NYS Music 20​16

Blog

  • Jefferson Airplane’s Signe Anderson Ettlin Dies at 74

    Jefferson Airplane‘s first female vocalist, Signe Anderson Ettlin, passed away a week ago at her home in Beaverton, Oregon.

    Signe Anderson EttlinEttlin had been suffering from chronic obstructive pulmonary disease and was recently entered into hospice care. In a strange coincidence, co-founder of Jefferson Airplane Paul Kantner also passed away the same day. Both Ettlin and Kantner were 74.

    Former Airplane band member Marty Balin remarked on the coincidence on his Facebook page:

    “I imagine that she and Paul woke up in heaven and said, ‘Hey what are you doing here? Lets start a band.’”

    Born Sept. 15, 1941 in Seattle, Ettlin was raised in Portland but eventually moved to San Francisco. She joined Jefferson Airplane in 1965. The band’s debut album, Jefferson Airplane Takes Off, would be the only album Ettlin was a part of. She is remembered most for her vocals on “Chauffeur Blues” from the debut album.

    Ettlin had her first child in 1966 and decided against a life on the road for her new family. Her final show was Oct. 15, 1966. She was replaced by Grace Slick, who helped bring Jefferson Airplane to mainstream success with the band’s next album, Surrealistic Pillow. Although her time was short with Jefferson Airplane, Ettlin is remembered fondly by former bandmates, being described as the den mother and the voice of reason by Jorma Kaukonen.

    Ettlin moved back to Portland after leaving Jefferson Airplane. She continued to sing with a local band, Carl Smith and the Natural Gas Company. In a radio interview in 2011, she remembered her decision to leave Jefferson Airplane:

    “You have to look at the priorities in your life, the reality in your life. I don’t regret having left.”

    Signe Anderson Ettlin went on to raise two daughters, Lilith and Onateska. In 1977 she married her second husband Micheal Ettlin, who passed away in 2011.

  • Acoustic Candlebox Performs to Sold Out Crowd at The Egg

    I’ll admit I was more than thrilled to see Candlebox on The Egg’s calendar for February 2, 2016. Having been a fan since the early 90’s and caught their show at SUNY Albany’s RACC (now SEFCU Arena) in February 1995, it was a chance to relive the glory days of senior year, before life happened.

    Acoustic Candlebox So when I found out earlier this week that it would be acoustic Candlebox, I gave pause because I was expecting the full band instead of something stripped down. Expectations were set on electric but acoustic performances of songs you’ve listened to for more than 20 years was a change I could get behind. Within moments of Kevin Martin discussing the story and the conditions behind writing “Sweet Summertime,” I became intently focused, more so than I would have been hearing the usual renditions from the Candlebox lexicon, without a little something extra on the side. Over the next two hours, Martin and Brian Quinn played a dozen Candlebox songs and gave insight into how these compositions were created amid turbulent paths taken by the band and behind the scenes.

    Acoustic Candlebox It only took two songs to get to the dark side of Candlebox, and just like that, I was 17 again. “Drowned” was introduced as the result of Maverick Records, who launched Candlebox’s first album to national acclaim, faced pressure from in an effort to produce Lucy, the follow up their 1993 self-titled debut. “Cover Me,” has a religious focus, as Martin doubted that one lone god was the right one among the many gods throughout history.

    Acoustic @candlebox_official @theeggpac performing ‘Cover Me’ #nysmusic #swyertheater #90srock

    A video posted by NYSMusic (@nystatemusic) on

    Casual drug talk accompanied the stories behind some of Candlebox’s songs this night. Martin didn’t overshare or have a story of a wild night in a hotel room leaving no detail behind – rather he referenced what particular substance was behind the writing of certain songs, without glorifying or defending the drug usage. If anything, it was matter of factly explained and accepted by the audience, just as spats with Maverick Records were taken as a frame for particular songs and not a rant for the sake of complaining. Drugs influenced a handful of songs as recalled by Martin, including “Change” (mushrooms), and “Blossom” (love). “Want it Back” was the lone new song of the night, appearing on the upcoming album Disappearing in Airports, due out in April. Martin made note that New York is still the state with Candlebox’s best all time album sales at 1.5 million, and thanked the sold out crowd in The Egg’s Swyer Theatre.

    Acoustic Candlebox Throughout the night, it was uncanny how the tone of Martin’s voice hasn’t changed a bit in 25 years; emotion packed lyrics poured out over intense guitar work from Quinn. Songs of longing, such as “Miss You,” was dedicated to his father, a WWII veteran, and “Love Come Back to Me” were stellar.

    Acoustic Candlebox He did decline a request to play “Breakaway,” regarding the suggestion with “Memories of the process are very painful and the process of recording Happy Pills was so raw,” that to revisit the lyrics in this point and time wouldn’t have the same power and meaning behind them. “Far Behind,” written in tribute to Andy Wood from Mother Love Bone, whom they first knew in the Seattle scene in 1991, was given a new frame from which to hear the song.

    Acoustic Candlebox After, Brian broke into “The Weight” to the surprise of the audience who sang along while a song off the forthcoming album, “Alive at Last,” closed the show. Without a doubt, acoustic Candlebox exceeded expectations and makes seeing the full live band a must with new light shed on songs that have aged well.

    Frank Palangi, a Queensbury native, opened the show with a 30 minute set of gritty acoustic guitar work and flexible vocals that captured the attention of the crowd. Palangi channeled Faith no More, Alice in Chains, Lifehouse and other late 90s rockers through a series of originals that must translate well in a live, plugged-in setting. For a local musician opening for Candlebox at The Egg, the thrill was visible in his smile and on stage presence.

    Frank Palagni Setlist: Break These Chains, I am Ready, Godsmack Mix, Working Man, Boohoo, Driving These Lines, Turn it All Around

    Candlebox Setlist: Sweet Summertime, Drowned, Cover Me, Change, Blossom, Want It Back, Miss You, Lover Come Back To Me, Sometime, You, Far Behind, The Weight*, Alive At Last

    *Brian Quinn solo

  • Thursday Nights in February at Funk n Waffles Presented by NYS Music

    We’re deep into winter, or somewhere at the start of spring, depending on how you look at it. The weather however, if great at Funk n Waffles in Syracuse, and NYS Music is proud to present Thursday nights throughout February at the popular downtown venue.

    February 4 – Normal Instruments

    A supergroup creating brand new music every single night – all improvisation, every time – kicks things off on February 4 in grand fashion. Featuring Michael Carter from The Indobox, Jules Jenssen from Ross Jenssen, Matt Beckett from Cosmic Dust Bunnies and Jeff Bujak of Bujak Live, Normal Instruments is one of the most unique jamtronica bands in the scene today.

    February 11 – Root SHOCK with West End Blend

    Root SHOCK blends roots reggae, dancehall, heavy drum & bass, and soulful vocals with conscious lyrics into positive dance music will make you want to move. The band has been surprising and delighting crowds across the Central New York region and beyond, bringing their unique high-energy style spearheaded by the stunning vocals of Jessica Brown to a wide range of settings. The band’s dedication to spreading music with a positive message has paid off in entertaining, elevating, and energizing music lovers of all walks of life! 2016 promises to be an explosive year for Root Shock, as they’ve finally made time to record their first studio album, are anchoring a monthly Syracuse reggae night designed to bring the best and most diverse acts that modern reggae has to offer to the area. They’re not stopping there though; the band is set to hit the road to spread their uplifting message and vibes and take their renowned live performances to the masses!

    Since their conception, ten piece band West End Blend has been playing their version of pop, funk and soul in venues all over the Northeast. Fronted by vocalist Erica Bryan, the band pays homage to classic throwback sounds while adding their own distinct vibe and flair. West End Blend boasts a four­piece horn section, two guitars, bass, keyboards and drums packing the group onto stages every night. From humble beginnings in an epic basement funk dance party, The Blend’s goal has always been to bring a party atmosphere to every show and venue ever since.The Blend just released their debut full length record, Rewind, on September 26. Recorded at Telefunken Elektroakustik with engineer Brendan Morawski in CT, the band is proud to present the kick off to the next step in their career. West End Blend is just getting started and there’s so much to do. But right now… it’s time for them to pile into the van. This juggernaut of a funk and soul band is ready to hit the pavement.

    February 18 – Bob Holz: A Vision Forward

    Composer/drummer Bob Holz is one of New York’s most experienced and in-demand band leaders. An alumni of Berklee School of Music, Bob majored in performance and composition with teachers Gary Chaffee and Michael Gibbs. He went on to study privately with Dave Weckl and Billy Cobham. He also found a mentor in drummer Wilby Fletcher Jr.( McCoy Tyner). Holz has composed and played on numerous live and studio recordings, movie sound tracks and theatrical productions. Perhaps his most well know movie sound track was for the major motion picture entitled Show Your Love directed by Edward J. Bruno for VCA films. Holz has also toured extensively as a band leader (The Bob Holz Band).

    Holz played at the 1999 Woodstock Music Festival in New York. He also performed along with Dr. John at a coveted awards ceremony at the 2006 M&T Jazz Festival in Syracuse, NY. In 2010 he traveled to Memphis to participate and perform as a finalist in the W.C. Handy Blues Awards.

    February 25 – The Moho Collective with Boots n’ Shorts

    The Moho Collective lives in a world with no words. In fact, they make it a point to convey their story without any vocals at all. The Rochester NY based instrumental trio knows how to push the envelope stylistically and tonally yet keep their audience engaged with exciting arrangements and a wide range of dynamics. Drummer Ryan Barclay, guitarist Kurt Johnson, and bassist Justin Rister combine disparate influences ranging from the Allman Brothers and the Meters to Sigur Ros and the visual loops of Dutch graphic artist M. C. Escher. Expect to hear things you like and maybe something you don’t. The range of this band is vast yet accessible for all audiences. TMC at some points will move your feet and at other times challenge your ears. Don’t let the size fool you, TMC packs a huge sound into a 3 piece package that doesn’t disappoint.

    Boots n’ Shorts carries on the tradition of old-time music while making it relevant to a modern audience. Meeting at the crossroads of mountain music and the merry pranksters, they introduce new sounds to old-timers and old sounds to new-timers. Blending backgrounds in bluegrass, folk, old-time, jazz, blues, and psychedelic rock,BnS has a large repertoire of original music, classics, and traditional tunes.

    All shows start at 8pm each night. Visit Funk n Waffles for more info

  • Stepping Off the Bus — Lucid to go on Hiatus

    In what will surely cause a ripple effect across the Upstate New York and Northeast music scene, longtime North Country act Lucid will take a touring hiatus in the coming months.

    “We’re certainly not breaking up — that’s something we want to make clear,” said Lowell Wurster, vocalist/percussionist for Lucid. “Everyone is doing great and we’re as close as ever. We’re brothers and our musical flow is undeniable.”

    For the first time since their inception in 2004, the Plattsburgh-based sextet will be parking their trademark bus, Lucy. It is in an effort to focus more on their personal lives, and also take a new approach to climbing to the top of that unforgiving mountain this is the music industry.

    “Our songs are filled with powerful stories of love and life, important messages for the human soul,” Wurster said. “But somehow, as we go into our 13th year together, there just hasn’t been enough of a buzz to really be able to make it touring nationally, and make a living in doing so.”

    Wurster emphasized the sincere need to pump the brakes a little bit, especially for a band that has played hundreds of shows a year, every weekend, for almost a decade and a half.

    “At this time, the hiatus is going to breathe new life into us,” he said. “It’s a drastic change in policy, but we’re going to try something new, something we’ve never tried before. This time away will allow us to slow down, spend more time with family and loved ones, and to relax. Musically, it will allow us to take all the time we need to craft each song just the way we want it before we release it into the world.”

    Though, in a somewhat hushed tone, Wurster does admit part of this recent decision stems from a losing battle down a slippery slope between being a full-time musician and also finding footing in the industry.

    “I talk to older musicians who say they are getting paid the same now as they were 25 years ago. Unless you have a big name and the right industry types pushing you from behind, it’s very hard making a living doing this. I know that it may all sound sad and disheartened, and it is a bit, but it’s just hard out there,” he said. “Now we’re going to put our energies into pushing our music into uncharted territories and see what happens. If we have success in doing so, and it’s time to get Lucid back on the road, then that’s what we’ll do. If it doesn’t work, then we can safely say we tried everything and move on with our lives.”

    And yet, beyond Wurster’s explanation of the hiatus, one still has trouble wrapping their head around the idea of Lucid not being on the road, roaring up and down highways and back roads like some band of melodic pirates. Lucid was (is) the foundation of the North Country music scene. They are the torchbearers of artistic hopes and dreams. They are the guys who have given creative faith and genuine friendship to countless groups and social circles that came after them (and as a result of them). Lucid is the glue that holds much of the scene together, and having them take a step back from touring will leave a large hole in North Country music.

    “We’re family that will never be broken,” Wurster said. “We fight like brothers and we love like brothers, and I don’t see that ever changing. None of us are going to stop playing music, it’s just not possible and something that’s not in us.”

    And as an offering to their fans, the band will go on a short “Off The Bus” tour, which will go around the northeast in March, culminating with a show on April 16 at The Strand in Plattsburgh. Until then, Lucid is putting the final touches on their fifth studio album, Bonsai Zen, which is expected to drop sometime this spring.

    There are also plans currently in the works for a follow-up record to be released by the end of 2016.

    “We’re going to keep doing what we do, and we’ll see where that carries us,” Wurster said. “Lucid isn’t going away, we’re just changing course. The future is wide open and we’re excited to see what it brings — whatever it brings, anything it brings.”

    Lucid Off the Bus Tour

    3.3 Java Barn, Canton, NY

    3.4 Paul Smith’s College, Paul Smith, NY

    3.5 Olive Ridley’s, Plattsburgh, NY*

    3.11 Penuche’s, Manchester, NH

    3.12 Putnam Den, Saratoga Springs, NY*

    3.17 Smoke Signals, Lake Placid, NY

    3.25 Stratton Mountain, VT

    3.26 Nectars, Burlington VT*

    4.16 The Strand, Plattsburgh, NY

    *with support to be announced

    www.rulucid.com or www.facebook.com/rulucid

  • No moe.down Again This Year

    Despite many fans with hopes to the contrary, no, moe.down will not be revived this year.

    When the band announced that there wouldn’t be a moe.down in 2015, the first time in 15 years, fans were devastated. .rons started to have hope for the festival to return in 2016, especially after new owners bought the ski slope in Turin where the festival has been held most of its 15 years and expressed interest in making sure moe.down came back to their venue. But it turns out those hopes were misplaced.

    Jim Houle Photography - moe. New Years Day 2016-97-small

    Here’s the full text of the post on the moe.down Facebook page:

    We appreciate so many fans reaching out to tell us how much they miss moe.down music festival, and we know there have been many questions on whether or not we have plans to bring it back this year. At present, we do not have any plans for moe.down 2016. The moe.down discussion on bringing it back in the future is very much alive between all those involved. In the meantime, we will be announcing a few other special summer shows in addition to Red Rocks Park and Amphitheatre – we hope to see you there!

    Here’s hoping that 2017 will see the return of the festival that many moe.rons refer to as, “My home, my heart, my best friend.”

  • Greensky Bluegrass plays Horseshoes and Hand Grenades in NYC

    Bluegrass music may not be what’s on the radio, but the attendance at this past Saturday’s Greensky Bluegrass and Horseshoes and Hand Grenades show in New York City showed a healthy dose of support for one of the roots of what we’ve come to know as Americana music. With both bands visiting the East Coast from Michigan and Wisconsin, there was no local draw but definitely a packed house. Neither one had graced the stage of the Irving Plaza theater, but there was no sign of discomfort or unease from the opener or headliner.

    Horseshoes and Hand GrenadesAlthough most of the crowd were there for Greensky Bluegrass, Horseshoes and Hand Grenades were welcomed with a positive turnout early on. The five-piece acoustic outfit ran through their unique blend of bluegrass and country that brought bands like Trampled By Turtles and Old Crow Medicine Show to mind. One thing that sets this group aside from anyone else is their utilization of the harmonica and accordion in their arrangements. The fiddle blends well with the handheld instrument to deliver a strong high-end sound. Personal highlights came with covers of Pink Floyd’s “Time,” and Bob Dylan’s “Don’t Think Twice It’s Alright,” where they successfully turned two classics into their own sound.

    Horseshoes and Hand GrenadesKalamazoo’s Greensky Bluegrass took to the stage for two sets of well thought out and executed mayhem, running through early staples, showing off new work, and paying homage to their inspiration by taking on songs like Billy Joel’s “Big Shot,” Bruce Hornsby’s “King Of The Hill,” and the Allman Brothers’ “One Way Out.” Known for their playful covers and heartfelt originals, this band can go from dead serious to bouncing off the walls in a matter of one jam in between two songs.

    The smooth and familiar vocals of mandolinist Paul Hoffman layered with the crisp southern sound from guitarist Dave Bruzza are even more powerful when blended. Fan favorites like “Dustbowl Overtures,” “Just To Lie,” and “Don’t Lie” came in the first set, with the latter two taking off with instrumental exploration. Set two followed up with unique heavy hitters like “No Idea,” “Georgia Mail,” “Old Barns,” before closing out the second half of the show with “Leap Year.” Their encore of the Greensky original “Forget Everything” was followed with the Allman Brothers cover, just a few blocks away from where the old Fillmore East used to be.
    Despite Horseshoes and Hand Grenades being new to the area, it’s safe to say that they made a few fans at Irving Plaza thanks to the guys in Greensky Bluegrass. As the jam-grass brigade from Michigan continues to increase in venue size, it begs the question of what’s next, and where the green sky ends and the bluegrass begins.

  • Annie in the Water returning to Funk ‘n Waffles with St. Lenox

    On Friday, February 5 Annie in the Water will be returning to Funk ‘n Waffles with St. Lenox  who are sure to bring a unique mix to downtown Syracuse.

    Annie in the Water whose roots remain in Watertown NY, will be making their second stop on their 2016 Tour here in Syracuse NY, bringing their positive vibes to numerous venues throughout Vermont, Maine, Potsdam NY, Troy NY, Wilmington NY and their homestead Watertown. Founding members Brad Hester (vocals/percussion/guitar/looper) and Michael Lashomb (guitar/vocals) and featured member Dillon Goodfriend (keys) are sure warm the atmosphere with a mixture of high energy reggae/rock and uplifting lyricism.

    Andrew Choi is the incredibly talented singer/songwriter behind St. Lenox, with Chris Hills / Nick Fed (guitar), Jorge Vega/Brandon Vitruls and Todd Celmar (drums), Chris Bolognese (bass) and Fritz Chrysler (mp3 Player). St. Lenox is a smooth mixture of jazz, classical music and electronica. Andrew Choi’s will surely bring some depth to the stage with some powerful lyrics from his debut album Ten Songs About Memory and Hope released on January 20, 2015. Andrew hopes to release their newest album titled Ten songs from my American Gothic in the Spring of 2016.

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Todd Nance Returns to Widespread Panic

    Widespread Panic drummer Todd Nance is back from his time away. He was seen behind the drum kit during yesterday’s soundcheck at their Panic en la Playa destination music festival in Mexico.

     

    Widespread Panic had announced that Nance would be taking a leave from the band prior to their fall 2014 tour to deal with personal matters. He has since performed with various projects, but hasn’t played with Widespread Panic since their performance at the Phases of the Moon festival in September 2014. Duane Trucks has been filling in during his absence. Nance, a childhood friend of deceased guitarist Mikey Houser, has been with the band since their incarnation in 1986.

    Nance’s return was announced on the Panic en la Playa Facebook page, where pictures of the soundcheck were posted. Panic en la Playa 5, the band’s festival in the Riviera Maya in Mexico, is scheduled to run Feb. 2 through 6. Upon returning stateside, Widespread Panic will embark on a short winter tour in February followed by a more extensive spring tour in April and early May. Tickets for their winter tour are currently on sale. Tickets for the spring tour go on sale Feb. 19 and 26.

  • Mighty Diamonds, Highway 50, Mono Verde Shine at the Fox Theater

    The atmospheric weather phenomenon known as El Nino has blown more snow over Colorado than the state has seen in several years. One recent show at the Fox Theater on January 22 in Boulder, CO featuring a trio of roots reggae/ska bands, including reggae pioneers, the Mighty Diamonds, provided a brief respite from winter with a night full of warm, tropical melodies from Jamaica.

    Two area favorites, Mono Verde, and Highway 50, helmed by former Samples keyboardist Al Laughin, jumpstarted the evening with a series of percussive world beat and roots ska melodies. Highway 50’s elevated the languid, easy-going style of reggae melodies with a powerful horn section and brawny lead guitar riffs.

    The night’s headliners, the Mighty Diamonds, featuring Lloyd “Judge” Ferguson, Fitzroy ”Bunny” Simpson and Donald “Tabby” Shaw, formed in 1969 in the Trenchtown area of Kingston, Jamaica. They showed, even after 46 years, that they can jump, spin, and belt out Motown-infused reggae with unbridled enthusiasm.

  • Proctors and Capital Rep Announce 2016-17 Series in Grand Fashion

    When is a theater announcement more than just an announcement? When Proctors and Capital Repertory Theatre get together and present their 2016-17 KeyBank Subscription Series to the public in grand fashion.

    This was more than just a presentation of 13 musicals, it was an event and a spectacle featuring performances from some of the shows that will grace stages in Albany and Schenectady in the coming year.

    Presenting the lineups for each venue in a mock debate, Proctors CEO Philip Morris and theREP’s Producing Artistic Director Maggie Mancinelli-Cahill kept the audience laughing and cheering as they rolled out the Broadway shows that will come to the Capital Region for the first time, some on their first national tours. John Gray and Kydia Kulbida from WTEN offered commentary from the stage left upper box and kept the show flowing in between each well received announcement.

    Proctors’ 2016 schedule includes the four-time Tony Award winning production An American in Paris, which will be seen for the first time outside of New York and Paris in October 2016. Dirty Dancing – The Classic Story on Stage arrives in November 2016, followed by The Curious Incident of the Dog in the Night-Time, which tells the tale of an autistic boy accused of a crime and his struggle to communicate his innocence, also in November 2016.

    The first national tour of musical comedy Something Rotten! makes its way to Proctors in January 2017, followed by the Broadway blockbuster Wicked in March. The beloved story The Sound of Music is next in April 2017, while Roundabout Theatre Company brings Cabaret to Proctors in May 2017.

    Among the most anticipated shows, which also received the largest applause, was Beautiful – The Carole King Musical, coming to Proctors in April 2017 for a limited engagement. Sara Sheperd performed two selections from the musical, “Will Your Still Love me Tomorrow” and “(You Make me Feel Like) A Natural Woman” to great fanfare.

    Capital Repertory Theatre will offer a combination of classics, musical biographies and world premieres, including A Night with Janis Joplin, Outside Mullingar, NEXT ACT 5! New Play Summit, Camelot, Reluctant Wingman and An Iliad. By the end, when the stage was festooned with red, white and blue balloons, there was no question that Proctors and Capital Rep will bring a phenomenal lineup of musical theater to The Capital Region well into 2017.