Tag: Keith Emerson

  • Greg Lake, Prog Pioneer, Dies at 69

    Greg Lake, founder of progressive rock pioneers King Crimson and founding member of Emerson, Lake and Palmer has died at the age of 69.

    greg lakeLake, a founding member of both King Crimson and Emerson, Lake and Palmer, was one of the progenitors of the progressive rock movement in the late 1960s through the mid 1970s. His vocal style propelled ELP to FM radio stardom in the U.S. on songs such as “Lucky Man” and his solo Christmas song “I Believe in Father Christmas,” a constant on FM radio this time of year.

    Bandmate, and lone surviving member of ELP (Keith Emerson passed earlier this year.), drummer Carl Palmer told the Los Angeles Times:

    We have a lot to thank him for. If you look at the musical landscape of Emerson, Lake & Palmer, he wrote most of the songs that got played on American radio. What he brought was a uniqueness that the music business didn’t have at that time. We weren’t an out-and-out rock band, and we didn’t play the blues. He was a choir-boy kind of singer, a very angelic sounding voice.

    ELP carried popular rock music beyond the blues-based sounds that had been coming from British bands such as the Rolling Stones and the Faces, creating a more theatrical and symphonic style of rock music based in the sounds of classical musicians such as Mussorgsky, Bach, Copland and Bartok.

    Lake balanced the bombastic keyboard work of Emerson with acoustic songs such as “Lucky Man,” a song he wrote at the age of 12, and “From the Beginning.” He recorded his first solo piece in 1975, the perennial Christmas favorite, “I Believe in Father Christmas,” but continued recording with ELP until their break up in 1979.

    greg lakeLake’s career began in 1965 as a member of Unit Four and Time Checks, cover bands that gave him exposure in the Dorset, UK scene. His time in Unit Four led to a relationship with Robert Fripp, who recruited Lake to sing and play bass for his new band, King Crimson.

    Lake performed on King Crimson’s seminal debut In the Court of the Crimson King and the follow-up In the Wake of Poseidon before parting ways after striking up a friendship with The Nice’s Emerson in 1970. The two recruited drummer Palmer from The Crazy World of Arthur Brown to form what became the prog-rock supergroup ELP.

    Lake was born Nov. 10, 1947 in Bournemouth, England, to an engineer father and housewife mother. He is survived by his wife, Regina and their daughter, Natasha.

  • Carl Palmer’s ELP Legacy Pays Tribute to Keith Emerson

    When it comes to rock and roll drummers, Carl Palmer joins the ranks of the most regarded drummers in the genre. Under the touring name of Carl Palmer’s ELP Legacy, the drummer intended it to be a celebration of his 50th year as a professional musician. However, in early 2016 when tragedy struck his former bandmate Keith Emerson (who was set to join Palmer on a few shows), the show quickly turned around to a tribute to Emerson.

    S Malinski - Carl Palmer ELP Legacy - Paramount-2

    Palmer stopped by the Paramount Hudson Valley theater on June 16 with his performance, joined by Paul Bielatowicz on guitar and Simon Fitzpatrick on bass. Without Emerson’s legendary keyboard role in the mix of the sound, the group took a new form of power trio to interpret and present Emerson, Lake and Palmer’s music. Channeling the groundbreaking progressive rock format in this setting doesn’t seem like an easy task, but Palmer did it in a fresh way that was just as exciting as ELP’s recordings.

    S Malinski - Carl Palmer ELP Legacy - Paramount-15

    The two-set show started off with a punchy version of the Peter Gunn theme and continued with many of the iconic original and classical re-arrangements that make up the ELP library. Throughout the evening, Palmer took a moment between each song to break from the kit to share a story about the tune, particularly if there was a connection to Emerson. Most notably, he dedicated “Pictures of an Exhibition” to Emerson, which had been one of Emerson’s favorites.

    S Malinski - Carl Palmer ELP Legacy - Paramount-12

    Palmer’s band can properly be called a power trio — their sound was rich, robust, and complete to fill out the fresh take on ELP’s songs. In a way, it sounded like a really good garage band with a progressive rock influence.

    Fitzpatrick alternated between bass and Chapman Stick, which coupled with Bielatowicz’s guitar recreated Emerson’s keyboard parts which defined many of ELP’s songs. Behind them (or rather, front and center on the stage), Palmer’s technical  and powerful drum playing was just as, if not more, vivid than in his younger ELP years. Both Fitzpatrick and Bieltowicz had opportunities to show their chops with solos — an instrumental version of “Take a Pebble” by Fitzpatrick on Chapman Stick and Bielatowicz with a multi-part solo guitar solo right before the intermission.

    Leading out of “Fanfare for the Common Man,” Palmer broke out an extended solo, fairly routine at the start. Building up the solo, he mixed in some electronic drums buried in the kit. After a few minutes navigating the kit, a grin grew on his face as he stood up to show off some Buddy Rich-style stick tricks that drew some quick applause.

    Before calling it a night, Palmer introduced the encore by encouraging the audience to take their phones out and record and post a video of it in memory of Keith.

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