NYS Music 20​16

Tag: LESpecial

  • Dance 2016 Away in the Big Apple

    New Year’s Eve and New York City go hand-in-hand. While the celebration and ball drop in Times Square receive the most attention from people around the world, there are also a ton of musical happenings in the city, with Phish’s storied Big Apple New Year’s Eve run at Madison Square Garden, December 28 to 31, 2016 being one of the big highlights. Here’s a rundown of the shows happening, some billed as Phish after-parties and some shows worth mentioning on their own accord. There’s something for Phish fans and non-fans alike in the city during the days leading up to 2017.

    American Beauty, just a block from MSG, is hosting several Phish-related events. They kick off the run on Dec. 27 with a free show by Phish tribute band Jibooty and a late set from Escaper. The show starts at 7 p.m. The following four nights, they feature Phish pre-parties and after-parties. Dec. 28 sees PEAK and Gang of Thieves playing a pre-party at 4 p.m. for $5 and Particle and J. WAIL playing the after-party at 11:55 p.m. for $20. Dead Sessions plays tribute to the Grateful Dead for both the pre-party at 4 p.m. and after-party at 11:55 p.m. on Dec. 29. These shows are $20 each. Phanart presents a free pre-party on Dec. 30 with Formula 5 starting at 3 p.m. Spafford and the Magic Beans play two nights on Dec. 30 and 31 after Phish. They start at 11:55 p.m. and are $25 for each night. The pre-party on Dec. 31 features the Stella Blues Band paying tribute to the Grateful Dead at 4 p.m. with a $15 cover.

    DROM in the East Village hosts two Phish after-parties on Dec. 28 and 29. Aqueous plays the 28th with Mungion. The show starts at midnight with tickets at $12.50 in advance or $17 at the door. The 29th sees lespecial with Chromatropic. The show starts at 11:30 p.m. with tickets going for $12 in advance or $15 at the door.

    The Cutting Room, a handful of blocks from MSG, is also hosting several Phish parties, all presented by CEG. Elise Testone brings her “Thankful for Amy” tribute to Amy Winehouse with several special guests for an early show at 8 p.m. and a Phish after-party at midnight on Dec. 28. Tickets for both are $15 in advance or $20 at the door. Kung Fu plays an after-party on Dec. 29 at midnight with tickets at $18 in advance or $20 at the door. Holly Bowling pays tribute to Phish and the Grateful Dead through her solo piano work at pre-parties on Dec. 30 and 31. The shows start at 4 p.m. with tickets running $15 in advance or $20 at the door. The Marcus King Band plays the after-party on Dec. 30 at midnight. Tickets are $15 in advance or $20 at the door.

    The Brooklyn Bowl has a series of shows leading up to the new year. Zeppelin Bowl, featuring Gene Ween, Scott Ian and John Medeski, takes place on Dec. 28 at 8 p.m. Tickets are $20 and still available. Joe Russo’s Almost Dead plays a sold out show on Dec. 29 at 8 p.m. Late night on the 29th is Talib Kweli performing a DJ set at midnight for $10. Kamasi Washington and the Budos Band are playing Dec. 30 and New Year’s Eve. Tickets are $40 for the 30th and $65 to $75 for New Year’s Eve. Both shows start at 8:30 p.m. Sleigh Bells is playing a DJ set late night at midnight on the 30th for $15 with Animal Collective doing the same on New Year’s Eve for $20 to $25.

    Being New York City, there are plenty of other shows taking place that are worth checking out. See below for a rundown.

    Wednesday, Dec. 28
    PEAK with Gang of Thieves @ American Beauty (Midtown) – 4 p.m. – $5 *
    Zeppelin Bowl feat. Gene Ween, Scott Ian, John Medeski @ Brooklyn Bowl (Brooklyn) – 8 p.m. – $20
    “Thankful for Amy” with Elise Testone @ The Cutting Room (Midtown) – 8 p.m. & 12 a.m. – $20 each #
    Aqueous with Mungion @ DROM (East Village) – 12 a.m. – $17 #
    Particle with J. WAIL @ American Beauty (Midtown) – 11:55 p.m. – $20 #
    Madaila @ Arlene’s Grocery (Lower East Side) – 11:55 p.m. – $10 #
    Hayley Jane and the Primates do Bowie @ Lucille’s at B.B. King’s (Times Square) – 11:59 p.m. – $10 #

    Thursday, Dec. 29
    Harlem Gospel Choir @ B.B. King’s (Times Square) – 12:30 p.m. – $30
    Dead Sessions @ American Beauty (Midtown) – 4 p.m. & 11:55 p.m. – $20 each * #
    Joe Russo’s Almost Dead @ Brooklyn Bowl (Brooklyn) – 8 p.m. – $40
    Dar Williams @ The Bell House (Brooklyn) – 8 p.m. – $25-$30
    The Skints with The Far East and Rude Boy George @ Knitting Factory (Brooklyn) – 8:30 p.m. – $20
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 9 p.m. – $30
    Start Making Sense @ Irving Plaza (Gramercy/Flatiron) – Doors 11 p.m. – $20
    lespecial with Chromatropic @ DROM (East Village) – 12 a.m. – $15 #
    Kung Fu @ The Cutting Room (Midtown) – 12 a.m. – $20 #
    Talib Kweli (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $10

    Friday, Dec. 30
    Formula 5 @ American Beauty (Midtown) – 3 p.m. – free *
    Holly Bowling @ The Cutting Room (Midtown) – 4 p.m. – $20 *
    David Wax Museum with Auld Lang Syne @ Mercury Lounge (Lower East Side) – 6:30 p.m. – $20
    Tower of Power @ B.B. King’s (Times Square) – 7 p.m. & 9:30 p.m. – $45 each
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 8 p.m. – $45
    Gov’t Mule @ Beacon Theatre (Upper West Side) – 8 p.m. – $50-$60
    Kamasi Washington with The Budos Band @ Brooklyn Bowl (Brooklyn) – 8:30 p.m. – $40
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 9 p.m. – $30
    Cymbals Eat Guitars with Haybaby @ Mercury Lounge (Lower East Side) – 10:30 p.m. – $20
    Pink Talking Fish plays Animals @ Gramercy Theater (Gramercy/Flatiron) – 11 p.m. – $29.50 #
    Spafford with The Magic Beans @ American Beauty (Midtown) – 11:55 p.m. – $25 #
    Sprocket with Kabina @ The Bitter End (Greenwich Village) – 12 a.m. #
    The Marcus King Band @ The Cutting Room (Midtown) – 12 a.m. – $20 #
    Sleigh Bells (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $15

    Saturday, Dec. 31
    Stella Blues Band @ American Beauty (Midtown) – 4 p.m. – $15 *
    Holly Bowling @ The Cutting Room (Midtown) – 4 p.m. – $20 *
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 8 p.m. – $60
    Rainer Maria with Snail Mail @ Saint Vitus (Brooklyn) – 8 p.m. – $25
    Kamasi Washington with The Budos Band @ Brooklyn Bowl (Brooklyn) – 8:30 p.m. – $65-$75
    Gov’t Mule @ Beacon Theatre (Upper West Side) – 9 p.m. – $65-$75
    Guided by Voices @ Music Hall of Williamsburg (Brooklyn) – 9 p.m. – $70
    The Lone Bellow @ Bowery Ballroom (Lower East Side) – 10 p.m. – $40
    All-Star James Brown Dance Party @ Gramercy Theater (Gramercy/Flatiron) – 12 a.m. – $35 #
    Spafford with The Magic Beans @ American Beauty (Midtown) – 11:55 p.m. – $25 #
    Animal Collective (DJ Set) @ Brooklyn Bowl (Brooklyn) – 12 a.m. – $20-$25
    Snarky Puppy @ Irving Plaza (Gramercy/Flatiron) – Doors 1 a.m. – $35 #
    The New Deal @ B.B. King’s (Times Square) – 1:30 a.m. – $30 #

    * Billed as Phish pre-party
    # Billed as Phish after-party

    [embedyt] http://www.youtube.com/watch?v=zJyf5NqiMNE[/embedyt]

  • Another Spectacular lespectacle @ The Paper Box

    On Saturday night at The Paper Box in Brooklyn, lespecial held their annual mini-festival to the delight of hundreds of lucky fans in attendance.  After meeting dozens of friendly freaks in the crowd, I regretfully realized that I was one of the rare guests taking part in my first lespectacle.  While I was unable to locate a coat check in the eerily, yet vibrantly decorated venue, it was clear from the very beginning that I would need to check my concept of reality at the door.

    Starting around 9pm, Connecticut based producer, Tsimba was spinning his intricate form of otherworldly music to a prematurely spun-out crowd.  During this opening act, it was clear that the energy of the room was already sky high and not coming down anytime soon.  Tsimba’s bio describes his music as “sounds that could manifest anywhere in the universe” and while no one on the floor appeared to be a qualified astronaut, the dance moves suggested some spacey exploration.  

    After the short and sweet DJ set, Gene Shinozaki of The Beatbox House popped out of the crowd to show off his amazing talent.  I have heard many variations of beatboxing in my life ranging from legends like Doug E. Fresh and Biz Markie to my drunk white friend at a frat party in college, but Shinozaki introduced me to sounds that I did not know were possible to create with one human mouth.  His ability to tackle genres like dubstep while looping underground hip-hop beats was fantastic.  

    Other members of The Beatbox House joined Shinozaki along while the oddly-dressed crowd of music lovers circled around them.  Light on the treble, the group segued into their abbreviated version of Meghan Trainor’s “All About That Bass” before dropping into something that sounded like Plinko chips on The Price Is Right.  The House’s first performance of the night came to an end, but they were set to appear several more times before the end of the event.

    lespecial bassist, Luke Bemand, filled in as the MC of the night and introduced the next group, Ross Jenssen, as one of his favorite bands in the world.  The “Ross” part of the Connecticut trios name is Brian Ross on bass.  The “Jenssen” half is Jules Jenssen on drums and the “just right” third bear in between the two of them is Sam McGarrity on guitar.  Their mostly instrumental set had the occasional spoken word sample thrown in for good measure, but the crowd will be talking about this performance until next year’s lespectacle.  Ross Jenssen opened up with the introduction to “Perspiration” off their debut album, Phrases.  

    Interstellar travel seemed to be the theme of the night as the first few songs reminded me of a spaceship about to blast off into outer space.  Songs like “Curmudgeon” and “Hell or High Water” begin with a haunting yet tranquil groove before launching into heavy, raw and unfiltered rock and roll.  It is a sonic wonder how the same band weaves an original like “Illumination” into a set filled with head banging madness as this tune may be appropriate for deep meditation at a yoga studio.  

    Ross Jenssen’s chameleon-like ability to adapt to different genres makes them a hard act to compare or even describe for that matter, which is why they had the crowd in the palm of their hands all night. “Rabble Rouser” creates an electronic sludge that leads to a danceable darkness toward the middle of the jam, yet prior to entering this disco-dungeon, the trio covered “Ten Tonne Skeleton” by Royal Blood to the delight of a music-loving room.  After closing with the topically appropriate “Afraid of Americans,” I searched the room for the insane guitar-shredding McGarrity to learn more about the mad scientist’s lab where he got his hands installed.  

    An incredibly humble musician in a world full of Trumps, I found Sam backstage crushing a slice of pizza before taking five minutes to speak with me.  He gives all the credit to founding members Ross and Jenssen for allowing him to jam with them back in 2013 and then join them on their album “Phrases.”  After he became “somewhat of a permanent member” he describes his musical influences and the strong connection that members of lespecial and Ross Jenssen have shared since playing together and going to shows in high school.  I mentioned how some of their sound reminded me of a darker version of a prog-rock jamband and one example that came to mind was Umphrey’s Mcgee.  Much like Jake Cinninger of the Chicago-based jam monster, Sam explained how from an early age he “loved to shred.”  “I’m gonna do that, that sounds cool, I want to do that,” he wildly proclaimed before mentioning how much stronger of a player he has become since joining Ross Jenssen and practicing daily.  

    After the The Beatbox House finished improvising with “Can’t Feel My Face” by The Weeknd, it was finally time for the main event, lespecial.  Guitarist Jonathan Grusauskas held down a powerful solo during one of the band’s most popular songs “Fruit Dance Wolf.”  I would have felt completely satisfied with their set had they just played that song, but there was still two full and fiery sets to go when they brought out their first guest, Jesse Stocker on flute for “Skull Kid.”  

    The appropriate set placement of this tune worked well with the central decor of the night as skulls, antlers, and post-Halloween props were set up throughout the stage and venue by designer The Reliquarium.  Speaking of antlers, “Third Antler> 4th Antler Improv” found their way into this first set madness after the trio covered Nine Inch Nails’ “Piggy.”  Prior to the event, I predicted some band collaborations due to the overwhelming talent on the bill and lespecial did not disappoint when calling upon Gene Shinozaki for some improvisational beatboxing assistance on stage before “Pressed for Time” closed out this jaw dropping first set. 

    In order to stimulate some other senses before during and after lespecial, Vin Pugliese was put in charge of the intense lighting and visuals to make everything look and feel as good as it sounded.  Set two was off to a thunderous and spooky start as the boys took a stab at their Fela Kuti arrangement of “Harambe Zombie” to honor a fallen hero.  While there were no dicks out during their rendition of the afro-beat classic, there was black magic in the air as the band and the zombies in the crowd became one.  

    The tribal beat presented one of the highlights of the entire night for me until just two songs later lespecial annihilated a cover of “Frizzle Fry” from the iconic Primus album.  Bemand proved to the crowd that his chops were among the best in the business as he channeled Les Claypool in this creatively mind-blowing anthem.  The band kept an eclectic mix of covers coming with Skrillex’s “With Your Friends” and “Fade” by Kanye West.  The first set began with a track off their newest album, Omnisquid and in a similar fashion, “Squid Rising” ended the show.

    While lespecial was technically finished performing for the night, the now masked trio reemerged as Robert Jacob Max’s Supersillyus Lifeband took the stage.  The shadowy and mystical super-group has been an ever-changing phenomenon since its early conception years ago.  The Lifeband was heavy on the jam and risk-taking improvisation while still keeping the crowd moving as we gained an hour thanks to an end of Daylight Savings in the outside world.  A psychedelic journey through extraterrestrial soundscapes took the Paper Box for one last ride before sending us back into reality in the streets of Brooklyn.

    After my first lespectacle, I discovered a kaleidoscope of all things that are right with Brooklyn.  A melting pot of different subcultures coming together to create something new during a time when almost everything seems to be remade.  The musicians, the visuals, the art and the audience all worked together to create something great instead of trying to make it “great again” which will lead to even stronger and thought-provoking lespectacles in the future!  I will see you there.  

  • Lespectacle 6.0 Returning to Brooklyn

    On Saturday, November 5, lespecial will roll into The Paper Box in Brooklyn for the 6th annual “Lespectacle 6.0. ” The sixth installment of the annual throwdown will include performances by Supersillyus Lifeband, Ross Jenssen, Tsimba, and The Beatbox House in addition to lespecial’s two-sets of “death-funk” festivities.

    The Connecticut based trio is sure to rage with their circus of talent for a late night in Brooklyn as the event is slated from 9pm until 4am. Keep an eye out for band member sit-ins during each performance as this lineup of artists cannot be contained! Tickets for “Lespectacle” are still available for a short time, but after the band’s killer 2016 Fall Tour, they won’t be around for long. You can purchase tickets here.

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  • Mister F and lespecial hit The Hollow on Friday, October 21

    Mister F brings lespecial to town this Friday, October 21 to The Hollow Bar and Kitchen in Albany. Featuring performances of brand new material and some very special guest collaborations between the bands, Mister F is stoked to be back on their home turf before heading out into the Midwest for a tour with McLovins next week. Tickets are $12 in advance and $15 day of show.
    mister f lespecial
    Having recently returned from Luna Light Festival in Maryland, Mister F welcomed Holly Bowling to the stage to play keytar on “Answer the Dog.” Keyboardist Scott Hannay shared the story on the sit-in: “We had talked a number of times in the past about having her throw down on my keytar, but the timing just hadn’t yet worked out. She reached out to me shortly before we pulled into Luna Light festival this past Saturday and we made it happen. She’s a natural on that thing. Someone get that girl a keytar!”

  • Catskill Chill Closes out Summer at New Minglewood

    Catskill Chill rounded out the New York summer festival season September 24-26 with a stacked line-up and a new location.   Moving just a few miles from its former location in Hancock, NY, the Catskill Chill found a new home this year in Lakewood, Pa. Previously held at Camp Minglewood, this year the Chill found its new home at New Minglewood and included an extra day of camping and more music.

    The festival’s inaugural Thursday night pre-party was a great addition to the weekend. Twiddle highlighted the evening with two sets including a sit-in with Scott Hannay of Mister F.  Although the turn out for the night’s first two bands, Aqueous and Jimkata, was light, the packed house for Twiddle verified that many festival goers had taken advantage of the Thursday night ticket.

    Arriving early had more benefits than just the music.  Many festival attendees enjoyed the ability to set up camp and explore the grounds before the barrage of attendees arrived on Friday.  “The best part of the Thursday ticket was being able to get the choice camping spots.” Jennifer Bliss of Saratoga Springs, NY told NYS Music. “It was also nice to have our camp ready to go, so that we could really enjoy the music on Friday.”

    Mike Gordon drew the largest crowd of Friday Night to the main stage. Among the songs performed, the Phish bassist debuted “Let’s Go,” a tune generally reserved for a Phish set list. George Clinton and Parliament Funkadelic also enjoyed a great turn out, many of whom had never seen the master of funk live.  “I had only heard the name George Clinton, but didn’t really know what he was about.  Thinking about it, that set might have been my favorite of the weekend.  I liked that Chill has artists like that on their line-up,” noted Brian Thomas of Cleveland, Ohio.

    Catskill Chill

    Other much talked about sets on Friday night included Pink Talking Fish and Pink Talking Fu. The Pink Talking Fish set included a variety of Phish, Talking Heads and Pink Floyd with a sit-in from Kung Fu’s Tim Palmeri on “Great Gig in the Sky” and “Crosseyed and Painless.” The B Stage was turned into a dance party during Pink Talking Fu (Pink Talking Fish and Kung Fu.)  The two bands highlighted the music of David Bowie and Prince in a tribute set that featured both top 40 hits and beloved deep tracks. Shira Elias of Turkuaz and Hayley Jane both sat in for vocal performances throughout the set.

    Friday’s sleeper sets included music by Funky Dawgz Brass Band, Mister F and Goldfish.  All three bands are well worth seeing and turned out amazing performances.

    Saturday’s main stage was highlighted with an assortment of musical styles that kept the variety going throughout the day. Ryan Montebleau, Cabinet and Keller Williams’ Grateful Grass added an element of relaxation and chill while Lettuce and Particle were funky and dance worthy.

    The B-Stage popped off thanks to sets from Turkuaz and Tauk. Formula 5, Big Something and the Magic Beans all generated note-worthy buzz at their various sets on Saturday as well.

    Saturday was the day of tribute sets, providing a plethora of familiar music performed by some of the festivals most beloved artists.  Fikus and Shwizz came together to perform as Shwikus Plays the Beatles, while the Heavy Pets played the 80’s and Lespecial paid tribute to Primus.

    “I just loved all of the tribute sets at Chill,” mentioned Nick Augustine of Silver Springs, MD. “Every one that I saw was executed perfectly!”

    The most intriguing set of the night went to Turbine, whose RadioDead set was at times mind twisting and enigmatic. The concept –  Radiohead songs played in the style of the Grateful Dead and Grateful Dead songs played in the style of Radiohead.  Turbine did a stellar job of translating the songs into the respective styles, so much so that many attendees couldn’t quite wrap their heads around what they were hearing.  “Wait, is this Radiohead or the Dead?” was overheard often during the set.

    For the second year in a row, members of Dopapod and Turkuaz brought the house down during their tribute set, this year with a tribute set to the preppie-loved classic soft rock of the 80s known as Yacht Rock.  The set was fun, campy and executed with perfection. It’s a nod to both groups of Berklee trained musicians, as they take such care with music that could otherwise be dismissed.  Somehow they find a way to celebrate not only the music, but the production quality that feels like you are square in the middle of a musical time capsule.

    Josh Schwartz (Turkuaz) receives MVP nods for his spot on vocal tribute to soulful baritone Michael McDonald. However, Rob Compa who tackled vocals on the Eagles classic “Hotel California” as well as the entire Dopakuaz crew wins honorable mention during a production perfect version of the song. The set also included the most “had to be there” moment as Dopapod bassist Chuck Jones took to the Chill Fam seas with a stage dive and crowd surfing adventure.

    The Chill Fam All-Stars tribute to Michael Jackson was another highlight of the night, however, many festival attendees were turned away as the Late Night Hall was packed to capacity before the music even started.  However, despite not everyone being able to attend, the set was highlighted by the vocals of Elise Testone, whuch were a milky and smooth compliment to the original. The Chill Fam All- Stars included Eric Gould (Pink Talking Fish); Adrian Tramontano and Robert Somerville (Kung Fu); Shira Elias, Chris Brouwers and Michelangelo Carubba (Turkuaz); Danny Mayer (Eric Krasno Band); Steve Molitz (Particle) and Robert Volo on trombone (Deep Banana Blackout).

    Sunday’s Main Stage was highlighted by performances from Dopapod, Greensky Bluegrass and Electron.  Although the festival grounds and attendance at sets appeared to begin to thin out by Sunday afternoon, festival goers that stuck it out were also treated to great performances by Perpetual Groove, Tom Hamilton’s American Babies, The Werks and Broccoli Samurai.

    Sunday’s most noteworthy performance went to Pigeons Playing Ping Pong.  They made the most of their two sets, including a two-hour cover set late night at Club Chill. The set was one of the most sit-in heavy of the weekend including performances by Tom Hamilton, Shira Elisa (Turkuaz), Steve Molitz (Particle), Elise Testone, and Rob Somerville (Kung Fu).

    The New Minglewood grounds felt like home for many Catskill Chill veterans. The added facilities of more “play areas” including the basketball courts by the B-Stage created a fun vibe that more people plan on taking advantage of next year.  Wins for the new location included closer parking to the camping grounds, more common areas and the B-Stage, whom many felt housed the best music and sound of the weekend.

    However, despite the great sound at both the main stage and the B-stage, many festival attendees found themselves hanging outside both Club Chill and the Late Night Hall due to the facilities acoustics.   “It was really loud in both the indoor venues,” noted Mike Dustin of Allentown, PA, “For the most part, we chose to just sit outside and listen there.  It just literally sounded like we were watching music in a high school gym.  So much of the sound quality was lost.”

    Most of this year’s attendees agreed that the cabins, vendors and security were in sync with previous years.  However, it was noted by several folks that this year the port-a-potties in the camping areas could have used much more attention, as the usual daily cleanings of the facilities seemed to have been missed in at least one location.

    As the weekend’s attendees packed up and returned home, most were happy with the new location and the line-up. But beyond that, it was the Chill Fam vibe that most were pleased to be a part of.  “Chill is my favorite festival – hands down,” said Kelly Kepler of Portland, Maine. “I was scared that this year would be different, that changing the location would mean all the things we loved about Chill would be different. Honesty, I think it was better.  It was a great way to bond with new people because everyone was on even ground. It only made our little Chill family stronger.  I can’t wait for next year!”

  • Catskill Chill Offers Fierce Line-Up at New Location

    If you’re not quite ready for the summer to end, the Catskill Chill offers many music lovers one last chance to spend a weekend immersed in sights and sounds at the festival’s new location. Just a mere ten miles southwest from its former location, 2016 ushers in a new era for the festival at the New Minglewood.  This year’s basic festival ticket includes three days of music and camping starting September 24-26.

    Catskill Chill kicks off this year with a Thursday pre-party, a new addition for the festival.  At the mere cost of $45, the pre-party offers a powerhouse line-up of northeast festival favorites. The inaugural evening features Buffalo grove rockers Aqueous, jamtronica favorites Jimkata, two sets from Vermont’s Twiddle and superduo Trakstar featuring Todd Stoops (RAQ) and Rob Chafin (The Werks). The evening will be filled with high energy music that looks to set the bar high for future pre-party festivities.

    Martie Locke who will be traveling from King of Prussia, PA, said that the Thursday pre-party is actually what sold him on the weekend.  “It’s amazing.  Aqueous, Jimkata and Twiddle offer some of the best musical vibes,” he told NYS Music. “I think Thursday night could be some of the best fun of the weekend.  Well worth the price of the entire ticket.”

    For folks not making the Thursday festivities, the entire weekend is packed with creative collaborations, solid headliners, as well as up and coming artists from all over the country.

    Friday offers a mixture of relaxed vibes and funk.  Zack Deputy kicks off Friday’s Main Stage music.  Kung Fu offers the day’s first look at Main Stage funk takeover while funk masters George Clinton and Parliament Funkadelic and Phish bassist Mike Gordon headline the Main Stage on Friday evening. Pink Talking Fish are sandwiched in between the two powerhouses, with their performance on the B Stage, creating a solid five hours of music.

    Ryan Montebleau sets the mood for the Saturday Main Stage, with Cabinet and Keller Williams offering up a Saturday afternoon filled with Bluegrass vibes.  Lettuce closes out the Saturday Main Stage Music.

    Sunday’s Main Stage is a variety of musical genres.  Roosevelt Collier’s NY Get Down will feature Dopapod’s Rob Compa and Eli Winderman as well as Michelangelo Carubba and Taylor Shell of Turkuaz.  Bluegrass favorites Greensky Bluegrass and electronic rock masters Dopapod fill out Sunday afternoon. Electron will conclude the activity on Sunday’s Main Stage

    This year’s Catskill Chill is filled with a variety of beloved music performed by some of the festivals most respected veteran artists as this year’s Chill is jam packed with tribute performances. Friday night will feature Pink Talking Fu paying tribute to this year’s passing legends David Bowie and Prince.

    Saturday hosts the majority of these performances. Shwikus, featuring members of Shwizz and Fikus, will pay tribute to the music of the Beatles.  The Heavy Pets bring their highly praised Tribute to the 80’s, while fans of Primus will want to check out Lespecial’s Primus set in Club Chill.

    https://www.youtube.com/watch?v=LN246u0Q7J8

    Dopakuaz, featuring members of Dopapod and Turkuaz, returns after a memorable performance of the music of Studio 54 at last year’s Catskill Chill.  This year, the two bands have collaborated to showcase the best of classic 80’s preppie soft rock, also known as Yacht Rock.  Saturday night’s tributes will conclude with the Chillfam All-stars Tribute to Michael Jackson. Fans of Led Zepplin should catch Elise Testone’s tribute set on Sunday. Bitches Bloom will perform the music of American Jazz legend Miles Davis on Sunday as well.

    The Catskill Chill is also offering a few unique choices on their 2016 line-up.  Primate Fiasco’s unique blend of Americana, street band and off humor lyrics are a refreshing change of pace for almost any festival line-up. Meanwhile, Reed Mathis (Tea Leaf Green) and Electric Beethoven featuring Jay Lane (Primus, Ratdog),Todd Stoops, Cochrane McMillian (Tea Leaf Green) and Clay Welch will perform a set of “classical dance music” with a reimagining of Beethoven classics.

    This year’s line-up is also highlighted by a laundry list of this summer’s most buzz worthy bands. Hailing out of New York State, Mister F, Formula 5 and TAUK continue to make noise on festival line-up’s all over the Northeast. Hayley Jane and the Primates are Chill vets, but their rising stock makes the Vermont based group one of the weekend’s acts to see.

    Pigeons Playing Ping Pong and Tom Hamilton’s American Babies are other noteworthy artists for the four-day weekend.  North Carolina’s based Big Something and Boston’s progressive eletrofunk outfit Strange Machines have also been gaining steam all summer long.

    “Strange Machines is just so epic and progressive as they make you want to dance harder,” said Nick Augustine of Maryland, “They blow me away again and again every time.”

    The Werks, Turkuaz and Indobox are also solid, ‘can’t go wrong’ choices amongst this year’s jam packed line-up.

    First time attendees will find themselves on even ground with experienced Chill attendees, as everyone will be learning the festival’s new lay-out.  However, festival organizers look to make the transition a bit easier by keeping stage names and key amenities the same.

    However, beyond the music, the hope of most attendees is that despite venue changes, the “Chill Fam” will maintain the vibe that has, in part, kept the festival growing.

    Rachael Dube from Vermont, a four-year Chill attendee isn’t worried about the venue change.  In fact, she says she is excited for the new location.  “There is just something pretty righteous about moving it from the original spot you know? Change is beautiful and inevitable, nothing should stay the same forever. Being able to take the great base that we have created at the Chill, and move it wherever we like, seems pretty cool to me. It’s something special that’s for sure.”

    And it’s not just the festival goers that are excited for the vibe that the festival offers.  Scott Hannay of the band Mister F was a three-year Chill attendee before his band played the festival in 2014. He told NYS Music, that it’s the “the ubiquitous Chillfam” that makes the festival special. “The vibe, the staff, all that music and unique combinations of musicians, it all melds together in a way that other festivals do not. Chill is exactly that, Chill.”

    Tickets for general admission as well as VIP packages are still available.

  • Nanola Announces Schedule for Phish SPAC Pre and Post-Parties

    Looking for your pre- and post-show plans during Phish’s run at Saratoga Performing Arts Center (SPAC) July 1 through 3? NYS Music and Nanola have you fully covered.

    The Capital Region’s own Mister F will host three nights of pre-shows and after-parties at Nanola in Malta to keep the fun going long after the lots have cleared after Phish each night. You can even take a shuttle to and from SPAC, just a short 10-minute ride from Nanola to SPAC.

    Friday’s after-party starts with Mister F at 12 a.m. and Lespecial at 2:15 a.m. Saturday’s pre-party features Hayley Jane and the Primates at 4 p.m., and Mister F is on again at 12 a.m. following the show, with Strange Machines hitting the stage at 2:15 a.m. Sunday’s pre-party has Mister F on at 4 p.m. and The McLovins closing out the weekend with an after-party beginning at 12 a.m.

    In addition to these pre- and post-shows, Nanola will be offering a $13 brunch buffet on Sunday, July 3, for Holly Bowling‘s performance. Reservations are recommended for table service and can be made by calling 518-587-1300.

    All pre-parties are free, with each nightly show costing $10. Shuttles are also $10, and a combo pass including all shuttles and after-shows is $50. You can pick up tickets here.

    Nanola features a full bar, great beer selection and traditional pub fare in addition to creole favorites like jambalaya, oysters and po’ boys.

  • NYS Music presents Phish SPAC after-parties with Mister F and friends

    Part of the fun in attending a Phish show is often the plans we make for the before and after parties. For those heading to Saratoga Performing Arts Center (SPAC) July 1 to 3 to see the boys, you’re now completely covered.

    The Capital Region’s own Mister F will host three nights of after-parties at Nanola in Malta to keep the fun going long after Phish’s encore. Shuttles will be available to and from SPAC – a quick 10-minute ride.

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    Mister F recently welcomed Mike Candela as new guitarist to a band that formed in 2013 from regional acts Timbre Coup and Capital Zen.

    While a schedule is to be determined, they will be joined by the McLovins, Lespecial, Strange Machines and Hayley Jane and the Primates.

    Presented by NYS Music, the bread to this Phish sandwich includes pre-parties on Saturday, July 2 and Sunday, July 3.

    Nanola features a full bar, great beer selection and traditional pub fare in addition to creole favorites like jambalaya, oysters and po’ boys.

    Tickets are available in a variety of options. Shows are $10 per night. Shuttles are also $10. A combo pass including all shuttles and after shows is $50.

    Additional details including the daily schedule and ticket information will be announced soon.

  • Turkuaz and lespecial Funk It Up Night Two at Brooklyn Bowl

    Turkuaz continued their 2016 Digitonium Tour with a 3 night run at Brooklyn Bowl, featuring lespecial for their second night. If any NY funk lovers were looking for something to do for 3 days in April, this was it.

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    lespecial opened the night of groovy dancing and brought a lighter, funkier version of their death-funk/future-groove with some staples from Omnisquid such as “Fruit Wolf Dance”, “Sugaboi”, and “Pressed For Time”tkenna_lespecial_bkbowl_020 (guitarist/vocalist Gruskauskas’ vocal range truly shines on this track). The trio from Boston also featured classic cover of Les Claypool’s “My Name is Mud”, some new music in collaboration with some Turkuaz members and even a cover of Tears For Fears’ “Everybody Wants To Rule The World.” I’ve mentioned before in previous reviews, lespecial is truly one of my favorite bands to experience live as their genre-bending capabilities are unmatched!

    Succeeding their funk-band-in-arms, Turkuaz took the stage and opened with a fitting “Introduction” from their recent album, Digitonium. Following a strong intro, a very funked up “The Rules” from the 2011 album Zerbert , had the crowd dancing and bopping from the floor to the bowling lanes. It was at this moment I realized what I had been missing; Turkuaz truly brings the funk and I had seen the light in only their second song of the night. Each piece of the band plays a very integral part as each member not only brings their extreme talent to each instrument and vocal aspect but also their own unique style. Some favorites from the night included “The Generator” and “King Computer” from Digitonium and “Tip Toe Through the Crypto” and “It’s So Hard” from the Stereochrome EP.

    Turkuaz’s second set was very special as they dedicated the entirety of it to The Band. They opened with a very funky “Chest Fever” followed by an affectionately soulful “Ophelia” and then an extremely heartfelt “The Night They Drove Dixie Down.” “Up On Cripple Creek” seems to have been made for them to cover as they certainly shined in all aspects whilst rocking the track. Naturally, during “The Weight”, a beautiful sing-a-long manifested from the crowd and a very dancey “Don’t Do It” got everyone moving and shaking. Closing out with a fervent and almost spiritual “I Shall Be Released” it’s an understatement to say that Turkuaz did these anthems justice; they put their all into every track and made each one a unique experience. Turkuaz is an amazing spectacle of talent, color and funk. If you consider yourself a fan of live music and have not experienced a Turkuaz show, you’re doing yourself an injustice.