Tag: Brooklyn Bowl

  • Best of NYS Music 2016: Staff and Reader Picks for Best Shows by Region and Best Venue in NYS

    NYS Music is celebrating the end of 2016 by posting staff and reader picks on 10 various categories, and today we are highlighting the winners of the Best Show by Region and the Best Venue in New York State.

    We polled the staff and asked our readers for their input in eight other categories: Best Albums by NYS Artists, Best Albums Overall, Biggest Musical Loss, Best Live Cover or Tribute Performances, Best NYS Festivals, Best Out-of-State Festivals, Best Music Town, and Bands on the Rise.

    Best venue in New York State:

    The number one venue, according to our staff pick, is the Saratoga Performing Arts Center (SPAC).

    SPAC is a focal point for music for areas like upstate New York, the Hudson Valley, Vermont, the Berkshires, and Connecticut. Originally instated in the late 1960’s,  the concert venue has held some of the greatest acts of our age, including an iconic performance by the Doors in 1968, and others such as, Santana, Guns N’ Roses, Aretha Franklin, Whitney Houston, KISS, Pearl Jam, Bruce Springsteen, Pink Floyd, Phish, Dire Straits and The Grateful Dead, to name just a few. Dave Matthews Band holds the title of the most sold-out performance at the venue.

    This summer, SPAC had a full schedule of not-to-be-missed performances, in celebration of their 50th anniversary summer. NYS Music staff writer, Mike Kohli, wrote a preview to highlight the eventful 2016, that you can read here.

    “…highlights of this season include a three-night run from Phish July 1 to 3 and a double bill of Dave Matthews Band July 15 and 16. Dead and Company pay a visit to SPAC June 21 with John Mayer laying down Jerry’s licks, and Mumford and Sons bring their electric brand of folk to a sold-out show on June 15.”

    We are looking forward to seeing what summer 2017 at the SPAC will bring!

    Our readers picked differently, however, and the winner this year for the Best Venue in NYS was the Brooklyn Bowl. The Brooklyn Bowl was opened in 2009 and has since become one of the more prominent venues in New York State.

    Following closely behind it were The Capitol Theatre, SPAC, The Hollow and The Town Ballroom which all tied for second place.

    Best Show by Region:

    The staff pick for the Best Show by Region was Dead & Co. at the SPAC on June 21.

    Pete Mason wrote the following in his review of the evening:

    “With Dead and Company having started their fall tour in Albany this past October, Capitaland got the first taste of John Mayer in a Jerry Garcia role, one that brought criticism and concern from those who weren’t familiar with Mayer’s guitar prowess but experts in tabloid fodder. But to those in the know, musicians and real fans alike, convivial awe and heightened expectations were the emotions directed toward Mayer, and when the October show ended with “Touch of Grey,” any musical concerns were laid to rest.

    And they were laid to rest over and over, as the tour wrapped around the country, culminating with New Year’s Eve in Inglewood, CA, and now a summer tour that began this month, including a stop at Bonnaroo. Four shows deep and the expectations for the performance at SPAC on June 21 were as high as ever, partially because three members of the original Grateful Dead were back in Saratoga for the first time in more than 20 years, and partially thanks to no repeats in the setlist during the previous four nights.”

    To see a full recap and photo gallery by Jim Gilbert, go here.

    The readers’ picks for the best show were Twiddle, TAUK, Holly Bowling and Matisyahu at Capitol Theater on May 7.

    To read the full review of the event, go here:

    “Take the fastest rising jamband in recent years, add in a hot prog-rock band boiling over with talent, a classically trained pianist performing the music of Phish and The Grateful Dead, and a cross-genre reggae singer and you have the fixings for one of the best nights of live music The Capitol Theatre has seen this year, and that’s saying a lot.”

    NYS Music had a chance to talk to Ryan Dempsey of Twiddle before the show, see the interview below:

  • Papadosio at Brooklyn Bowl, Friday November 11

    Papadosio kicked off their two night run at Brooklyn Bowl on Friday, November 11 with Consider The Source performing an opening Radiohead tribute set, followed by two sets of Papadosio.
    Set 1: By The Light > Advocate XL, Each and Every Wave > Dream Estate XL, Vactrollio
    Set 2: Euclidean Lights, Giving You Up 1/2 > New Love, Mr Turtles, Smile Nod XL, Giving You Up 2/2
    Encore: Cue
    papadosio brooklyn bowl
  • HeadCount Presents “Soundtrack to History” at Brooklyn Bowl

    Tuesday night saw, what seemed like, a never ending election style end to the tune of some funky, improvisational music at this photog’s favorite small NYC venue, Brooklyn Bowl. It was here that HeadCount presented a “Soundtrack to History” via the Everyone Orchestra. Hosted by Matt Butler, Everyone Orchestra is an ever changing cast of musicians who are conducted through a dry erase board and crowd participation.

    This evenings cast for Headcount’s “Soundtrack to History” was no slouch, and included Marc Brownstein, Steve Kimock, Marco Benevento, Karina Rykman, Mihali Savoulidas, Vinnie Amico, Jeremy Salken, Jay Jennings, Chris Bullock, Natalie Cressman, Jans Ingber, and, unannounced for the second set, Robert Randolph. What a list… apologies if I missed someone.

    headcount Soundtrack to HistoryAs you can tell from the gallery below, the Bowl had televisions tuned in to the election, offering a unique vibe to say the least.  There were cheers, jeers, eyes locked high to the walls and not at the stage, and nearly everyone on their cell phone. Not a reflection of the music in any way, as this was my favorite EO show I’ve caught over the years, exceeding expectations to be quite honest. Feel free to make your own call as the show is available on YouTube.

  • Don’t Miss Saturday’s Jam Packed ‘Brooklyn Comes Alive’

    On October 22, the musical jam spirit in New York will be at its height when the sold-out Brooklyn Comes Alive festival comes to three venues in the heart of Williamsburg. This one-day event features a veritable who’s who spanning the jam band, funk and electronic scenesbrooklyn-comes-alive-2016-featured

    Members of The Disco Biscuits, Medeski, Martin & Wood, The String Cheese Incident, Lettuce, Break Science, Greyboy Allstars, Mike Gordon Band, Joe Russo’s Almost Dead, The Tedeschi Trucks Band, Soulive and the Trey Anastasio Band are just a few of the more than 50 artists slated to perform.

    This event promises to feature performances from hand-selected super groups, impromptu jam sessions, and very rare collaborations, kicking off with brunch and running well into the depths of the evening. The venues that will host this monstrosity also happen to be Brooklyn’s most popular venues – Brooklyn Bowl, The Hall at MP, and Music Hall of Williamsburg, which are all conveniently within a 10-minute walking distance from each other.

    With the festivities kicking off at noon at The Hall at MP, brunch will be hosted inside at the MP Taverna, featuring an amazing dining experience from Michelin Star chef Michael Psilakis. For those that are worried about missing out on some of the action while fueling up, live audio will be pumped into the dining room to keep the grooves going.

    Also featured are members from groups such as The Knux, Ne-Yo, Snarky Puppy, RAQ, Nth Power, Stanton Moore Trio, Kung Fu, Primus, Dopapod, Garaj Mahal, Dub Trio, Gov’t Mule, The Black Crowes, The Stepkids, Deep Banana Blackout, Matisyahu, Organ Freeman, and Santana. In addition to the collaboration of band members from different groups, established solo artists will be making an appearance including Samora Pinderhughes, Raul Pineda, Farnell Newton, Chauncey Yearwood, Ian McGuire, Wiley Griffin, Luke Bemand and Dan Lyons.

    Holly Bowling, the solo pianist who takes Phish and Grateful Dead classic jams and transcribes them arranged for piano, will open the festivities just after noon at The Hall MP of Brooklyn. Highlights include the All Brothers Band — featuring Oteil and Kofi Burbridge, and Neal and Alan Evans — Tim Palmieri and Friends, DRKWAV, which features John Medeski, Adam Deitch and Skerik, and Horizon Wireless.

    Reed Mathis and Electric Beethoven is a new group that takes inspiration from Ludwig Van Beethoven, and has arranged some of his classic pieces for a rock group. This is one of the must see acts of the festival. The Rhythmatronix, featuring Jason Hann, Oteil Burbridge and Sting and Garage Mahal guitarist Fareed Haque, are the late-night group at The MP. This is just a small smattering of the incredible lineup put together by Live 4 Live Music.

    A few hours after brunch is concluded, Brooklyn Bowl and Music Hall of Williamsburg will open and will stay open throughout the night.

    final-bca-sched

    Full List of Performers:
    Joe Russo (Joe Russo’s Almost Dead/Furthur/Benevento-Russo Duo)
    Oteil Burbridge (Allman Brothers/Dead & Company)
    Marc Brownstein (The Disco Biscuits)
    Aron Magner (The Disco Biscuits)
    John Medeski (Medeski Martin & Wood)
    Borahm Lee (Break Science)
    Natalie Cressman (Trey Anastasio Band)
    James Casey (Trey Anastasio Band)
    Chris Bullock (Snarky Puppy)
    Scott Metzger (Joe Russo’s Almost Dead)
    Kofi Burbridge (Tedeschi Trucks Band)
    Alan Evans (Soulive)
    Neal Evans (Soulive)
    Eric “Benny” Bloom (Lettuce)
    Jesus Coomes (Lettuce)
    Adam Smirnoff (Lettuce)
    Ryan Zoidis (Lettuce)
    Roosevelt Collier
    Michael League (Snarky Puppy)
    Skerik
    Todd Stoops (RAQ)
    Nate Werth (Snarky Puppy)
    Nikki Glaspie (The Nth Power)
    Nick Cassarino (The Nth Power)
    Nate Edgar (The Nth Power)
    Courtney J’Mell Smith (The Nth Power)
    Manic Focus
    Will Bernard (Stanton Moore Trio)
    Tim Palmieri (Kung Fu)
    Jay Lane (Primus/Electric Beethoven)
    Rob Compa (Dopapod)
    Eli Winderman (Dopapod)
    Adrian Tramontano (Kung Fu)
    Holly Bowling
    Rob Marscher (Matisyahu)
    Brasstracks
    Fareed Haque (Garaj Mahal)
    Cochrane McMillan (Tea Leaf Green)
    Andy Hess (Gov’t Mule/The Black Crowes)
    Eric Slick (Dr. Dog)
    Dan Edinburg (The Stepkids)
    Jen Durkin (Deep Banana Blackout)
    Johnny Durkin (Deep Banana Blackout)
    Jason Hann (The String Cheese Incident)
    Adam Deitch (Lettuce/Break Science)
    Robert Walter (Greyboy Allstars/Mike Gordon)
    Reed Mathis (Electric Beethoven)
    Rob Somerville (Kung Fu)
    Benny Rietveld (Santana)
    Jake Sherman
    Raul Pineda
    Farnell Newton
    Danny Sadownick

  • Tea Leaf Green Makes The Crowd Scream

    ‘Twas a night of dim lit eye candy and musicality, where Stop Light Observations opened up the evening ahead of Tea Leaf Green at Brooklyn Bowl on Saturday, October 15, like a fresh can of soda pop. SLO, a southern-retro-electro-rock band, holds an intricate blend of influences, some of which include revival, folk, Motown, and indie. Groups like this one build a strong bond over the years, having been formed in their teens.

    tea leaf greenThe members entered and dropped their little pup on the stage, being their biggest groupie. Fans obsessed over the charming pooch as his friendliness filled the atmosphere and matched the cool vibes of the performance.

    The crowd was getting rowdy, for Tea Leaf Green was due to perform next and blow the audience away. Alas, the musicians played a mean set at this fine tea party; Josh Clark sparked the floor with his guitar and powerful vocals, Trevor Garrod made love to the keyboard and killed it with the harmonica adding some vocals as well. Eric DiBerardino made the crowd bounce with his bass. Lastly, Cochrane McMillan and Scott Rager beat the drums to match the rhythm of the fan’s heartbeats.

    They played moving songs throughout the night, some of which included “Sleep Paralysis,” “Red Ribbons,” “Germanating,” “Bouncing Betty,” “Let us Go,” and ended the night with “Incandescent Devil.” Each song had its own bit of flare with an emotional build up and release, including a bit of rock, jam, and hypnotic beats.

    tea leaf greenTLG stems from the heart of the Golden State in San Francisco; these talented individuals pour love and dedication into their stellar performance, with an array of overlapping vocals. Each artist fused a piece of their soul into each album, which ultimately created an intriguing mix of sounds; if only I could spread this kind of jam onto my toast.

  • Set Up Like a Bowling Pin: JRAD Knocks Down the Brooklyn Bowl Run

    If the Brooklyn Bowl ever decides to create a Hall of Fame, Joe Russo’s Almost Dead (JRAD) can be sure to add “Fall Ball 2” to their list of accomplishments. As Saturday night wrapped up the sold out three-show run for this incredible quintet, I will non-apologetically say that they are the most important “cover band” in the world and are potentially better than anything Grateful Dead related today. The Bowl was where they capitalized on their first run as a newly developed powerhouse and years later, this all-star side project has become nationally recognized and a force to be reckoned with.

    “Blues for Allah” welcomed the crowd to the show. The Dead rarely performed the spacey and complex composition live, which JRAD seems to greet as a challenge and ambitiously took the “Blues” to another level before stepping into a starry “Eyes of the World.”   A delicate transition into “Minglewood Blues” was highlighted by Scott Metzger’s fiery guitar solo turning into the first fist-pumping barn-burner of the night. The band slowly eased into “The Wheel” with an extended jam taken over by Tom Hamilton in between the first and second verses. I couldn’t help getting chills as the five pieces screamed out the lyrics “bound to cover just a little more ground.” Observing the usual peaks and valleys of “The Wheel” from a viewpoint that only JRAD could capture was truly a magical experience and one of the highlights of the first set.  The breathtaking transition into “Ramble On Rose” got the predictable crowd explosion as “just like New York City” was sung to their hometown audience. There was a Tom Hamilton lyrical mishap but with the room in a trance, nobody seemed to give a flying flub.

    Merle Haggard’s “Mama Tried” was technically the night’s first cover that this cover band covered (make sense?). The cowboy song gave the thirsty crowd a few short minutes to grab a beer before returning for the otherworldly “Morning Dew.” The unusually energetic intro to the tune made some Heads scratch their beards but the euphoric meltdown in the middle orchestrated by Joe Russo’s team-captain drumming leadership was as mellow as it gets on a Saturday night. The always-powerful refrain was given some extra juice by Dave Dreiwitz’s bass bombs shaking the rafters as the first set came to an impressive close.

    The second set got asses shaking right off the bat with “Crazy Fingers” and I am pretty sure you could actually smell the reggae influenced magic in the air. Another incredibly silky transition led to the monster “Truckin’” and once again the crowd showed some extra excitement in the lyrical reference to New York. The band also got a kick out the lyrics “set up like a bowling pin” which was evident by their ear-to-ear smiles as they exchanged glances. Joe Russo instigated a quick “The Other One” tease to keep the set list note takers on their feet, but the scribes weren’t disappointed with the next rarity, Donny Hathaway’s “Magnificent Sanctuary Band” popularly performed by the Jerry Garcia Band.

    “Help On The Way> Slipknot” was the jazzy cherry on top of the second set sundae and gave Marco Benevento a chance to have his wings spread bright on the organ. Where Hamilton vocally shined during the first section, Benevento added a haunting solo during the thick of the jam. While many came to expect a glowing and upbeat “Franklin’s Tower” to be the other piece of bread to this incomplete sandwich, Benevento and Russo teamed up to create an eerie transition into “Estimated Prophet” which was reminiscent of an early Pink Floyd sample. Benevento used an effect that sounded like a spaceship in Atari’s Galaga being abducted by a larger spacecraft and the retro noise was very suitable at this point in the night. The first guest appearance came during the set closer as Chris Harford (Band of Changes) joined the boys for Neil Young’s “Hippie Dream” off the 1986 album, Landing on Water.  The gritty and bluesy piece gave each member the instrumental spotlight for a moment before they stepped off stage.

    The encore was an unannounced nod to a long time friend and JRAD enthusiast that recently passed away. “He Was a Friend Of Mine”, a traditional folk song popularized by Bob Dylan was performed acoustically as the members displayed their first sorrowful tone on stage since “Morning Dew.” This version is not to be confused with the “He Was a Friend of Mine” cited in Grateful Dead set lists throughout the mid to late 1960’s and felt more like something you may hear off a Garcia/ Grisman compilation. While the somber acoustic tune mourned the loss of a loved one, “Not Fade Away” celebrated their friend’s life and memory. The boys were back on their electric instruments as half the crowd “air keyed” along with Marco. Seasoned Deadheads began the “Not Fade Away” ending clap-chant combo along with the band, which echoed for a solid five minutes even after they left the stage. Security opened the exits encouraging fans to leave, but the community energy was keeping everyone warm inside and sure enough, the group came back for a surprise second encore, “Bertha” to cap off an incredible evening.

    As the house music played and the audience finally began to exit the venue, I couldn’t help but stare at the vintage poster that has hung above the side doors since the early days of the Brooklyn Bowl. While the band’s title bares the description “Almost Dead” the words next to this mystical werewolf poster read “Real, Alive” and after a throw down like Saturday night, I think we can all side with the wolf.

    Joe Russo’s Almost Dead is covering a little more ground at the Brooklyn Bowl on December 29th before taking a short trip north for their two night New Year’s run at the Capitol Theatre on December 30th and 31st. Tickets are going fast and after this past weekend they are sure to sell out soon!

  • Hearing Aide: TAUK “Sir Nebula”

    On September 16, 2016 Long Island’s very own TAUK will be releasing Sir Nebula. This will be their fourth studio release, fifth along with their live double album, HEADROOM. Sir Nebula is being released by STS9’s record label, 1320 Records and is available at taukband.com.

    TAUK "Sir Nebula"Captivating the knowable instrumental fusion that is TAUK, the four piece has again proven they have earned their right to be performing on a professional level with bands such as Umphrey’s McGee, Lettuce, Thievery Corporation, and more. Since their lineup completion in 2012 TAUK has been working harder than most to show music appreciators their brand. Constantly spreading the name TAUK with tours of 30 plus shows, always writing new material, and producing albums on their ‘time off.’ Bassist Charlie Dolan says when the band is in the studio it is “a time where we can really try to expand what we do, try new things and rediscover who we are.”

    Listening back to tracks such as “Side Project” from Pull Factors, you can really understand Dolan’s statement. TAUK’s use of melody and creating a singular sound with four people cohesively creating music is a consistency they will always have. As they have progressed and grown you will notice in this new album their use of effects and technology followed by true musicianship.

    The first single “Horizon”  follows the TAUK path but with a major punch. With a really interesting intro of each member coming in piece by piece into all four members melodically arpeggiating notes into a break. Following this path throughout the song with each member touching back at the their root tag but staying extremely progressive.  A fully captivating tune.  The track playing in the beginning of the video preview of the album (below), “Program Select,” will also give you further taste of what’s to come. At any giving moment this track can take you in a surprisingly new direction with trap into another explosive well section.  The entire album follows this theme and keeps you interested. Individually each track ‘TAUK’s’ for itself but I would suggest sitting back and listening to it as a whole, keeping you interested and on a path of excitement of what’s to come next.

    Watch TAUK talk about Sir Nebula:

    Whether you’re at a show or festival with the desire to get down, driving all 119 miles from Montauk to NYC, or just feel like listening to music Sir Nebula is a perfect choice.

    Key tracks: Horizon, Program Select, Time’s Up

  • Vulfpeck and Friends Celebrate a Funky Friday at Brooklyn Bowl

    Vulfpeck returned to the Brooklyn Bowl for a Friday night funk fest, which showcased their incredible talent while welcoming numerous special guests. The sold-out room was greeted with a mellow, opening performance by Joey Dosik. Dosik performed the first Beatles cover of the night, “Don’t Let Me Down,” before giving us a taste of some of his originals off of the Game Winner EP.

    vulfpeck brooklyn bowlAs the members of Vulfpeck appeared on the Brooklyn Bowl stage, fans new and old dropped everything they were doing to rush as close to the front as possible. One thing that this foursome is well known for is heavy crowd interaction. The closer you are to the stage, the more involved you will be at these shows. Right off the bat, asses were shaking and high fives were being exchanged as the band treated us to “Outro” from their 2012 release, Vollmilch, with help from their friend Eddie Barbash on sax. The Vollmilch album was highlighted two more times in the beginning of the show with the danceable “Barbara” and “Mean Girls” before welcoming groove drummer, Bernard Purdie to the stage for “It Gets Funkier.”

    vulfpeck brooklyn bowlAlmost half way through their relatively short set, the guests continued to pour on stage as Dosik joined Vulpeck for “Game Winner” and the second Beatles cover of the night “Something.” The floor of the venue was certainly packed with groove enthusiasts, but at this point there wasn’t much space on stage either. As if having the funk innovator, Bernard Purdie, wasn’t enough of a treat for these guys, they enlisted help from Melissa Gardiner and Rachel Price (Lake Street Dive) to tackle Aretha Franklin’s “Rock Steady.” Joe Dart’s bass playing was a key feature in this solid cover as the tasty brass sounds echoed down the bowling lanes.

    vulfpeck brooklyn bowlThe crowd was fully locked in and feeling the horn section when the Vulf brought well known, Antwaun Stanley up to sing the extremely soulful, “1612.” Stanley’s vocal ability and stage swagger add the one-two punch these suburban boys from next store need to construct a more powerful song. During “1612”, New York, NY wanted to be a part of it, as the audience became one with the Vulf. Lyrically, these guys tip their hats to one of this city’s most iconic figures “Frank Sinatra” and with the crowd belting out the tune with Stanley, it was clear that these guys are forever welcomed in the city that doesn’t sleep.

    There was no slowing down at this point as the group nailed another classic, “Boogie on Reggae Woman,” written by Stevie Wonder and covered by numerous other bands that know a thing or two about good music. Stanley remained on the stage through the lyrically ridiculous “Funky Duck,” which can be found on their most recent album, Thrill of the Arts. Louis Cato was then brought on to help with “Wait For The Moment” and “Beastly” as Stanley walked off stage to the cheers of a very grateful room.vulfpeck brooklyn bowl

    “Christmas in LA” gave the band and the crowd a breather packed with banter from Jack Stratton and Theo Katzman. Probably the most well known song to new followers of the Vulf, “Back Pocket” ended the set. Gardiner and Barbush brought the brass back into the mix, while Stanley enlisted help from the audience for the hook. One more cover, “Kid Charlemagne” by Steely Dan was executed in the funkiest of ways for the encore. Who knows what Vulfpeck will bring to the table for Saturday’s final night at the Bowl. They have had many repeats in their first three shows of this NY run and with their limited, yet powerful catalog, fans do not seem to mind. The group continues to surprise us by welcoming numerous guests onto the stage physically and welcoming funk icons into the room sonically through their amazing covers. After seeing so many smiling younger faces fill the streets of Williamsburg after the show, I was reminded that Vulfpeck isn’t just the funk band that this generation wanted, but it’s also the one this generation needed.

  • Brooklyn Comes Alive to Feature 50 Artists this October

    On Saturday, October 22, Brooklyn Comes Alive, an indoor festival that debuted in 2015, will return with performances from 50 artists showcased across three venues – Brooklyn Bowl, Music Hall of Williamsburg and The Hall at MP, each a 10 minute walk from the others. Solo sets, unique acts and familiar and new supergroups will perform throughout the day from 12pm-12am.

    Update 8/18: The first supergroup for the event, Breaking Biscuits, featuring both members of Break Science and Marc Brownstein and Aron Magner of the Disco Biscuits, has been announced.

    Be sure to grab advanced tickets now to secure your spot at one of the most momentous musical occassions of the year! For those seeking to be fully immersed in the Brooklyn Comes Alive experience, consider purchasing VIP tickets, which grant access to the Brooklyn Bowl “Artist Lounge” as well as access to private VIP viewing areas at Music Hall of Williamsburg and The Hall at MP.

    Members of The Disco Biscuits, String Cheese Incident, Ratdog, Lettuce, Trey Anastasio Band, The Nth Power, Dopapod, Gov’t Mule and many more will take part in the day long marathon of music. Musicians are encouraged to create their own groups and concepts, and bring together new collaborations with a spirit of community.

    Music starts at noon on October 22 at The Hall at MP, with a brunch inside The Hall and at the adjoining restaurant MP Taverna. Brooklyn Bowl and Music Hall of Williamsburg will open up in the early evening, with all three venues remaining open all night long.

    Note: both The Hall at MP and Music Hall of Williamsburg are 18+ venues, while the Brooklyn Bowl is strictly 21+. If you are between the ages of 18 and 21, you are welcome to purchase a ticket, however you will not be allowed access to the Brooklyn Bowl.

  • Cousin Earth to make Brooklyn Bowl Debut Friday, August 12

    This Friday, August 12, Brooklyn’s Cousin Earth will make their Brooklyn Bowl debut at 8:30 p.m. The five-piece band is rich in diversity, performing with ukulele, melodica, Ubass, kazoo; play a variety of originals and covers, with a style spanning genres and drawing in fans with anything from bluegrass to electronica with just about everything covered in between.

    When NYSMusic first encountered Cousin Earth at Rock n Roll Resort 2015, Neil Benjamin had this to say:

    “Cousin Earth, a five-piece, is about as far from a gimmick as possible. Calfa plays an electric ukulele, tuned GCEA, Corey J. Feldman plucks a four-string U-Bass, which is essentially an electric bass the size of, you guessed it, a ukulele. On lead vocals and melodica is Tara Lawton, a trained theater actor, who fits perfectly with Terry Brennan, another actor. Together, the pair added a Broadway-style flair to the hour-long set. On the backbeat is Nate Searing.

    The group’s sound is so rich and full. I heard everything from calypso, to jam rock to hip-hop, reggae and even video game themes. Cousin Earth opened with a riveting cover of Phish’s ‘Possum,’ which featured Calfa’s technical, but fun, chops. Out of all the acts I witnessed for the first time this weekend, Cousin Earth gets my recommendation for band you absolutely need to experience.”

    Cousin Earth opens for Love Canon, performing bluegrass covers of your favorite ’80s hits. More info here.