NYS Music 20​16

Tag: EDM

  • Social Repose Performance in Rochester before Starting Month-Long Tour

    Social Repose made a stop in Rochester on November 2nd as he was making his way to Toronto to join some friends for a month-long tour. The artist/musician with a penchant for goth performed an hour-long electronic pop set on the stage of the historic Harmony House Ballroom.

    Social ReposeAs we entered the hall, we spotted Social Repose signing autographs and taking pictures with fans between opening acts. He wore his trademark feathered headdress and wings – all black, of course. It’s a look instantly recognized by anyone who has seen his YouTube Channel, which has attracted nearly three quarters of a million subscribers. Over the past five years, he has used YouTube to post hundreds of videos featuring original songs, a cappella covers, comedic skits, and performance art.

    In fact, watching him and his crew set up the stage, I felt like I was witnessing a live art installation. Multiple light towers stood behind a DJ Booth featuring a dream-catcher logo. He launched the evening with “I Can’t Sleep,” an ode to insomnia with digital tick-tock beat. A light show was timed to the rhythms, and the back-lighting emphasized the silhouette of Social Repose’s figure in full regalia as he dominated the stage.

    The local scene turned out, wearing T-shirts from alternative bands and beanie hats over vibrant hair colors. We jumped, clapped and sang along. At one point, when Social Repose thought the crowd was a little too cheerful for the mood of a particular song, he brought us down by reminding everyone that My Chemical Romance has broken up and will never re-unite.

    Social ReposeHe sang a handful of fan favorites, and even threw in a cover of a Twenty-One Pilots song. The highlight of the evening was “Filthy Pride,” the new single released on Halloween, just three days prior to the show. A warped music-box melody augments the heart-wrenching lyrics: “I should’ve known a little better / Good things never last forever / My heart in repose / I need you the most.” Winding things down, Social Repose pulled out a ukulele for “If You’re Thinking of Leaving, You Should.” This emo ballad is about setting a loved one free while yearning for her return.

    The sentiment echoed as we all parted at the end of the evening, hoping that Social Repose will make his way back to our city again someday.

    Social Repose is the stage persona of Richie Giese, a 24-year old who resides in the vicinity of Washington, DC. He can be found on multiple social media platforms, including YouTube, Twitter, and Instagram. His music is available for purchase through iTunes and Google Play.

    The day after this performance, he joined fellow musicians Say We Can Fly and Johnnie Guilbert for the Something Before Christmas Tour. Shows are listed as open to all ages.

    Something Before Christmas Tour dates:
    November 3 Toronto, ON Hard Luck Bar
    November 4 Philadelphia, PA Voltage Lounge
    November 5 Cambridge, MA Middle East Downstairs
    November 6 New York, NY Webster Hall
    November 7 Kittanning, PA Radioactive Events Center
    November 8 Lakewood, OH The Foundry Concert Club
    November 9 Pontiac, MI The Pike Room at Crofoot Ballroom
    November 10 Columbus, OH Park Street Saloon
    November 11 Chicago, IL Reggies Rock Saloon
    November 12 Burnsville, MN The Garage
    November 13 Saint Louis, MO Fubar
    November 15 Denver, CO Moon Room @ Summit Music Hall
    November 16 Salt Lake City, UT Billboard – live
    November 18 Orangevale, CA The Boardwalk
    November 19 Van Nuys, CA White Oak Music
    November 20 Anaheim, CA Chain Reaction
    November 22 Mesa, AZ Nile Theatre
    November 23 Albuquerque, NM Blu Phoenix
    November 25 San Antonio, TX Korova
    November 26 Fort Worth, TX Tomcats
    November 27 Houston, TX Scout Bar
    November 29 Orlando, FL Backbooth
    November 30 Saint Petersburg, FL Local 662
    December 1 Atlanta, GA The Masquerade
    December 2 Nashville, TN Rocketown
    December 3 Greensboro, NC Arizona Pete’s
    December 4 Freehold, NJ GameChanger World

  • Armin van Buuren Collaborates With a Different Kind of Artist

    Amsterdam is known for its artistic heritage.  Two separate art forms will join forces and collaborate in a unique way this fall in the Netherlands. The Van Gogh Museum is teaming up with DJ/producer and native son, Armin van Buuren to merge two separate art forms into one.

    Armin van BuurenUsually collaborating with other music artists, this will be a first for van Buuren. The one-off collaboration will see personal commentary and personalized music from van Buuren in the museum’s special edition multimedia guide, that will takes effect October 21, titled, “Embrace Vincent.”

    Van Gogh Museum director Axel Rüger commented about the collaboration:

    This collaboration sees us bring music, art and the museum together. Each form of expression influences the other; culture works as a unifying force. The Embrace Vincent project allows us to highlight how Vincent’s legacy remains relevant. And more importantly, that this legacy is being passed down to future generations. This takes numerous different forms, as is aptly illustrated by this collaboration between the museum and Armin van Buuren.

    Van Buuren has reached another incredible feat in the music world. On Sept. 30, van Buuren reached a milestone for his career, releasing his 15 year anniversary album in his A State Of Trance series titled I’m In A State Of Trance 15 Years. The two disc set features some of the greatest trance anthems by van Buuren and other top DJ/producers throughout the last fifteen years. Van Buuren was voted #1 DJ in the world five years in a row by DJ Mag, setting two separate records in the process; as the only DJ to have won five times and the longest streak at number one.

  • Getter Rips at Webster Hall

    Following the release of his stylistically diversified Radical Dude EP, San Jose native Getter (aka Tanner Petulla) wreaked some auditory havoc at Webster Hall on Friday, March 18. Fans were engaging Webster Hall’s social media channels with a fierce perseverance, determined to find out what time he went on as their excitement amplified leading up to his performance.

    HN3A3740_BW

    After a super heavy, brain-combusting dubstep set by New York’s own Symbiotic, Getter took the stage and swiftly opened with the first single from Radical Dude, “Rip and Dip.” Getter’s style of producing/DJing has evolved through the years from massive dubstep tracks to a diverse assortment of genres which culminate to an ethereal, trap-light sound that still contains those hard-hitting dubstep roots. His live shows are most definitely a reflection of his most recent release as he’s stated in interviews that he has purposely released his expanded styles to show fans that they can expect vastly different genres of producing in the future. When a producer and DJ of Getter’s caliber creates tracks like “666!” and can incorporate Enya’s “Only Time” and Fall Out Boy’s “Sugar We’re Going Down” into a live performance and have the crowd cross-eyed with amazement, it’s safe to say they are most definitely capable of broadening their approach and style with new releases and live shows.

    [embedyt] http://www.youtube.com/watch?v=JjJ90jhS84A[/embedyt]

    Some highlights of the performance included a “Damn Daniel!” sample, obligatory “SUH DUDE” appearance, which has an excellent melodic, crunching bass behind it, and some new tracks, namely one feat. rapper Pouya. Getter’s collaborations with Pouya and other rappers are a fascinating departure from his earlier work, clearly showing his range as a producer. I’d never seen a mosh-pit at an EDM show before Getter at Webster; glad he’s upgraded from the BASSment to the Grand Ballroom.

    [FinalTilesGallery id=’700′]

  • Big Gigantic Got Rowdy with a Sold Out Terminal 5

    Big Gigantic commenced their Spring tour to a sold-out crowd at Terminal 5 this past Friday, March 11th. The performance was chock full of familiar samples, super funky sax, meticulous drumming and a new and unique stage setup that appeared to have the duo commanding a spacecraft through a galaxy of super light beams.

    tmckenna_biggigantic_t514

    Upon entering the venue, the energy level was extraordinary. Once Big G took the stage it was clearly evident why; the combination of their music style and the amount of energy and intensity they put into a performance is infectious. When you see saxophonist Dominic Lalli belting out a solo whilst sweating bullets or drummer Jeremy Salken laying down an intricate groove with tons of focus it’s very easy to appreciate their talent & dedication and give it back by showing off your funkiest moves to those closest to you. Big G got the crowd super hyped with tracks new and old, namely their new single, “Little Things” (feat. Angela McCluskey) which has an excellent balance of EDM styled builds and drops and anthemic piano/sax along with an excellent dose of sultry, soulful vocals. They dropped some Griz x Big Gigantic with “Let The Good Times Roll” as well as their celebrated remix of Aloe Blacc’s “Need A Dollar” which had fans sending singles off of the third level balcony. Ivan Jackson from Brasstracks was Big G’s very special guest and ably brought his brand of brass to the sold out crowd by guesting on a few tracks.

    Big Gigantic is forging an awesome place for themselves in the live instrument/production genre as their evolution of sound has continuously been on an upward trajectory. I’m hoping to catch their sets at some festivals this summer as they will surely not disappoint.

    Around New York, you can see Big Gigantic performing at Summer Camp Music Festival on May 29 and Camp Bisco on July 14.

    [FinalTilesGallery id=’683′]

  • Choose Your Own Genre: Ether Band at Brooklyn Bowl

    Way back when on Friday February 5, Ether Band took their fans and the patrons of Brooklyn Bowl on an improvised auditory journey like no other. This experience is extremely unique as the audience is invited to aid in the style of music the band plays by choosing the key and genre before each performance. That means that every song or jam is very particular and a surprise for all in attendance. tmckenna_ether_bkbowl_14

    There was a very special guest present as famed trombonist Natalie Cressman joined the band for their improvisational expedition as the night ranged from “EDM in D” to “Nola Funk in F#,” “Williamsburg Chainsaw Massacre in F” and even some “Light Metal in D.” No matter what Ether Band played they exuded massive amounts of precision musicianship and talent; it’s as if they were reading each other’s minds during the performance. Every genre displayed someone’s chops in full swing and had the crowd moving non-stop.

    As a fan of live, improvisational music I realized that it is an absolute treat to witness an Ether Band performance; the audience CHOOSES what the band plays which ensures that no show is the same, the band is comprised of incredibly talented musicians that continuously find each other’s grooves, and lastly, there are amazing guest musicians that join in on the fun. If you’re able to see them live I implore you to do so, it’s certainly an adventure.

    [FinalTilesGallery id=’670′]