Category: Western NY

  • Funktional Flow Showcases ‘Time Will Tell’

    Buffalo fusion jam rockers Funktional Flow played to a packed house at Buffalo Iron Works in honor of their latest release Time Will Tell. The Roaring Twenties-themed evening saw fans dressed to the nines and enjoying the growing attitude of Funktional Flow’s sound.

    Flow CD RELEASE -7

    The opening band, Buffalo-based trio AjamajA, showcased extreme depth, especially for a three-piece. Guitarist Jason Staniszewski played with a distinct sound and mastered skill set.  Funktional Flow guitarist Jeffrey Kuebler briefly sat in with the band to help close out AjamajA’s set.

    Funktional Flow continues to impress.  They look and sound like a band ready to expand. And if given the right opportunities this summer, Funktional Flow could begin to make a name for themselves outside of the Buffalo music scene.

    The evening showcased several sit-ins, and well placed horns added another dimension to Flow’s sound.  There’s a growing showmanship to their stage presence, too. Ryan Acanfora sat in for the entire evening, giving a new element to percussion. These new elements created a more dimensional, layered sound, perhaps a reflection on their time together in the studio. And those simple elements, if only added for the evening, showed a band looking how to expand their studio sound to their live performance.

    Flow CD RELEASE -10

    The band’s first set weaved several new songs with some of the band’s more classic tunes. Crowd favorites like “Leaving Town” and “Mulligans” saw positive growth with the evening’s added elements.  The band selected clever covers for the night including songs by the Beatles, the Clash and A-ha.

    The night’s second set paid tribute to the band’s new album, as Time Will Tell was played in its entirety.  The album’s first single, “Back Door,” continues to impress; the crowd buzzed that the tune is felt to be this album’s showpiece by many fans. Other second set favorites included “New Haven” and “Moving On.”

    Watching Flow on stage, dressed in vintage attire, there was a glimpse of a bigger picture to their expanding and growing sound. Mixed among the funk-reggae-rock fusion, hints of swing and ragtime tributes shyly appeared. It’s a style that is most prominent in key-heavy tunes like “Back Door.”  If Flow could capitalize on this evolving sound, they could find that they have a unique and fresh perspective to their songwriting and performance. These sounds, when they appear in Funktional Flow’s music, present some of the band’s brightest moments.

    Although the band is looking to expand throughout the Northeast, Funktional Flow’s current show schedule has them staying close to home. They will hit up the King’s Rook Club in Erie, PA, on March 11.

    Set One: Dumber > Funk D, Walking Blind, Untitled, Leaving Town^ > Ambush, Shape, Baby, You’re a Rich Man*, Moonlight Tide#, Mulligans^, Rock the Cashbah**%,

    Set Two: Back door, Trouble^, Time Will Tell^, Gone, On the way, Let Me In, New Haven, Strong Feeling^,  Dreidel, Moving On, Ben’s Beach^, Take On Me***^

    ^ Horns – Matt Harris (sax), Joe Cheslak (trombone), Pat Allison (trumpet)
    *The Beatles
    **The Clash
    ***A-Ha (Reel Big Fish version)
    # Jason Staniszewski (AjamajA)
    % Jeff Lewis (vocals and harmonica)
    Ryan Acanfora (percussion)

    [FinalTilesGallery id=’662′]

  • Dr. Dirty Fills Turning Stone Casino Showroom Once Again

    On March 5, John Valby who’s known as “Dr. Dirty” once again packed the room to capacity at the Turning Stone Casino Showroom in Verona.

    dr. dirtyWith no opening performers scheduled, Dr. Dirty made his entrance to the stage and sat at his keyboard shortly after 8 p.m. Even before Dr. Dirty made his appearance, the adult crowd was ready for the night’s comedy and filled the room with vulgar chants and cheers. The entire night was filled with laughter by the crowd who were victims of Valby’s act. Throughout the evening, the Buffalo-based comedian went through many of his fan favorites along with a few new tunes. Many of the night’s jokes hit on current news stories, politics and more.

    Some of the highlights from the show were when Valby collected audience members’ names and used them as part of his songs. Another hight point was when Valby invited girls on stage to join him for another song. The night ended with a poem and a thank you from Dr. Dirty, noting his appreciation for the supportive fans at the Turning Stone.

    Watching the crowd as it emptied the Showroom venue, it was easy to see that everyone had a great time by all the smiles and continued laughter. For anyone who’s never seen John “Dr. Dirty” Valby and enjoys a good laugh, be sure to catch him at the Showroom next time he comes to town. In the meantime, check out “Poetry From Bed Pan Alley,” the new single from Valby’s forthcoming release, Keep Calm and Valby On.

  • NYS Music March Madness 2016, Round 1

    It’s March and that means March Madness at NYS Music! We bring together 64 bands from across New York State for a friendly tournament style competition throughout the month of March, bringing new bands to our audience’s attention.

    These are bands you might not know about, but should know about. Recommended for inclusion in our field of 64 by the NYS Music staff, we hit every corner of New York State, from Long Island to Buffalo, The Catskills to the North Country and all points in between, NYS Music March Madness is a great way to discover a new and upcoming band and show your support and love for bands you see often. Established bands who have gained a massive audience are not included in this year’s competition, instead the bands who are on the cusp of greatness are the stars of this year’s March Madness. There was only room for 64 but we made some great choices and picked a wide array of genres to bring to you this year.

    We’d like to thank The Hollow Bar and Kitchen, Buffalo Iron Works, Funk n Waffles and The Waterhole for sponsoring a regional bracket this year. These venues represent the best of what New York State has to offer and celebrate music while inviting local and touring bands to perform for growing local scenes across the state.

    First round matchups in the Iron Works region include:

    Stellar Young (Indie) vs Melia (alt rock)
    Funktional Flow (funk n jam) vs Candy Ambulance (alt grunge rock)
    Pizza Party (‘Cuse rock) vs Blind Owl Band (jamgrass)
    King Buffalo (stoner/psych rock) vs Dragnfly (rock)
    Sophistafunk (funk hip/hop) vs Honey Smugglers (bluegrass/folk)
    Lucky Jukebox Brigade (Indie pop punk) vs Los Blancos (American roots)
    Teddy Midnight (electro dance funk) vs Sly Fox and the Hustlers (blues funk rock)
    Glen Street (alt hard rock) vs North and South Dakotas (bluegrass/folk/y’allternative)

    Funk n Waffles first round matchups are:

    Waydown Wailers (roots rock) vs I’m From the Gov’t and I’m Here to Help (metal)
    Last Daze (alt) vs Twin Lions (modern rock)
    Castle Creek (blues rock) vs Let Go Daylight stoner rock)
    The Other Brothers (soul funk) vs Subsoil (psychedelic hip hop)
    Pale Green Stars (rock/blues/alt-country) vs Folk Faces (folk jazz)
    Phineas and the Lonely Leaves (indie) vs Dirty Smile (rock)
    Bump (rock) vs Ire Clad (heavy metal)
    Annie In the Water (acoustic rock) vs Oogee Wawa (alt/reggae)

    The Hollow Bar and Kitchen region has:

    Sprocket (jam) vs Tim Britt (acoustic blues/disco)
    The Sea The Sea (indie folk pop) vs Second Trip (rock)
    After Earth (metal) vs Ampevene (prog rock)
    Let’s Be Leonard (jam) vs The Alaskan (heavy)
    Breaking Solace (hard rock) vs Mister F (prog jam rock)
    Spectacular Average Boys (folk) vs Funknut (funk/soul)
    AjamajA (prog jam) vs Northern Faces (indie)
    Linear North (garage rock) vs Murder In Rue Morgue (indie metal)

    And The Waterhole region brings together these matchups:

    Root Shock (roots reggae) vs Lord Electro (electro/house)
    Jeremiah’s Razor (metal) vs Super Killer Robots (rock)
    Chris James & Mama G (Ameribeat) vs Gowanus (experiemental rock)
    Unknown Woodsman (funklove) vs Animal (metalcore)
    Imperial Brown (jam rock) vs Space Carnival (slippery disco)
    Danielle Ronder & Tomorrow People (soul) vs Big Mean Sound Machine (Afrobeat/dance)
    The Lawn Sausages (garagepunkschlockglam) vs Crows Cage (hard rock)
    Formula 5 (funk jam) vs Crackin’ Foxy (swing)

    First Round voting begins at 12 noon EST on Tuesday, March 8, and closes at midnight on Thursday, March 10. Second Round begins at 12 noon on Friday, March 11 with the remaining 32 teams. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Hearing Aide: Funktional Flow ‘Time Will Tell’

    flowBuffalo’s Funktional Flow is starting to gain momentum.  The start of 2015 saw the band undergo line-up changes. By the end of the year, Flow (as they are simply called by their fans) was in the studio recording their latest release Time Will Tell. The band has just under six years in the city’s emerging jam scene, but they are a prominent force in Buffalo’s budding community.  Time Will Tell is a reflection of that.

    The band’s latest release is an amazing representation of what Funktional Flow has become known for in the Queen City – organic funk fusion. They create a swirling blend of funk rhythms laced with Americana.  Hints of folk, rock and bluegrass pour from the guitar work of Jeffrey Kuebler and Joey Lewis.  Matt Lester adds his own variety of swing style keys and saxophone jazz elements to the mix. Bassist Ben Whelan and drummer Jim Edgar head up the band’s moniker funk sound with a solid foundation of groove and drive.

    Time Will Tell is Funktional Flow’s coming of age album.  Recorded and produced at Sonic Farm Studios in Colden, NY, the album is a glimpse into a group of musicians with no restrictions on their artistry.  The album is varied from personal and upbeat, to relaxed and driven.  With producers Dan Brace, Scott Nadolinski and Nick Sonricker, Funktional Flow have created a recorded look into a sound that is distinctly their own.

    Of the albums twelve tracks, “Back Door” is by far the most successful.  It’s an earworm.  The kind of song you want to listen to on repeat.  It has the qualities of a song that gets people to listen to a band later simply because they want to hear “that” song again.  With a catchy chorus and a definitive groove, “Back Door” may just be the song to launch Funktional Flow out of the Western New York scene.

    “Strong Feeling” could be the album’s most overlooked track, with a 90’s fusion that playfully captures the best of the decade’s sounds of ska, jam and college rock.

    Songs like “Moving On” and “Time Will Tell” are the true showcase pieces of the signature Flow sound.  Thoughtful fusions of reggae, funk, and rock that feel like soundtracks for a day at the beach or an early summer drive with the windows down.

    Funktional Flow isn’t afraid to go toward a more intimate place either.  The album’s second single “On the Way” is a personal look at embracing life’s changes – a song written by Kuebler after learning he and his wife were expecting.  And whereas a song of that style could lend itself to popish tendencies, there is a beautiful resolve to this tune that balances both the subject matter and the musical style.

    The album concludes with an instrumental titled “Ben’s Beach”.  Its may sound fairy tale inspired, but it’s the kind of song you might listen to while sitting on the coast line at night.  There is a cool, calm variety of groove that at moments almost nods to fellow Buffalo groove rockers Aqueous’ in its spaciness and layered technical execution.

    Funktional flowMusically, Flow is heading in the right direction.  Vocally, there is room for growth.  The bands two main vocalist, Kuebler and Lewis have very distinctive and different vocal styles.  And generally on the album, you hear them separately.  But if they can figure out a way to fuse their two styles and play more with harmonies and lyrical exchange, it could just be the extra “something” that makes Funktional Flow stand out.

    Time Will Tell drops for official release on Saturday March 5. The band will be hosting a Roaring 20’s themed CD Release party at Buffalo Iron Works with special guests AjamajA. The CD will be available for purchase through Bandcamp.

    Key Tracks: “Back Door”, “Strong Feeling”, “Time Will Tell”

  • Def Leppard Announce Extensive 2016 North American Summer Tour

    Def Leppard will embark on a 55-city 2016 North American tour, which will include three New York dates, starting with the Moonstone Festival in Orlando, Florida, on May 1.  The tour will extend all the way to the beginning of the fall season, ending at the U.S. Cellular Center in Cedar Rapids, Iowa, on Oct. 10.

    Joining the boys from England for the extensive tour will be REO Speedwagon and Tesla. STYX will appear on select dates near the beginning of the tour, replacing REO Speedwagon on some dates.

    Def Leppard will make three stops in New York. The first will take place on June 27 at the Lakeview Amphitheater in Syracuse, then on July 11 they’ll play Nikon at Jones Beach in Wantagh and Darien Lake Aug. 31.

    Def Leppard was formed in 1977. The band’s third studio album, Pyromania, and their fourth studio album, Hysteria, are both certified Diamond with more than 10 million copies sold. With smash hits like “Pour Some Sugar On Me,” “Love Bites,” the title track “Hysteria,” “Animal,” “Rocket” and “Armageddon It,” it’s not wonder that the Hysteria album alone has sold more than 25 million copies worldwide.

    Def Leppard has released 11 studio albums and sold more than 100 million records worldwide. Def Leppard also holds the honor of being one of five rock bands to have two studio albums released in the United States to reach diamond certification.

    Def Leppard, Reo Speedwagon, Tesla tour dates:

    05-01 – Moonstone Festival – Orlando, FL
    05-04 – Cajundome – Lafayette, LA*
    05-05 – American Bank Center – Corpus Christi, TX*
    05-07 – State Farms Arena – Hidalgo, TX*
    05-10 – Century Link Center – Bossier City, LA
    05-11 – Verizon Arena – Little Rock, AR
    05-13 – Greensboro Coliseum – Greensboro, NC
    05-15 – Mohegan Sun Arena – Uncasville, CT
    05-17 – PPL Center – Allentown, PA
    05-18 – Big Sandy Arena – Huntington, WV
    05-20 – Amway Center – Orlando, FL**
    06-22 – Xfinity Center – Boston, MA
    06-24 – Darling’s Waterfront -Bangor, ME
    06-25 – Videotron Centre – Quebec City, QC
    06-27 – Lakeview Amphitheater- Syracuse, NY
    06-29 – Hershey Park Stadium – Hershey, PA
    07-01 – Klipsch Music Center – Indianapolis, IN
    07-02 – Hollywood Casino – Chicago, IL
    07-05 – Riverbend Music Center – Cincinnati, OH
    07-06 – Summerfest – Milwaukee, WI
    07-08 – First Niagara Pavillion – Pittsburgh, PA
    07-09 – Van Andel Arena – Grand Rapids, MI
    07-11 – Nikon at Jones Beach – Wantagh, NY
    07-13 – PNC Bank Arts Center – Holmdel, NJ
    07-15 – DTE Music Theatre -Detroit, MI
    07-16 – Molson Canadian Amphitheater -Toronto, ON
    08-06 – Alliant Energy Center -Madison, WI
    08-08 – Ford Center – Evansville, IN
    08-10 – Jiffy Lube Center – Bristow, VA
    08-12 – Aaron’s Amphitheater – Atlanta, GA
    08-13 – Walnut Creek Amphitheater -Raleigh, NC
    08-17 – Oak Mountain Amphitheater -Birmingham, AL
    08-19 – Austin 360 – Austin, TX
    08-22 – Cynthia Woods Pavilion -Houston, TX
    08-24 – Gexa Energy Pavilion – Dallas, TX
    08-26 – Sprint Center – Kansas City, MO
    08-27 – Hollywood Casino Amphitheater – St. Louis, MO
    08-29 – Blossom Music Center – Cleveland, OH
    08-31 – Darien Lake Performing Arts Center – Darien Center, NY
    09-14 – Metra Park – Billings, MT
    09-16 – USANA Amphitheater – Salt Lake City, UT
    09-17 – Pepsi Center -Denver, CO
    09-19 – Isleta Amphitheater – Albuquerque, NM
    09-20 – Ak-Chin Pavilion -Phoenix, AZ
    09-22 – Irvine Meadows Amphitheater – Irvine, CA
    09-24 – Toyota Amphitheater – Sacramento, CA***
    09-25 – Shoreline Amphitheater – Mountain View, CA
    09-28 – Taco Bell Arena – Boise, ID
    09-30 – Matthew Knight Arena – Eugene, OR
    10-01 – Tacoma Dome – Tacoma, WA
    10-04 – CenturyLink Center – Omaha, NE
    10-05 – Xcel Energy Center – Minneapolis, MN
    10-07 – La Crosse Center Arena – La Crosse, WI
    10-08 – Huntington Center – Toledo, OH
    10-10 – U.S. Cellular Center – Cedar Rapids, IA

    *STYX to appear / No REO Speedwagon
    **No REO Speedwagon
    ***No Tesla

  • Twiddle Takes Over The Town Ballroom – Photo Gallery

    Twiddle returned to Buffalo in their first ever headlining show at the Town Ballroom this past Thursday.  The packed house was treated to Twiddle history as guitarist Mihali Savoulidis  cased his signature Becker Hornet and debuted two new guitars from DGN Custom Guitars.

    Unknown-7

    The Twiddle evening was also a Town Ballroom debut for hometown band Funktional Flow.

    The night’s set list only included one song, “White Light”, from the band’s latest release PLUMP- Chapter One. The evening was packed full of Twiddle fan favorites like “Brown Chicken, Brown Cow” and “Cabbage Face.” The setlist also saw a healthy dose of jam friendly tunes and covers including ALO’s “BBQ” and Tears for Fears “Mad World.”

    Twiddle continues to promotes a packed schedule including a slot at the Lockn’ Music Festival and their own two-day summer concert event Tumble Down in Burlington, VT this July.

    Setlist: Atlantic Mocean > BBQ > Atlantic Mocean, Brown Chicken Brown Cow, Orderly Chaos, Wildfire, Jamflowman[1], Cabbage Face, White Light -> Pachelbel’s Canon In D -> White Light

    Encore: Mad World

    [1] “Jamflowman” contained  a “Layla” (Eric Clapton) tease.

    Setlist courtesy of utwiddle.

  • Hearing Aide: Ten Cent Howl’s ‘Ain’t It Strange’

    Ten Cent Howl does the Americana genre proud on their latest album Ain’t It Strange. Featuring the deep and distant voice of Bill Smith, who sounds like he is coming to us from a different era a half century ago, this band makes it nearly impossible for listeners to not be tapping their feet and singing along after just one listen. All the songs on the album seem to be characterized by the perfect mix of catchy lyrics in the choruses, interspersed with beautiful poetry that is definitely worth focusing on. Also, as an added bonus, if you are of the opinion that one can do no wrong as long as there’s a mandolin playing, then this album is for you.

    Sounding like they come from a simpler time, unspoiled by the marvels of modern technology, Ten Cent Howl offers a refreshing glimpse into rural American living through their vacillatingly uplifting and melancholy songs, many of which are about love lost and found. While one can say this has been done already, Ten Cent Howl manages to put more on the table, with each band member seeming to be giving it their all on each and every tune. Featuring Jerry Hall on the bass, Harmony Griffin and Tim Pitcher on guitars, Peter Ramos on drums, and Bill Smith on guitar and lyrics, this band sounds like they have been playing together for decades, just like the music of the past, passed down through the generations. Listening to this album, one feels as if they have been transported to a country bar in the ‘50s, the way the harmonica licks come flying, the pedal steel strings are picked and the extraordinary harmonies that are belted out.

    From the Johnny Cash-sounding “33 Days” to the Roy Orbison-esque “This Is Real,” there is something to please everyone on this album, appealing to those who appreciate an album for its instrumentals, with its ideal mix of electric guitar, pedal steel, mandolin, and harmonica, as well as to those who are more interested in the vocals, with Bill Smith’s perfectly polished yet old timey quality, and fellow band members Hall, Griffin, Pitcher, and Ramos, who all seem to be able to harmonize so flawlessly. With a growing fan base in the Buffalo area, the band’s hometown, having numerous gigs lined up at local hotspots Sportsmen’s Tavern, where the band celebrated its release of Ain’t It Strange on February 27, as well as other area favorites including 189 Public House and Tudor Lounge, one can only hope that these guys will venture further to bring their wonderful timeless take on Americana music to the rest of the world. In the meantime, give Ain’t It Strange a listen; I can guarantee you won’t be disappointed.

    Key Tracks: Never Ceases, This Is Real, In View of Her

  • Frost Ridge returns! WNY campground can host concerts again

    After nearly two years, Frost Ridge, a popular outdoor venue in Le Roy has been cleared to host concerts again.

    Nestled deep within the farmlands and orchards of Western New York, Frost Ridge Campground lends to an intimate, outdoor venue for live music while also being accessible to the cities of Buffalo and Rochester, each about 40 miles away.

    frost ridge jam

    The Le Roy Zoning Board of Appeals reached a decision Wednesday, Feb. 17,  that will end years of disputes over the Frost Ridge Campground’s use of hosting outdoor concerts with amplified music.

    “We appreciate the diligent efforts of everyone involved to work through the obstacles presented during this process,” David and Greg Luetticke-Archbell, the campground’s owners, posted on their Facebook page last week, “and [we] are thankful to have this resolved so our lives may return to normal. Frost Ridge will continue to operate within the boundaries of the law, while bringing fun for the whole family to Our Little Slice Of Heaven at Exit 47.”

    maxresdefault2This week, the Luetticke-Archbells are entertaining a shortlist of potential acts: Charlie Daniels Band, Kenny Rogers, Oak Ridge Boys or Nitty Gritty Dirt Band.
    frostridgetop

    The drama has been earnestly reported by The Batavian, an online news source for the local community. Through its investigation, the crux of the matter seems to lie on how the land was being used in 1967.

    Ownership of the grounds has changed hands a few times over the years. David and Greg Luetticke-Archbell bought the grounds in 2008. At the time, there was no confusion over how the land could be used; as the land was being sold nearly 20 years ago, its owner asked the zoning board to clarify how it was zoned. The ZBA supposedly responded in 1998 that the land was “pre-existing, non-conforming,” as the campground and existing land uses were established before the town devised its master plan in 1967.

    Starting in 2012, the Luetticke-Archbell have been throwing a robust summer music festival called Jam at the Ridge, luring music talents from across the country. According to the campground’s website, music has been played there since the days when it was known primarily as a ski lodge. The campgrounds, according to the two brothers, were established in 1963.

    In 2013, the ZBA had approved live music at the grounds, addressing complaints from local residents. The complaints, however, escalated through the threat of litigation. The town subsequently challenged its own ZBA’s ruling.

    The town, citing from their records, see only the ski lodge as being grandfathered into their zoning plans. Everything else, after 1967, would require a use variance, which would go through the ZBA.

    In summer 2014, the grounds’ owners were ultimately ordered to cease outdoor music by a New York State Supreme Court judge as both town and residents pursued litigation. More than a year later, the Daily News out of Batavia reported that another supreme court judge ordered the ZBA to host a public hearing on the topic.

    At the December 2015 public hearing, Town Attorney Reid Whiting said the town would not challenge the ZBA’s decision.

    The board’s decision appears to hinge on the campground owners’ argument that any issue residents have with outdoor concerts should be addressed through the town’s sound ordinance, and not land use. David Roach, the grounds’ attorney, argued this point in the December public hearing.

    Western New York is no stranger to disputes over sound ordinance. In neighboring Newstead, residents successfully shut down an outdoor venue in 2014 by means of the town’s sound ordinance.

  • Weird Al’s Mandatory World Tour Continues With Newly Announced NY Shows

    Last year, “Weird Al” Yankovic toured extensively in support of his latest album, Mandatory Fun. Recently he announced that he will be back at it again — this time with 78 shows between June and September.

    Mandatory World TourReleased in July 2014, Mandatory Fun marked Weird Al’s first number one album. He also took home a Grammy Award in the Best Comedy Album category for it. The album was well received by critics, and the virality of its music videos helped place it atop the Billboard Top 200 shortly after it was released. As NYS Music’s Michael Hallisey said, “Mandatory Fun is Al’s 14th release, and by far his masterpiece.  Like Warner Brothers through Looney Tunes, Yankovic is able to tie in current events with references to the past, allowing listeners from multiple generations to enjoy.” Mandatory Fun is likely Yankovic’s last normal length album as he shifts to releasing songs through EPs and singles over the internet.

    S Harris - Weird Al - Capitol Theatre-1

    Most of the 78 shows are now on sale to the general public, including his three New York stops:

    Sept. 4  The Budweiser Summer Stage at TAG’s, Big Flats, NY
    Sept. 17 Proctors Theater, Schenectady NY
    Sept. 24 Radio City Music Hall, New York, NY

    For a full list of Weird Al’s tour stops, check out his website. Weird Al’s tour begins June 3 and wraps up Sept. 24.

  • Rochester Got a ‘New View’ of Eleanor Friedberger

    Eight years ago Eleanor Friedberger played to a raucous sold out crowd at the Bug Jar with her previous band, The Fiery Furnaces. A lot has changed in eight years.

    The Fiery Furnaces have taken an extended and possibly permanent break. Friedberger has released three increasingly excellent solo albums in that time. Her post-Furnaces sound has developed over the three albums, emerging in the latest, New View, out earlier this year, as her most accessible and personal yet. But for any number of reasons, the crowd from eight years prior didn’t return. Friedberger and her backing band, Ice Water, who also played a short opening set, performed to a paltry couple dozen souls who saw fit to venture out on a Sunday night in Rochester.

    IMG_20160221_221358206

    Midway through the set Friedberger slipped up on the lyrics to “My Mistakes,” (apropos!) one of two songs she played off of her first solo album, Last Summer. After finishing the song, she admitted she lost her train of thought as she had been thinking about advice she had been given about how to play in front of 1000 people or in front of 10. She assured her audience, “If anyone is concerned, don’t be, I feel the exact opposite. Happy to be here.” Perhaps she was just excited to play under the Bug Jar’s whacky ceiling. Earlier she proclaimed it to be the “best ceiling in the world… except maybe that other famous one.”

    Her band, drummer Neil Hecht, guitarist Malcolm Perkins, bassist Jonathan Rosen, and his brother Michael Rosen on Wurlitzer piano and keyboards, were also the backing band for the album. They laid down tight slinky grooves with just the right touches and punch to bring Friedberger’s songs to life on stage. Often times the opening band sounds great until the headliner comes along and sounds even better. Such was the case on this night, except the opening band consisted of the same musicians as the headliner, more or less. Ice Water’s qualities were enhanced, refined and magnified under the scope of Friedberger.

    They ran through the entire new album in order, with just a few diversions sprinkled in from her previous two albums. The style in the older songs, with a more conversational cadence, stood in contrast to the newer material, which reached stronger melodic hooks.

    The set finished strong with the psychedelic “All Known Things” and proggish “Does Turquoise Work?” with an extended mid-section build. That left only one New View song unplayed. For the encore performance of “A Long Walk” Friedberger played solo on the stage alone, before the full band walked back up and kicked into full gear for a strong and jarring instrumental finish. They closed the night with the lone representative from 2013’s Personal Record, the fun and upbeat “Stare at the Sun,” with it’s appropriate lyric, “If that was good-bye then I must be high, you know I’ll be seeing you soon.” Those who elected to stay home missed a treat, one that might come around only every eight years or so, lyrics aside.

    Setlist: He Didn’t Mention His Mother, Open Season > Sweetest Girl, Roosevelt Island, Your Word, Because I Asked You, Never Is a Long Time, My Mistakes, Cathy With the Curly Hair > Two Versions of Tomorrow, All Known Things, Does Turquoise Work? Encore: A Long Walk, Stare at the Sun