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  • Local Talents Unite to Fund the Bern at the Palace Theater

    A cavalcade of vehicles armed with Bernie Sanders political stickers barricaded the streets surrounding the Palace Theater in Syracuse on Friday, January 8. Bernie supporters flocked to the 1920’s era theater for a diverse assortment of musicians who volunteered their time and talents to bring awareness to Sanders’ 2016 presidential campaign and to Fund the Bern. Presented by Funk ‘N Waffles, the event was initially slated to be held at the downtown location before widespread interest garnered the need for a larger event space. With a more suitable venue in place, Sophistafunk, Joe Driscoll, Root SHOCK, The Fat Peace, Subsoil, Charley Orlando and Castle Creek were among the large assembly of local talent who performed for the roughly 700 attendees who coalesced at the Eastwood locale.Small Merkley

    With the iconic fluorescent sign beckoning onlookers from the James Street sidewalk, spectators filtered through glass doors and down a carpeted entryway. A gaggle of smiley volunteers donning outfits littered with political pins greeted passersby asking them to sign the petition to get Bernie on the ballot in NY state. Just beyond the congregation of friendly volunteers, the corridor opened into a lobby bustling with jubilant activity as guests happily sipped on adult beverages and talked politics.Castle Creek

    The theater room seats were amply filled with Bernie devotees as Chris Merkley sweetly grazed a slide guitar, serenaded the attentive audience from a dimly lit stage, soft spotlight outlining his seated figure. Merkley exuded a city-meets-country vibe sporting a hip purple beanie and dishing out a satiating serving of country blues. By the end of his set, a few brave souls had ventured to the open space between seating and stage, dance moves demonstrating their satisfaction.

    Castle Creek, named one of New York State Music’s “Bands on the Rise” filled the theater with blues-infused fire, drum beats furnished by Sophistafunk’s Emanuel Washington. Kim Monroe asserted robust lead vocals, piping through a petite frame as she strummed away at her electric guitar, while Chris Eves (guitar/vocals) tactfully interjected attention-grabbing guitar work. Among the sparse dancers at the family friendly event, a young woman clothed in fashionable Sunday school attire merrily spun in circles, jostling a preschooler in her arms who giggled in delight.

    Orlando and Merkley

    Charley Orlando, a familiar face to frequenters of Funk ‘N Waffles Downtown, wielded harmonica and guitar, inviting a number of musical guests including Merkley and Eves to play alongside. Orlando’s song choices seemed to consciously reflect the themes of the event with lines like, “I try to listen more than speak,” which could reflect Sanders’ more diplomatic demeanor in contrast to Republican candidate Donald Trump’s “carnival barker” disposition.

    Subsoil

    As Rochester-based Subsoil began their set later in the evening, the bohemian hip-hop group featuring Mooney Faugh and Laz Green on the mic invigorated the room with dancing and excitement as theater goers abandoned their seats, forming a mob at the foot of the stage. Trailing their performance, environmental activist Renee Vogelsang briefly brought attention to current environmental struggles, championing Sanders’ support of many of these efforts. Reggae collective The Fat Peace followed, infusing some funk into the ongoing dance party, keeping the crowd on its toes when the drummer mysteriously disappeared. The remaining band members resigned to gawking awkwardly at the abandoned drum kit and speculating the drummer’s whereabouts until his much anticipated return. Directly after their set, the projection screen behind the stage displayed a video of Bernie Sanders addressing a Muslim student’s concerns regarding racism in America. The room filled with cheering and applause as the video ended, before reggae group Root SHOCK immediately took the stage, sustaining the audience’s animation and radiating energy with a snappy, high-powered performance. Jessica Brown seared ear drums with a spicy heat that seduced a crowd, amorously applauding her howling mid-song vocals. Joe Driscoll followed, revving up the crowd with catchy beats and praises for Sanders.

    The Fat Peace

    Sophistafunk rounded out the musical marathon with an overall well-polished performance despite a few brief moments of disorienting beats and the unsettling sound of popping cables.  Crowd undeterred, dancing raged on until nearly 1 a.m. as performers from earlier in the night including Joe Driscoll and members of Castle Creek joined Sophistafunk to bid the crowd farewell.

    End of Night

  • Update: Mountain Jam’s Final Lineup Includes Wild Adriatic and Other NY Acts

    Update 2/24/2016:

    Mountain Jam finalized their lineup for this year’s festival. Among the additions are Houndmouth, Nahko and Medicine for the People, Quilt, Darlingside, the Record Company, the Movement and Scott Sharrard. Three New York acts were also added to the lineup, including Albany’s Wild Adriatic, Woodstock’s Elijah Wolf and New Paltz’s Upstate Rubdown. Marco Benevento will play a tribute to David Bowie with Superhuman Happiness.

    The non-musical activities have also been announced and include yoga with Michael Franti, lectures and Q&A sessions on the cannabis industry, and hula hoop classes. There will also be a screening of “Let Us Play,” a new documentary about funk band and festival performer Lettuce.

    Original post:

    An annual tradition nestled in the heart of the Catskills, Mountain Jam has unveiled their lineup for 2016, featuring big names, newcomers and familiar acts that make the festival one of the most established in the Northeast.

    This year’s lineup features headliners Beck, Wilco, The Avett Brothers, Gov’t Mule and Umphrey’s McGee. Additional acts include Brandi Carlile, Jason Isbell, Gary Clark Jr., Michael Franti & Spearhead, Chris Robinson Brotherhood, Courtney Barnett, Nathaniel Rateliff and the Night Sweats, Lettuce, Sister Sparrow and the Dirty Birds, the New Mastersounds, and Third World.

    A few New York acts are on the bill, including Turkuaz and Donna the Buffalo, plus regional acts Son Little, the London Souls, Cabinet, the Ballroom Thieves with Maine Youth Rock Orchestra, And the Kids, Love Canon, Marcus King Band, Con Brio, Jane Lee Hooker, Copious Jones, Madaila, the Suitcase Junket and Paul Green Rock Academy.
    Thievery Corporation will take things into the late night. More acts will be announced in coming weeks.

    Tickets are on sale now.

  • Hearing Aide: Mayve ‘Animals’ EP

    MayveFresh off of Long Island came some hot bagels and Mayve’s new EP entitled Animals. Mayve, pronounced like the Irish first name “Maeve” and not to rhyme with “maybe,” got the inspiration for their name from lead singer Nick Micheline; he liked his little cousin Mayve’s first name. The band is comprised of five guys and they’ve been playing together for a few years. Back in 2012, they were featured on “Rick’s Rising Stars.” On the show, Rick Eberle talks about the best upcoming artists in the local scene. This indie pop band fits the standard rock band archetype instrumentation-wise with some synthesizer ornamenting the band’s recordings.

    They’re currently unsigned to a record label, but the EP was recorded with the help of Rocky Gallo, who has engineered a number of records with many artists like John Legend, Andrew Bird, Jim Wolf, and more.

    Songs like “Hearts on Fire” and “Talking to Myself” aren’t new to their repertoire and have been performed since 2014. But it seems like they’ve compiled five of their more recent original recordings as a marketing tactic to get their songs out there as a unit.

    Overall, the lead singer sounds a bit like Andrew McMahon from Jack’s Mannequin and has a little flair of pop punk with his pronunciation of some lyrics. Almost all of the songs have melismatic repetitive phrases which make them easy for listeners to learn and sing along to. No one in the band primarily specializes on synthesizer, (based on the band’s social media and music videos) but the synth definitely helps augment the sound and give it that edgy pop sound.

    “Hearts on Fire” is all about love, which is the predominant subject matter in each of their tracks. The band sounds much like The 1975, especially with the bright guitar timbre on this track. The lead singer talks about young love and how no one can take that love away. In “Higher,” the idea of animalistic desires as per the EP title is evident in the lyrics with lines like “My body’s taking over; your body’s taking me higher and higher.” The tune has background group vocals singing “higher and higher” throughout which aurally reinforces the lyrics. “Magic” is the only slower song in the lineup, and uses an acoustic guitar to highlight the emotion behind the words. This song also has backing harmonies, which adds some nice texture to the tune.

    The band’s sound is not terribly unique; they sound like a generic indie/pop band. This is just the beginning of their time in the music business with the release of the EP and they have a lot of room to grow. They need to expand beyond what they’re doing both stylistically and instrumentally. They all sound like they are very proficient players, and the production quality is quite high, but they need something to make themselves stand out in a sea of many similar-sounding bands. It will be interesting to see what creative direction they take moving forward.

    This EP is available for free listening on SoundCloud, Bandcamp, and Spotify, and for purchase on iTunes.

    Key Tracks: Talking to Myself, Hearts on Fire, West Coast

    [embedyt] http://www.youtube.com/watch?v=YDrjLlw-d2U[/embedyt]

  • Deaf West’s “Spring Awakening” Revival Breaks the Mold for Broadway Shows

    The Spring Awakening revival on Broadway is really a revolution. It’s changing the way we should be looking at Broadway shows.

    Spring Awakening is based on a controversial 1891-banned play written German author Frank Wedekind. His work led to the original groundbreaking musical that opened on Broadway in 2006.

    The musical focuses on the lives of three teenagers in 1891 Germany while they are trying to figure out where they belong in the world as they move into adulthood. But trust me, this isn’t your Breakfast Club-type of teen-angst show. This goes much deeper. Touching upon still-controversial topics like teen sex and pregnancy, abortion, suicide, masturbation and homosexuality.

    The revival includes the barbaric 1880 resolution passed in schools in the United States and Europe, where sign language was no longer taught and Deaf students had to learn lip reading and speech mimicking. Those who could not learn in such a way were deemed failures.

    All 22 Deaf and hearing actors on stage in Spring Awakening use American Sign Language. The Deaf actors each had their own ‘voice’ on stage with them, acting as their character’s conscience.

    The voices for the two main characters were perfectly chosen. For Wendla, Deaf actress Sandra Mae Frank and Voice actress Katie Boeck were flawless together. Boeck’s soft and innocent soprano helped to portray Wendla’s innocence. For Moritz, Deaf Actor Daniel Durant and voice actor Alex Boniello were also a superb pair. Boniello’s sad, angry, and powerful voice brought back memories of John Gallagher Jr. – who originated the role on Broadway.

    The only disappointing moment for me was during ‘The Dark I Know Well.” Voice of Martha, Katherine Gallagher, fell short as she attempted to bring her own edge to the song, taking away from the lyrics.

    There were moments throughout the show where sign language or voice interpretation could not be used, so the words were projected on the wall of the set, using different fonts for each character. Those moments were the most incredible throughout the show, comparable only to the times when the Deaf actors spoke or yelled.

    There is no doubt that this show was meant to be portrayed with the inclusion of sign language. The addition of Deaf history and the extra symbolism that teens often feel like they aren’t heard by society, made the experience that much more special.

    You will leave feeling invigorated; you will have a rush of emotions. You will also wonder – why aren’t there more Deaf West revivals out on Broadway?

    Spring Awakening is a limited engagement on Broadway – closing on January 24.

  • Hearing Aide: Last Conspirators ‘Hold That Thought Forever’

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    The Last Conspirators just released fourth album Hold That Thought Forever moves the band into new territory. While past releases’ lyrics have dealt with politics and the feelings towards how things have been moving along in the country, this album showcases a more personal side of the band. To go along with the lyric change, the music has also been toned down at times from the punk rock aesthetic known by their fans. The changes are welcomed and it is great to hear the band try something different and succeed in Hold That Thought Forever.

    “Addiction” is one of the darkest songs on the record and the funk bass line that it follows goes right along with the subject material, taking the listener into the depths of what addiction can be. “1302” is the first track on the album to have the band start to rock behind Tim Livingston’s lyrics and constantly builds until the end when a fury of music takes over the proceedings and joins the voice in bringing the song to a fiery end.

    “Two Days in May” is one of the tracks on the album that finds The Last Conspirators trying something new. The chorus almost comes out of an early Bruce Springsteen song when you could hear him and Steven Van Zandt harmonize with one another. The fact that The Last Conspirators have gone for a more eclectic sound on this record shows how many bands truly influence them as a unit and brings the history of music to the fore front as they continue to push on wish new tunes.

    The song “Tracks” bring the punk attitude back, with Tim spitting the lyrics and Nick Bisanz laying down some dirty grungy guitar licks that would fit right in on an old Patti Smith record. “Alright” is great rocker with Mike Grundy and Al Kash constantly moving the song along with their fantastic bass and drum playing on what is sure to a great song to see live.

    While most of the record isn’t political, “Truth and a Gun” hits the mark perfectly, especially with how crazy gun violence is gotten in the past year. The song easily makes clear which side of the argument the band is on and ends in a blaze of guitar work by Bisanz. Being a local Albany band, they may not get out of the state to play, but if you’re close enough they definitely are worth checking out. In the live setting their songs get you moving and thinking and this record does the same. Hopefully the band can keep the creative juices flowing and give us another collection of music soon.

    Key Tracks: Addiciton, Tracks, Truth and a Gun

    [embedyt] http://www.youtube.com/watch?v=FS3pMUJk2Ow[/embedyt]

  • Syracuse ‘Fund the Bern’ Concert Raises $16,000

    On Jan. 8, more than 700 people packed the Palace Theatre in Syracuse to “Fund the Bern.” Local music venue Funk ‘N Waffles hosted the benefit concert to support presidential candidate Bernie Sanders—and it made more than $16,000 in one night.

    IMG_3946
    Photo by Carol Thoryk O’Leary

    Syracuse musicians Joe Driscoll and Charley Orlando organized the grassroots event to raise awareness about Sanders’ platform and registering to vote

    The Friday night show featured guest speakers and musicians from the Syracuse and Central New York community like Colleen Kattau, Jane Zell, Irv Lyons Jr., Grupo Pagan, Dave Risen, Root SHOCK, the Fat Peace, Subsoil, Castle Creek, Mage IX, Chris Merkley and Sophistafunk. Popular Syracuse food trucks PB&J’s Lunch Box, LLC and The Chicken Bandit were on hand to provide food.

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    On the event’s Facebook page, Driscoll shared a lengthy thank you letter, recounting the evening’s success:

    “There are win-win situations, and then there’s whatever last night was—win-win times twelve, such good vibes, so many great performances, great food and tons of new volunteers recruited for the [Bernie] Sanders’ campaign… We raised awareness, we raised massive funds, we raised the roof and we raised some spirits. Most importantly, the sense of community in the room was so strong; it blew me away. And I haven’t danced and smiled that much in a while.”

    Driscoll also reported that the volunteer group is planning to hold another concert at the historic Palace on James Street in Syracuse in April to continue raising funds for Sanders’ campaign, and he encouraged interested people to stay tuned via Facebook.

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    Photo by Dave Frisina

    Bern Bern Bern Bern Bern Bern Bern Bern Bern Bern

  • Spring Fling Rock AF 2016 to come to Western New York

    Buffalo and Rochester have been announced as two of the 15 cities on the Spring Fling Rock AF 2016 Tour.

    The tour package will hit the Main Street Armory in Rochester on March 26 and roll through the Queen City on March 28. First Niagara Center will be hosting the event in Buffalo. Cage the Elephant, Silversun Pickups, Foals and Bear Hands are slated to perform on the multi-city run.

    Spring Fling Rock AFTickets for both venues go on sale to the general public on Jan. 15 at 10 a.m. and range from $33 to $43. Tickets can be purchased online, by phone, or through the venue box offices.  Pre-sales for fan clubs members for both of the bands and various radio stations sponsoring the event begin as early as Wednesday, Jan 13.

    The tour features Grammy-nominated Kentucky based rock band Cage the Elephant, Alt rock veterans Silversun Pick-ups, up and coming UK indie rock band Foals and the Brooklyn based band Bear Hands.

    https://www.youtube.com/watch?v=uBeohY2O2PA

    With packaged tours becoming more of a rarity, the bands are all eager to hit the road together. Cage the Elephant front man Matt Shultz had this to say:

    “There’s a real sense of camaraderie and a shared philosophy amongst all of us on this tour. We come from all over the world, but we share a love of music and being on the road. These shows will celebrate that spirit.”

    The tour kicks off March 11 in Fresno, California. In addition to two other California dates Spring Fling Rock AF Tour will also make stops in Texas, Oklahoma, Mississippi, Tennessee, Virginia, Pennsylvania, Connecticut, and Maine before wrapping up on April 1 in Portland, Maine.

    Spring Fling Rock AF 2016 Tour:

    03/11 – Fresno, CA – Save Mart Center
    03/12 – Sacramento, CA – Sleep Train Arena
    03/13 – Bakersfield, CA – Radobank Arena
    03/16 – El Paso, TX – Don Haskins Center
    03/18 – Tulsa, OK – Cox Business Center
    03/19 – Southaven, MS – Landers Center
    03/20 – Johnson City, TN – Freedom Hall Civic Center
    03/22 – Richmond, VA – Richmond Coliseum
    03/23 – Norfolk, VA – Constant Convocation Center
    03/25 – Pittsburgh, PA – Petersen Events Center
    03/26 – Rochester, NY – Main Street Armory
    03/28 – Buffalo, NY – First Niagara Center
    03/30 – Hartford, CT – XL Center
    03/31 – Portland, ME – Cross Insurance Arena
    04/01 – Providence, RI – Dunkin Donuts Center

  • David Bowie Dead at Age 69

    Legendary singer, songwriter, and actor David Bowie is dead, as of Sunday night, at the age of 69. With a career that spanned nearly five decades, he not only created impactful, memorable musical moments but influenced generations of musicians.

    ROCNYBOWIE

    The New York Times confirmed his death with his publicist, Steve Martin, on Monday morning.

    According to a post on his Facebook page, “David Bowie died peacefully today surrounded by his family.” Various statements on Bowie’s social media accounts confirm he died after an 18-month battle with cancer.

    Jan. 8th not only marked Bowie’s 69th birthday, but also the release of his latest album, Blackstar. Carnegie Hall recently announced plans for a David Bowie tribute concert on March 31. The Roots, The Mountain Goats, Cyndi Lauper, Perry Farrell, Jakob Dylan, and Ann Wilson (Heart) are all slated to perform in what will now be a tribute to Bowie’s life, music and legacy.

    Longtime collaborator and producer Tony Visconti, who worked with Bowie on his album’s since his 1969 breakthrough Space Oddity, wrote on his facebook page that he felt Blackstar was intended to be Bowie’s “parting gift.”

    “He always did what he wanted to do. And he wanted to do it his way and he wanted to do it the best way. His death was no different from his life – a work of Art.

    “He made Blackstar for us, his parting gift. I knew for a year this was the way it would be. I wasn’t, however, prepared for it.

    “He was an extraordinary man, full of love and life. He will always be with us. For now, it is appropriate to cry.”

    Bowie released his self-titled debut album in 1967. Over the course of 28 albums, he constantly reinvented himself in persona, musical styling and fashion.

    After his first UK hit, “Space Oddity” in 1969, Bowie emerged in the early 70s as “Ziggy Stardust”. His alter ego’s album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, was ranked #35 by Rolling Stone Magazine as one of the greatest albums of all-time. The 70s also gave birth to Bowie’s first US crossover hit “Fame” while his 1975 release Young Americans saw another shift in style and sound.

    Photo: Rex
    Photo: Rex

    By the 1980s, Bowie enjoyed mounting commercial success. In the UK, he landed #1 singles with “Ashes to Ashes” and the Queen collaboration “Under Pressure.” His career reached new heights in 1983 with the release of Let’s Dance, his best-selling album to date. The title track would become his biggest hit, reaching #1 in the UK, US and various other countries. The album also launched several other singles including “China Girl” and “Modern Love.”

    Bowie continued to write and create new materials throughout the 1990s and 2000s. He stopped touring after his 2003-2004 Reality Tour. His final live performance was in 2006 for a charity event.

    In addition to music, Bowie enjoyed success in both stage, television and film. He collaborated on an Off Broadway musical “Lazarus”, a sequel to his role in the 1976 film The Man Who Fell to Earth. His two dozen film roles included Jareth the Goblin King in Labyrinth and Andy Warhol in Basquiat.

    Bowie’s legacy is highlighted by his 1996 induction into the Rock and Roll Hall of Fame. He also received a Grammy Lifetime Achievement Award in Feb. 2006.

    David Robert Jones was born in Brixton, London on January 8, 1947. Bowie would later change his moniker in the mid 60’s to avoid confusion with Davy Jones of the Monkees. He renamed himself after the 19th-century American frontiersman Jim Bowie, who popularized the bowie knife. As a young man in the UK, Bowie studied art, music and design.

    Read the true story behind Bowie’s arrest in Rochester in 1976.

    Bowie is survived by his son, director Duncan Jones from his marriage with his first wife Angela Barnett, his wife fashion model Iman Mohamed Abdulmajid (known professionally as Iman) and their daughter, Alexandra “Lexi” Zahra Jones.

    A slew of celebrities took to Twitter on news that Bowie had passed.

    “Very sad news to wake up to on this raining morning. David was a great star and I treasure the moments we had together.” Paul McCartney

    “Talented. Unique. Genius. Game Changer. The Man who Fell to Earth. Your Spirit Lives on Forever!” – Madonna

    “David’s friendship was the light of my life. I never met such a brilliant person. He was the best there is. – Iggy Pop”

    “I just lost a hero. RIP David Bowie.” – Ricky Gervais

    “Never imagined a world without him. He has ascended into the cosmos from whence he came. Farewell, David Bowie.” – Elijah Wood

    “He never seemed of this earth. Now he’s left it. He bent rules, gender, genres, and our minds. RIP David Bowie. One. Of. A. Kind.” – Josh Groban

    “RIP David . I loved your music. I loved you. One of the greatest performance artists to have ever lived. #sorrow.” – Russel Crowe

    ” David Bowie was a true innovator, a true creative. May he rest in peace #RIPDavidBowie” – Pharrel Williams

    “I feel like the wind has been knocked out of me – I was not ready for this. RIP Bowie.” – Weird Al Yankovic

    “I grew up listening to and watching the pop genius David Bowie. He was a master of re-invention, who kept getting it right. A huge loss.” – British Prime Minister David Cameron

  • Obituary: Norman Dimitrouleas, Former Keyboardist for The Werks

    Norman Dimitrouleas, former keyboardist for Ohio’s The Werks, passed away suddenly over the weekend.

    Norman Dimitrouleas Having brought his older brother Dino into the band in 2011, Norman left the group in 2014, returning to jam with them at The Werk Out this past summer.

    Norman’s brother Dino Dimitrouleas, current bassist for The Werks, shared this statement on Facebook:

    It is with a heavy heart that I am traveling back to Ohio early to be with family and prepare services for my brother Norman who passed away in his sleep last night. I want to say thank you to the hundreds of people who have reached out to me to give their condolences and support for me and my family during this very hard time.
    Norman’ s heart was always bigger than his brain and he was one of the kindest humans I have ever known. He would consistently put himself out to try to help others and anyone who knew him couldn’t help but love him (no matter how mad you wanted to be with him). As I scroll down my news feed and see all the lives he has touched and influenced in his short life I can’t help but be proud to call this great man my brother. I love you Norman… rest in peace. You were too good for this world.
    I will post information about services as soon as I know what they are.

    Norman spoke with Gratefulweb in 2012 discussing his early musical background.

    My parents got me lessons from a teacher skilled in teaching classical music. I was pretty good at it, but I wanted to play some rock and roll. She had me playing Bach and Beethoven, so one day I brought in the Beatles Let It Be and another song and asked her if I could learn it. She ended up telling me that he ‘wasn’t ready’ for that type of thing and she gave me Bach’s second to learn. I went home and worked on playing “Let It Be” and just barely touched practicing Bach. When I went back to practice the next week she asked me to pull out Bach. I got through about two bars of it and she said, ‘That’s it?’ I told her, ‘But look what I did learn,’ and I played a ripping “Let It Be.” She looked at me kind of blankly and said, ‘Well, I guess I didn’t understand the direction you wanted to go in and what you’ve come here for.’ And from then on I’ve been playing rock.”

    The track “Norm and T-Bone Improv,” shared by Digipossum, was recorded in 2003. Digipossum shared the significance of this particular track:

    This was recorded at my college’s recording studio shortly after I met Norm. He was the first musician I was doing studio work with, and even though he was sick and had a fever, he came in and did this track, because he knew how eager I was to record live musicians just getting started into recording at the time. This was all improv and no loops. He played all the layers live. We never put this out, and I thought I’d lost this recording, so was very happy to find it today. Enjoy. And RIP Norman. You were a great friend as well as a great musician.

    Norman Dimitrouleas

  • Bryan McPherson and Friends at Gorham Brothers Music

    There’s no better way to round out the holidays then with a good live music show. I was lucky enough to spend my evening on Tuesday December 29th at Gorham Brothers music in Syracuse listening to Bryan McPherson and three amazing musicians.

    chris besaw Gazza

    Syracuse local, Dave Mallon, started out the evening with his witty blend of folk story telling. Despite battling a cold, Dave maintained his humor during his set and delivered an engaging performance. Up next was the Mighty Judge Gazza. Gazza generates a sound like no other in part due to that fact that he designs his own guitars from cigar boxes. You would be amazed by the sound he can produce from these guitars and they look awesome! He has a deep growly voice that is perfect for making you feel the blues or for rocking out.

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    Headliner Bryan McPherson made his second appearance at Gorham Brothers. A native of Dorchester Massachusetts, Bryan is making his way up the East Coast and into Canada before heading back West on the current leg of his tour. Bryan keeps busy. In addition to a hectic tour schedule, he recently released a video for “Born on a Highway” off his latest album Wedgewood. Check it out here.

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    Bryan played a very powerful yet melancholy set. He always pours his heart and soul into his performances; he engages the audience with sometimes serious but often outrageous story telling in between songs and occasionally abandons the microphone to walk through the crowd. One of my favorite highlights from the evening was his cover that he stated he had been “working on for the last ten years” of the legendary Townes Van Zandt’s, “Poncho and Lefty.” Other highlights included “Poor Boy,” an incredibly moving version of “Bullets and Blues,” and of course one of my all-time favorites “Dangerous Friends.” The evening ended with Bryan and several friends heading to local restaurant Beer Belly Deli where Bryan would try salt potatoes for the first time. If you haven’t listened to Bryan McPherson, I urge you to check out his music.