one energetic soul shakedown party.

  • Break Science Live Band Barrels Over Brooklyn Bowl

    Borahm Lee and Adam Deitch are two of Brooklyn’s busiest producer/musicians. Just days before embarking on a western U.S. tour as drummer for funk band Lettuce, Deitch and his collaborator Lee, known collectively as Break Science, nailed a pair of back-to-back hometown gigs at Brooklyn Bowl. While night one featured a rare performance by “Manic Science,” a.k.a. Break Science joined by Chicago-based producer Manic Focus, the second night was all Break Science. The Break Science Live Band, to be precise, with members of Lettuce in tow.

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    The music of Break Science is a fusion of much of what you might see and hear over  time if you frequent shows at Brooklyn Bowl. It’s the sonic vision of two producer-musicians whose passion is to mash up elements culled from the broad array of musical projects they have respectively participated in, deeply rooted in hip-hop and spanning the worlds of EDM to funk and dub. Different musical eras and styles are combined in such a way that the only possible reaction for a fan on the floor at a Break Science show is to dance and give up hope of trying to explain the experience. Words were not necessary as the crowd packing the Bowl buzzed and bounced on Friday night, awash in the vibrance of the rich colors and raging music emanating from the stage.

    Hot on the heels of sizzling DJ sets from Marvel Years and Dreamer’s Delight, Break Science broke through the intervening chatter and hum appearing in classic fashion: Deitch on the kit and Lee at the keys, holding it down unaccompanied for the first few songs. While Lee and Deitch are more than capable of rocking crowds for a whole night as an electronica duo, the Live Band situates them in the center of  a cross between an EDM performance and a futuristic funk-rock band.

    After getting their set off to a smoking start, the duo introduced renowned beatboxer Rahzel, who gripped the audience’s attention with an impeccable exposé of technical precision and endurance, keeping the party rocking for a good 15 minutes using only his lungs, mouth and a microphone while Break Science took a short break. Deitch returned to back Rahzel on drums before welcoming back the full band and giving Rahzel a chance to rap.

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    From then on the crowd roiled ecstatically as samples and vocal tracks were interwoven seamlessly with analog instrumentation and live vocalists with a finesse indicative of years of experience both in front of and behind mixing boards on the part of the core duo. The brilliance of the live horns contributed greatly to the immediacy of the band’s vibe and the organic, human warmth that made fans feel immersed in the pulsating anthems rumbling the room. A big highlight came towards the end of the set with an intense unleashing of the spiritually uplifting “Force of Nature,” a single released back in October.

    The Break Science Live Band demonstrated itself to be capable of birthing a vibe and morphing it through various forms. There is nothing like a good drummer laying down an arousing hip-hop beat, and it was Deitch’s role to do just that as the rhythmic center of the band, around which the other musical elements mixed and reacted in mystic alchemical fashion. His kinetically impactful drumming was instrumental in maintaining the sense of infectious excitement that lasted throughout the show. In the midst of the ever-shifting musical tapestry, guitarist Smirnoff would at times strum a groovy rhythm while Lee sent synth melodies snaking through the sonic ether. The Shady Horns would periodically punctuate instrumental passages with fiery harmonized jabs and contribute solos throughout the set. Other times the band would fall in behind Rahzel, CX or Bajah on the mic, or even back a vocal track with such delicacy that it would feel like the singer on the recording was present onstage. Coomes and Smirnoff of Lettuce brought their neo-funk musicality to the bass and guitar parts so that tunes envisioned and composed electronically became the living, breathing reality of the band killing it on the Brooklyn Bowl stage. Lee, the other half of the core duo, occupied center stage somewhat in the manner of an orchestra conductor, except that instead of waving a baton, he led the band by masterfully manipulating his rig of keyboards and electronics to dish out the hooks, harmonies and samples that are the heart and soul of Break Science’s music.

    The cultural cornucopia that is Break Science should prompt a bit of reflection on what it is to be a part of or to bear witness to New York City’s musical traditions. It is truly awe-inspiring to see two guys who have been around the circuit so extensively bring together such a committed and well attuned cast of characters and utterly tear the roof off the sucker. But that’s just what Break Science does.