NYS Music 20​16

Category: NYC Metro

  • Brooklyn Comes Alive to Feature 50 Artists this October

    On Saturday, October 22, Brooklyn Comes Alive, an indoor festival that debuted in 2015, will return with performances from 50 artists showcased across three venues – Brooklyn Bowl, Music Hall of Williamsburg and The Hall at MP, each a 10 minute walk from the others. Solo sets, unique acts and familiar and new supergroups will perform throughout the day from 12pm-12am.

    Update 8/18: The first supergroup for the event, Breaking Biscuits, featuring both members of Break Science and Marc Brownstein and Aron Magner of the Disco Biscuits, has been announced.

    Be sure to grab advanced tickets now to secure your spot at one of the most momentous musical occassions of the year! For those seeking to be fully immersed in the Brooklyn Comes Alive experience, consider purchasing VIP tickets, which grant access to the Brooklyn Bowl “Artist Lounge” as well as access to private VIP viewing areas at Music Hall of Williamsburg and The Hall at MP.

    Members of The Disco Biscuits, String Cheese Incident, Ratdog, Lettuce, Trey Anastasio Band, The Nth Power, Dopapod, Gov’t Mule and many more will take part in the day long marathon of music. Musicians are encouraged to create their own groups and concepts, and bring together new collaborations with a spirit of community.

    Music starts at noon on October 22 at The Hall at MP, with a brunch inside The Hall and at the adjoining restaurant MP Taverna. Brooklyn Bowl and Music Hall of Williamsburg will open up in the early evening, with all three venues remaining open all night long.

    Note: both The Hall at MP and Music Hall of Williamsburg are 18+ venues, while the Brooklyn Bowl is strictly 21+. If you are between the ages of 18 and 21, you are welcome to purchase a ticket, however you will not be allowed access to the Brooklyn Bowl.

  • The Evolving Evolfo at Shea Stadium Brooklyn

    The night was dirty, loud, revolutionary, beer-soaked and pleasantly dark. I’m not only describing the inside of indie Brooklyn’s sacred sanctuary, Shea Stadium, but also the band behind the interior madness, Evolfo. As the band entered the stage, their UFO style of music was introduced to the crowd with a thunderous instrumental intro highlighting everything from the keyboard and bass to the drums and horn section.

    One of their newer installments, “Bloody, Bloody Knife,” had a familiar, almost White Stripes meets 60’s punk sound and included a guitar solo by Matt Gibbs. During the solo, his hair completely covered his face while he melted our faces. The crowd favorite, “Mechanicals,” created an infectious dance party with a late night lounge feel. The whirling keyboard effect used by Rafferty Swink sounded like something Dr. Dre may steal for his next album while Matt Gibbs’ creative lyrics were politely screamed in a Shakespearean manner. As soon as it feels like the song couldn’t get anymore genre blending, the bursting horns march their way into the room like an impromptu parade down Bourbon Street. Gibbs gave the crowd a minute to catch our breath as he highlighted how ecstatic the group was to play in such an iconic, underground sonic space.

    After boogieing through “Love Like a Freak,” Evolfo kept the most recent songs coming with “Rat City.” Imagine David Bowie’s “Suffragette City” played with a faster tempo by a psychedelic garage band like The 13th Floor Elevators, but with just the perfect amount of brass to shackle it to the ground. Next up was “Let’s Carry On” which saw bass player Ronnie Lanzilotta stomping back and forth like an air guitarist on Red Bull. His energy was so intense he cosmically summoned one of the members from the opening act, Mobile Steam Unit, to jump on stage and rage with him equally as hard. The momentum spread like the Zika virus and before you knew the entire crowd was infected; one of the highlights of the hour long set.

    Judging by the “Herbie and the Headhunters” t-shirt worn by their bearded saxophonist, Jared Yee, this gnarly crew were no strangers to the realm of funk. They have no shame in fronting as a “funk band” even though they consider themselves “garage-soul.” One of the best tunes that display their thrilling, chilling funk talent is “Wild Man” which Evolfo played with delightfully terrifying precision. I had a moment to speak about the visually freaky yet addicting music video for “Wild Man” with Gibbs before the set, inquiring about the first music video regarding any correlation to the imagery in the video compared to what he thinks about while on stage. He replied:

    “Well some things in the video do quite literally have a place in our show. Some of the outfits and the demon mask and other small things have made their way onto the stage over the years. And then, of course, I hope that we portray some of that raw animal magnetism. I would love for real life to be as crazy as “Wild Man.” If we’re in the zone and we’re getting the energy from the audience I believe we can really live up to that fun with reckless abandon. As far as what’s on my mind while I play, I pretty much always wish I could pour some ambrosia on the audience and make them turn into animals. That would be ideal.”

    After the “Wild Man” lit up the room with aerobic weirdness, they were ready to give us what we wanted, the title track to the newly announced EP, Last of the Acid Cowboys. The lyrics are coming from a place of pure spacey madness. Swink’s keyboard is projecting a surfin’ synthesizer sound while he sings in an eerily familiar Jim Morrison tone. If this song doesn’t wind up on the next Quentin Tarantino soundtrack, someone isn’t doing enough research.

    Gibbs shed some details about the new EP and it was time for one more classic Evolfo tune for the brass-aholics in the crowd. Loaded with sexual innuendos, tantalizing bass lines and mod soul-funk, the climax during “You Light Me Up” is definitely the horn (or horny, sorry, I had to) section. Their time on stage was short and sweet, but the memory of that performance will last a long time, even for the fans in the booziest of states.

    Musical evolution has been as much a staple of New York City as pizza, or more recently, Pokemon Go. Much like the global sensation of walking around with a smart phone and searching for rare creatures from a different dimension, a new species of music is evolving right before us. Label it whatever you want, but for those of us lucky enough to discover the rare Evolfo at Shea Stadium on a Wednesday night, we have a new band that is about to morph. After the release of their new EP, a tour is sure to follow and if they continue to put on shows with that sort of allure and creativity, I gotta catch em’ all.

  • Cousin Earth to make Brooklyn Bowl Debut Friday, August 12

    This Friday, August 12, Brooklyn’s Cousin Earth will make their Brooklyn Bowl debut at 8:30 p.m. The five-piece band is rich in diversity, performing with ukulele, melodica, Ubass, kazoo; play a variety of originals and covers, with a style spanning genres and drawing in fans with anything from bluegrass to electronica with just about everything covered in between.

    When NYSMusic first encountered Cousin Earth at Rock n Roll Resort 2015, Neil Benjamin had this to say:

    “Cousin Earth, a five-piece, is about as far from a gimmick as possible. Calfa plays an electric ukulele, tuned GCEA, Corey J. Feldman plucks a four-string U-Bass, which is essentially an electric bass the size of, you guessed it, a ukulele. On lead vocals and melodica is Tara Lawton, a trained theater actor, who fits perfectly with Terry Brennan, another actor. Together, the pair added a Broadway-style flair to the hour-long set. On the backbeat is Nate Searing.

    The group’s sound is so rich and full. I heard everything from calypso, to jam rock to hip-hop, reggae and even video game themes. Cousin Earth opened with a riveting cover of Phish’s ‘Possum,’ which featured Calfa’s technical, but fun, chops. Out of all the acts I witnessed for the first time this weekend, Cousin Earth gets my recommendation for band you absolutely need to experience.”

    Cousin Earth opens for Love Canon, performing bluegrass covers of your favorite ’80s hits. More info here.

  • (Board) Walk Me Out, Dark Star Orchestra at Ford Amphitheatre Coney Island

    On Sunday July 31, Dark Star Orchestra tested the waters of the newly opened Ford Amphitheater at Coney Island Boardwalk. They got the crowd moving right away with a rocking “Passenger” as fans young and old exchanged high fives. As per usual, there were several setlist detectives in the audience trying to determine what classic show the band was recreating before our eyes and ears. I discovered an early Easter egg as only one drummer appeared on the stage, hinting at the fact that Mickey Hart was not present for this gig.

    dark star orchestra coneyLead guitarist Jeff Mattson did an exceptional job filling Jerry’s shoes for “Sugaree,” before Rob Barraco tackled Pigpen’s “Mr. Charlie.” The “Black Throated Wind” that followed had a particularly hot ending as Rob Eaton embodied the role of Bob Weir. Always searching for a Grateful Dead setlist motif, I instantly became fascinated with the gambling aspect of “Loser” that was presented in the fifth spot. At every DSO show, us setlist detectives are attempting to discover the recreation by playing the hand we are dealt by the band members, and we had no chance of losing this time. Another ace was drawn once Barraco jumped back on the lead vocals for “Next Time You See Me,” channeling Pigpen in what was sure to be an early 70’s performance. Lisa Mackey, normally filling in as Donna, covered the harmonica for the tune during her first appearance of the night. A standard “El Paso” gave way to another song referencing a card game, “Dire Wolf.”

    dark star orchestra coneyThe spirit of Pigpen returned for “Two Souls in Communion,” relaxing the audience before a spaced-out “Playing In The Band.” After the 15-minute-plus version, I had enough set list evidence to predict the band’s recreation. I knew it was something from Europe ’72 as classic Pigpen tunes were frequent, yet they jumped in the deep end for “Playin’.” With assistance from a quick Google search, I discovered that they were recreating the iconic final show of their European run, May 26, 1972 from London. The show would be Pigpen’s second to last performance with the band, and symbolically the next song after my setlist discovery was “He’s Gone.”

    dark star orchestra coneyA familiar “Cumberland Blues” and “Jack Straw” led to “Chinatown Shuffle,” which is the last tune Pigpen ever sang on stage. In fact, the four songs sang by Pigpen in the first set would follow him to his grave after that hallowed evening. My lyrical deck of cards theory returned with the “diamond-eye Jack” during “China> Rider.” On the eve of Jerry’s birthday, a wave of euphoria came over the crowd during the “Not Fade Away> Goin’ Down the Road Feeling Bad> Not Fade Away” sandwich that closed out the mesmerizing and particularly long first set.

    An extended “Truckin’” reminded the New York audience of the ways and means as the second set caught fire early. The band treated us to the night’s second sandwich with “The Other One > Morning Dew > The Other One.” It isn’t clear if Jerry is singing directly to Pigpen during one of his final nights, but this version is one of the best in Dead history and DSO did an excellent job recapturing the emotion from over 44 years ago. Not only was the “Dew” sang with such emotion, but the jam that ensued showcased bassist Skip Vangelas dropping some serious Phil-bombs to test the foundation of the newly built venue.

    dark star orchestra coney“Sing Me Back Home” gave us a moment to catch our breath before the “high-lo jack and the winner takes the hand” lyrics brought a smile to my face during “Me and My Uncle.” “Ramble On Rose” brought the casino-night motif to a close and presented the “aces back to back” before a high-energy two-pack of “Sugar Magnolia” and “Casey Jones” closed the second set. As the 11PM curfew rounded the corner, DSO remained on stage and quickly wished Captain Trips a happy birthday. A fellow setlist detective gave me a pat on the back as the May 1972 discovery was confirmed. Closing out the Sunday, the band gave us one more reason to enjoy the weekend with “One More Saturday Night.” Outside the venue, dozens of fans roamed the beach holding balloons with smiles on their faces (I can only assume for Mr. Garcia’s birthday). The first ever Grateful Dead recreation at the Ford Amphitheater at Coney Island was a massive success and I predict the energy to return during two nights of Phil & Friends in mid-September. Decades after that magical night on the other side of the Atlantic, Deadheads were once again treated to the peace, tranquility and curiosity of a beautiful experience, just like waves upon the sand.

  • Dopapod and Pigeons Playing Ping Pong Plan Huge Fall Tour

    Dopapod and Pigeons Playing Ping Pong announced today a co-headline tour kicking off October 5 in Jacksonville, FL and ends December 17 in Indianapolis, IN.  The more than 30 shows will cover much of the eastern half of the country, making stops in Saratoga Springs, Buffalo, Syracuse and New York City along the way. The two bands bring an incredible dose of funk with them, and have become staples on the festival circuit for many years.

    Rochester native and Dopapod vocalist/guitarist Rob Compa shared his thoughts on the tour. “Pairing up made too much sense not to do!  We’re always crossing paths, whether it be barely missing each other along tour or at festivals.  After a while it became clear that we ought to do something cool together.  I’m happy that this finally came together.”

    Pigeons Playing Ping Pong’s frontman Greg Ormont added jokingly, “We’ve always wanted to tour with a band whose name is a palindrome but ABBA and Emily’s Sassy Lime are always too busy, so we ended up with Dopapod. Fortunately, they’re great friends and even better musicians, so it should be an epic few months on the road.”

    Both groups recently shared the stage in Philadelphia, PA at The TLA where Dopapod keyboardist Eli Winderman sat in with Pigeons on their original song, “F.U.”

    Dopapod & Pigeons Playing Ping Pong Fall 2016 Tour Dates:

    10/05 Jacksonville, FL: 1904
    10/06 Gainesville, FL: High Dive
    10/07 St. Petersburg, FL: State Theatre
    10/08 Ft. Lauderdale, FL: Culture Room
    10/09 Orlando, FL: Venue 578
    10/11 Macon, GA: Cox Capitol Theatre
    10/12 Columbia, SC: Music Farm
    10/14 Darlington, MD: Luna Light Music Festival
    10/26 Saratoga Springs, NY: Putnam Den
    10/27 New Haven, CT: Toad’s Place
    10/29 Northampton, MA: Pearl Street
    11/02 Syracuse, NY: Westcott Theater
    11/03 Buffalo, NY: Iron Works
    11/04 TBA
    11/10 TBA
    11/11 Charlottesville, VA: Jefferson Theatre
    11/12 TBA
    11/17 TBA
    11/18 New York, NY: Irving Plaza
    11/30 Asheville, NC: The Orange Peel
    12/01 Atlanta, GA: Terminal West
    12/02 Charleston, SC: Pour House
    12/03 Raleigh, NC: Lincoln Theatre
    12/06 Chattanooga, TN: Revelry Room
    12/07 Nashville, TN: Exit In
    12/08 St. Louis, MO: Old Rock House
    12/09 Iowa City, IA: Gabe’s
    12/10 Chicago, IL: Bottom Lounge
    12/14 Ann Arbor, MI: The Blind Pig
    12/15 Kalamazoo, MI: Bell’s Brewery
    12/16 Milwaukee, WI: Mirimar Theatre
    12/17 Indianapolis, IN: The Vogue Theatre

  • Photo Gallery: Happy Owl Fest 2016

    This past Saturday, on one of the hottest days of summer, the Happy Owl Fest flew into the quaint, Grateful Dead-esque ‘venue bar’ known as American Beauty, located in the midtown section of Manhattan. Typically, I would not be very excited to be inside for a festival in the middle of the summer, but fortunately, this venue’s air conditioning battled the 100 degree heat without mercy. At times, there were rumblings of people actually being cold. Add to this the ample selection of good craft beer, and American Beauty’s only food offering, a free personal cheese pizza with each beer, and you have a lovely way to spend the better portion of your weekend day. I haven’t even talked of the line up yet, which of course was the reason I was there in the first place.

    The schedule was ambitious, including nine acts between the hours of 3pm and 3am, with a bonus side hustle of the Phish webcast from Chula Vista, CA, which was projected in the main bar while the bands played on in the main stage area. I was one happy camper that I was able to catch the full sets of Polyvamp, Sylfox and the Hustler, Formula 5, and Sprocket. Alone across these four bands was an eclectic mix of music that should satisfy a majority of musical tastes. In sum, the Happy Owl Fest navigated improvisational rock, funk, and electronic with a dash of blues, not necessarily all at the same time.

    Should this event take place again next year under similar circumstances, I wouldn’t hesitate to make the trip. The balance between venue, beer, food, music and price of admission was quite welcome. The only suggestion I would make is for the venue to make a small investment in a house lighting system. On one hand, the noir scene makes for a rare experience in dedicated club venues these days. On the other hand, a little lighting action would would inject some energy into the room, in this photographer’s opinion.

    Till next year, enjoy my gallery from the first Happy Owl Fest.

  • Say Hello to Temple of the Dog – Legendary Tribute Band Announces Brief Tour for 25th Anniversary

    Temple of the Dog, a six-piece all-star project, will tour this Fall in celebration of the 25th anniversary of their only album’s release back in April of 1991,  the self-titled Temple of the Dog.

    The band is comprised of Chris Cornell of Soundgarden and Audioslave (guitar/vocals), Pearl Jam’s Stone Gossard (rhythm guitar), Jeff Ament (Bass), Eddie Vedder (vocals), Mike McReady (lead guitar) and Matt Cameron (drums). The group was together for only a year, preceding the 1992 breakthroughs for both Soundgarden and Pearl Jam. Vedder will not be performing on this tour, however. 

    It was an emotional, history-laden project that was brought to life from the grief of losing a close friend and musician, Andrew Wood, to a drug overdose. Wood was known for having great potential, rising in the booming Seattle music scene in the ‘80’s, associated with bands such as Green River, Malfunkshun and Mother Love Bone, and shared time with many musicians, in the tight-knit musically “incestual” community.

    The loss was hard on Cornell, fellow band-member and housemate of Wood, who found an outlet by writing a couple of songs, later to become “Reach Down” and “Say Hello 2 Heaven,” on Temple of the Dog. He approached Gossard and Ament, also reeling from the loss of Wood weeks before their Mother Love Bone first CD release, to see if they wanted to record with him. What started as an idea for an EP became something much bigger, when the songs came pouring out, and they decided to make it into an album. The addition of Matt Cameron, also in Soundgarden at that time, brought in McReady. Eddie Vedder was later added from an audition the group held. 

    Temple of the Dog received moderate attention when it was first released April 1991 by A&M records. However, after the explosion of Pearl Jam and Soundgarden on the Grunge scene, A&M rereleased the album the next year to a sweeping fandom that didn’t all care to understand the tender intricacies of the project.

    Although the group had two semi-reunions, it was deemed that they would never perform together. There was speculation that it would just remain as a tribute to Andy Wood, too painful for the group to perform. In a press release, Chris Cornell said, “We wanted to do the one thing we never got to do … play shows and see what it feels like to be the band that we walked away from 25 years ago.”

    On September 30, 2016 UMe will release a 25th Anniversary Temple of the Dog, remastered and newly mixed by Brendan O’Brien.

    The tour will hit five cities:

    11/4- Philadelphia, Tower Theater

    11/7- New York, Madison Square Garden

    11/11- San Francisco, Bill Graham Civic Center

    11/14- Los Angeles, The Forum

    11/20- Seattle, Paramount Theater

  • Jane’s Addiction Partner with Dinosaur Jr at the Capitol Theatre

    Alt-rock founding fathers Janes’ Addiction’s Sterling Spoon Tour is celebrating the twenty-fifth anniversaries of both the band’s sophomore studio LP Ritual de lo Habitual and Lollapalooza, the eclectic festival co-owned and directed by Jane’s frontman Perry Farrell. The tour will stop at the Capitol Theatre in Port Chester on Sunday, July 17, with support from jangle-noise rockers Dinosaur Jr. The appearance will constitute the third consecutive night of NYC-metro area performances, following on the heels of tour stops at Coney Island and Asbury Park, NJ.

    Playing in or near New York City is always a sort of homecoming for Perry Farrell, who left his hometown of Queens after high school to pursue dreams of surfing the California coast. The band’s only live album aside from their 1987 self-titled debut was recorded in NYC in 2013.

    Jane’s and Dinosaur Jr both hail from the broad mid-80s world of independent, do-it-yourself music, but they represent opposite coasts and distinct stylistic leanings. Jane’s Addiction blazed a trail by combining heavy metal and post-punk sensibilities into an art-rock fusion music that retained its integrity even after being picked up by a major label. Dinosaur Jr made a name for themselves as the first notable indie band to infuse their songs with soaring guitar solos reminiscent of the seventies rock music that the punk movement had rebelled against. Thirty-plus years on from their formation, this pairing of bands offers audiences a chance to see two highly influential acts who are alike in having historically had difficulty staying together over the course of their respective careers but have recently been enjoying periods of stability and creative fruitfulness.

    The string of eight shows that Dino Jr is set to play with Jane’s Addiction comes just weeks in advance of the August 8 release of their eleventh studio album Give a Glimpse of What Yer Not. See Dinosaur Jr playing “Tiny” from the forthcoming album on The Late Show with Jools Holland:

    [embedyt] http://www.youtube.com/watch?v=GwJN6Ac-dcE[/embedyt]

    See live video of Jane’s Addiction’s jammed out masterpiece “Three Days” from Ritual performed last month in London:

    [embedyt] http://www.youtube.com/watch?v=1G0ZzaBadZU[/embedyt]

    The Capitol Theatre, famous as a venue for classic rock acts and performers who follow closely in their footsteps, is an apt place for Jane’s Addiction and Dinosaur Jr to prove that they too are part of the unified history of rock and roll.

  • Beartooth Ready To Get Aggressive With NY This Fall

    Lost, aggressive youth of NY, are you ready to let out your aggression? Then join the boys from Beartooth this Fall as the band brings the U.S. edition of “The Aggressive Tour” to North America. Special guest to help support the tour will soon be announced. The stops in 32 cities across the nation with tickets costing around $20.

    Beartooth 1

    The tour kicks off at the House of Blues in Chicago and wraps up in the band’s hometown of Columbus, Ohio. Beartooth has been touring in support of its second studio album Aggressive, which was released in June to many positive reviews.

    Beartooth recently made a stop in upstate New York this spring at the first ever Rock N’ Derby festival in Schaghticoke in May.

    Several New York venues are included on the tour. The Chance in Poughkeepsie is first up on the tour Oct. 29 followed by Irving Plaza in New York  Oct. 31, and Upstate Concert Hall in Clifton Park on Nov. 4.

    Beartooth Tour:

    10-02 – House Of Blues – Chicago, IL

    10-04 – Mill City – Minneapolis, MN

    10-05 – Summit – Denver, CO

    10-06 – Complex – Salt Lake City, UT

    10-08 – El Corazon – Seattle, WA

    10-09 – Hawthorne – Portland, OR

    10-10 –  Ace of Spades Sacramento, CA

    10-11 – Observatory –  Santa Ana, CA

    10-12 – The Regent – Los Angeles, CA

    10-14 – House Of Blues – San Diego, CA

    10-15 – Nile – Phoenix, AZ

    10-17 – Backstage – San Antonio, TX

    10-18 – House Of Blues – Houston, TX

    10-19 – House Of Blues – Dallas, TX

    10-21 – State Theater – Tampa, FL

    10-22 – Beacham – Orlando, FL

    10-23 – Revolution – Fort Lauderdale, FL

    10-24 – Masquerade – Atlanta, GA

    10-25 – The Underground – Charlotte, NC

    10-27 – Soundstage – Baltimore, MD

    10-28 – TLA – Philadelphia, PA

    10-29 – The Chance – Poughkeepsie, NY

    10-30 – Stone Pony – Asbury Park, NJ

    10-31 – Irving Plaza – New York, NY

    11-02 – Palladium – Worcester, MA

    11-03 – Webster – Hartford, CT

    11-04 – Upstate Concert Hall – Clifton Park, NY

    11-05 – Mr. Smalls – Pittsburg, PA

    11-06 – Orbit Room – Grand Rapids, MI

    11-08 – House Of Blues – Cleveland, OH

    11-09 – The Ready Room – St. Louis, MO

    11-11 – Express Live! – Columbus, OH

  • Dead and Company at Citi Field June 25-26

    Dead and Company returned to New York City having first visited Madison Square Garden this past fall. Their two-night run at Citi Field was met with excellent weather, some cool breezes, the return of Donna Jean Godcheaux to the microphone, and a chance for Oteil Burbridge to sing a chorus of “Going Down The Road Feeling Bad.”

    The band had previously in this tour made many song debuts not heard in the fall tour, though they broke out “Throwing Stones” for the first time.
     S Malinski - Dead and Company - Citi Field-22

    Dead and Company’s two shows at Citi Field had some more energy than their other appearance in New York at Saratoga Performing Arts Center a week prior, though to be fair to SPAC the crowd was much bigger as was the venue. Almost a year after Mayer experienced Fare The Well from the audience, he continued his Dead and Company trend to impress Dead Heads with his growing adaptability to the Grateful Dead format and style. To the New York City crowd, Mayer’s guitar and vocal work flowed even better than at their October/November 2015 shows at Madison Square Garden.

    Check out NYS Music’s gallery from the June 25 show below the setlists.

    S Malinski - Dead and Company - Citi Field-23

    June 25: (listen on archive.org)

    Set 1:
    Shakedown Street*, Jack Straw, Althea, Loose Lucy*, Ramble On Rose, Sugaree*, Passenger*, Casey Jones

    Set 2:
    Dark Star, Friend of the Devil*, Scarlet Begonias* -> Fire on the Mountain* -> Drums# -> Space -> The Other One -> Wharf Rat -> Throwing Stones+

    Encore:
    Ripple, One More Saturday Night

    June 26: (listen on archive.org)

    Set 1:
    St. Stephen, The Music Never Stopped*, Bertha*, Black-Throated Wind, Peggy-O, Box of Rain, Going Down the Road Feelin’ Bad*

    Set 2:
    Truckin’ -> He’s Gone*, Help on the Way* -> Slipknot! -> Franklin’s Tower* -> Drums -> Space -> Days Between, China Cat Sunflower -> I Know You Rider*

    Encore:
    Samson and Delilah*

    Notes:
    *With Donna Jean Godcheaux
    #Oteil Burbidge on marimba
    +Dead and Company debut