Category: NYC Metro

Turkuaz Ends Sold Out 3 Night Run at Brooklyn Bowl

On Saturday April 9, Brooklyn’s own Turkuaz closed out their three-night run to a sold out crowd at Brooklyn Bowl.

After the opening band, Sidewalk Chalk, began heating up the room to a simmer, Turkuaz brought the crowd to full on boil with their opening song “Lika” from their 2015 Digitonium release. Next up was “Chatte Lunatique” off of the Zerbert album, which had the crowd, brass section and backup vocalists bopping up and down in synch. Each band member sported their own signature, color-coded Members Only jacket on stage, reminiscent of a funky bag of Skittles that had somehow taken human form and hypnotized the Brooklyn Bowl. By the fourth song, and their first cover, Sam and Dave’s “Hold On, I’m Comin’” everyone from the back bar to the front of stage could taste the rainbow as the classic soul tune raged on.

The band took a minute to wipe the sweat from their faces before tackling “Lift It Up” into their most listened-to Spotify tune, “Bubba Slide,” off the Future 86 album. “Who were you two days ago/I’ll be damned if you should know,” are the opening lyrics to “Bubba” and on the third night of transformational Brooklyn run, the words took on a different meaning. There was a feeling in the room that something special was happening. We were witnessing a new brand of funk while simultaneously time-traveling to the golden age of the genre.

The 9-piece jammed on with a few more originals before capping off the first set with their second cover of the night, “I’ve Got a Feeling” by a band founded far away from Williamsburg, The Beatles. Just before the cover began, the audience started to thin out for a fresh beer or cigarette during what was sure to be the break of an already stellar set until they heard the opening riff to this Let it Be classic. People began sprinting back inside to be part of the action and as the cigarette flames were extinguished outside, a new fire started within. Since the last time Turkuaz ignited the Brooklyn Bowl flame in 2015, the band’s sound has evolved through hard work, relentless touring and attention to their craft. Ask any die-hard Turkuaz fan and they will tell you that the band gets better every time you see them in Brooklyn. Smiles covered the group’s faces as they proudly sang the symbolic lyrics “Everybody had a good year, everybody let their hair down, everybody pulled their socks up, everybody put their foot down.” Oh, yeah!

Set two’s energy picked off right where the first left off as Taylor Shell’s bass pumped out an extra groove-able intro to the Digitonium tune, “Doktor Jazz.” As if the band wasn’t hot enough on their own, they called upon James Casey (Trey Anastasio Band) and his saxophone wizardry to add some gasoline to the blaze. The band was just getting started as Casey exited the stage after a short lived, but memorable sit-in. The crowd appeared to have stretched their legs during set break as they put on an all-out dance clinic during the sexy “Desert Island,” “Coast to Coast,” “E.Y.E. (Lookin’ Good)” threesome of originals.

An extended version of “Tired of Talkin’” led the band to show the heavily-breathing crowd mercy after “Digital Love” to cool things down for a moment, well, slightly. As the second set was coming to a close each member was placed under the spotlight during “Gogo, Mr. Dodo,” but especially Shira Elias, who was dressed like a feminine synth pop version of the yellow Power Ranger. She definitely took lead on this second-set highlight as she shook the Brooklyn Bowl with her soulful pipes.

As Sunday morning was officially upon us, the band came out to cover one more song, The Talking Heads, “Take Me To The River.” Since the early days of Turkuaz, it has been no secret that the Heads have been one of the main influences from their tongue-in-cheek lyrics to their strange attire and genre melting sound. “Take Me To The River” may be one of the most covered and influential songs on the jam-band or funk circuit in the past 40 years and this group absolutely nailed their take on the Al Green penned piece. The climax came after the band collectively dropped the crowd into the funky waters of the venue.

Hours after the show ended the caption on the Turkuaz Facebook page reads, “This was truly one of the most special weekends we’ve experienced as a band.” After that power-funk spectacle, it is safe to say that the growing fan base had a pretty special weekend as well.

April 20, 2016
Turkuaz and lespecial Funk It Up Night Two at Brooklyn Bowl

Turkuaz continued their 2016 Digitonium Tour with a 3 night run at Brooklyn Bowl, featuring lespecial for their second night. If any NY funk lovers were looking for something to do for 3 days in April, this was it.

lespecial opened the night of groovy dancing and brought a lighter, funkier version of their death-funk/future-groove with some staples from Omnisquid such as “Fruit Wolf Dance”, “Sugaboi”, and “Pressed For Time” (guitarist/vocalist Gruskauskas’ vocal range truly shines on this track). The trio from Boston also featured classic cover of Les Claypool’s “My Name is Mud”, some new music in collaboration with some Turkuaz members and even a cover of Tears For Fears’ “Everybody Wants To Rule The World.” I’ve mentioned before in previous reviews, lespecial is truly one of my favorite bands to experience live as their genre-bending capabilities are unmatched!

Succeeding their funk-band-in-arms, Turkuaz took the stage and opened with a fitting “Introduction” from their recent album, Digitonium. Following a strong intro, a very funked up “The Rules” from the 2011 album Zerbert , had the crowd dancing and bopping from the floor to the bowling lanes. It was at this moment I realized what I had been missing; Turkuaz truly brings the funk and I had seen the light in only their second song of the night. Each piece of the band plays a very integral part as each member not only brings their extreme talent to each instrument and vocal aspect but also their own unique style. Some favorites from the night included “The Generator” and “King Computer” from Digitonium and “Tip Toe Through the Crypto” and “It’s So Hard” from the Stereochrome EP.

Turkuaz’s second set was very special as they dedicated the entirety of it to The Band. They opened with a very funky “Chest Fever” followed by an affectionately soulful “Ophelia” and then an extremely heartfelt “The Night They Drove Dixie Down.” “Up On Cripple Creek” seems to have been made for them to cover as they certainly shined in all aspects whilst rocking the track. Naturally, during “The Weight”, a beautiful sing-a-long manifested from the crowd and a very dancey “Don’t Do It” got everyone moving and shaking. Closing out with a fervent and almost spiritual “I Shall Be Released” it’s an understatement to say that Turkuaz did these anthems justice; they put their all into every track and made each one a unique experience. Turkuaz is an amazing spectacle of talent, color and funk. If you consider yourself a fan of live music and have not experienced a Turkuaz show, you’re doing yourself an injustice.

April 19, 2016
The Human Experience/Gone Gone Beyond Thrive at House Of Yes

From his recent performance at House of Yes in Bushwick, David Block (The Human Experience) brought a night full of heartfelt, new music with his live endeavor, Gone Gone Beyond. The event opened with the artists asking all in attendance to momentarily pause, hold the hand of the person closest to you and have a moment of gratitude; this task was quite easy as House of Yes seems to engender a feeling thankfulness any time I find myself there.

The combination of The Human Experience and House of Yes is essentially a no-brainer; a musical artist that combines ethereal, tribal sounds with heavy, grooving bass and an amazing venue that feels as if a Burning Man camp was transplanted to Bushwick makes for a wonderful experience. The name of the event was “The Vibe” which was quite fitting as there certainly was an understanding and sharing of similar emotional and musical platitudes amongst all in attendance.

Opening with “Ain’t Giving up on Love” from their self-titled album Gone Gone Beyond, Danny Musengo’s gratifying vocals and Block’s melodic piano chords had the crowd swaying and singing along to the chorus. Horns were brought out for “Back Swing” whilst an aerialist performed on some silks in the middle of the venue and I felt like I was in a circus tent in New Orleans, certainly a sight to behold. Closing with “Carnival” was proper as it got the crowd moving, dancing, and smiling as an entire aerial performance was occurring above the band on stage invoking carnival vibes tenfold. Following Gone Gone Beyond, was David Block himself as The Human Experience. Block’s ethereal, world sound were in full effect as many patrons were moving intently with their eyes closed as if to truly feel the music. As mentioned, the blend of The Human Experience and House of Yes is like no other; Block’s celestial sounds with HOY’s vibe and performers is an unparalleled experience.

April 18, 2016
Cousin Fungus Wows the Crowd at Finley’s of Greene Street

On April 2, Finley’s of Greene Street in Huntington, NY was treated to a performance by Long Island based band Cousin Fungus. The bar was packed and the dance floor full as Cousin Fungus took the stage after the cover band Run for Covers.

All the way in the back of the bar with an open overhead garage door, the stage set-up at Finley’s made it feel as though Cousin Fungus was performing in their own driveway. As the music started the crowd edged its way forward toward the long-time devotees already lining the front of the stage. The set list consisted of fan favorites Other People, Earth Turns, and Find Your Pipe along with unique jam style cover versions of the Traffic instrumental Glad and Grand Funk Railroad’s I’m Your Captain (Closer to Home.) The first song, Fanfare for the Common Man, was played in homage to the late Keith Emerson from the Emerson Lake and Palmer Band and two new original songs. Birthday was introduced following a special celebratory birthday shout-out to a fan and the show closed with their latest and greatest, Caravan.

Throughout the show heads bobbed and the dancing intensified with each crescendo. It was evident that the band was feeding off the effervescent energy of the crowd. Dennis sang with style as he passionately pounded the keys and Henry and Thomas grooved to the music flowing from their guitar and bass. Although Chris was hidden behind his drum kit at the back of the stage, his ever present and integral beats were “visible” during each and every song. The boys were in constant communication with each other as they flowed from song to song with smiles on their faces!

Customers come to Finley’s for fun and fellowship, and of course its large selection of craft beers. Cousin Fungus fans come from near and far to hear amazing music with great friends. This particular night the crowd got it all – Finley’s definitely delivered as promised!

*Who is Cousin Fungus??

A Long Island based band that hails from Port Washington, NY the journey of Cousin Fungus began in the early 90’s as a Phish cover band called Stash. Made up of brothers Henry, Christian, and Thomas Stanziale on guitar, bass, and drums respectively, along with friends Gary Menkes on keys and Billy Zweirlein on vocals their first performance took place in the summer of 1993 and they continued to play weekly in Port Washington. In the fall of 1993, Dennis Belline made an appearance with the band on keys, and when Gary moved off of Long Island Dennis became an official member. The band played all throughout the Northeast building a fan base now spreading from Long Island to Syracuse, NY. In late 1996 they debuted their first original song Rejhi and by the summer of 1997 they were playing mainly original songs. In April 1997, while performing at Hungry Charlie’s near Syracuse University the band was surprised when Jon Fishman walked into the bar. They invited him to the stage where he jammed out with them for the Phish classics Wilson, Funky Bitch, Rocky Top, NICU, and Slave to the Traffic Light. He returned to the stage for the encore drumming to Stash’s rendition of Derek and the Dominos Love So Sad. In October 1997, as the band focus moved toward solely original songs Stash changed its name to St. Ash. In March 1998 Billy Zwerlein left St. Ash and in May 1998 with Dennis now on lead vocals they renamed themselves Cousin Fungus, after a lyric from the song Low Tide High, and recorded their first album Thoughts of a Moth, which was released in the fall of 1998.

The fan base continued to grow throughout the Northeast and eventually expanded into the Mid-Atlantic. Cousin Fungus had intentions to get back into the recording studio in late 2000 but the album was delayed when Dennis Belline made the decision to leave the band. The Stanziale brothers continued to play as a threesome and in spring of 2001 Mike Sanchez joined Cousin Fungus on guitar and vocals. In 2002 they hit the studio with Mike to record Share the Air, which was released in December of the same year. In 2003 Cousin Fungus welcomed new keyboardist, Mike Sydor, and two months later Mike Sanchez moved on in his pursuits. They continued their musical career as a 4-piece band until their last show together in December 2004.

Since 2005, with over a decade of performing, the original members of the band reconnected for surprise shows all over Long Island. Thomas, Henry, Chris, and Dennis revived Cousin Fungus in 2012 when they returned to the Long Island music scene playing sporadic shows throughout the year. Cousin Fungus has been exciting its loyal fan base with more regular performances in the last 3 years, even performing at private parties. To the delight of fans, Billy has made a few surprise appearances on vocals.

Since 2012 Cousin Fungus has performed all over Long Island…and beyond. The band is hard at work writing original songs to add to its repertoire and new shows are announced every few months.

Cousin Fungus never lets down its fans. Friends and family can be seen at every show and a new generation of fans is evolving, to include the children of each band member! As the Cousin Fungus family continues to grow, old and new fans alike can be found dancing and singing along to each and every song. Definitely take a listen to Thoughts of a Moth and Share the Air and be sure to check the CF Facebook page for show announcements. Get out to a local show and experience all that is Cousin Fungus – you won’t regret it!

Set List – CF Finley’s Greene Street 4/2/16 :

Fanfare, Photo’s, Other People, Glad, Find Your Pipe, Birthday, I’m Your Captain (Closer to home), Caravan

Full Show Audio: Recorded by Patrick Kelly.

EARTH TURNS: Video Recorded by Henry Stanziale

GLAD: Video Recorded by Henry Stanziale

April 17, 2016
Deadgrass Livens Up Garcia’s With Midweek Dose of the Grateful Dead

With its walls clad with Grateful Dead memorabilia and portraits of Jerry Garcia, Garcia’s continues its dedication to keeping the spirit of Jerry alive. A regular installment, DeadCenter Presents, brings the music of Jerry Garcia and the Grateful Dead to the cozy club annexed to The Capitol Theatre.

Kicking off April’s series was Deadgrass, a collective of musicians from the Hudson Valley/greater NYC area delivering a captivating bluegrass interpretation of Garcia. Deadgrass is lead by Matt Turk (mandolin/guitar) and C Lanzbom, and joined by Clarence Ferrari (violin), Russ Gottlieb (banjo), and Dave Richards (bass).

Their two-set, full length performance weaved in and out of mellow grooves and blistering licks. For a late evening, mid-week show, the initially docile crowd found the mark with dancing feet before long once “Truckin’” rolled around. There was plenty of solo trading throughout the entire show albeit slightly more abbreviated during the first set. As the midnight hour drew nearer, especially during the second set, things loosened up quite a bit more as the songs became increasingly improv-laden.

After a short break, the second much looser second set marched forward starting from “Cumberland Blues” and included the popular run of “Scarlet Begonias” -> “Fire on the Mountain,” strung seamlessly together with a jam that slowly folded in the two-chord progression of the latter. Everyone on stage demonstrated some phenomenal chops in the jams, but Lanzbom’s blazing electric guitar solo on “Franklin’s Tower” gripped everyone’s attention.

One of the metrics for a Grateful Dead cover/tribute band is the vocal performance. On top of embodying the mix of structure and improv of the Grateful Dead in their set, Deadgrass did a great job in capturing the vocal harmonies and intonations led by Garcia. Both Turk and Lanzbom, who had a share in lead vocals, emulated Garcia’s performance well, particularly demonstrated by Turk on “Stella Blue,” a song in which the lyrics are a major component.

Deadgrass’ high energy and melodic bluegrass take on the Grateful Dead is refreshing and fun among the mix of the other great cover acts out there. For a Wednesday night, the DeadCenter series continues to be a substantial respite from the mid-week blues.

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April 16, 2016
The Budos Band Strikes at Brooklyn Bowl
Slated for two nights at Brooklyn Bowl, the 9-piece Staten Island based Budos Band played to a small but excited crowd on Friday, April 1. Initially known for their instrumental funk and soul sound, The Budos Band has evolved into a darker and more psychedelic rock band.

This was evidenced on Friday night throughout their frenetic performance. Drum, bass guitar, and percussion beats were deep and the organ bellowed. The horn section blared a noisy sound while lead guitarist Thomas Brenneck chaotically worked his way around the stage with his guitar in perpetual motion; at one point he even wedged the head of his guitar between two amps to distort its sound.

The Budos Band is certainly unique – soulful afro-beats shaken and stirred with psychedelic hard rock. I had expected to experience a relaxed show with funky beats, but instead was greeted with an unconventional loud, frenzied night of music. The new sound of The Budos Band is upon us. Their fifth album, Burnt Offering, was recorded in Brooklyn and released in 2014 on Daptone Records.

The Budos Band:
Jared Tankel – baritone saxophone
Thomas Brenneck – electric guitar
John Carbonella Jr. – congas, drums
Mike Deller – organ
Daniel Foder – bass guitar
Andrew Greene – trumpet
Rob Lombardo – bongos, congas
Brian Profilio – drums
Dame Rodriguez – percussion
April 14, 2016
The New Mastersounds to Headline 3-Night Weekend at Brooklyn Bowl

The New Mastersounds have a simple mission: create and share an ebullient energy with a receptive audience. They’ve been accomplishing this swimmingly with their bouncy, funky instrumental grooves for a decade. New York City will have its chance to get down New Mastersounds-style for three consecutive nights at Brooklyn Bowl on April 14-16.

In the UK where there are no John Scofields or Galactics to create a rich jazz-funk jam tapestry, The New Mastersounds started out as a band filling that void with free reign. Nowadays they run widely in the US festival circuit and collaborate with Mike Dillon, Grace Potter, Maceo Parker and Art Neville. Their music is fast and relentlessly euphoric.

The Saturday date at Brooklyn Bowl will also include an afternoon family show for all ages beginning at noon, in addition to the show that evening. The matinee appearance has become a tradition for the band over their last two appearances in Brooklyn. The New Mastersounds first appeared at the Bowl in 2010, and three-night runs have occurred there at least once yearly since 2013. New York funk fans are doubtless hungry to have them back.

Brooklyn’s own Moon Hooch will support The New Mastersounds on Thursday, April 14. Their primitive dance music played in sax-sax-drums power trio format is sophisticated and provocative. In a league with other contemporary artists who blur the line between live acoustic performance and sleek electronica production, Moon Hooch have an unprecedented sound and an attitude that’s always carrying them into new musical territory. Aficionados will want to be there at 8 PM when they get the party started at Brooklyn Bowl, kicking off a three-night weekend with The New Mastersounds.

April 7, 2016
Wyclef Jean Takes on the Brooklyn Bowl, NY

Grammy winning artist Wyclef Jean brought the house down Tuesday night during his second performance at the Brooklyn Bowl. His DJ bumped the beats as Wyclef freestyled his way onto the stage mic in hand rhyming about Brooklyn, Haiti, politics and music…and even gave a shout out to the girl with the camera in the front row (that would be me!) He wowed the crowd with eccentric dance moves, multiple costume changes, instrument maneuvers, and guitar rifts with his teeth.

The Bowl was energized from the moment Wyclef set foot on the stage. Cell phone cameras were in the air the entire night and fans were dancing in the bowling lanes as he weaved his way through tracks like “911” and “Hips Don’t Lie.” During his new single “My Girl” with Sasha Mari, over 100 multi-colored flashing foam glow sticks were thrown into the crowd and fans from the front row were pulled onto the stage to dance with Clef and his backup dancers from Studio L Dance Co. A fan favorite, “Killing Me Softly” was performed by Canadian jazz, pop, and soul singer Nikki Yanofsky, whose big voice filled the room over the sound of the crowd belting out of the lyrics with her. Another special moment of the evening came when Wyclef welcomed his sister Melky onto the stage to perform a super soulful version of Leela James’ song “A Change is Gonna Come.”

It is evident why the Brooklyn Bowl added a second Wyclef show to their schedule. He is a passionate performer who lights up a room with his talents. He remains relevant to his fans and is always looking for the next big thing. Be sure to keep your eyes out for his new album Carnival III which is expected to release mid-September.

April 4, 2016
Slothrust Shreds at Baby’s All Right in Williamsburg

Slothrust shreds. This past Saturday Slothrust (Leah Wellbaum on guitar/vocals, Kyle Bank on bass, and Will Gorin on Drums) played Baby’s All Right in Williamsburg with Diet Cig, the playfully charming pop punk duo from Upstate, New York and YUNG, the killer rock band hailing all the way from Denmark. The show was sold out, the music was powerful, and the whole venue seemed to hum with the undeniably infectious energy of being young and alive in Brooklyn.

Slothrust finished up a month long tour at Baby’s that night and closed out the show. Their tour hopped all over the country, including five showcases at SXSW. As I watched them set up I wondered if they were worn out from tour, burnt out from travel, the back to back shows, the van life. I thought maybe their set would be a bit sluggish. I was dead wrong. They were tight. They are always so incredibly tight.

To start, they hit the crowd with a jam that was heavy like a ton of bricks and by mid set had leveled things out with both “Magnets part 1” and “Magnets part 2”, dark yet delicate crowd pleasers. The whole performance was a perfect balance; new songs and old favorites that provided a trip through intimate, emotional lyrics that were delivered with captivating, deadpan vocals and guitar riffs that rip right through you. It can’t really be compared to anything else. Slothrust is it’s own kind of strange darkness. Straight up grunge rock that can get you all choked up without a single cliche lyric to be sung.

They closed their set with “Crockpot” which is a spot-on representation of who they are as a band. It’s a sample of the dichotomy the trio has mastered; soft yet strong, gentle but raw and raging. A spellbinding sweetness broken by a build up that makes the blood flow faster through your body. As “Crockpot” rang out, the back lights made perfect silhouettes of the three talented musicians responsible for making the packed house sing along at the top of their lungs. It was then that I truly realized the power of Slothrust. I wholeheartedly believe their future holds something huge- something great. If you haven’t heard Slothrust yet, listen to “Of Course You Do” (their latest album which is an absolute masterpiece), get yourself to their next show, or do both if you know what’s good for you.

April 1, 2016
Larry Kirwan and Friends Mark St. Patrick’s Day With Comedy, Tradition, and Rock and Roll

A sea of green pooled around the sides of Fifth Avenue as the world’s largest St. Patrick’s Day parade stepped off to much better weather than expected, bringing over 200,000 participants to the celebration, and for some marked a new era of inclusion in the festivities. As the crowds fizzled away along the cross streets near the end of the five hour parade to their quotidian ways, some green-clad merrymakers were staggering a bit early while others continued their St. Patrick’s celebrations into the evening.

With countless pubs and venues in an already bustling music town there were plenty of ways to carry on into the night. Right in the heart of Midtown at Times Square former Black 47 leader Larry Kirwan assembled an eclectic and energetic lineup of entertainment at the B.B. King Blues Club.

As the early settlers of the dinner crew finished up dessert, the Lia Fail Pipe Band out of Mercer County, NJ performed a short set of tunes including a rendition of “The Foggy Dew,” a folk song about the 1916 Easter Rising. This traditional intro to the night helped disposition the show before comedian and long time yellow cab driver John McDonagh took to the stage as emcee for the night. Cracking a few entertaining observational jokes about the character of NYC and about some national politics (to a few mixed reactions), McDonagh helped kick the energy up a bit in the crowd, almost like a comedian warming up the audience before a taping of The Tonight Show.

The first musical act of the night required the need to term the mix of entertainment as eclectic. Rising NYC hip-hop artist Rory K (Larry Kirwan’s son) celebrated the release of his second album Young Professionals that night performing a handful of songs. While the genre may have been a bit different from the rest of the night, Rory K’s struck some chords with the audience. His confidence in the lyrics and exuberant stage presence made for an entertaining set, and possibly a new sound for some folks at B.B. King’s. Rory K’s night wasn’t completely over after his set was finished as he stepped back out later on for a father-son moment providing some freestyling over a portion of “Fire of Freedom.”

Stepping back into a more traditional setting, Black 47 co-founder Chris Byrne was joined by Andrew Harkin and Brian Tracey as The Lost Tribe of Donegal. As resident NYC musicians performing regularly at Rocky Sullivan’s in Red Hook (Brooklyn), they brought a mix of toe-tapping jigs and reels along with original compositions and a cover of Talking Heads’ “Life During Wartime” which blended a traditional sound with some rhythmic elements of modern rock music.

Black 47 last took the stage at the same place in Nov. 2014 with many somber emotions from fans after their final cover of “Gloria / I Fought the Law” and as Larry Kirwan took to the stage with his freshly assembled band there was plenty of cheerful delight to counter that nearly 18-month dejection. The band was made up of Kirwan, Coty Cockrell (keys), Deni Bonet (violin), Rene Hart (double bass) and former Black 47 bandmate Thomas Hamlin (drums). Joining the band for a few songs was multi-instrumentalist and virtuoso David Amram.

While nothing can replace the dichotomy that was Black 47 the cohesion on stage was remarkable. It was interesting to hear a handful of Black 47 tunes played with different instrumentation, particularly the keys and violin taking up the space where horns and uillean pipes were before.

The set list was comprised of several staples from the Black 47 catalog and a few new post-Black 47 songs penned by Kirwan. Of these songs, “Floating” had first made its debut this past fall at one of Kirwan’s solo acoustic gigs but now presented as a ballad defined that night by the beautiful sounds of Hart’s violin. Another new song hit the stage honoring Seán Mac Diarmada; dedicated this in memory of Sandy Boyer, host of “Radio Free Eireann” on WBAI, who recently passed away.

With the 100^th anniversary of the Easter Rising upon us, a theme of the night was the commemoration of the event. Though a minor element of the show, the songs “James Connolly” and “The Big Fellah” were part of the set in addition to the new song on Mac Diarmada. A Gaelic intro to “Big Fellah,” typically only sung on the studio version, brought the room down quiet before a distorted guitar cut through the silence. For “James Connolly,” an intuitive reaction from the crowd proves the power and legacy of the song.

Aside from the somewhat serious tone of the theme behind the show, there were many more fun moments throughout the night to bring back memories and excitement from the Black 47 years, particularly toward the end of the set with the booze-themed “40 Shades of Blue” and the former band’s MTV hit “Funky Ceili.”

Here’s looking forward to next St. Patrick’s Day in Manhattan.

Setlist:

Livin’ In America, Bas in Eirann, Big Fellah, Walk All The Days (w/ Chris Byrne), Fanatic Heart, Five Points, Camptown Races, Hard Times, Redemption Song -> Fire of Freedom (w/ Rory K), Floating, Sean MacDiarmada, James Connolly, Izzy’s Irish Rose, 40 Shades of Blue, Funky Ceili

Encore: Like a Rolling Stone

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March 31, 2016