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  • The Evolution of Annie in the Water: An Interview with Mike Lashomb

    Annie in the Water, with their combination of reggae, rock, funk and jam, is an Albany-based band that originated as a duo with Mike Lashomb and Brad Hester in 2007. This past spring, the duo added three more members, which you can imagine has had significant impact on both the sound and the overall feel to their music. NYS Music spoke with founding member and lead guitarist Mike Lashomb about that change and what fans can expect going forward.

    Erin Clary: Before it was just you and Brad, and now you’ve added two more members to Annie in the Water. What brought on the change and how did this happen?

    Michael Lashomb: It’s been an interesting learning experience. Brad and I started back in 2007. Back in 2011 we had a drummer play with us and he kind of just up and left when we were starting to get bigger and booking venues and stuff like that. So Brad and I started this looping, jam kind of style. As time went on, just trying to connect with the jam scene and we felt we were kind of in between all these different scenes and we didn’t really connect the way we were hoping to with our style. So as time went on we understood there was definitely a progression that needed to happen. There needed to be some way that we could branch out and diversify our sound and also our personnel and people. We added our bass player, Lucas, three years ago and then we added piano player in the summer of 2014, Dillon. Having Lucas Singleton on bass really added a big low end kind of contribution with a lot of his style. Then Dillon on keys was this different kind of musician oriented but transient, experimental sound. So it was good to have Lucas who brought in a lot of specific playing and structure and Dillon who was outside of the box with his expression and style. And in that time, Brad would constantly update his looping with the four of those guys, having them on and off for shows. Then this past winter we knew we wanted to get a drummer involved and really up the jams so we could switch around grooves, time changes and cues. Josh West was finishing up with Lucid as they decided to tone down the touring and everything and it was just a natural…we met him at Nectar’s as he was playing with his old band, Tar Iguana, and it was just a natural relationship that blossomed into a really cool band relationship. Kind of different evolutions and progressions brought us to now.

    EC: Are there different challenges you find when switching from a duo to a full band?

    ML: Definitely a change. Brad has pretty much grown musically and matured with me as his counterpoint. I had played in different fusion bands and different guitar bands since I was in 8th grade so when we added the full band together it was definitely a whole new experience for Brad. It’s something that to this day he is totally changing and morphing in such an awesome, progressive way. So yeah there is definitely more personality which calls for more contribution artistically, personally and emotionally. It’s different. We went from having only a few people on the stage to suddenly having a lot more room being filled up. Not only physical space, but sonic space and musical space. A lot of what we had to do too was rehearse as we played shows because we had all the prior engagements set up with Duo shows but moving out of one house, just a lot of different things off the stage we were dealing with. It has been a really interesting transition but a really positive transition because everyone is really open to communication and evolution for sure.

    annie in the water mike lashomb
    Dillon Goodfriend, Lucas Singleton, Michael Lashomb, Brad Hester- Annie in the Water

    EC: So you’re saying you weren’t latching on to a niche?

    ML: Yeah, it’s hard to explain because there was a certain amount of people who are looking at what we’re doing with the Annie in the Water Duo acoustic set, that we still play to this day, but we will have some people who really jive with that and think it’s cool, the amount of sound we are able to produce with two people. It’s fun! There’s a certain element to having an absolute kind of experimental but also structured rhythm section. Having the rhythm section be human rather than having a syncopated beat box being looped for X number of measures for a certain amount of time. So Josh will change things up and everyone has been playing music for a long time and everyone has their own interpretation of when that happens. So we’re always creating a different show. When we were the Duo we were always big on experimenting and never having a setlist. Now that we have a full band it kind of brings in a little bit more people who are down to dance. People with a groove looking for a pulsating kind of sound. That’s kind of where we were in the middle of. We had that groove but we were missing the rhythm section. We would self-consciously catch people that normally would be like “oh these guys are really talented,” and suddenly like “I’m dancing and I’m reacting to it.” Then again we have people who like EDM and DJs who would go crazy for our looping stuff, but that’s not necessarily what we wanted to accomplish. To this day it’s an absolute trial and error to see who is reacting, how they’re reacting and why they’re reacting.

    EC: What is the goal of Annie in the Water and what is success to you?

    ML: It’s tough to say that there’s a finite point where it is success. I know that you aren’t assuming that either. For us, we’ve already achieved certain levels of success personally and musically that we’re really proud of. By having a certain ability to run as a functional business. So that was kind of our first goal. As that went on we had the goal of being a full live stage and live sound production whenever and wherever we were needed. In a long run, wider scope, our success is to just connect with as many people as possible on a human and spiritual level. I know that sounds heavy and I don’t want to say egotistical, but it’s pretty bold in that we feel that we have a responsibility to help in whatever way we can. If we can provide positive music to people than that’s it. I think one of the biggest sources of success for us is the ability to continue being full time musicians, playing wherever. My personal goal is I’d love to headline and have our own show at Blossom Music Center in Cleveland, OH where I was born and raised. Yeah we’d love to headline a festival, that would definitely be a goal but we’d like to just contribute in the most unique way humanly possible. We want to just make whatever Annie in the Water is, an entity that promotes peace and positivity, and inspires people to do whatever they feel they are naturally good at and love and passionate about. So definitely multiple goals and ideas of success but if we can just keep on helping people and along the way while we’re able to keep this boat floating than that’s as much success as we could imagine and be grateful for.

    mike lashomb annie in the waterEC: Are there other collaborations you’d like to put together for the future and can you reflect on favorites that may have happened recently?

    ML: We’ve been having Jamie Armstrong from Lucid on the saxophone play with us. It’s been a sit-in that we really enjoyed. He’s been playing extended shows a handful of times. It’s not necessarily a side project, he has kind of given us a “Hey mister, what’s up?” and will be down to play a show. There’s a lot of different ideas we have for side projects. It’s kind of up in the air right now. We have our friend Garrett, this kid that we met at Dyken Pond. It was an absolute, random….he’s not even playing in a band he’s just living in New York City and he added this unbelievable style to what we’re doing and we’re having him play with us in New York City next week. He plays lead guitar. We kind of bounce back and forth. We had Gubb from Twiddle sit in for a show with us in Vermont. We’ve always talked about having a little jam session show in Vermont to keep our good friends there happy and dancing. It’s really cool because we got into the jam scene only as of recently having other bands kind of become our friends which is a difficult thing for the first couple of years, just because we didn’t really know what we were doing either. So now it’s like the doors are kind of open to all these different friendships and creative expressions with other bands. It’s exciting because all these other bands are really reaching out and playing with everyone. All we want to do is play with people and put in the frequency and energy that overall contributes to a beautiful experience. So we are open to whatever.

    EC: Describe each band member in one sentence.

    ML: OK this is fun…

    Bradley Hester (Percussion, guitar, vocals, looping) – Hardest working musician and nicest human I’ve ever met.

    Joshua West (Percussion, Drums) – A stoic little child who is so much fun to have behind the kit.

    Lucas Singleton (Bass) – The dependable groove supplier and overall goof ball.

    Dillon Goodfriend (Keys) – A pure musician and absolute music lover.

    EC: And what about you?

    ML: I’d like to say I just like to have fun when I play.

    EC: Should we expect a new album out now that you’re all together?

    ML: Yeah. We’re all looking at the overall picture and new music being recorded is absolutely on the radar and very important. What we’re trying to do right now is make sure that we’re choosing the songs that we have from our past that we’re writing down and we’re looking to write. We’re trying to make sure that we’re choosing what works best for the band. So the music will definitely become recorded but at this point we are getting everyone on the same page to decide how we want to move forward musically, personally and band wise. So the album is definitely in the works right now, we just have to decide the next step to make that happen that works best for everybody.

    EC: You’ve made your homebase Albany.

    ML: Yeah, we’ve been in Albany for four years but we haven’t played in Albany as much because we’ve been pursuing different opportunities in different parts of the Northeast.

    Trying to do a lot of different hubs and also play at different mountains because snowboarding is a huge part of our culture. It’s been more or less that we’re in the progression of making that happen so seeing us in Albany is going to be more frequent for sure.

    EC: The October 13 show with Giant Panda Guerilla Dub Squad in Albany at The Hollow  should be a homecoming show with lots of friends and family I presume?

    ML: That’s going to be a really interesting show because we have a lot of friends from the Rochester area that have always talked up Giant Panda and I think vice versa. So this show is going to be the first time that we’ve actually ever met those guys. It’s cool because whenever you play a show with the band for the first time there’s a lot of learning and vibing of personalities. So when it comes to that night I would say wait for something interesting but until that night happens, that’s when the magic starts.

    https://youtu.be/ARct1fM7OkU?t=1m20s

  • English Rock Legends UFO and Saxon Announce U.S. Spring Tour

    Pioneering English hard-rockers UFO have announced a spring tour commencing March 9, 2017 at Scout Bar in Houston, TX and concluding April 2, 2017 at Brighton Music Hall in Allston, MA. The tour also includes a two-night stay at the B.B. King Blues Club in New York, NY. UFO will be joined on all dates by fellow New Wave of British Heavy Metal progenitors Saxon along with special guest Jared James Nichols. This will be the first time UFO and Saxon have toured together since the 1980s.

    Visit UFO, Saxon, and Jared James Nichols’ facebook pages to learn more.

    UFO is busy in the studio comleting their 22nd album, the follow-up to 2015’s A Conspiracy of Stars, which is reportedly a collection of covers. The current lineup features original members Phil Mogg (vocals) and Andy Parker (drums), as well as Paul Raymond (keyboard/guitar), Vinnie Moore (guitar), and Rob De Luca (bass).

    Here’s live footage from earlier this year of UFO playing their classic “Rock Bottom.”

    [embedyt] http://www.youtube.com/watch?v=l-kvk21KbsA[/embedyt]

    Let Me Feel Your Power, a new double live album from British metal stalwarts Saxon, is due out October 28, 2016 in the United States on UDR Music. Saxon consists of Biff Byford (vocals), Paul Quinn (guitar), Nigel Glockler (drums), Doug Scarrett (guitar), and Tim “Nibbs” Carter (bass).

    Check out Saxon performing “Wheels of Steel” in support of their new live album.

    [embedyt] http://www.youtube.com/watch?v=iE4d4wjc1Lo[/embedyt]

    UFO and Saxon Tour Dates: 

    Mar. 9 – Houston, TX – Scout Bar
    Mar. 10 – Dallas, TX – Gas Monkey Live
    Mar. 11 – San Antonio, TX – Alamo City Music Hall*
    Mar. 14 – San Diego, CA – House Of Blues
    Mar. 15 – San Francisco, CA – The Independent
    Mar. 16 – Los Angeles, CA – Belasco
    Mar. 18 – Anaheim, CA – The Grove
    Mar. 19 – Las Vegas, NV – House Of Blues
    Mar. 21 – Denver, CO – Summit Concert Hall
    Mar. 24 – Sioux City, IA – Anthem at Hard Rock Casino
    Mar. 26 – St. Charles, IL – Arcada Theater
    Mar. 28 – Cleveland, OH – House Of Blues
    Mar. 29 – New York, NY – B.B. King Blues Club & Grill
    Mar. 30 – New York, NY – B.B. King Blues Club & Grill
    Apr. 1 – Jim Thorpe, PA – Penn’s Peak
    Apr. 2 – Allston, MA – Brighton Music Hall

  • Recess with Spinelli Interview with Caravan Palace

    What do you get when you mix old swing music with modern electronic beats? Well, Electro-Swing of course!  And who better to talk about the genre than the pioneers of Electro-Swing, Caravan Palace of Paris, France! From Robots, science-fiction to bras and vintage French porn and late night television, this is an interview you will not want to miss.

    Listen to the abridged feature/interview

    You can listen to the Full Radio Broadcast

    On-stage, Caravan Palace proves they are performers and musicians; keeping the crowd engaged, dancing and of course swingin’.

     Caravan PalaceRecess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT

    Follow Recess with Spinelli: Instagram Twitter Facebook Youtube Soundcloud  Mixcloud Tumblr and online at longbowmedia.us

  • Hearing Aide: Green Day’s “Revolution Radio”

    I remember it vividly: On a long bus ride for an elementary school field trip, one of my oldest friends handed me a cassette that would be the very first turning point on the musical journey that my life has become.

    The year was 1993, and I was very much into rap at the tender age of 8. Caleb, who had a serious disdain for my musical choices at the time, took my Walkman and inserted a recently released tape of Kerplunk, Green Day’s second album. I’d never heard of the band, and was not sure what to expect.

    The snarling growl that accompanied Billie Joe Armstrong’s guitar slapped my eardrums around on the opening track, “2,000 Light Years Away,” and I didn’t know what to do. It was odd, at first, but as I made my way through the tracks, I became quickly hooked on the pop-punk that would soon propel Green Day into super-stardom.

    And this was only the beginning of what became my first, and biggest, band obsession. I made my parents get me their debut album, 1,039 Smoothed Out Slappy Hours, which was a compilation of all their earliest material. I loved Green Day before anyone knew who they were.

    Later that year, a friend and I devised a plan to get our parents to take us to see them at Union College in Schenectady. To make a very long and boring story short, the two of us ended up by ourselves at the concert, swinging and swaying in a rowdy group of maybe 1,000 people, and I will never forget the awe I felt seeing a trio of early 20s kids playing the fastest and catchiest rock and roll on the planet. It started a live music obsession that, to this day, comes first in my life after my family and work.

    I can talk about how Dookie is my all-time favorite album ever released by anyone, or about how Insomniac spoke to my pre-pubescent self better than anyone, or how Nimrod, while not universally liked, showed how Green Day can shake things up. What about Warning, which featured a bevy of instruments which helped the band veer away from three-chord pop-punk? Or how American Idiot vaulted the band back to super popularity and brought music and politics together again? I don’t think we need to talk much about 21st Century Breakdown, or their quickly released trio of albums, Uno, Dos and Tres, which were not Green Day’s best efforts.

    Now, 23 years later, Green Day just dropped its 12th studio album, Revolution Radio, and I have to say that for a band I idolized growing up, then grew to despise a bit in the mid-2000s, they have reeled me right back in. Gone are the days of songs about masturbation, moving out of mom’s house and staying up all night snorting meth.

    And while it has some political undertones, Revolution Radio really is a 12-song collection of angst, anger, mortality and youthful remembrance by Armstrong, Mike Dirnt and Tre Cool. And it’s fast, loud, mean and chock full of emotion and that “we don’t give a fuck what you think” attitude that made me fall head over heels 23 years ago.

    “Somewhere Now” starts the album with a Clash kind of feel. Its catchy chorus and clever wording simply give way to the meat of this album. “Bang Bang,” the first single released, shoots out at you like a bullet from a stolen gun. “Daddy’s little psycho and mommy’s little soldier” is a line that hits close to home, as this was me as a child. Great choice for a single, and it’s mean as hell with that charm that only Green Day can insert into a morbid song.

    “Revolution Radio” is the catchiest song on the album, and is as close to classic Green Day as it gets. Think the anger and destruction captured throughout Insomniac and this is what you’re getting in the title track. “Say Goodbye” opens with a vibe of The Wall-era Pink Floyd, then quickly transforms into a preachy ditty that touches on, presumably, the recent spate of violence in this country involving police.

    “Outlaws” is a love song that misses its mark. It is the only song that seems out of place here. “Bouncing Off The Wall” is another throwback to Armstrong’s wilder days, before he went to rehab a few years ago.

    “Still Breathing,” “Youngblood” and “Too Dumb To Die” are a trilogy of songs that I have listened to over and over in the last 72 hours. “Youngblood” is a punk rock love song that ends with the subject saying “but fuck you I’m from Oakland” and is a great way to close it out.

    “Too Dumb To Die” is about reckless behavior from the band’s past, and became my favorite song from the band in many, many years. It’s the most punk rock thing on the entire album, and maybe of the band’s career. “Troubled Times,” “Forever Now” and “Ordinary World” touch back on the societal and political unrest in the country, without slamming it down our throats like American Idiot did.

    Overall, this is the best Green Day album, in my opinion, since Nimrod. Green Day returned to what made the world fall in love with them and made it angrier, faster, louder and catchier.

    I am certainly back into this band like it’s 1997.

    Key Tracks: Too Dumb To Die, Revolution Radio, Youngblood, Bang Bang

  • Vaporeyes Announce Release of “Golden Baron EP”

    Vaporeyes is back in downtown Syracuse in a very special way on Saturday, November 19 at Funk n Waffles Downtown, when longtime guitarist Jyms Tynyn will perform his final show with Vaporeyes. Come down and send Jyms off right and rage with Vaporeyes as they’ll be digging deep and getting crazy in what will also be their last show of 2016. Albany-based Lord Electro opens the night, with doors at 8, and cover $10.

    To make the show even a bigger can’t-miss show, Vaporeyes will be releasing their latest album, Golden Road EP, on November 19.

    Vaporeyes is a “psychedelic jam fusion” band whose sound seems to be constantly evolving. Sometimes tight as a tiger, sometimes strictly improvisation, sometimes electronic, dance, jazz, metal… but always trippy with a dose of in-the-moment flair. Vaporeyes has already shared the stage with such acts as Papadosio, RAQ, Tauk, Zoogma, Kung Fu, Aqueous, Brothers Past, DrFameus, and much more.

    Hailing from Albany, NY, Lord Electro is coming to open up the night. They released their Debut self titled record in 2015 and have been consistently performing across the Northeast. Having already shared the stage with such heavy hitters including: The New Deal, Roots of Creation, G-nome Project, Conehead Buddha and Lucid, Lord Electro is on a mission to make feet move and booties shake!

  • Set Up Like a Bowling Pin: JRAD Knocks Down the Brooklyn Bowl Run

    If the Brooklyn Bowl ever decides to create a Hall of Fame, Joe Russo’s Almost Dead (JRAD) can be sure to add “Fall Ball 2” to their list of accomplishments. As Saturday night wrapped up the sold out three-show run for this incredible quintet, I will non-apologetically say that they are the most important “cover band” in the world and are potentially better than anything Grateful Dead related today. The Bowl was where they capitalized on their first run as a newly developed powerhouse and years later, this all-star side project has become nationally recognized and a force to be reckoned with.

    “Blues for Allah” welcomed the crowd to the show. The Dead rarely performed the spacey and complex composition live, which JRAD seems to greet as a challenge and ambitiously took the “Blues” to another level before stepping into a starry “Eyes of the World.”   A delicate transition into “Minglewood Blues” was highlighted by Scott Metzger’s fiery guitar solo turning into the first fist-pumping barn-burner of the night. The band slowly eased into “The Wheel” with an extended jam taken over by Tom Hamilton in between the first and second verses. I couldn’t help getting chills as the five pieces screamed out the lyrics “bound to cover just a little more ground.” Observing the usual peaks and valleys of “The Wheel” from a viewpoint that only JRAD could capture was truly a magical experience and one of the highlights of the first set.  The breathtaking transition into “Ramble On Rose” got the predictable crowd explosion as “just like New York City” was sung to their hometown audience. There was a Tom Hamilton lyrical mishap but with the room in a trance, nobody seemed to give a flying flub.

    Merle Haggard’s “Mama Tried” was technically the night’s first cover that this cover band covered (make sense?). The cowboy song gave the thirsty crowd a few short minutes to grab a beer before returning for the otherworldly “Morning Dew.” The unusually energetic intro to the tune made some Heads scratch their beards but the euphoric meltdown in the middle orchestrated by Joe Russo’s team-captain drumming leadership was as mellow as it gets on a Saturday night. The always-powerful refrain was given some extra juice by Dave Dreiwitz’s bass bombs shaking the rafters as the first set came to an impressive close.

    The second set got asses shaking right off the bat with “Crazy Fingers” and I am pretty sure you could actually smell the reggae influenced magic in the air. Another incredibly silky transition led to the monster “Truckin’” and once again the crowd showed some extra excitement in the lyrical reference to New York. The band also got a kick out the lyrics “set up like a bowling pin” which was evident by their ear-to-ear smiles as they exchanged glances. Joe Russo instigated a quick “The Other One” tease to keep the set list note takers on their feet, but the scribes weren’t disappointed with the next rarity, Donny Hathaway’s “Magnificent Sanctuary Band” popularly performed by the Jerry Garcia Band.

    “Help On The Way> Slipknot” was the jazzy cherry on top of the second set sundae and gave Marco Benevento a chance to have his wings spread bright on the organ. Where Hamilton vocally shined during the first section, Benevento added a haunting solo during the thick of the jam. While many came to expect a glowing and upbeat “Franklin’s Tower” to be the other piece of bread to this incomplete sandwich, Benevento and Russo teamed up to create an eerie transition into “Estimated Prophet” which was reminiscent of an early Pink Floyd sample. Benevento used an effect that sounded like a spaceship in Atari’s Galaga being abducted by a larger spacecraft and the retro noise was very suitable at this point in the night. The first guest appearance came during the set closer as Chris Harford (Band of Changes) joined the boys for Neil Young’s “Hippie Dream” off the 1986 album, Landing on Water.  The gritty and bluesy piece gave each member the instrumental spotlight for a moment before they stepped off stage.

    The encore was an unannounced nod to a long time friend and JRAD enthusiast that recently passed away. “He Was a Friend Of Mine”, a traditional folk song popularized by Bob Dylan was performed acoustically as the members displayed their first sorrowful tone on stage since “Morning Dew.” This version is not to be confused with the “He Was a Friend of Mine” cited in Grateful Dead set lists throughout the mid to late 1960’s and felt more like something you may hear off a Garcia/ Grisman compilation. While the somber acoustic tune mourned the loss of a loved one, “Not Fade Away” celebrated their friend’s life and memory. The boys were back on their electric instruments as half the crowd “air keyed” along with Marco. Seasoned Deadheads began the “Not Fade Away” ending clap-chant combo along with the band, which echoed for a solid five minutes even after they left the stage. Security opened the exits encouraging fans to leave, but the community energy was keeping everyone warm inside and sure enough, the group came back for a surprise second encore, “Bertha” to cap off an incredible evening.

    As the house music played and the audience finally began to exit the venue, I couldn’t help but stare at the vintage poster that has hung above the side doors since the early days of the Brooklyn Bowl. While the band’s title bares the description “Almost Dead” the words next to this mystical werewolf poster read “Real, Alive” and after a throw down like Saturday night, I think we can all side with the wolf.

    Joe Russo’s Almost Dead is covering a little more ground at the Brooklyn Bowl on December 29th before taking a short trip north for their two night New Year’s run at the Capitol Theatre on December 30th and 31st. Tickets are going fast and after this past weekend they are sure to sell out soon!

  • Hearing Aide: Aqueous ‘Best in Show’


    It’s been almost two years since Buffalo groove rockers Aqueous released their fourth studio effort, the acclaimed Cycles. Shortly after the release, the band’s founding trio found themselves struggling to keep a pair of sticks behind the kit.  After a national search, drummer Rob Houk joined the band full time and the quartet headed into the studio. The resulting EP, Best in Show, is a four song reflection not only of the band’s time without a permanent drummer, but also a glimpse into the band’s future as Houk melts into the Aqueous groove with fluid rhythm that feels as if he’s always been here.

    aqueous best in show

    Kicked off by the infectious opening track, “Don’t Do It,” Best in Show is a shining example of how Aqueous uses time in the studio to expand on their signature live sound.  The band and producer Dan Brace of Sonic Farm Studios find a way to build depth and layers into “Don’t Do It” that surpasses the way the band already deposits the song’s structures live.

    Production on the song, as well as throughout the entire album, is thoughtful and subtle. It leaves room for exploration upon each subsequent listen.  Best in Show presents like a musical onion, revealing something new every time you listen.  It’s a theme that is present in all four tracks.  New nuances, subtle changes, and microscopic effects take some of the band’s newest songs and turns them into some of the band’s most laser focused studio work to date.

    “Underlyer” has seen plenty of stage time, but from the studio the song takes on a whole new life with a slightly different tempo. Tender and soulful, it’s one of the album’s lyrical gems.  Musically, the tune is funky while moving, highlighted by a delicious groove anchored by bassist Evan McPhaden. On keys and synth, Dave Loss creates beautiful and whimsical layers that highlight the song as its most intense yet reflective moments. Lead guitarist and vocalist Mike Gantzer explores moments of falsetto and vocally the song is a showpiece for his continued vocal growth. Gantzer continues to develop a rich, milky quality that settles neatly against Aqueous’ harder and more polished technical musical edge.

    “Random Company” and “Calling Out” although vastly different in composition, highlight Aqueous’ ability to structurally string together a variety of musical genres and styles that you wouldn’t naturally blend.  Listening to many Aqueous tracks is akin to strapping in for the front row of a musical roller coaster. It’s an ebb and flow that is reflective of the band’s moniker.  It’s a musical device that Aqueous executes with precision, keeping their sound fresh and their live shows full of astonishment to first time listeners.

    The four songs are highlighted by tiny nuggets of rightness; lyrically, musically and in its production Best in Show turns a pointed spotlight on how much Aqueous has grown in the two years since their last studio release. But more importantly, Best in Show is Aqueous’ resolve from the challenges they have faced and proves their tenacity to move forward while solidifying their line-up.

    Houk flourishes on drums.  His previous work as a studio drummer is evident with thoughtful punctuation and temperate pressure. But it is also evident that Houk, Gantzer, Loss and McFadden have wasted no time in melding together a sound that is uniform, distinct and cohesive.

    As a producer, Brace clearly utilizes his experience with mixing a variety of the band’s live efforts, including their Aqueous Halloween 2015 Dark Side of the Oz release, to the band’s advantage in the studio. He seems to be coaching them in the best ways to enhance their sound.  A nod to not only his skills as a producer, but also a nod to Aqueous for taking direction in nuance.

    Best In Show will be available through hard copy purchase starting Thursday Oct 13 and Friday Oct 14 during the Best in Show CD release party at Buffalo Iron Works in the band’s hometown of Buffalo, New York.  Digitally, the EP will be available through online services such as iTunes, Spotify, Amazon and Google Music starting Oct 14.

  • Travel back in Time with the Boy Band Review Tribute Show

    If you loved the boy band music of the 90’s, then the Boy Band Review – a Boy Band Tribute, is the show for you! Made up of six members, the Boy Band Review consists of former Broadway stars who shine as they lay their hearts on the line to bring you a truly nostalgic performance. They bring their all to the stage with an energetic, fun performance chock full of hits from the likes of New Kids On The Block, N’sync, Boyz II Men, Hanson and more.

    boy band reviewFeaturing Jeb Roberts (Guitar), Adam Egizi (Bass), Andy Davis (Drums) and Dom Scott, KC Comeaux and Josh Hobbs on vocals, this tribute show is a true throw-back experience that will most definitely transport you back to your adolescent years. Complete with singing, dancing, and great stage lighting, the Boy Band Review comes dressed to impress in the most memorable of outfits worn by your most beloved boy band members. They interact with you on stage and off, enticing you to let your guard down and shout out the lyrics during each of these nostalgic songs.

    boy band reviewSurrounded by die-hard 90’s boy band fans it is virtually impossible to resist the urge to join in, sing along, and just plain let loose with those who remember every word and dance articulation of the artists they knew and loved. They might even surprise you as they welcome your participation in an intimate, personal moment – like the drummer proposing to his girlfriend. Not something you would expect from a grown man in overalls with one of his shoulder straps undone!

    boy band reviewAs promised, the Boy Band Review – a Boy Band Tribute really is a throw back experience and these “New Kids” definitely “bring the heat up to 98 degrees”  to bring you back and relive your best years- even if only for a moment in time.

    Setlist: Backstreets Back, Byebyebye, No Diggity, Mmmbop, I’ll Make Love To You / End Of The Road / On Bended Knee Medley, It’s Gonna Be Me, Motown Philly, You’ve Got It, All My Life / All Or Nothing, I Want It That Way / Larger Than Life

    Encore: Summer Girls, What Makes You Beautiful, Pop

    Be sure to follow the Boy Band Review on Facebook. Have your high tops and wrist bands ready for when the Boy Band Review announces a performance in your city!

  • Reznor Responds to Questions of NIN Returning in 2016

    Ever wonder what happened to that Nine Inch Nails‘ return that Trent Reznor spoke about around last holiday season? Reznor sent out a tweet around the Christmas holiday in 2015 and stated that Nine Inch Nails’ would return in 2016.

    Well with 2016 rapidly coming to an end, the only thing NIN fans have heard from Reznor were a couple movie announcements he will take part in. Reznor will be apart of Leonardo DiCaprio’s documentary about climate change titled Between The Flood, and Peter Berg’s motion picture about the 2013 Boston Marathon bombings titled Patriot’s Day, which stars Mark Wahlberg.

    NIN 2016With less than three months left on the calendar year, COS reports that Reznor recently posted a photo to Instagram of him and some crew members from the movie Between The Flood. This prompted fans to comment and ask the front man, what’s the deal with NIN returning in 2016 like he said – Reznor responded with “2016 is not over yet!”

    Reznor over the summer registered a song titled “Dive and Slam,” on ASCAP’s Repertory and attributed the song to Nine Inch Nails’. The track originally had a September 16 release date, but that info was disputed by Reznor and has yet to be released. Reznor is the only original member of the band, and serves as the band’s main singer, songwriter, producer and instrumentalist. Once Reznor records a new album, he then sets out to assemble a band to play live on tour with him.

    Nine Inch Nails’ has released nine studio albums. The band’s most current album Hesitation Marks, was released in 2013. NIN has sold over 10 million albums in the United States and over 20 million worldwide.

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 3

    Day 3 of Riot Fest 2016 has arrived and it is the day I have been waiting for since I was twelve years old. The original Misfits lineup will be taking the stage and performing together for the first time since 1983.

    Santa Cruz punk band the Swinging Utters kicked off the third day of Riotfest. Led by frontman Johnny “Peebucks” Bonnel, the band led off with their classic hit “The Librarians are Hiding Something.” The crowd took over the singing duties during “No Eager Men” as Johnny jumped wildly around the stage. After a very spirited and entertaining set the band expressed their thanks and bid the crowd farewell.

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    Of course I have to mention the frontman for Twisted Sister, Dee Snider. Snider is currently touring in support of his solo album, We Are the Ones, scheduled to be released in October. Snider has acknowledged that the album is a new direction for him and he hopes fans like it and will continue to show their support. Snider gave the crowd a little taste of what he meant by “new direction” when he performed his version of the Nine Inch Nails hit “Head Like a Hole.” He performed a nice mix of his new music and of course Twisted Sister classics like “I Wanna Rock” and “We’re Not Gonna Take It.” It was truly a memorable performance by the rock legend. I was very fortunate to have been able to sit down with Dee Snider later that day and chat about his new music project.

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    There were so many memorable performances that it is tough to sum it all up. Bad Religion was amazing. Punk band Leftover Crack really got the audience revved up. Tiger Army brought their blend of punk and rockabilly to the festival, not to mention they were the best dressed band of the weekend. Me First and the Gimme Gimmes performed their unique versions of cover songs such as “Jolene” and my personal favorite “Over the Rainbow.” Earlier that day, I had the privilege of sitting down with Me First and the Gimme Gimme’s lead singer, Spike, to chat about Riotfest and the bands that he was looking forward to checking out.

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    The day kept getting better and better. The master of modern horror heavy metal, Rob Zombie, took the stage and performed the White Zombie classic album Astrocreep 2000 in its’ entirety. I have seen Rob Zombie live multiple times and had only heard him perform select tracks such as “More Human Than Human.” But getting to hear the entire album was awesome! Zombie’s current band consisting of John 5, Piggy D (Matt Montgomery) and Ginger Fish brought the album to a new level of intensity and depth.

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    Now, after 2 days and too many bands to count , it leads me to the one musical moment I have waited for since I was 12 years old… the Original Misfits were about to take the stage to close out Riot Fest 2016 in Chicago!

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    Looking around all you can see is an ocean of people jam packed into Douglas Park waiting to witness the music history that was about to unfold. The stage lights go down and the smoke rolls out over the stage and you could feel the anticipation building. Suddenly the curtain drops revealing two enormous pumpkins (from the Halloween 7” cover) on each end of the stage complete with eerie glowing eyes, and a wall of crimson ghost amps in the background. The crowd gets revved and then explodes into a massive mosh pit as Glenn, Jerry and Doyle lead right off with “Death Comes Ripping” the perfect song to set the tone for their set. They didn’t waste any time belting out classics like “20 Eyes,” “I Turned Into A Martian” and “Where Eagles Dare.” Backing up the original trio was the incredible and heavy hitting Dave Lombardo (formerly of Slayer) on drums and Acey Slade (Dope) on guitar.  Both were excellent choices! Glenn took time between songs to tell stories about how he and Jerry formed the band back in 78. At one point Glenn paused and asked the audience if they liked pumpkins. Glenn and company played a lengthy set list of 26 songs from the bands 38 year history. They even played the first song Glenn and Jerry ever wrote and performed together “She” during their encore.

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    For me, this was the band that I had listened to since I was a kid. I collect their records, posters and memorabilia. I never thought I would witness an original lineup reunion in my lifetime and I have to say that I was completely floored by their performance. It was everything I expected and more, not-stop, high energy punk, massive mosh pits and bodies crowd surfing everywhere. My dreams come true!

    Set list:

    1. Death Comes Ripping
    2. 20 Eyes
    3. I Turned Into a Martian
    4. Mommy, Can I Go Out and Kill Tonight?
    5. Vampira
    6. All Hell Breaks Loose
    7. Hybrid Moments
    8. Teenagers From Mars
    9. London Dungeon
    10. Earth A.D.
    11. Green Hell
    12. Devilock
    13. Horror Business
    14. We Are 138
    15. Hollywood Babylon
    16. Who Killed Marilyn
    17. Halloween
    18. Die, Die My Darling
    19. Astro Zombies
    20. Skulls
    21. Last Caress

    Encore:

    1. Bullet
    2. Night of the Living Dead
    3. She
    4. Attitude

    As the final notes rang out and the crowd starting to clear this first trip to Riot fest and to Chicago will definitely be one I won’t forget!

    Please enjoy the photos and interviews below from a killer final day at Riot Fest 2016!