Category: Hudson Valley

  • Catskill Chill Offers Fierce Line-Up at New Location

    If you’re not quite ready for the summer to end, the Catskill Chill offers many music lovers one last chance to spend a weekend immersed in sights and sounds at the festival’s new location. Just a mere ten miles southwest from its former location, 2016 ushers in a new era for the festival at the New Minglewood.  This year’s basic festival ticket includes three days of music and camping starting September 24-26.

    Catskill Chill kicks off this year with a Thursday pre-party, a new addition for the festival.  At the mere cost of $45, the pre-party offers a powerhouse line-up of northeast festival favorites. The inaugural evening features Buffalo grove rockers Aqueous, jamtronica favorites Jimkata, two sets from Vermont’s Twiddle and superduo Trakstar featuring Todd Stoops (RAQ) and Rob Chafin (The Werks). The evening will be filled with high energy music that looks to set the bar high for future pre-party festivities.

    Martie Locke who will be traveling from King of Prussia, PA, said that the Thursday pre-party is actually what sold him on the weekend.  “It’s amazing.  Aqueous, Jimkata and Twiddle offer some of the best musical vibes,” he told NYS Music. “I think Thursday night could be some of the best fun of the weekend.  Well worth the price of the entire ticket.”

    For folks not making the Thursday festivities, the entire weekend is packed with creative collaborations, solid headliners, as well as up and coming artists from all over the country.

    Friday offers a mixture of relaxed vibes and funk.  Zack Deputy kicks off Friday’s Main Stage music.  Kung Fu offers the day’s first look at Main Stage funk takeover while funk masters George Clinton and Parliament Funkadelic and Phish bassist Mike Gordon headline the Main Stage on Friday evening. Pink Talking Fish are sandwiched in between the two powerhouses, with their performance on the B Stage, creating a solid five hours of music.

    Ryan Montebleau sets the mood for the Saturday Main Stage, with Cabinet and Keller Williams offering up a Saturday afternoon filled with Bluegrass vibes.  Lettuce closes out the Saturday Main Stage Music.

    Sunday’s Main Stage is a variety of musical genres.  Roosevelt Collier’s NY Get Down will feature Dopapod’s Rob Compa and Eli Winderman as well as Michelangelo Carubba and Taylor Shell of Turkuaz.  Bluegrass favorites Greensky Bluegrass and electronic rock masters Dopapod fill out Sunday afternoon. Electron will conclude the activity on Sunday’s Main Stage

    This year’s Catskill Chill is filled with a variety of beloved music performed by some of the festivals most respected veteran artists as this year’s Chill is jam packed with tribute performances. Friday night will feature Pink Talking Fu paying tribute to this year’s passing legends David Bowie and Prince.

    Saturday hosts the majority of these performances. Shwikus, featuring members of Shwizz and Fikus, will pay tribute to the music of the Beatles.  The Heavy Pets bring their highly praised Tribute to the 80’s, while fans of Primus will want to check out Lespecial’s Primus set in Club Chill.

    https://www.youtube.com/watch?v=LN246u0Q7J8

    Dopakuaz, featuring members of Dopapod and Turkuaz, returns after a memorable performance of the music of Studio 54 at last year’s Catskill Chill.  This year, the two bands have collaborated to showcase the best of classic 80’s preppie soft rock, also known as Yacht Rock.  Saturday night’s tributes will conclude with the Chillfam All-stars Tribute to Michael Jackson. Fans of Led Zepplin should catch Elise Testone’s tribute set on Sunday. Bitches Bloom will perform the music of American Jazz legend Miles Davis on Sunday as well.

    The Catskill Chill is also offering a few unique choices on their 2016 line-up.  Primate Fiasco’s unique blend of Americana, street band and off humor lyrics are a refreshing change of pace for almost any festival line-up. Meanwhile, Reed Mathis (Tea Leaf Green) and Electric Beethoven featuring Jay Lane (Primus, Ratdog),Todd Stoops, Cochrane McMillian (Tea Leaf Green) and Clay Welch will perform a set of “classical dance music” with a reimagining of Beethoven classics.

    This year’s line-up is also highlighted by a laundry list of this summer’s most buzz worthy bands. Hailing out of New York State, Mister F, Formula 5 and TAUK continue to make noise on festival line-up’s all over the Northeast. Hayley Jane and the Primates are Chill vets, but their rising stock makes the Vermont based group one of the weekend’s acts to see.

    Pigeons Playing Ping Pong and Tom Hamilton’s American Babies are other noteworthy artists for the four-day weekend.  North Carolina’s based Big Something and Boston’s progressive eletrofunk outfit Strange Machines have also been gaining steam all summer long.

    “Strange Machines is just so epic and progressive as they make you want to dance harder,” said Nick Augustine of Maryland, “They blow me away again and again every time.”

    The Werks, Turkuaz and Indobox are also solid, ‘can’t go wrong’ choices amongst this year’s jam packed line-up.

    First time attendees will find themselves on even ground with experienced Chill attendees, as everyone will be learning the festival’s new lay-out.  However, festival organizers look to make the transition a bit easier by keeping stage names and key amenities the same.

    However, beyond the music, the hope of most attendees is that despite venue changes, the “Chill Fam” will maintain the vibe that has, in part, kept the festival growing.

    Rachael Dube from Vermont, a four-year Chill attendee isn’t worried about the venue change.  In fact, she says she is excited for the new location.  “There is just something pretty righteous about moving it from the original spot you know? Change is beautiful and inevitable, nothing should stay the same forever. Being able to take the great base that we have created at the Chill, and move it wherever we like, seems pretty cool to me. It’s something special that’s for sure.”

    And it’s not just the festival goers that are excited for the vibe that the festival offers.  Scott Hannay of the band Mister F was a three-year Chill attendee before his band played the festival in 2014. He told NYS Music, that it’s the “the ubiquitous Chillfam” that makes the festival special. “The vibe, the staff, all that music and unique combinations of musicians, it all melds together in a way that other festivals do not. Chill is exactly that, Chill.”

    Tickets for general admission as well as VIP packages are still available.

  • Hearing Aide: Pete Pidgeon and Arcoda ‘All the Little Things’

    Pete Pidgeon and Arcoda’s latest album All the Little Things, recorded at Applehead Studios in Woodstock, NY, is one of the most diverse albums to hit the record stores in some time. Covering styles ranging from ‘80s rock, to bluegrass, to jazz, to Broadway musical, to Bing Crosby/Frank Sinatra era music, listening to this album is a bit like listening to a playlist on shuffle. Able to switch effectively from its dreamy start with “I Stayed Home,” to the big band brass sounds on “Tonight I’ll Be Staying Here With You,” to the traditional folk style of “But It Don’t Worry Me,” the band showcases its brilliant versatility.

    Made up of a core group of extremely talented and hard-working Colorado-based musicians, including Pete Pidgeon himself on lead vocals and guitar, Glenn Patcha on a variety of keyboards and the accordion, Justin Guip on drums, Catherine Popper on upright and electric bass, these musicians are brilliant enough to have been able to attract and collaborate with some pretty impressive guests on their latest effort. In fact, on the album’s third track “Tonight I’ll Be Staying Here With You,” none other than Levon Helm is featured during one of his last studio performances! (You have to be darn good to be able to put that on your resumé!) On the tracks featuring guest musicians, the band really allowed the influences from their guests’ respective bands to come through, with “Tonight I’ll Be Staying With You” sounding particularly reminiscent of The Band, “The Ways We Change” featuring a more twangy sound most likely influenced by Chris Pandolfi of The Infamous Stringdusters, and the funkier style present on “The Wind and the Lover” in great part due to the help of Ryan Zoidis from Lettuce.

    Pete Pidgeon has an amazing vocal range, both in terms of notes he can hit and styles he covers. His voice sounds like a cross between Ryan Adams, Jackie Greene, and Toy Caldwell, lead singer of Marshall Tucker Band, if you can imagine that.  Joined by his bandmates’ singing on several of the tunes, as well as guest female vocalist Sarah Perrotta (who hails from right here in the Hudson Valley), the harmonies are uncomplicated yet gorgeous. Glenn Patcha deserves a round of applause for the incredible range of sounds and styles that come out of his keyboards, taking the listener on a musical journey effectively changing the mood from song to song during its constant changes of style, providing a solid foundation for the rest of the band to build upon. To top it all off, Pete Pidgeon and Arcoda were joined by the incredible brass sounds of The Two Dolla Crack Horns.

    On Pete Pidgeon and Arcoda’s latest album All the Little Things, no two songs sounded at all the same, yet they all seemed to fit together extremely well. It will appeal to people from across the musical spectrum, and give listeners the chance to effortlessly give other genres a chance. And you wouldn’t want to miss out on the opportunity to hear Levon Helm during one of his last studio performances now, would you?!

    Key Tracks: Tonight I’ll Be Staying Here With You, But It Don’t Worry Me, Wasted Child

  • Taste of Country 2016 Day Two: Kenny Chesney Starts A Party On The Mountain

    The second day of The Taste of Country Music Festival in Hunter Mountain, NY kicked off around 1:30 pm on Saturday, June 11. As I walked into the ski resort, things felt somewhat different than they did on the first day of the festival. After spending the previous day photographing, exploring the mountain and meeting the hordes of friendly music fans that had made the journey from the surrounding states to spend the weekend enjoying some of the biggest artists in country music, I no longer felt like a stranger on the Mountain. This was the day of the festival that I was most looking forward to, since my favorite country artist is Kenny Chesney. I have seen dozens of great artists perform over the years, and most of them were great shows, but there are very few that I would not get tired of seeing over and over again. Chesney is one those few artists. But before we got to Mr. Chesney, there were many great artists that were going to get the day started, some of which truly impressed me.

    Kenny Chesney taste of countryUp first was 23 year old William Michael Morgan. Morgan released his self titled debut album this past March 18th, which is coincidentally only a few days from the day that his first child, a beautiful baby girl named Presley was born. When I heard Morgan sing I was surprised at how mature he sounded for his age. He had a deep twangy, classic country sound, that reminded me of Clint Black and Merle Haggard. Given that the country music industry of late has gone in the direction of a pop and sometimes even rap fusion of music, I was did not expect to see such a young artist concentrate on the roots of the genre. Most notable was the single that has brought the new artist on to the country charts, “I Met A Girl” which was co-written by country Star, Sam Hunt. The country love ballad reminded me of how country music used to sound.

    After a short break, around 3:00 p.m., Old Dominion took the stage.  The group consists of Matthew Ramsey on lead vocals, Trevor Rosen on guitar and keyboard, drummer Whit Sellers, Geoff Sprung on bass, and Brad Tursi on guitar. Three of the band’s members, Ramsey, Rosen and Tursihad, had success in the country industry writing hit songs for the Band Perry, Kenny Chesney, Tyler Farr and even NBC’s country music based drama, Nashville. Their energetic stage presence and unique fusion of pop-rock and country seemed to get the crowd in a great mood. Old Dominion is currently on tour with Kenny Chesney.

    Kenny Chesney taste of countryUp next to the stage was sibling duo, the Swon Brothers, made up of Zach and Colton Swon. Like so many country artists, the Swon Brothers got their start singing and playing music in their local church. They went on tour with their parents’ gospel group, Exodus, when they were just children. In 2000 they decided to form their own group, and the Swon Brothers band was born. In 2008 Colton Swon was picked to be an American Idol contestant and reached the Top 48 before being eliminated. More recently in 2013, the Swon Brothers were picked by coaches Usher, Blake Shelton and Shakira to be on the artist’s teams for the music competition, in the NBC show, The Voice. They ultimately decided to be on Blake Shelton’s team. The brothers finished in third place on fourth season of The Voice. Their appearance  led to a contract with record label, Arista Nashville. During the show, the duo performed their own material as well as covers of Merle Haggard, and even Kings of Leon. Their sound showed hints of their gospel roots, and also mixed in some good old fashion rock.

    Kenny Chesney taste of countryI made my way to the smaller,  indoor Bud Light Stage to see newcomer Elizabeth Lyons. Lyons has had a love for performing from a young age, but decided to complete her education at Vanderbilt University in 2013 before dedicating herself to becoming a full time country artist.  She has been featured on CMA Close Up’s “Who is New To Watch in 2014.” She has also opened for country stars like Luke Bryan and Cole Swindell. I would describe Lyons’s music as having a country-pop sound reminiscent of early Taylor Swift which is exhibited in songs like “Boys in Every Zip Code” and “Go Girl”.

    Kenny Chesney taste of countryStarting at around 6:00 p.m., Eric Paslay began his show on the main outdoor festival stage. Like so many current country music stars, Paslay got his foot in the door of the country music industry writing songs for other artists. He has written hits like “Rewind” for Rascal Flatts, “Barefoot Blue Jean Night” for Jake Owen, and many other songs for the likes of Lady Antebellum and Eli Young Band. Paslay ventured out as a solo artist in 2014 with his self titled debut album. Unsurprisingly, he continued to make hits with songs such as “Song About A Girl” and “Friday Night.” Watching Paslay perform with a great deal of passion definitely made me appreciate  the hard work the he had put into his music. I believe that if an artist performs music that he wrote, it can add a whole new layer of visible dedication to the music and that was definitely present in Paslay’s set.

    Like a game of tennis between stages, where this reporter was the ball, following Eric Paslay’s set, I ran inside to the secondary stage to catch the performance of McKenna Faith. Faith is a California native and currently the number one selling “Independent Female Country Artist” on iTunes. I would describe the rookie artist’s on stage mannerisms as “girl next door” with a little bit of bad girl thrown in for good measure. Faith had a grin on her face her entire set, which the crowd ate right up. Her enthusiasm and the happiness that she got from performing made me wish her a whole lot of success. Her talent and vocal rage made me believe that this wish will likely come true.

    Continuing the trend, following Faith’s last song, I rushed back to the main outdoor stage to see Frankie Ballard at around 7:30. Ballard took the stage dressed like a modern day James Dean, with slicked back hair, wearing blue shoes, blue jeans, a vintage black leather jacket and a red handkerchief around his neck to finish off the look. His rock and roll look fit perfectly with his country rock sound. He kicked off his set with his hit “Young and Crazy” and had the crowd singing along right off the bat. He rolled through his set with his other hits “Sunshine & Whiskey,” “It All Started With a Beer,” and “Helluva Life.” To keep things interesting, Ballard threw a cover of Elvis Presley’s “Hound Dog” into the mix and finished his show with “Knockin’ on Heaven’s Door.”

    Ending the night was the legendary Kenny Chesney, who took the stage at around 9:45. As soon as he walked on stage, the crowd exploded into cheers. Kenny Chesney is one of the reasons that I became a fan of country music. There is something about Chesney’s music with the pictures his songs paint of carefree paradise and loving life, that inherently make you feel good. There is also something amazing about a Kenny Chesney concert that you can only say about a few artists. He leaves it all on the stage and after watching several of his shows in different venues, I believe he is incapable of giving a bad performance.

    At the age of 48, Chesney runs, jumps and shouts all around the stage for hours most of the summer and doesn’t show one sign of fatigue. It almost makes me wonder if the secret to the fountain of youth involves drinking Corona and spending your winters in the Virgin Islands (or perhaps that is just what I trained myself to believe). Chesney didn’t waste any time, kicking his set off with his mega hit, “Beer In Mexico,” which got the crowd into the party mood right away. Chesney played all of his hits and the crowd seemed to sing every word with him. In the middle of his set, Chesney spoke about how he was currently touring with Old Dominion and that two members of the band had written a single that he released last year, “Save It For A Rainy Day.” To everyone’s surprise, he then proceeded to invite the two writers and now Old Dominion band members on stage to sing the song they co-wrote.

    The collaboration among the three country stars was something awesome to see. The way he flirted and chatted with the crowd, by the end of the night, you felt more like  you were one of Chesney’s drinking buddies rather than a fan in the middle of a giant crowd (once again, this may be just what I have talked myself into believing).

    At the end of the show, as I walked out to the parking lot of Hunter Mountain, my legs and back were hurting, I was tired and hungry, but I still had a big smile on my face and wouldn’t have changed a thing about my day.

  • In Memoriam: Elliot Tiber, Playwright with Key Role in Woodstock

    Woodstock as we know it may not have happened if it were not for Elliot Tiber.

    In July 1969, Michael Lang and Artie Kornfeld of Woodstock Ventures found themselves without a venue for a music festival. Described in detail in Robert Stephen Spitz’s “Barefoot in Babylon,” the town of Wallkill had just revoked their permit, and Lang and Kornfeld turned to Sullivan County for an alternate location. Elliot Tiber happened upon the news that they were in search of a location, and while the backyard of the family’s El Monaco Hotel in White Lake, NY would not suffice, the farmland belonging to his friend Max Yasgur was available.

    More importantly, Tiber was the President of the local Chamber of Commerce, and had a permit in hand for an arts festival that summer, an annual event held at the motel. But Woodstock would be well beyond what Tiber could have expected when he first met Michael Lang.

    Elliot Tiber passed away on August 3 in Boca Raton, FL from complications from a stroke. He was 81.

    elliot tiberBorn in Bensonhurst on April 15, 1935, Tiber was a graduate of Hunter College, attended the Pratt Institute and taught creative writing at New School University, fine art at Hunter College, and art design history at the New York Institute of Technology.

    A gay rights activist and playwright, Tiber wrote the screenplay for the 1976 film “Rue Haute”, which was nominated for Best Foreign Language Film (Belguim) at the Oscars the next year. He was a critical component to the original Woodstock, sharing his life story, and detailed recollection of August, 1969 in Taking Woodstock, later a 2009 movie of the same name by Ang Lee. Tiber wrote also wrote two memoirs, Knock on Woodstock and After Woodstock.

    His book Taking Woodstock is part journey through growing up in Brooklyn during the school year and heading to White Lake to the El Monaco Hotel his family ran in the summer. This was following the heyday of the Catskills, and business was far from optimal. Back at home, Elliot came of age during the Stonewall Riots in Greenwich Village, leading him to come out while at the center of the largest music gathering in history at that point.

    elliot tiberTiber told Publishers Weekly in 2011 “Coming out in the summer of 1969 was the most dangerous yet liberating thing that ever happened to me.”

    The second half of “Taking Woodstock” focuses on Elliot and the small arts festivals he held in town each summer, and as head of the local Chamber of Commerce, he held a permit that Woodstock Ventures would later use to shift their festival from the planned location in Wallkill, NY to Bethel, NY.

    Michael Lang said to the New York Times: “Elliot was part of the magic of Woodstock. Without his phone call bringing me to Bethel, Woodstock might never have happened, and for that I am eternally grateful.”

    Mr. Tiber told The Miami Herald “When I talk about Woodstock, or when I talk to my friends, it’s like time hasn’t passed … Then yesterday I got out of the shower and thought, ‘My God, I look like my mother.’”

  • Photo Gallery: The Machine at Paramount Hudson Valley

    No one can replace the likes of Roger Waters, David Gilmour, Rick Wright, Nick Mason, or Syd Barrett of Pink Floyd, but in The Machine’s recent stop in Peekskill the band showed that it’s possible to get fairly close to doing so.

    S Malinski - The Machine - Paramount 2016-4

    The Machine lived up to their 26-year reputation for accurately recreating the Pink Floyd catalog in their first ever appearance at Paramount Hudson Valley, a sort of hometown show as they are from across the river to the south in Nyack, NY.

    The set list pulled from each of Pink Floyd’s distinct sounding eras including the songwriting of Syd Barrett, the Roger Waters-driven songwriting, and the post-Waters take-off under the wing of David Gilmour’s guitar. The Machine wasn’t shy in reaching deep, either. “Wut’s…Uh the Deal” and “Burning Bridges” were in the mix as treats to the true Pink Floyd fans in the crowd.

    S Malinski - The Machine - Paramount 2016-6

    Each of the key elements that identify Pink Floyd’s style were obvious during The Machine’s set. Joe Pascarell’s guitar intonation mimicked that of Gilmour’s Black Strat and was almost note-for-note on solos, particularly the show-closing “Comfortably Numb.”  The distinct vocal leads of both Waters and Gilmour were well represented in similar tones particularly when the two roles play off each other in “Run Like Hell.”

    The Machine returns to New York for two shows in November in Ithaca and Tarrytown.

    Setlist

    Set 1: Welcome to the Machine, Another Brick in the Wall, Wot’s…Uh the Deal, Hey You, Astronomy Domine, Sheep, On the Turning Away

    Set 2: Shine On You Crazy Diamond (Parts 1-5), What Do You Want From Me, Echoes, Money, Arnold Layne, Wish You Were Here, Shine On You Crazy Diamond (Parts 6-9)

    Encore: Burning Bridges, Comfortably Numb

  • Taste of Country 2016 Music Festival: Kid Rock Sets The Mountain On Fire

    I had never been to a country music festival until I attended the 2016 Taste Of Country Music Festival, and I honestly did not know what to expect. The yearly festival was held June 10, 11 and 12 on Hunter Mountain in Hunter, NY. Driving into Hunter, NY, I had to double check my GPS to make sure that I was in the right place. I was fairly surprised that mega country stars like Kenny Chesney, Jake Owen and rock star Kid Rock, artists who usually sold out stadiums such as Ford Field and Gillette stadium with capacities of over 60,000 people would play a small mountain town with a population of just over 2700 people. But the small town, usually known for it’s superb winter skiing, with its amazing mountain views, ended up being a great choice for the fourth annual Taste of Country Festival, which set a new attendance record with over 53,000 fans over the weekend.

    Taste of Country Kid RockThe festival split it’s acts between two stages, the main stage, named The Dodge Ram Guts and Glory Stage which featured the festival’s bigger acts, including the headliners, and the Bud Light Stage, which featured up and coming country artists. This provided three days of back to back country music, with a touch of rock to keep things interesting, and kept this reporter running back and forth between the stages to try to catch most of the action. The first day of the festival was headlined by Kid Rock, and featured Big & Rich, The Cadillac Three, Logan Brill, Annie Bosko, Jana Kramer as well as Dylan Jakobsen.

    Annie Bosko, was the only artist to be featured on both the main Ram Stage and later in the day, the Bud Light Stage. Bosko is an American Idol alumni, and has paid her dues singing backup vocals for the likes of Adele and Darius Rucker. She was named by Rolling Stone Magazine as “One Of 10 New Country Artists You Need To Know: Summer 2015.” She has powerful voice and backs it up with a bold on stage attitude. I was especially impressed by her single “Crooked Halo.”

    Taste of Country Kid RockThe Cadillac Three took the Ram Stage at 6pm. The Cadillac Three or TC3 as they are also known, launched their first album in 2012, and are currently on tour with Florida Georgia Line. Each member had long hair and wore a baseball cap over it. Their look, sound and love for the South, reminded me of a modern Lynyrd Skynyrd. The group told the crowd about the first time they played a show in New York, a few years ago and were worried about how their brand of country would be accepted this far north, but then realized that there were more rednecks up here than in the South.

    Up next was Logan Brill on the Bud Light Stage. Logan released her first album in 2013, but has been preforming in front of crowds in Tennessee since she was 11. I was impressed with the diversity of her music, she was able to transition from the blues, to country and pop without missing a beat. Her experience showed in the emotion and soul that she brought to her performances. I especially loved her heartfelt single, “World Still Round”.

    Once Logan finished her show, I rushed back to the Ram Guts and Glory Stage for Big and Rich, who broke out to the country music scene in 2004 with their mega hit “Save a Horse (Ride a Cowboy)”, and have been making country music history since. Including a CMA, ACM and CMT nomination and two platinum albums. The crowd definitely responded to them and seemed to sing along to most of their songs. Their on stage, fun loving energy animated the crowd who seemed to enjoy every minute of it.

    Taste of Country Kid RockLast but definitely not least, Kid Rock took the stage around 10 o’ clock to end the night with a bang, both literally and figuratively. Kid Rock is one of the few artists to successfully be able to mix rock, rap, and a touch of country. He released his first album in 1990, a second in 1993 and his third album in 1996, but it wasn’t until 1998 when he released his fourth album, Devil Without A Cause that he found success. His 1998 album sold over 10,000,000 copies and ensured that he would become a household name. His appearance was met with screams and cheers. At one point during his performance, with a grin, Rock lamented to the crowd that he had no idea why he kept “getting booked at all of these country festivals.”

    Perhaps it was because, although he did not technically sing country music, he definitely embodied what southern rock was all about, and that his modern cowboy persona fit perfectly in a country festival. Rock showcased his musical talent during his show by jumping between being the lead singer, to the drummer, to playing the piano, to playing the guitar, to playing DJ by scratching on the turn tables, while at the same time pouring himself a glass of Jim Beam. The show even included a row of moving, mechanical flame throwers behind Rock and a few loud bangs at the perfect moments in various songs. This put an amazingly explosive end to had already been an amazing first day at the TOC festival.

  • The Weekend at Camp Springer

    Camp Springer will be held July 29-31 at Stable Gate Winery.

    Lineup includes Kat Wright & the Indomitable Soul Band, Reign of Kindo, Start Making Sense, Lawrence, Eggy, West End Blend, Jarryd Torff Group, Cookin’ Hooks, MNDLS, On the Spot Trio, Deadgrass, Kalahari, Nu Moon, and Warhov.
    Camp Springer

  • Hearing Aide: Jack and Amanda Palmer “You Got Me Singing”

    You Got Me Singing, Amanda Palmer’s first full-length album since 2012’s Theatre is Evil with the Grand Theft Orchestra, is a heart-felt tribute to both folk music and family. Along with her father, Jack Palmer, the album consists of twelve cover songs, spanning from Sinéad O’Connor’s “Black Boys on Mopeds” to Leonard Cohen’s “You Got Me Singing,” after which the album was titled.

    AmandaPalmer

    Funded entirely by Patreon, the album cover itself is a pastiche of Bob Dylan’s Bringing It All Back Home. Recorded with a once-estranged father when Palmer was eight months pregnant, the simplicity of the songs reminds us of the power of music, and why we listen to it in the first place. They aren’t merely covers, but new versions of old favorites.

    The album opens with Leonard Cohen’s “You Got Me Singing,” with both Palmers sharing vocals, Jack’s bass (think: Johnny Cash) complimenting Amanda’s quieter tones. From there, covers include a nursery rhyme, Richard John Thompson’s “1952 Vincent Black Lightning,” where both Palmers swap vocals, and particularly relevant in today’s political climate, Sinéad O’Connor’s “Black Boys on Mopeds.”

    As a complement to the O’Connor cover, Phil Och’s “In The Heat of the Summer,” soon follows. Written in 1963 about the Harlem riots, some of the lyrics have been changed in order to bring home the message. Jack Palmer sings, “Another black kid face down in the road, whose life did not seem to matter.”

    Other highlights include “Skye Boat Song,” a tribute to Palmer’s mother’s family who originate from Scotland. The song tells the story about the escape of Bonnie Prince Charlie to the Isle of Skye after the Battle of Culloden in 1746. Both Palmers again share vocals here.

    The album overall has unconcealed messages about unity and togetherness. Though the songs were chosen because of their meaning to Jack and Amanda personally, the themes of family and peace are ubiquitous.

    Amanda and Jack are currently on a short tour together now. Two New York dates remain:

    July 20 – Le Poisson Rouge, New York
    July 23 – Basilica Hudson, Hudson, New York

    Key Tracks:
    Skye Boat Song, In The Heat of the Summer, 1952 Vincent Black Lightning

    [embedyt] http://www.youtube.com/watch?v=j9LlSYGM0Rg[/embedyt]

  • Camp Springer is approaching its second year this July at Stable Gate Winery

    Camp Springer Music Festival was founded by Tim Thornton, Casey McGuire, and Tim Pomer in 2015 and will come together again this July 29-31st at Castleton-on- Hudson, NY.

    Camp Springer Festival Recap from 929Media on Vimeo.

    Camp Springer is a multi-stage music, camping, and arts festival located in New York’s scenic Hudson Valley at Stable Gate Winery. The intimate festival experience is based on a musical tradition that refuses to be defined by a single genre and an environment focused on community, celebration, and sanctuary. From unforgettable live music to original artwork and late night vineyard silent disco under the stars, come experience that magic that is Camp Springer!

    Camp SpringerHeadliners include Start Making Sense, Kat Wright and the Indomitable Soul Band,  and The Reign of Kindo but the full lineup has arrived! Check it out below.

    Camp Springer | 2016 Artist Lineup from Camp Springer on Vimeo.

    If a variety of live music isn’t enough for you…

    Springer offers visual projections by Lucin & A Case of Space, a silent disco brought to you by silent storm sound systems, morning yoga hosted by Bhakti Barn, guided meditation led by All Energy Healing, an eclectic art gallery, local food and craft vendors, and much more!

    Visit campspringer.com for tickets and further information!

    https://www.instagram.com/campspringer/

  • Beartooth Ready To Get Aggressive With NY This Fall

    Lost, aggressive youth of NY, are you ready to let out your aggression? Then join the boys from Beartooth this Fall as the band brings the U.S. edition of “The Aggressive Tour” to North America. Special guest to help support the tour will soon be announced. The stops in 32 cities across the nation with tickets costing around $20.

    Beartooth 1

    The tour kicks off at the House of Blues in Chicago and wraps up in the band’s hometown of Columbus, Ohio. Beartooth has been touring in support of its second studio album Aggressive, which was released in June to many positive reviews.

    Beartooth recently made a stop in upstate New York this spring at the first ever Rock N’ Derby festival in Schaghticoke in May.

    Several New York venues are included on the tour. The Chance in Poughkeepsie is first up on the tour Oct. 29 followed by Irving Plaza in New York  Oct. 31, and Upstate Concert Hall in Clifton Park on Nov. 4.

    Beartooth Tour:

    10-02 – House Of Blues – Chicago, IL

    10-04 – Mill City – Minneapolis, MN

    10-05 – Summit – Denver, CO

    10-06 – Complex – Salt Lake City, UT

    10-08 – El Corazon – Seattle, WA

    10-09 – Hawthorne – Portland, OR

    10-10 –  Ace of Spades Sacramento, CA

    10-11 – Observatory –  Santa Ana, CA

    10-12 – The Regent – Los Angeles, CA

    10-14 – House Of Blues – San Diego, CA

    10-15 – Nile – Phoenix, AZ

    10-17 – Backstage – San Antonio, TX

    10-18 – House Of Blues – Houston, TX

    10-19 – House Of Blues – Dallas, TX

    10-21 – State Theater – Tampa, FL

    10-22 – Beacham – Orlando, FL

    10-23 – Revolution – Fort Lauderdale, FL

    10-24 – Masquerade – Atlanta, GA

    10-25 – The Underground – Charlotte, NC

    10-27 – Soundstage – Baltimore, MD

    10-28 – TLA – Philadelphia, PA

    10-29 – The Chance – Poughkeepsie, NY

    10-30 – Stone Pony – Asbury Park, NJ

    10-31 – Irving Plaza – New York, NY

    11-02 – Palladium – Worcester, MA

    11-03 – Webster – Hartford, CT

    11-04 – Upstate Concert Hall – Clifton Park, NY

    11-05 – Mr. Smalls – Pittsburg, PA

    11-06 – Orbit Room – Grand Rapids, MI

    11-08 – House Of Blues – Cleveland, OH

    11-09 – The Ready Room – St. Louis, MO

    11-11 – Express Live! – Columbus, OH