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  • Whitesnake Fills Artpark For A Night Of Greatest Hits

    On Tuesday, June 28th, Whitesnake and special guests Whitford/St. Holmes rolled into Lewiston, NY for an unforgettable night at Artpark.

    The evening started off just after 7PM with Whitford/St. Holmes. For those who were unfamiliar with the band, they surely put two and two together once the two legends took the stage. Nearly 40 years ago, Brad Whitford left Aerosmith to team up with Ted Nugent vocalist Derek St. Holmes to do an album and a tour. Now in 2016, the duo have another album and are getting the crowds ready each night for Whitesnake. Together, Whitford and St. Holmes cranked through 6 songs off their new album Reunion and ended with a mix of Aerosmith/Nugent tracks. For fans of that pure rock/blues rock genre, Whitford/St. Holmes truly bring it. As an added bonus, immediately after their set, both Whitford and St. Holmes stopped by the merch booth to sign copies of Reunion and meet fans.

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    After a quick stage change,  the sound of “My Generation” by The Who came over the PA. This sound meant it was time to start the show and out walked the man everyone came to see, David Coverdale. Forming Whitesnake in 1978 after leaving Deep Purple, Coverdale has been the front-man ever since. Joining Coverdale in Whitesnake on Tuesday, were Tommy Aldridge on drums, Reb Beach and Joel Hoekstra on guitar, Michael Devin on bass and Michele Luppi on keyboards.

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    The set kicked off with the track “Bad Boys” which was off the 1987 release Whitesnake. From that point, the crowd knew that the band was there for business. Labeled as “The Greatest Hits Tour”, Coverdale and the rest of Whitesnake surely delivered that to Artpark. Fans probably could have guessed what Whitesnake was going to play that evening but that wasn’t the point. It’s not often an iconic band such as Whitesnake comes to Lewiston, NY to play the beautiful Artpark. Judging from the turnout, everyone seemed to agree and bought tickets for the show. Artpark always offers great prices to their shows and at their concession stands.

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    One of the highlights of the night was watching Reb Beach and Joel Hoekstra on guitar. The two went back and forth all night trading guitar licks and ripping solos. The two of them play with such ease and know how to perform. Both Beach and Hoekstra have great résumés. Beach has worked with bands such as Winger, Dokken, Alice Cooper and more. Joel Hoekstra, on the other hand, played for Night Ranger and was a member of the Trans Siberian Orchestra.

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    Fans both young and old were spotted throughout the crowded amphitheater. Parents, who’ve been listening to Whitesnake for what seems like ages now, brought out their kids to see the show. Seeing generations rock out together to songs like “Slow an’Easy”, “Is This Love” and “Here I Go Again” goes to show how timeless these songs are. Whitesnake’s legacy is one that is surely going to last forever.

    Coverdale and the rest of Whitesnake ended the night with the hard-hitting track “Still of the Night” off their 1987 self-titled album. Coverdale, for being 64 years old, still sings the classic hits, like this one, incredibly well and left the audience standing begging for more.

    Whitesnake Setlist

    Bad Boys, Slide It In, Love Ain’t No Stranger, The Deeper The Love, Fool For Your Loving, Sailing Ships/Judgement Day, Guitar Solo, Slow an’Easy, Bass Solo, Crying In The Rain, Drum Solo, Is This Love, Give Me All Your Love, Here I Go Again, Still Of The Night.

    Whitford/St. Holmes Setlist

    Shapes, Rock All Day, Hell Is On Fire, Gotta Keep On Movin’, Shake It, Hot For You, Dayjob Medley (Last Child/Train Kept A-Rollin’/Stranglehold)

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  • NYS Music Presents Saturday Nights in July at Funk ‘N Waffles Downtown

    Beginning this Saturday, July 2, NYS Music will present a diverse lineup of artists at Funk ‘N Waffles in Downtown Syracuse. Cory Henry, the Blind Spots, Calliope Musical and the Zen Rites kick off the new summer series this weekend.

     July Funk 'N WafflesThe Grammy award-winning Cory Henry is a one-of-a-kind, multi-instrumental musician and producer. He dabbles in a variety of genres with artists such as Yolanda Adams, Sara Bareilles, P. Diddy, Kirk Franklin, Kenny Garrett, Robert Glasper, Derrick Hodge, Shaun Kingston, Donald Lawrence and Michael McDonald. Yet, it’s his upbeat, jazzy tunes and captivating R&B performances that have caught the eyes of fans, while playing as a member of Snarky Puppy. Don’t miss a chance to hear his new hits from The Revival in person.

     July Funk 'N WafflesThe Blind Spots are sure to get your hands in the air and your feet moving along to a pop-indie beat. This female-fronted, Ithaca-based band offers solid rhythm, an array of eclectic keyboard sounds and inventive electric guitar stylings.

    If there has ever been a folk band that made you feel like you were at a psychedelic party, Calliope Musical is the one. This group’s high-energy performance engages the crowd to create a beautiful interaction between the dance floor and the stage.

    The Zen Rites are an alternative folk duo from Ithaca who perform in hopes to spread positivity and consciousness. This couple began making music in 2015, with plans of releasing their first EP of lyrically driven songs full of passion and depth in the near future.


    7/9 Hippie Ball II w/Pearly Baker’s Best, Solar Garlic, Two Hour Delay @ 8 p.m.

    The authentic Grateful Dead tribute band, Pearly Baker’s Best, never plays the same show twice. Covering songs that span more than 50 years of timeless lyrics and jams, any fan would enjoy their performance.

    Solar Garlic — another tribute band, but this time it’s Phish, coming right out of Syracuse. Driven by the improvisational thrills that make Phish jams such an epic live performance, these four members pay proper tribute to their favorite band.

    Syracuse natives, Two Hour Delay, are an Americana rock jam band that has opened for Rusted Root, Donna the Buffalo, Floodwood, New Riders of the Purple Sage and Enter the Haggis. Influenced by rock and roll, blues, folk, country and bluegrass, they play a mix of tasteful original songs and covers.

    7/16 Funknut, Danille Ponder and The Tomorrow People @ 10 p.m.

    Funknut plays as a rotating cast of funk, soul and rock and roll. Funknut and its members have opened for and played with the Temptations, Bernie Worrell of Parliament Funkadelic and Talking Heads, Robert Randolph, John Medeski, the Four Tops, Soulive, KRS-One, Particle, Alan Evans and Break Science.

    Titled one of the “Top Ten Bands to Watch” by CityPaper, Danielle Ponder and the Tomorrow People transcends musical genres with a blast of deep, powerful groove and soul. Danielle’s style and charismatic vocals has landed them with powerhouses such as George Clinton, Ledisi and the Roots. The Rochester native states, “Soul music is something you feel,” she says. “It gives you goosebumps.” In combination with her groovy band, their performance is both enchanting and seductive — this honest stage presence is sure to make you melt.

     7/23 Rabbit in the Rye w/special guest Savannah and the Kings, Jackson Cavalier and The Fevertones @ 9 p.m.

    Joseph Mettler on guitar and harmonica, Alexander Lavon on bass and Brendan O’Connor on percussion and mandolin make up a progressive folk rock trio from Hamilton, NY. Rabbit in the Rye’s fables and unique way of storytelling combined with a bittersweet, poetic sound reminds listeners of a forgotten American image with fantastic realism.

    At a young age, Savannah began telling stories through lyrics exploding with imagery and passion that was well beyond her years. Her deep, expressive songs have caught the attention of artists such as Emmylou Harris, 10,000 Maniacs, Harpeth Rising, Field Report and award-winning Canadian country music singer-songwriter Ryan Cook and landed her opportunities to play with Buffalos Philharmonic Orchestra. After two brilliant solo tours, she extended her success as a harmony vocalist and rhythm guitarist with 10,000 Maniancs. In April, she recorded her latest album Bold and Unsteady with her new band, Savannah and the Kings, and is ready to share her passions with new and old fans alike.

    Jackson Cavalier and the Fevertones has been voted Rochester’s Best Busker(s) for the past two years and holds the title of house band at The Daily Refresher. Starting up as street performers, they experimented with horns, strings, percussion and harmony and have now played over one hundred gigs since their formation in 2013. Their consistency has paid off as they now have two studio albums and a high demand trailing after their Indie Folk sound.

    7/30 Castle Creek w/special guest SimpleLife @ 9 p.m.

    Local barnyard burners Kim Monroe and Chris Eves of Castle Creek are a powerful duo out of Syracuse. Using lyrically powerful ballads and a blues/jam influenced musicianship to captivate audiences throughout upstate New York all while maintaining their roots of familiar classic rock artists such as Led Zeppelin, the Grateful Dead and Pink Floyd.

    Starting as a trio of acoustic artists in 2001, this group has evolved from three part harmonies into a critically acclaimed band. You can catch them performing in different numbers, but they will always leave you wanting more. Two of the original members, Mike Frisina and Ben Lucas, have opened up 2 Bros. Studios where they write and record music consistently. Simple Life’s third album will be released this summer.

  • Photo Gallery: Relive Mayfest 2016

    The beautiful grounds of Surprise Lake Camp in Cold Spring, NY, provided the backdrop for the second annual Mayfest during Memorial Day weekend 2016. The offspring of SkyBaby Yoga and Catskill Chill Music Festival, Mayfest articulately blends music, art and yoga together, as a three-day, intimate wellness retreat. The vibe was bright and relaxing, and it was a welcomed addition to the arguably crowded festival scene here in the northeast.

    MayfestTargeted at the yoga enthusiast, the daily schedule was packed with activities, ranging from various yoga classes, group meditation, workshops, lectures, pilates and hooping. At any give time between 8 a.m. and 5 p.m., festival-goers had to choose from about nine different offerings—there was no excuse to hang out at your cabin or tent. As the sun was closer to setting each night, the focus shifted to the main stage, a stone seat amphitheater across from the lake, which was scheduled to go at the relatively early time of 11:30 p.m. each night (although it was cut about 45 minutes short on Sunday due to the weather). The one late night activity was the Sensory Collective, a “Cirque-de-Solei-esque” troop of performers who entertained attendees Saturday night, keeping us night owls happy until 1 a.m. on Sunday.

    A review of individual bands or yoga classes is well beyond the scope of this photographer. I would advise to those reading this who might be interested in attending next year, if you take yoga on the regular, the lineup is mostly within your musical wheelhouse, and the location doesn’t change, then you shouldn’t hesitate to go. While only in its second year, everything is well run and the staff brings a wealth of experience to this event. Also, I would spring for the cabin rental; they were recently updated and place you closer to the action. Finally, it did seem most of the classes were still available to sign up when onsite, but chances are you will be going in knowing what classes you want to take. Procrastinating on the sign-up will be of no benefit.

    Hopefully this has offered some sense of what went down in Cold Spring, and what to expect next year assuming no major deviation from the current formula. Of course, check out the pics below and see some of the sights of Mayfest from my perspective.

  • Mountain Jam 2016: Day 1

    On the first day of the 2016 Mountain Jam at Hunter Mountain, there was a much expected buzz throughout the festival grounds. Thursdays of a four-day festival can be one of the greatest days; it’s the kick-off to the annual celebration of music and arts. Attendees, staff and volunteers are just gaining their bearings for the weekend to come, but most notably, Thursdays tend to be a bit more exclusive. Not everyone has a schedule that allows for them to arrive so early, making attendance on the first day much lighter than the rest. This was the case in Hunter on June 2.

    Mountain Jam 2016 kicked off on the Valley Stage with a quartet of consecutive acts who were not only the musical welcoming committee as the first wave of fans poured in, but they were the catalyst for a day and evening of incredible music. Jane Lee Hooker, a New York City-based blues quintet, were first to play. The all-female blues band brought fervor and soul to the stage, which proved their respect to the blues craft and their namesake, John Lee Hooker. Next up was the Capital Region’s own Wild Adriatic; they lived up to expectation and performed an amazing set, which only substantiated the next act, Cabinet, a Pennsylvania bluegrass band that always makes the crowd shake and stomp.

    The fourth band of the initial quartet was Donna the Buffalo, a Central New York-based band riddled with Americana influence from old-time Appalachian music to modern rock and country; this was the group’s first Mountain Jam billing. NYS Music sat down with Tara Nevins and Jeb Puryear, who founded the band in 1989. When asked how they came to be, Jeb said, “We’re both old-time fiddle players, and in that form of music, a lot of people jam with each other.  All you have is acoustic instruments, so you can just meet easily.” He added that Tara was the first person he’d met that wrote songs like the ones heard on the radio.  A smile instantly hit her face when he paid her that compliment.

    Over the course of time, Donna the Buffalo, comprised of these old-time players Tara and Jeb, met back in the ’80s and evolved from acoustic fiddle and banjo music to a more modernized, electric bluegrass. “The music [Appalachian music] kind of predates bluegrass; the kind that bluegrass grew out of,” Tara added.  “I started writing songs that were more pop-oriented and then Jeb started writing songs. Then we [started to] transfer to electric instruments, and thus, was the formation of Donna the Buffalo.”  Although they evolved into a more modern sound, they still stick close to their roots, continuing to play bluegrass festivals around the country, including their own called the Finger Lakes Grassroots Festival of Music and Dance in their hometown of Trumansburg.

    As the evening progressed, the heavy hitters started to come out. The first Mountain Stage act was Train Play Led Zeppelin II. Festival-goers throughout the grounds were hypothesizing how the performance would go. Only those who had heard Train play Zeppelin tunes on Howard Stern’s Sirius/XM radio show knew just how amazing it was going to be. The band’s frontman, Pat Monahan, was a true embodiment of a young Robert Plant. The band masterfully moved through the entirety of Led Zeppelin II and finished off their set with a crowd-pleasing reprise of  “Stairway to Heaven.”

    After Train finished their jaw-dropping performance, an amazing duel between Marco Benevento and Superhuman Happiness on the Valley Stage and Umphrey’s McGee on the Mountain Stage commenced.  Marco and his collaboration of astounding musicians and singers paid homage to the late David Bowie by covering a vast amount of his catalog, including legendary hits like “Oh You Pretty Things,” “Let’s Dance” and “Life on Mars.” Chills were brought to many spines in the audience as this well-orchestrated performance not only gave everyone a live listen of Bowie tunes, but paid breathtaking amounts of respect to Ziggy Stardust—a face, voice and mind that the music world and its fans miss very much.

    The echos of Bowie off of Hunter Mountain were responded to by a true fan favorite, Umphrey’s McGee.  Although the Thursday crowd was light, it seemed every soul in Hunter was on the concert field. The boys from Chicago started their set off with “Similar Skin,” after which Brendan Bayliss delivered the message that instead of everyone pacing themselves for the weekend to come, a full-on party should take place since they were only around for the one night. After that public service announcement, Umphrey’s kicked into “Rocker (Part II),” and it didn’t slow down much from there. As is often a staple at Mountain Jam, Warren Haynes came out to jam during the first set, helping to breakup “Higgins” with a mid-song jam of southern rock and blues.

    Another guest hit the Mountain Stage to make an appearance. Dressed in his eye-grabbing garb for the Bowie tribute set, Marco Benevento sat with Joel Cummins during the adapted and absolute monster cover of Pink Floyd’s “Breath.” After the first set was over, the crowd was filled with electricity. Marco played his second set of Bowie music, which made way for the second set of Umphrey’s; this second set seemed to step-up from the groundwork laid out in the first. Starting off with “40’s Theme,” the band moved through their second set making head-banging and fist-throwing and, of course, the Ryan Stasik-patented style of rock horns, explode throughout the crowd.

    The boys finished their set with a line of “Educated Guess, “Conduit” and “Relax, Have a Thunderkiss.” Surprisingly, the crowd didn’t chant out the so-often-heard “We want the Umph!” chant, but they came back onstage with a certain vengeance, encoring with “Hajimemeshite” into “Bridgeless” to end the night; the perfect bookend to a perfect first night of Mountain Jam 2016.

    Today’s lineup has some much anticipated acts throughout the day. Jay Blakesberg is personally looking forward to Courtney Barnett and Jason Isbell, both hitting the Mountain Stage in the late afternoon. Also playing today are favorites Chris Robinson Brotherhood, Wilco and Warren Haynes’ own Gov’t Mule. Be sure to log into the live stream, so you don’t miss any part of the Mountain Jam 2016 weekend.

  • Hearing Aide: BREN ‘Hot Lunch’

    BREN, from Plattsburgh, have just released their debut EP, Hot Lunch. In a world where many will say punk rock is dead or watered down, those skeptics have not heard BREN. BREN is a three piece ensemble that can honestly call their music punk, complete with nasally vocals screaming personal lyrics. Yes, this is fun punk rock and you can dance to it, but to actually sit down and listen to the lyrics being sung and written by Matt Hall, there is a lot more going on and that is what makes this debut album a must-have.

    Opening with “Parade”, and the lyric repeating “ There was something there, there was something there! I’m not imagining it.” shows that this punk rocker has a paranoid, more emotional, side to him. This could be ground breaking: a three piece punk band that actually has something personal to say in a punk rock setting. In “If there was something going on.” Hall paints a perfect upstate New York autumn of contemplation and anger. This song is brilliant. But in the 1:28 second rant if you don’t pay attention, the fast paced music will take away from the song’s meaning.

    “Dream Song” is different from the other tracks on the album in a few distinct ways. The lyrics are short, but sweet. Matt sings “ I kissed you in a dream last night” and then there’s an instrumental bit that showcases Sarah Mundy’s bass slapping as well as Zach Hircsch’s drums. This is a direction punk rock does not often take. The songs are usually short and to the point with very little to show in the jamming out sense. This song, however ,was different, letting listeners know that this group is more than three power chords and yelling – they are the real deal. In the album closer, “I’m better now”,the lyrics take us on an American Psycho journey through some very dark imagery in pleading her to talk to him again, because he’s better now. The song seems to be a metaphor for going through a rough patch in life. This album has the potential to reach many different audiences, and each unique listener can find their own meaning.

    KEY TRACKS: Parade, Dream Song, If There Was Something Going on

  • Mac Sabbath Brings an Easter Treat to the Tralf Music Hall

    It took just under a half hour for the guys of “Drive-Thru metal” band Mac Sabbath to begin their set on Easter Sunday at the Tralf Music Hall. Before the large yellow and red tapestry that covered the stage came down the lights finally dimmed and Sinatra’s 1973 recording of “Send In The Clowns” began to play, only to descend into an unsettling loop of air-raid sirens and maniacal laughter .

    The stage was unexceptionally decorated. On each side of it were two inflatable demon clown body language.

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    When Ronnie himself was a showstopper, diabolical kindred to Alice Cooper, spraying water-filled ketchup bottles into the crowd, slapping spatulas together and flipping patties on a grill. His cutting lyrics covered everything from obesity to pink slime to GMOs and everything else that makes McDonald’s one of the worst corporations on the planet.

    I can’t tell you how many bad puns were squeezed into this super-size performance – including, but not limited to, the band’s fictional contemporaries Great White Castle, Iron Maidenny’s, Motley Croutons, and Cinnabon Jovi. I cringed about as much as I laughed, which was a lot.

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    He sent yellow and red confetti and blow-up cheeseburgers into the pit, Ronald had a fan willingly pour his Blue Light down a humongous fast food straw which he pulled from his jumpsuit and wielded around like a staff. Ronald later than had the fans beer replaced with a brand new one.

    The parody cover band brings humor to the stage while making Black Sabbath tunes all of their own with food-infused lyrics.Instead of “Iron Man,” “N.I.B.,” “Fairies Wear Boots” and “Children of the Grave” the enthusiastic crowd got the caloric versions hilariously titled, “Frying Pan,” “N.I.B.B.L.E.,” “Cherries are Fruits” and “Chicken for the Slaves.”

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    “We did invent the genre of Drive-Thru metal, so it seems a bit derivative,” Osbourne said. This joke alludes to the common debate as to whether or not Black Sabbath single-handedly founded heavy metal music.

    It closed the set with “Frying Pan,” it’s take on Black Sabbath’s “Iron Man” (Osbourne missed the opportunity to ask if the crowd would like fries with that) then for an encore played a wild “Pair-A-Buns,” its send-up of Sabbath’s biggest hit, “Paranoid,” with Osbourne encouraging the crowd to start a circle-slam, then crowd surfing around it.

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  • Slothrust Shreds at Baby’s All Right in Williamsburg

    Slothrust shreds. This past Saturday Slothrust (Leah Wellbaum on guitar/vocals, Kyle Bank on bass, and Will Gorin on Drums) played Baby’s All Right in Williamsburg with Diet Cig, the playfully charming pop punk duo from Upstate, New York and YUNG, the killer rock band hailing all the way from Denmark. The show was sold out, the music was powerful, and the whole venue seemed to hum with the undeniably infectious energy of being young and alive in Brooklyn.

    slothrustSlothrust finished up a month long tour at Baby’s that night and closed out the show. Their tour hopped all over the country, including five showcases at SXSW. As I watched them set up I wondered if they were worn out from tour, burnt out from travel, the back to back shows, the van life. I thought maybe their set would be a bit sluggish. I was dead wrong. They were tight. They are always so incredibly tight.

    To start, they hit the crowd with a jam that was heavy like a ton of bricks and by mid set had leveled things out with both “Magnets part 1” and “Magnets part 2”,  dark yet delicate crowd pleasers. The whole performance was a perfect balance; new songs and old favorites that provided a trip through intimate, emotional lyrics that were delivered with captivating, deadpan vocals and guitar riffs that rip right through you. It can’t really be compared to anything else. Slothrust is it’s own kind of strange darkness. Straight up grunge rock that can get you all choked up without a single cliche lyric to be sung.

    slothrustThey closed their set with “Crockpot” which is a spot-on representation of who they are as a band. It’s a sample of the dichotomy the trio has mastered; soft yet strong, gentle but raw and raging. A spellbinding sweetness broken by a build up that makes the blood flow faster through your body. As “Crockpot” rang out, the back lights made perfect silhouettes of the three talented musicians responsible for making the packed house sing along at the top of their lungs. It was then that I truly realized the power of Slothrust. I wholeheartedly believe their future holds something huge- something great. If you haven’t heard Slothrust yet, listen to “Of Course You Do” (their latest album which is an absolute masterpiece), get yourself to their next show, or do both if you know what’s good for you.

  • Telegram at Pianos

    Fresh from their appearance at SXSW and a packed week of NYC gigs, Telegram blazed, marched and paraded through a set of tightly wound, well-conceived, and – it must be said – extraordinarily loud songs at Pianos on Thursday, March 24. As a Brit myself I was heartened when the band, with their British accents and modest entourage, quietly streamed into the audience to catch the end of opening act Stephen Babcock and have a Stella or two.

    I mention their entrance to the room, before they even got on stage, because their noticeability in a crowded room is pretty relevant: these guys, with leather tightly fitted and hair impressively styled, properly look like they are in a band. Once they are on stage, photographer Thom McKenna says to me, grinning: ‘One of the most English things I have ever seen.’ I agree, only to be caught off guard by the accent of frontman Matt Saunders as he introduces the band after their second song: ‘We’re from London’, he says, but his voice is not. A furrowed brow and a Google search later I confirm that Matt is, in fact, Welsh. It was the first of many times last night that my expectations were subverted by Telegram.

    telegramTelegram hurtled through their first couple of songs with bold assurance, gain-soaked instruments and a touch, I think it is fair to say, of glam-rock styling. It is tempting to lump Telegram in with a troupe of other ‘new psych bands’, as the Guardian did back in 2014, and as I had mentally done before even arriving at the show. But their third track of the night, ‘Inside/Outside’, with the its syncopated hi-hats and danceable snare cracks sharply glimmering through the mid-range overdrive, sets Telegram apart by the distinctiveness of their instruments and their musicianship. It cannot be overstated quite how loud the set was – one hopes for their sake that Matt, Pip, Moon and Cook wear ear-plugs on stage – but loudness does not equate to a hot mess. The guitar playing got pretty relentless at times, but it was always precise, with the rhythm often only hitting punchy downstrokes and the lead reverberating, echoing, and not ever, to my ear, muffling a note.

    telegramThe bassist, Moon, is normally at the sonic frontier of the band’s sound. This is the case with their cover of Bowie’s ‘Heroes’. The bass is the backbone of the cover, and it does not fail to please the audience. The cover may well have been the highlight of the evening, which is no bad thing; nonetheless, it does make me wonder what it is about the song that makes it stand out just slightly above the rest of the band’s set. Perhaps it is the sheer spaciousness of ‘Heroes’, the way it demands that whoever is playing it give it room to breathe. Telegram’s sound can occasionally get so intense that they miss opportunities to let melodies expand, for ideas to soar and grow, as they instead move swiftly on to the next raging chord. As Telegram moves forward, I wonder if they will try to make room for more of whatever it is they managed to capture in that Bowie cover.

    telegramOn Friday, March 25th,  Telegram played at Brooklyn’s Shea Stadium. I am jealous of anyone who could make it and catch this forceful and impressive band on their last evening in New York City. Here’s hoping they return soon.

  • Hendrix Spirit Alive In Syracuse

    On Wednesday, March 16th, The Experience Hendrix rolled into the Landmark Theatre in Syracuse as an all-star cast brought the legacy of Jimi Hendrix’s music to life for the capacity crowd. Jimi’s sister, Janie, opened the festivities, welcoming the congregation to the Electric Church in celebration of the spirit and music of Jimi Hendrix.

    The stage saw a revolving cast of guitarists and singers coming on and off the stage to share their renditions from Hendrix’s library. The evening started with Dweezil Zappa on lead guitar, Billy Cox (who played in both the Band of Gypsies and The Jimi Hendrix Experience) on bass and lead vocals, and Chris Layton (of Stevie Ray Vaughan’s Double Trouble) on the drums, ripping through “Freedom”.

    hendrix syracuseThe absence of an opening act was evident as it took several songs before the crowd matched the energy level of the music being pumped out of the Marshall stacks. Though, with the 25-song setlist clocking in at 3 hours with a 20 minute intermission, it is debatable if an opening act was even feasible.

    Much like a well-written symphony, the onstage ensemble went through physical crescendos and decrescendos as musicians were added to and taken from the mix, providing a seemingly endless variety of ingredients to the hungry masses. From the basic power trio, to a full stage that included two pedal guitars, two lead guitars, bass, and percussion, The Hendrix Experience delivered a full spectrum of flavors through the night.

    Each of the guitarists more than held their own and provided his own take on Hendrix signatures. Dweezil churned out an amazing wah-laden solo in “Stone Free”. Eric Johnson spent much of “Are You Experienced?” off in the wings of the stage conjuring supernatural feedback sounds from the amps. Zakk Wylde invoked some Jimi showmanship with both behind the head soloing, as well as literally chewing out a solo with his teeth. The Slide Brothers’ Calvin Cooke and Chuck Campbell hit unfathomable registers on their pedal guitars, most notably on “The Sky is Crying”. Mato Nanji and Johnny Lange shared a blistering solo in “Spanish Castle Magic” that had the crowd screaming in appreciation.

    hendrix syracuseThen of course there was Buddy Guy, who was doing his thing before Jimi was doing Jimi’s thing. And at 79 years old, Buddy continues to do it. Buddy delivered gritty, witty lyrics in “Louisiana Blues”, and backed them up with shredding solos that reinvigorated the crowd that had started to look at their watches (not out of boredom, but disbelief and exhaustion). There is something about watching an elder statesman ripping through scales with the speed and feel that most guitarists will never know, it gives folks the energy to cheer just a little louder, a little longer.

    hendrix syracuseLeaving the venue, I noted that instead of hearing conversations that started with “I wish they had played…”, what I heard mostly was “I can’t believe they played…” as the crowd was clearly pleased with how deep they dug into Jimi’s catalog. Much like a congregation after mass, those leaving the Landmark Theater appeared to be uplifted, fulfilled, and spiritually satiated, thanks to the service at The Electric Church.

    For more information on the Experience Hendrix tour, visit their website here. To check out the full photo gallery by Mark McGauley, visit this link.

    Cast (in order of appearance): Dweezil Zappa: guitar; Billy Cox: bass, vox; Chris Layton: drums; Mato Nanji: guitar, vox; Henri Brown: vox; Chuck Campbell: pedal guitar; Scott Nelson: bass; Calvin Cooke: pedal guitar; Eric Johnson: guitar, vox; Noah Hunt: vox; Zakk Wylde: guitar, vox, keyboard; Johnny Lange: guitar, vox;Janie Hendrix: backup vox; Kenny Wayne Shepherd: guitar; Billy Austin: drums; Buddy Guy: guitar, vox; Guitar: Dweezil Zappa, Mato Nanji, Eric Johnson, Zakk Wylde, Johnny Lange, Kenny Wayne Shepherd, Buddy Guy; Pedal Guitar: Calvin Cooke, Chuck Campbell; Bass: Billy Cox, Scott Nelson; Drums: Chris Layton, Billy Austin; Vox and Backup Vox: Henri Brown, Noah Hunt, Janie Hendrix

    Set 1: Freedom, Stone Free, Foxey Lady, The Sky is Crying, Wait Until Tomorrow, One Rainy Wish, Love and Confusion, Third Stone from the Sun, Are You Experienced?, Manic Depression, Little Wing, Purple Haze,

    Set 2: All Along the Watchtower, Fire, The Wind Cries Mary, Spanish Castle Magic, Gypsy Eyes, I Don’t Live Today, Come On – Part One, Voodoo Chile, Voodoo Chile (Slight Return), Louisiana Blues, Hey Joe, We Gotta to Live Together, Red House

  • Testament Lifts Spirits Of Rochester’s Metal Community At Anthology

    With the Water Street Music Hall getting shut down just last week, fans of the hard rock and heavy metal community have been busy trying to get their precious venue back up and running. What some of those fans may not realize is that there’s another awesome venue in Rochester that’s not afraid to host metal shows. That venue is Anthology and they’re helping keep metal coming to Rochester, and on Monday, March 7th, Anthology hosted 80’s thrash metal legend Testament.

    testament The night’s lineup consisted of two other bands, Voice Of Valor and Slikk Wikked. The opening support surely got the crowd ready for Testament. Slikk Wikked, who took the stage prior to Testament set the bar high. This young metal band had the crowd going wild with circle pits and moshing right off the start. The entire band had a great stage presence that lead them to get a lot of attention from the crowd. Their set was highlighted by their vocalist who joined the crowd and moshed while the band played an Anthrax cover of “Caught In A Mosh.”

    testamentComing to Anthology for an “off-date” from their tour with Slayer, Testament was ready to rip through a full setlist and give fans a kick-ass show. The night started with “D.N.R”‘ off of their album The Gathering. From that first song, the floor was a whirlpool of fans for the rest of the evening. The band didn’t waste too much time between songs which was good because it didn’t let the energy escape the room. Lead singer Chuck Billy did take the time to express his gratitude for the Rochester support and talked about all of the times they’ve played in the city. One of the best things to watch at a Testament show is the shredding guitar action by guitarists Alex Skolnick and Eric Peterson. Together, these guys create something not many other bands can produce. Rounding off the band’s lineup are Gene Hoglan on drums and Steve DiGiorgio on bass. These guys combined really create something special when it comes to their live shows.

    Fans who came out to Anthology were treated to a setlist mixed with tracks from seven different albums. With both old and new music throughout the night, different generations of fans had something to truly enjoy. Tracks like “Native Blood” and “Rise Up” which are off their latest release, Dark Roots of Earth, sound absolutely killer live. Not only do their new songs kick-ass live, but Testament takes their older tracks like “Over The Wall” and “The Haunting” and makes them even better then they were in 1987.

    testamentThe night wasn’t all business for Testament, as they took the opportunity to sing happy birthday with the crowd for their tour manager. After this quick little break of metal, Chuck and the guys finished the night off with the song “The Formation Of Damnation”, which is the title track off their 2008 release. Testament fans can look forward to their upcoming release The Brotherhood Of The Snake, which is due out sometime this year. The first single from the album should be hitting airways sometime in the next few weeks. The direction of the album is said to be heavier and faster than their last album, Dark Roots Of Earth. If Chuck Billy’s words hold true, it will be another masterpiece from Testament who just seem to keep getting better with age. If any Testament fans missed out on Monday’s show at Anthology, look forward to them being on the road in support of their upcoming album later this year.

    To stay up to date on all Testament news, album updates and tour dates, click here for their Facebook page. To visit their website click here.

    To check out Anthology’s upcoming events calendar, head over to their Facebook page here. Also, visit their website Anthology Live.

    Testament Setlist: D.N.R. – Legions Of The Dead – Over The Wall – Rise Up – Dog Faced Gods – The New Order – The Haunting – Practice What You Preach – Into The Pit – Native Blood – 3 Days In Darkness – Disciples Of The Watch – More Then Meets The Eye – The Formation Of Damnation