Tag: albany

  • Sonic Boom: Cage the Elephant Stampedes Albany’s Palace Theatre

    “We’re not going to have any of that sitting down shit,” announced Cage the Elephant’s guitarist, Brad Shultz, during the band’s May 11 show at the Palace Theatre. Staying true to this promise, the Kentucky rock band delivered a stand-up spirited and dynamic two-hour performance — with frontman Matt Schultz constantly careening around the stage — that literally kept the crowd on its feet.

    Originally planned for the Times Union Center, the concert was moved to the Palace Theatre earlier this month, and ticket holders were granted general admission seating in the floor and balcony sections of the historic Albany venue.

    The night began with the Oklahoma-based indie group, Broncho, who is expected to release a new album, Double Vanity, on June 10. Portugal. The Man followed with an energetic performance that primed the crowd with excited anticipation for the night’s headliner; stand-out highlights include “Modern Jesus,” “Purple Yellow Red and Blue” and a familiar melody heard toward the set’s end that teased the Beatles “I Want You (She’s So Heavy).”

    Cage the Elephant opened with “Cry Baby” from their most recent album, Tell Me I’m Pretty (2015), and soon after played “Spiderhead” off of the Grammy-nominated Melophobia (2013). The audience sang along to every word of “Spiderhead,” as Matt Shultz danced and strutted across the stage. His energy was relentless throughout the night, as the lights flashed in sync with the beat of the drums and reached to the balcony with colorful designs.

    Toward the middle of their set, they played the crowd-pleasing hits “Trouble” and “Ain’t No Rest for the Wicked.” As the night progressed, individuals attempted crowd surfing or jumped on stage themselves to join the band. This didn’t seem entirely discouraged by security, or the band themselves; throughout it all, Matt Schultz displayed unyielding stamina that never slowed down or stopped. They closed the show with the popular tune “Come A Little Closer,” before performing a three-song encore.

    Coming back before the encore, Brad Schultz led the audience in a sing-along for touring guitarist Nick Bockrath’s birthday. This was followed by more group singing during “Cigarette Daydreams” with the lead singer holding his microphone stand out to the audience, and again for “Shake Me Down.” As the evening came to a close, more and more individuals jumped on and off stage.

    For the last song of the evening, Matt Schultz remarked, “let’s see how many of you we can fit on this stage,” which led to a surge of audience members in floor seating to rush the stage. A mass of people joined the band, dancing along, as Matt and the rest of the gang became nearly indistinguishable among the crowd, while closing with “Teeth.”

    Cage the Elephant delivered an unyielding, frenzied performance. Despite sporadic issues with the sound, it will remain as a memorable concert moment, particularly due to lead singer Matt Shultz’s resilience and energy throughout the Wednesday evening Palace Theatre performance.

    Set list: Cry Baby, In One Ear, Spiderhead, Take It or Leave It, Aberdeen, Too Late to Say Goodbye, Cold Cold Cold, Trouble, Ain’t No Rest for the Wicked, Mess Around, Punchin’ Bag, Telescope, Back Against the Wall, It’s Just Forever, Come A Little Closer

    Encore: Cigarette Daydreams, Shake Me Down, Teeth

  • Supporting Local Music From The First Note

    Have you ever thought about where your favorite famous musician started before they played in arenas around the world? Probably not. Chances are, at one point, every artist you can think of was playing a show to a handful of people rather than a sold-out crowd.

    It’s easy to forget that once upon a time, one of the only ways to discover musical artists was by going to the local music venue. There are some amazing talents hidden away in small and big towns alike with dwindling options for places to play their music for other people.

    The local music scene has been near and dear to my heart for quite a few years now. One word to sum up the scene is, family. I have experienced different music scenes from all over and this seems to be a common theme. Here in Buffalo, we are blessed to have such a tight knit music community.

    I am a professional music photographer and work with many of the bands here in Buffalo and sometimes in the Rochester area. Local music is very important to me and is one thing in life that keeps me going. I love capturing the truest of emotions on stage. That is something that cannot be recreated. I’m in it for the long haul, to make a career of this.

    Music is a powerful means of connecting people. It bridges linguistic and cultural divides, and is a vehicle for identity and expression like no other.  Music has the power to do this, no matter where you come from or your background.  Music, is one thing that brings all walks of life under one roof.

    I also love that no matter which genre of music I’m covering, we all treat each other with a sense of community. I see many musicians from different bands on their off night come support their brothers and sisters as they play locally. I’ve seen just about every vantage point in the music scene. I’ve been the band girlfriend; witnessing the countless hours and money artists spend writing and recording, trying to make a name for themselves. I’ve seen the local promoter putting in their own money, working to find artists who fit the same bill; taking chances on bands that nobody knows exist, hoping to possibly just break even.

    Buffalo is one of many communities that suffers when a local venue closes. Venues are struggling financially and are on the fence about whether or not to continue providing live music. We take this for granted.  To keep local music alive, it’s as simple as supporting the artists and the venues by buying a ticket to see the show or buying something from the venue; a beer, coffee or dinner. Sometimes venues will also dedicate a portion of the night’s bar revenue to the bands, making this a win-win situation.

    Musicians are a healthy part of local economies. When we support them, we are supporting a number of business owners and employees, including the local bars and venues, screen printing companies, record labels, record stores, even the food trucks on the street outside the venues.

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    If the music is something that tickles your fancy, consider purchasing the artist’s CD or a t-shirt. Musicians are often not getting paid their worth from venues and many end up losing rather than making enough money to cover  expenses. Many artists have the burden of working tirelessly to expose their music, most on penny-pinching budgets. Wearing a band’s t-shirt, listening to their music or even mentioning the music to friends is a simple way to continue your support long after the live music has ended.

    Live music has a power that can last long after a single performance. Lyrics and tones pull feelings from you that you have never experienced. The energy of a live show needs to be felt. Bands and artists pour their hearts and emotions into their live performances, and while the crowd is feeding off that energy, the band is feeding off the crowd.

    Checking out a local show is a much more intimate experience, and there’s no corporate music nonsense involved, meaning you’re truly hearing what the artists want you to hear.  These guys and girls on stage have day jobs just like the rest of us. They can be the girl from the coffee shop serving you your daily medium coffee, two cream and a muffin or the plumber who helped fixed your busted pipes on an emergency night call. Some of us are doing this for fun and some are striving for stardom. Regardless of what each individual`s motive is, support is what keeps it going.

    We must also extend our hands to local bands that took that leap of faith and decided to take their music on a weekend or a month-long tour to play with bands local to those cities in hopes of spreading their name.

    I`m happy to see fellow music lovers offer the courtesy of their homes to those traveling bands so they don’t have to spend money that can be used elsewhere on hotels or forced to sleep in their vans in the frigid or scorching weather.

    The bottom line is, don’t stop enjoying internationally known bands, just make some time to go to a local music venue and support the ones who are starting from the ground up, where their lyrics are true and haven’t been touched by 30 hands. Who knows, you may even be watching the birth of the next great star!

  • Talking Bernie & 4/20

    We sit around in the green room at The Hollow in Albany, NY, listening to the muffled sounds of Dr. Jah and the Love Prophets play their opening set of the 4/20 Party above us.  From my left to my right sit Formula 5’s Joe Davis (guitar, vocals), Matt Richards (keys, synth, vocals), and James Woods (bass).  They’re a great group of guys who have an incredible rapport, making fun of one another and seldom not laughing or smiling.  It’s no wonder they have a symbiotic stage presence and ability to make the music talk to the crowd.

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    We start talking about the fact that they are playing their first official 4/20 party and what kind of importance the day has.  Aside from the obvious sociopolitical talking points and stoner jokes, Joe quickly says, “It’s just another day,” which receives instant consensus from his bandmates.  They talk about how the day does mean a lot to many people and it’s a great opportunity to play a show on a day that’s so widely celebrated.

    Formula 5 is no stranger to playing in front of large crowds during massive celebrations.  The Monday before, they played in front of 4,000 people at the Albany Rally for Bernie Sanders, at which the 2016 Democratic Presidential Candidate gave an invigorating and inspiring speech.  When asked about their individual experiences they all gave answers filled with excitement and pride, reflecting on a day that they really didn’t see coming.

    Matt’s friend, Brian Maier, organized the rally and invited Formula 5 to be the musical act to support Bernie.  Since the event was planned and announced in short order, the band found out only two days before, on Saturday.  “It all happened really quickly,” said Woods.  “Matt let us know (Saturday night) that [the rally] was Monday morning.”

    Load-in was Sunday night and first set started at 11 AM on Monday.  It was an experience few bands ever get; organizing with Secret Service, playing for a large room where people attending were there for something other than music, and the intensity of meeting one of the most popular Presidential candidates in the history of the US.

    “It was a sweet experience for us,” said Joe.  “I had never been to a political rally or anything like that before.  To go to one in my hometown and to be a part of it was pretty sweet.”  He went on to talk about how, contrary to what he thought an event like that might be like, the energy was very high and attributed it to Bernie’s ability to really get a crowd excited about changing the country for the better.

    Matt added that their exposure as a band has grown quite tremendously since being able to support Bernie Sanders at his rally.  Playing for 4,000 people and getting publicly thanked by Bernie at the commencement of his speech has boosted their social media support by the hundreds and grew their video exposure by the thousands.  “It was a very surreal experience playing to that many people,” he said.  “It was very different from any show we’ve ever played; not just the experience, but the atmosphere itself.”

    Being entertainment for the day, while not being the main attraction, along with the typical club security experience being replaced by Secret Service police officers made for a truly unique adventure.  Matt was probably the most excited to talk about dealing with the Secret Service.  “It was kind of cool just being backstage in an area where no one is allowed to be,” which is quite different from even the most strict security at the green room door.  Matt continued to boast about Secret Service commanding him that he wasn’t allowed to be backstage and being able to reply, “No, I can. I actually can. I’m in the band.”

    Even with Matt’s ability to tell those federal police officers what was what, they still had to follow strict protocol, especially when getting to meet Bernie after his speech was done.  They were guided in very structured fashion to what they called, in unison, the “safe room.”

    After we wrapped up our conversation they took the stage.  They instantly galvanized the crowd by opening up with a flow of “Q&A” into Phish’s “Makisupa Policeman,” followed by “Pokeman Battle Theme” and then back into “Q&A.”  For a relatively young band Formula 5 has an ability to act as one musical organism as if their 4 years was more like 14.  They paid homage to the day of celebration by playing “Low Rider,” featuring Mister F’s Scott Hannay on synth, as well as laying down a crowd favorite “Legalize It” jam.

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    If you didn’t get a chance to see this 4/20 show, don’t fret.  The momentum of Formula 5’s schedule won’t be stifled any time soon.  Their summer is filled with great shows and festivals, some of which they couldn’t even share because of impending announcements.  Their announced festival billings include Disc Jam and Ohana Music and Art Festival.  They also have some exciting shows coming up including a few with Dude of Life, Steve Pollak, and his band, Fluid Druids. Keep an eye on Formula 5’s Facebook page and website to keep track of updates to their growing summer schedule.

  • Albany Tulip Festival Announces 68th Annual Lineup With Langhorne Slim and Tokyo Police Club

    Returning this May for its 68th year is Albany’s signature spring event, the Tulip Festival. And with the 2016 schedule of events is an impressive lineup of artists featuring Langhorne Slim and the Law and Tokyo Police Club and local acts like Victory Soul Orchestra, Bear Grass and Of the Atlas.

    The two-day weekend festival held in historic Washington Park is scheduled for 11 a.m. to 6 p.m. May 7 and 8.

    Throughout the Mother’s Day weekend celebration, the 81-acre park will transform into parade grounds featuring two stages and vendor setups, with tulip beds bursting with more than 140,000 tulips in 150 varieties.

    The festival prides itself on being a celebratory showcase of local culture and business. This year’s event partnered with nearly 100 artisans who will be on hand selling handmade crafts, fine arts and diverse foods, and others giving green-living demonstrations and constructing a live performance painting.

    A family friendly KidZone will also be onsite to entertain children with interactive music, magic and arts activities and a School of Rock tent, showcasing the community’s talented youth.

    In traditional Dutch fashion, the Tulip Festival kicks off with the annual “street scrubbing” procession from City Hall; a carillon bell concert will sound off the ceremonial beginning. At noon Friday, May 6, the Capital City’s corridors will be swept clean by the Dutch Settlers Society — in traditional dress — before Mayor Kathy Sheehan delivers the opening proclamation.

    Taking the main stage at 1:30 p.m. on Saturday is 518 indie jazz-pop favorites the Parlor followed by Canadian quartet Tokyo Police Club at 3 p.m and folk-rock group Langhorne Slim and the Law at 4:30 p.m.; Slim and his band recently released The Spirit Moves. Sunday’s main stage eases listeners into the day’s musical lineup with acoustic tunes from Jim Gaudet and the Railroad Boys at 1:30 p.m., Rochester’s young guitar hero McKinley James at 3 p.m. and Jonathan Edwards at 4:30 p.m.

    The celebrated Tulip Queen Coronation, with a performance by the acclaimed male chorus group, the Mendelssohn Club, will happen on the local 518 stage on the festival’s first day. Solo artist Olivia Quillio will hit the stage after the noon kickoff, followed by indie rockers Carl Daniels and the Black Box at 2:15 p.m., instrumental collective Victory Soul Orchestra at 3:30 p.m. and fusion group the Stockade Kids at 4:45 p.m. The Tulip Festival’s final set of native acts features bluegrass veterans Red Haired Strangers at 1 p.m., the homespun folk-rock of Bear Grass at 2:15 p.m., and Catskills’ Of the Atlas at 3:30 p.m. Power-rock group the Last Conspirators cap off Sunday with a 4:45 p.m. show.

    The event is free and open to the public and includes shuttle transportation to several parking locations. Glass containers, animals or other pets, tobacco, alcohol  and video recording will not be permitted. For more information, call 518-434-2032, visit the Albany Events website or follow albanyNYevents on Facebook, Twitter and Instagram.

  • Update: Project/Object Cancels Spring Tour

    Announced this afternoon via Facebook, the Frank Zappa Tribute band Project/Object is postponing their April 2016 tour dates until further notice. The cancellation comes due to the ongoing health issues surrounding the group’s production assistant-social media manager-merch seller Robin Gelberg, who survived a tragic car accident about a month ago near Shelby, NC; she is the partner of the band’s guitarist Andre Cholmondeley. According to Cholmondeley’s post, this is the first time Project/Object has cancelled concerts during his time with the band since the 1990s. A support page has been set up for Gelberg through GoFundMe.

    Project Object2:58 pm For Immediate ReleasePROJECT/OBJECT TOUR POSTPONEDIt is with a heavy heart that I have to…

    Original story:

    On April 14, Project/Object will bring the sounds of Frank Zappa back to life on stage at The Hollow in Albany.

    The alumni-based Zappa tribute band, featuring Ike Willis and Don Preston, is touring the Northeast this spring in celebration of the 50th anniversary of Zappa’s debut album, Freak Out! Willis’ booming baritone vocals and rhythm guitar appeared on Zappa band tours and albums from 1978 to the final FZ tour in 1988. Preston, a well-known synthesizer and jazz pioneer, played on the Mothers Of Invention records until 1974’s Roxy and Elsewhere; he has also scored soundtracks for feature films like Apocalypse Now.

    The tour kicks off in Bridgeport, Connecticut, on April 7 and makes stops in Marlboro the following night before shows in Brooklyn, Buffalo, Rochester and closing out in Teaneck, New Jersey, on May 1.

    Each show this tour will feature two sets of Zappa music with Willis and Preston; the Boston show is double billed with Consider the Source. And this April run continues the voter registration partnership with HeadCount, as shared on Twitter last month:

    Project/Object: The Music of Frank Zappa has toured the United States, Canada and Europe during its 20-year existence. The group was founded in the 1990s by guitarist Andre Cholmondeley as a tribute to Zappa, who died of cancer in 1993 at 52. In 2015, Willis and Denny Walley came out of retirement for a special tour in celebration of Zappa’s late ’70s catalog, playing several shows in New York state. Alongside Willis (guitar, vocals), Preston (keys, vocals), Cholmondeley (guitar, vocals) and Walley (bass), the group will include musicians Ryan Berg (drums), Kendall Scott (keys, synths) and special guest Rich Rakowski (sax) at select shows.

    Tickets for the 9 p.m. show at The Hollow are on sale through the venue’s website, along with passes for Brooklyn’s The Hall, Tralf Music Hall in Buffalo and Rochester’s Lovin Cup. Project/Object’s show at The Falcon in Marlboro does not require a cover charge for live music, but donations are appreciated. See the full tour dates below and visit the band’s website for more venue and ticket sales information.

    Project/Object Spring 2016 tour dates:

    4/7 – The Acoustic – Bridgeport, CT
    4/8 – The Falcon – Marlboro, NY
    4/9 – House of Independents – Ashbury Park, NJ
    4/10 – Iron Horse – Northampton, MA
    4/12 – Higher Ground – Burlington, VT
    4/13 – The Middle East – Boston, MA
    4/14 – The Hollow – Albany, NY
    4/15 – The Hall – Brooklyn, NY
    4/16 – Arch St. Tavern – Hartford, CT
    4/17 – American Brewing Company – Harrisburg, PA
    4/19 – The 8×10 – Baltimore, MD
    4/20 – Club Café – Pittsburgh, PA
    4/21 – Radio Radio – Indianapolis, IN
    4/22 – Shank Hall – Milwaukee, WI
    4/23 – Martyrs – Chicago, IL
    4/26 – Beachland Ballroom – Cleveland, OH
    4/27 – The Tralf – Buffalo, NY
    4/28 – Lovin Cup – Rochester, NY
    4/29 – Havana’s – New Hope, PA
    4/30 – River St. Jazz Café – Wilkes Barre, PA
    5/1 – Mexicali – Teaneck, NJ