NYS Music 20​16

Category: Syracuse

  • Show Review: Baroness and Youth Code at The Lost Horizon

    This past week was truly a memorable night of music at the famed Lost Horizon. Baroness who is currently on tour in support of their new album “Purple” made a stop in Syracuse on Wednesday night. Joining Baroness was break out Industrial punk duo from Los Angeles, Youth Code. What separates Youth Code from modern industrial bands is that they use instruments and not computers to generate their “industrial” sound. It was a very unique experience. I expect that they will continue to rapidly grow their fan base based on what I heard.

    Baroness played a very moving and intense set. The set included mostly selections off their current album “Purple” such as “Kerosene,” “Chlorine and Wine” and one that I really wanted to hear: “Desperation Burns.”  The band played a very heavy set before concluding with an encore of “Take My Bones Away” leaving the crowd wanting more!

    One thing I enjoy about attending shows other than live music is getting the opportunity to collaborate with other photographers. Please enjoy the selection of photos that were taken by Cathy Bechle of NYS Music and myself.

    http://www.youtube.com/watch?v=uoBWAIKkopM

  • Tedeschi Trucks Band Pulls Into Syracuse and Leaves It All On Stage

    As the buses made their way down Montgomery Street towards the Crouse Hinds Theater, The Tedeschi Trucks Band began to prepare for an evening of what would become an epic night of music to a sold out venue in Syracuse.

    Opening the evening to the packed crowd was Amy Helm.  Amy hails from Woodstock and with music in her bloodline, from the moment she took the stage, she began to play and sing and own the crowd.  With her trio of Handsome Strangers, made up of guitarist Daniel Littleton, bassist Byron Isaacs and drummer David Berger, this most talented group of musicians played and sang like a well oiled machine.

    Amy’s style of music can best be described as contagious.  As you watch her perform, it’s as though the music is progressing from her toes, making its way through her body and pouring out with full emotion and electricity.  The versatility of sound she displays is also noteworthy.  Her music fluctuates from soulful and moody to a rockabilly jive with a seamless transition, providing a tantalizing variety of tastes pleasing to everyone. As Helm’s delivery drew the audience in, the rest of the band delivered a one-two punch of a percussive background beat, a funkadelic bass line and sick guitar solos that brought the audience to their feet.  Just as they finished their solos, Amy stepped back up to the mic and hit everyone with a knockout vocal punch, sealing people’s fates as fans forever. To say she is amazing doesn’t seem like quite enough.

    It was the moment she dedicated “Gloryland”, a song taught to her by her father who passed in 2012, to those waiting on the other side that really moved me most.  This acoustic number, in perfect harmony with her Handsome Strangers, sent chills down my spine and left not a dry eye in the audience.  Levon Helm, your daughter is amazing and you taught her well.

    As Helm exited the stage for the main act to appear, the audience grew with anticipation before the lights dimmed and Tedeschi Trucks Band (TTB) took the stage.  This large ensemble took up the whole stage and, although a large production, each member is a specific ingredient within a recipe of musical genius.  With the husband and wife team of Derek Trucks on guitar and Susan Tedeschi on guitar and vocals out in front, they surrounded themselves with some of the most talented musicians in the business.  On keyboards and flute was Kofi Burbridge, drums and percussion featured Tyler Greenwell and J.J. Johnson, bass guitar work was provided by Tim Lefebvre and on harmony vocals was the trio of Mike Mattison, Mark Rivers, and Alecia Chakour.  The horns rounded out the team with Kebbi Williams on saxophone, Elizabeth Lea on trombone and Ephraim Owens on trumpet. This amazing group of musicians are one in themselves talented and together they blended seamlessly, but not overpoweringly, as they accompanied Tedeschi and Trucks on their play out front.

    Never having seen this amazing band before, the bar had been set high from all the hype I’ve heard.  Although eager to see what all the fuss was about, I wasn’t sure what to expect.  I purposely didn’t listen to any music beforehand so that my initial response was pure and in the moment.  As they began to play, I was mesmerized by Susan’s voice.  Her no nonsense approach to attacking each note was confident and strong.  She was a woman that knew what she wanted to sing and play and that she did.  As her husband Derek accompanied her on his guitar, the strings would sing.  Together they melded into one sound.

    I would classify TTB as a multi-genre act.  They were funky, bluesy, rocking, and soulful.  They encompassed sounds and transitioned from one sound to the next without effort or pause.  I found Susan Tedeschi’s vocals real and raw. She has the ability to reach in and grab your soul while she sings and plays. As they played “Sky Is Crying” , it was as though she and Derek were making love with their guitars right in front of you.  They matched note for note with a fervor that grew and exploded into one of the most moving pieces of the evening.  I almost felt as though I was intruding on their moment and witnessing something meant for just the two of them. It was spectacular.

    It was apparent all night that as they played, these fans in the audience were just as in love with them as I was.  My favorite moment of the night was when Tedeschi asked her singer Alecia Chakour and Amy Helm to join her onstage for “Color of the Blues”, an amazing acoustic number.  There was so much talent in that group that it blew me away.

    It was an honor to cover this show and now I get it.  I get the hype, the build up and the all the legends I had heard.  The show was amazing and definitely lived up and surpassed my expectations.

    Setlist Tedeschi Trucks Band: Laugh About It, Anyhow, I Want More, Midnight in Harlem, Just As Strange, Right on Time, Let Me Get By, Sky is Crying, Color of the Blues (joined by Amy Helm and Alecia Chakour), Keep on Growing, Going Down to Mexico, Bound for Glory, Idle Wind. Encore: Don’t Let Me Slide, I Cannot Make It

  • Buckethead Has Returned: Westcott Theater Performance Coming May 3

    After four long years of waiting, fans of Buckethead finally have the chance to see him live once again. The man who sports the white mask and bucket on his head is coming to the Westcott Theater this Tuesday, May 3. Tickets are on sale for $25 and are available at the door.

    bucketheadFor those who may not know who Buckethead is, he’s a guitarist who can practically play anything. Buckethead is a guitar virtuoso who covers many different genres including metal, funk, classical and more. Starting in the late ’80s and learning from the great Paul Gilbert, Buckethead has been attached to his guitar ever since. Bucket’s first solo album, Bucketheadland, came out in 1992, and that’s where the journey began.

    Since 1992, Buckethead has released 264 studio albums. The lineup of musicians that Bucket has worked with is extensive as well. That list includes Bootsy Collins, Iggy Pop, Les Claypool, Serj Tankian of System of a Down, Mike Patton and many more. Buckethead was also the lead guitar player for Guns N’ Roses from 2000 to 2004. The long-awaited Guns N’ Roses album Chinese Democracy features Buckethead on all but two tracks.

    Not only does Buckethead play guitar, but he is also a fantastic bass player, a talent which he displays at his live shows as well. Watching Buckethead play live will certainly leave everyone in the audience in a daze. For those who think watching a guy play guitar for over an hour straight may be boring, Buckethead will certainly prove them wrong. Complete with dance moves, nunchucks and toy giveaways, Tuesday’s show is sure to be one to remember from Buckethead.

    Although his official website hasn’t been updated, Buckethead has an entire tour planned for the next few months. For those interested in seeing Bucket’s show, the Westcott Theater is the only place to see him in New York except for his show at B.B. King Blues Club & Grill on May 7. The rest of the dates can be found at this link.

    To purchase tickets to the show this Tuesday, visit the Westcott Theater website.

  • Tony Markellis Spring Schedule

    Bassist Tony Markellis keeps himself quite busy this spring when he is not touring with the Trey Anastasio Band. He is scheduled to play a number of shows throughout New York and nearby this spring.

    tony markellis springMarkellis, of Saratoga Springs, recently joined Floodwood, the bluegrass side project of moe.’s Vinnie Amico. He’ll join them at many shows throughout New York, starting this week. He also plays with a variety of other musicians in the area and can be seen throughout New York, primarily in the Capital Region.

    He joins Grateful Dead tribute band Dead Set on May 20 at the Westcott in Syracuse. He will also be at Summer Camp Music Festival with Floodwood. His full set of dates can be seen below.

    Tony Markellis spring dates:
    Thursday 4/28 – Floodwood – Nectar’s, Burlington, VT
    Friday 4/29 – Floodwood – The Hollow, Albany, NY
    Saturday 4/30 – Floodwood – Garcia’s, Port Chester, NY
    Sunday 5/1 – Caffè Lena Folkathon Benefit with Jo Henley (3:30 p.m.), Michael Jerling (7:45 p.m.), New Standard (8:30 p.m.) – Saratoga Springs, NY
    Thursday 5/12 – Floodwood – NaNola, Malta, NY (9 p.m.)
    Friday 5/13 – Melick, Maul & Markellis – First Reformed Church, Selkirk, NY
    Saturday 5/14 – Jeanne O’Connor and the New Standard – One Caroline, Saratoga Springs, NY (9 p.m.)
    Wednesday 5/18 – Michael Jerling – Mouzon House, Saratoga Springs, NY (7 p.m.)
    Thursday 5/19 – Floodwood – Abilene, Rochester, NY (9 p.m.)
    Friday 5/20 – Dead Set – Westcott, Syracuse, NY
    Saturday 5/21 – Jay Barady & Nick Piccinnini – Oneonta Theater, Oneonta, NY
    Wednesday 5/25 – Jo Henley Trio – Mouzon House, Saratoga Springs, NY (7 p.m.)
    Thurs-Sun 5/26-29 – Floodwood – Summer Camp Festival, Chillicothe, IL
    Wednesday 6/1 – Jeanne O’Connor Trio – Mouzon House, Saratoga Springs, NY (7 p.m.)
    Thursday 6/2 – Floodwood – Outer Space, Hamden, CT
    Friday 6/3 –Floodwood – Smoke Signals, Lake Placid, NY
    Saturday 6/4 – Floodwood – Taste of Syracuse, Syracuse, NY (7 p.m.)
    Wednesday 6/8 – Bob Warren – Little Theater on the Farm, Ft. Edward, NY
    Thursday 6/9 – Floodwood – NaNola, Malta, NY (9 p.m.)

  • Hearing Aide: Jason Bean ‘Black Then Blue Then Gray’

    Jason Bean, a singer-songwriter originally from Phoenix, NY, and now based in Syracuse, is a worthy local musician to be on the look-out for. Black Then Blue Then Gray sounds very professionally recorded and produced, which is quite notable, being that Bean recorded this, his fifth album, in his home studio, Black Match Studios. Mellow was the first word that came to mind as a very first impression, featuring a simple mix of guitar (played by Bean), vocals (predominantly from Bean himself, but joined by the lovely Kate Crawford on a few of the tunes), drums (masterfully played by Jason’s brother Christopher Bean), and the occasional bass and keys (performed by friend and previous producer Doug Moncrief).

    jason beanThis album can actually be enjoyed on two very different levels. On the surface, if you happen to just be listening in passing, this album can be appreciated for its simplicity and repetitiveness in both the instrumental and lyrical aspects of the music. Full disclosure: I admittedly was not overly impressed by this album when giving it a first listen, in part due to the fact that there aren’t any complicated jams or epic solos, but upon truly listening to the lyrics – which is something you evidently must do to be able to fully appreciate this album – it becomes clear just how impressive this album is. The heartfelt lyrics take you on a journey through something most of us have been through or are presently in: a relationship.

    Black Then Blue Then Gray features more traditional love songs such as “Real,” about new love in its purest sense, on which the “guy” is begging his love interest to let him show her “this is something real,” and “Safe,” about feeling truly comfortable and safe with someone, the type of song you wouldn’t mind someone singing to you! But this album also delves into much deeper and more difficult aspects of the relationship. “Let Her Run” puts a clever twist on the cliché “if you love her, let her go,” while “Our Fears” offers the listener an ironic “non-love” song, repeating the lyrics “Don’t tell me that you love me, it’s all downhill from here.”

    The album then moves on to the break-up stage of the relationship, from the bitter feelings and trying to justify the break-up on “Smokescreen,” to feeling the burn of being replaced by someone else on (the appropriately named) “Someone Else,” to the acceptance of and finding comfort in being alone on “Windows.” The last song on the album, “You,” brings everything full circle, with Kate Crawford joining in again on this nostalgic song of loving memories and regret about the love they have lost.

    Black Then Blue Then Grey presents the listener with a complete story put to music. One could venture to say, even, that the music plays a back seat to the story, while, at the same time, the understated nature of the instrumental components of the album seem to serve as the perfect backdrop to the story: a very symbiotic relationship. This album certainly leaves the listener curious about the four previous albums put out by Jason Bean, as well as those yet to be released.

    Key Tracks:  Our Fears, Safe, Smokescreen

  • Spiritual Rez Northeast Run Blankets New York State

    High energy ska and funk is headed towards New York this week with Spiritual Rez’s 2016 Northeast Tour. With live performances that elicit an incredibly powerful blend of reggae, rock, ska and jam, the group has been on a cross country tour amid the release of their upcoming album due out this summer. 

    The Northeast Tour brings the group to Rochester, Syracuse, Buffalo, Erie, Brooklyn, New Haven, Boston, Portland, Burlington and Saratoga Springs over a two week period, providing ample opportunities for you to dance the night away and walk into work exhausted but smiling the next morning.

    The as of yet untitled album, slated for an early summer release, was recorded in Los Angeles at Jim Kaufman Productions under the direction of Kenny Carkeet (Awolnation) and Max Collins (Eve 6). One of the many collaborators that took part in the album is trombonist Billy Kottage of Reel Big Fish, who is featured on the track “Bad Girl.” More jaw dropping collaborations will be revealed around the album’s release.

  • Keller Williams’ KWahtro Livens Up the Westcott Theater

    On April 8, multi-instrumentalist and one-man jam band Keller Williams, hosted a night of tasteful jams and brought along a fancy new group of amazing musicians to the Westcott Theater in Syracuse. Adding Gibb Droll on acoustic guitar, Rodney Holmes on Drums, and Danton Boller on the upright bass, Keller dubbed the group The KW KWahtro (fun for quatro, meaning four). For anyone who’s seen Keller play live, whether solo or with any of his collaborations, knew the evening would be filled with danceable rhythms and charming lyrics.

    KWahtroWith no opening performers, the show kicked off shortly after 9 p.m. allowing the group time to dig in and get comfortable. As the house music faded and lights dimmed, the subtle sound of a muted acoustic guitar began to get louder and louder. Soon enough, a silhouette appeared at the back of the stage and Keller then slowly danced his way forward with the rest of the band following behind him. The audience cheered with excitement as Keller strummed his way into a funky instrumental before the rest of KWahtro joined in with a groove.

    Before the crowd knew it, the piece unfolded into the popular hip-shaking “Freaker By the Speaker,” followed with a jam that led into an upbeat version of Jerry Garcia‘s “Bird Song.” Keeping the rhythm flowing, Keller slightly changed direction and began singing “Birds of a Feather” by Phish, which rocketed the energy of the room.  Towards the end of the set, came an incredible jazzy drum solo from Rodney Holmes, known for his jazz influenced style. The ensemble re-emerged from the dark, strapped on their instruments and began into “Up From the Skies.”

    KWahtro The second set followed suit with Keller entering the stage in the same fashion. This time around, the whole band collectively began jamming into the hit song “Best Feeling,” from the album Breathe, made popular by Williams’ collaboration with The String Cheese Incident.  Included in the second half was a delightful “Scarlet Begonias” featuring a “China Cat” intro, “Victory Song,” and two new singles “Mantra” and “The Drop” from Keller’s most recent release, Vape.  KWahtro re-emerged from the shadows of the backstage and asked the boisterous crowd, “Would you like to hear a rockin’ cover or a rockin’ original?” With sincere acceptance for both options, the group graciously jammed out the original tune “High,” seguing into Joe Walsh‘s “Life’s Been Good” to end the evening.

    Overall, these four amazingly talented musicians can surely entertain any audience in any venue simply because they know how to hold a tight groove.  Judging by the response from the crowd, KWahtro is welcome in Syracuse anytime and hopefully they make their way back again in the near future.

    KWahtroSet One: Instrumental Intro > Freaker by the Speaker > Pets > Freaker > Bird Song > Birds of a Feather, Baby Mama, Ripped Six Pack > Cheaper by the Bale, Kiwi & Apricot, Hate, Greed, Love > Moving Sidewalk > Rodney Holmes Solo, Up From the Skies, Fuel for the Road

    Set Two: Best Feeling > Open-Close > The Sun & Moon’s Vagenda, China Cat Intro > Scarlet Begonias, Mantra, Apparition > Victory Song > Buena > Off Time Chorus Line > Breathe > The Drop > Breathe.

    Encore: High > Life’s Been Good

  • New York Minute: Charley Orlando Shares Vision for the Syracuse Music Scene

    OrlandoOn any given afternoon in Syracuse, it is highly probable Charley Orlando will be spotted leaping nimbly to the stage to adjust sound equipment, prepping for the evening show. The sprightly Funk ‘N’ Waffles talent buyer keeps busy between selecting acts for the downtown Syracuse and university locations. He has become the gatekeeper for a flourishing downtown venue that stands as a go-to destination for music lovers thirsting for a dose of live music.

    Aside from his technical dexterity, Orlando is also skilled in the art of compromise, acting as chief liaison between musicians and venues. With decades of experience performing in his own bands and booking acts for other venues, Orlando can empathize with the needs and desires of both parties to cultivate exciting show lineups. Behind every jaw dropping drum solo, contemplative guitar riff and danceworthy jam is a man devoted to elevating the Syracuse music scene.

    On a Wednesday afternoon, Orlando took a quick break from his frenzied activity to kick back and discuss his key role at Funk ‘N’ Waffles. Manifesting a calm and collected presence, Orlando’s demeanor in conversation curiously juxtaposed the preceding flourish of activity. He instead channeled energy into exuberant responses, offering a sincerity through dialogue layered with gracious and friendly expression:

    Ally Dean: You are the talent buyer for Funk ‘N’ Waffles. What has been your mission since the onset of your role with this venue?

    Charley Orlando: To create a mid sized music venue for touring and local acts. To concentrate on a music community and grow it to a healthy point where musicians and venues all work together to prop up the music scene in CNY. Also the venue is designed to do all kinds of events besides music so we love doing community oriented events.

    AD: What are your future goals for the venue?

    CO: To keep growing the scene and the venue. To bring in bigger and bigger acts to a small intimate venue. To just be the best this place can be.

    AD: Funk is a pretty sought after venue in Syracuse so you have plenty of acts soliciting a spot on the stage (I remember you quoted a staggering number of emails since December…) Are there bands on your radar that you have reached out to hoping to bring to the venue in the near future?

    CO: We do get an enormous amount of inquiries (22,000+ emails since December of 2014). Really every band is on my radar. I am always looking for the next unique band. There is a lot of “same” going on out there so when I come across something that turns my head I go right for it. There are a number of great bands I have reached out to that will blow the walls off Funk … but I keep them close to my chest until it’s solid. Takes a bit to really dial in a top notch show.

    AD: Are there aspects of Funk you would like to see changed, either with the physical venue or with the process for getting bands there?

    CO: Funk is ever-evolving and that’s why I love it here. Sam Levey and Adam Gold and I work really well together and are always a step ahead of where we need to be. Kind of a dream team for me. The ideas are always flying and stuff gets done fast when we decide to move forward. Really we all want the same thing: the best venue in CNY.

    AD: Pearly Baker’s Best and RUHA are your two current musical endeavors; what are your intentions with those projects?

    CO: To have fun playing music. Pearly is a Grateful Dead Tribute Band so it’s pretty easy to get the right gigs and the band is sooooooo good! Everyone really knows The Dead and have seen them play (w/ Jerry Garcia) many times so we have close ties to the music. RUHA is a very unique original project that mixes acoustic guitar, organ, piano and ableton live triggers to fill it out. Great for festivals! Plus I love playing solo and do that quite a bit.

    AD: Aaaand to keep things fun … are you feelin’ the Bern?

    CO: Maximum Bern! Very into the message! It speaks to me … LOVE! Huh what a concept! April 15 Fuel the Bern’ is at the Palace Theater in Syracuse and April 16 Berning Man is at Anthology in Rochester. Two very important events for people that want change to come about!

    https://www.youtube.com/watch?v=Fiel8ObUkHM

  • Luke Bryan Hit the Lights at the Carrier Dome

    The Carrier Dome in Syracuse held it’s largest country music concert to date with Luke Bryan and his Kill The Lights Tour, featuring Grammy award-winning performers Little Big Town and rising star Dustin Lynch this past Saturday night. Fans from all across the country traveled to the Salt City to attend the event and indulge in some of country’s most popular music. As the chilled spring evening got underway, the halls and seats began to fill with enthusiastic concert-goers dressed to the nines in jeans, boots, plaid shirts,  cowboy hats, and ball caps.

    luke bryan carrier dome With no time to spare, the house lights dropped as the sound system started thumping, synchronizing with blue pulsating stage lights. Dustin Lynch and his band invaded the stage for their brief set and kicked off the night with “To the Sky,” from his latest release Where It’s At. Strapped with his Taylor acoustic and cowboy hat, the Nashville-born singer warmed up the eager crowd with more of his hits including “Cowboys & Angels,” “Mind Reader,” and topped off with “Hell of a Night.” Bearing a smile the entire time on stage, Lynch frequently thanked the audience for helping him feel welcome to their town.

    Four-part vocal group Little Big Town, began their set with an a cappella version of Dolly Parton‘s “Jolene,” giving nod to the accomplished female singer. The full band joined in with “Little White Church,” an upbeat single led by elemental vocalist Karen Fairchild, who donned a Ramones tee and sparkling silver coat. Their hip-swinging summer anthem “Pontoon,” allowed the energy to settle a bit before building up again with their latest title track “Pain Killer.” Kim Schlapman took to the catwalk with her flashy gold dress while she led vocals on “Sober.” The memorable moments of their set were embellished by crowd participation in Fleetwood Mac‘s “The Chain,” the disco ball lighting during “Girl Crush,” and the unified whistling of “Day Drinking” before ending with the classic homage to their hometowns, “Boondocks.”

    luke bryan carrier dome After an extended intermission, the house lights dropped one final time and the audience erupted as green lasers beamed through the hazy interior. The host and star of the evening, Luke Bryan, kicked off his set with “Rain is a Good Thing” as he appeared at the top the LED-lit steps and danced his way the down to the stage with a video montage of stormy landscapes in the background. Bryan took his “signature” pelvis-shaking moves down the catwalk to heat up the crowd during “Kick the Dust Up.”  Bryan and his band continued to shake the sold-out Carrier Dome with more of his hits including “Crash My Party,” “Play It Again,” and “Roller Coaster,” before rising up through the catwalk with Karen (Little Big Town) for a intimate vocal duet on “Home Alone Tonight.”

    Sparing little time, Fairchild and Bryan hustled back to the stage to welcome the remaining members of Little Big Town for a mash-up of Ed Sheerans‘ “Thinking Out Loud” and Marvin Gayes‘ “Let’s Get It On,” all while toasting each other with celebratory shots of liquor.  Luke stepped up his game with having tour opener Dustin Lynch join him for a rockin’ rendition of Brooks & Dunn‘s “Play Something Country.”  Moments after, the 2016 CMA Entertainer of the Year directed the crew to turn the stage lights out and asked the audience to light up the dome with their cell phones, displaying a beautiful  fluorescent glow upon the dome’s white canopy.  Luke delicately sang “Drink A Beer,” while strumming his acoustic at the edge of the catwalk and asked the crowd, “If any of you out there have lost a loved one that you used to drink a beer with, lets take a sip right now and think of them,” while holding his Miller Lite can up high.

    With the recent passing of country legend, Merle Haggard, Bryan wouldn’t let the evening go by without paying tribute to him with his 1982 classic “Big City.”  As the historical evening started to wrap up, the country star busted out a few more popular hits like “All My Friends Say,” “That’s My Kind of Night,” and  “Country Girl (Shake It For Me)” before ending with “I Don’t Want This Night to End.”  Bryan recognized and thanked Syracuse consistently throughout his performance, for making this night so special to him and his band.

    Luke Bryan Setlist: Rain Is a Good Thing, Kick the Dust Up, Kiss Tomorrow Goodbye, Move, I See You, Crash My Party, Play It Again, Roller Coaster, Strip it Down, Home Alone Tonight, Thinking Out Loud (Ed Sheeran)/Let’s Get it On (Marvin Gaye), Play Something Country (Brooks and Dunn), Huntin’, Fishin’ and Lovin’ Every Day, Drink a Beer, We Rode in Trucks, Big City (Merle Haggard), Drunk on You, All My Friends Say, That’s My Kind of Night

    Encore: Country Girl (Shake it For Me), I Don’t Want This Night to End/Can’t Feel my Face (The Weeknd)

    luke bryan carrier dome Little Big Town Set:

    Jolene (Dolly Parton), Little White Church, Pontoon, Front Porch Thing, Pain Killer, Sober, Pavement Ends, Tornado, Stay All Night, Save Your Sin, The Chain (Fleetwood Mac), Day Drinking, Girl Crush, Boondocks

    [FinalTilesGallery id=’736′]

    Dustin Lynch Set:

    To the Sky, Halo, Cowboys and Angels, Where it’s at, Small Town Boy Like Me, Mind Reader, Hell of a Night

    [FinalTilesGallery id=’737′]

  • Thursdays at Funk n Waffles, Presented by NYS Music

    NYS Music is once again proud to host Thursday nights at Funk n Waffles in April. A stellar lineup of music is on tap across multiple genres.

    Thursday April 7 MISTER F and THE HEAVY PETS

    Formed in 2013 from members of Northeast regional acts Timbre Coup and Capital Zen, Mister F is an eclectic, high-energy 4-piece band that takes a no-holds-barred approach to blending genres while keeping your feet moving. The members of Mister F are no strangers to the music community.  Their first show on March 1, 2013 was so well-received that they’ve taken their show on the road to cities as far as Denver, CO and Atlanta, GA and are even performing with their previous bands at festivals such as Mountain Jam, Summer Camp, Camp Bisco, moe.down, and snoe.down.

    The Heavy Pets are an American rock band that blends rhythm & blues, jazz, funk, disco and reggae with rock & roll. Called “A living, breathing force of nature,” by Relix Magazine, the Pets are known for their soulful songcraft and powerhouse live performances. Riding high on the success of their most recent studio effort, Two Horses, look out for The Heavy Pets as they continue to hit the road hard.

    Thursday April 14 ROOT SHOCK and THE CORNERSTONE

    Formed in the winter of 2012 by regional veteran musicians, Root SHOCK blends roots reggae, dancehall, heavy drum & bass, and soulful vocals with conscious lyrics into positive dance music that will make you want to move!  Spearheaded by the stunning vocals of Jessica Brown, the band has been surprising and delighting crowds across the Central New York region and beyond with their unique high-energy style. Root SHOCK’s love of reggae music flows deep.  The band’s dedication to spreading music with a positive message has paid off in entertaining, elevating, and energizing music lovers of all walks of life in a wide range of settings!

    Root SHOCK will be anchoring a monthly Syracuse reggae night designed to bring the best and most diverse acts that modern reggae has to offer to the area. They’re not stopping there, though; Root SHOCK recording their first studio album and are set to hit the road to spread their uplifting message and vibes and take their renowned live performances to the masses!

    Fronted by lead singer, songwriter, rhythm guitarist Jackson Wetherbee, The Cornerstone is a Reggae, Rock, Funk band hailing from the South Shore of Boston, Massachusetts. The band also features musicians formerly of The Aldous Collins Band and Last Call, two New England Music Award winning bands. Their sound is similar to that of Spiritual Rez, UB40, The Police, Sublime and the Red Hot Chili Peppers. They put on a fun, energetic show where crowds dance, groove, and sing along to their tunes.

    Thursday April 21 SPIRITUAL REZ and GRAYAK

    With their latest release, Apocalypse Whenever, Boston’s beloved reggae-rock funkateers Spiritual Rez deliver their most triumphant musical offering yet. Produced by lead singer Toft Willingham, co-produced by bassist Jesse Shaternick, and mastered by legendary engineer Howie Weinberg (Ramones, Beastie Boys, Prince, Red Hot Chili Peppers), the 14-track collection of infectious anthems is chock-full of rollicking guitar riffs, ocean-bathed melodies, swagger-centric basslines, crisp soaring horns, and ska-infused jam sections that have come to define Rez’s progressive signature sound. While their groove is primarily rooted in rock, reggae, and funk traditions, the septet draws stylistic influence from nearly every musical movement of the 20th century. Over the past nine years, Rez has tirelessly toured the country ten times over, cemented their status as a consistent festival favorite, and honed their exhilarating live show into an incomparable, unabashed musical extravaganza. They have shared the stage with artistic visionaries including Toots and the Maytals, Rubblebucket, Gogol Bordello, the Dirty Heads, George Clinton and the Parliament Funkadelic, Jimmy Buffett, and Bernie Worrell. Evoking their personal power animals, they fearlessly forge into a bold new chapter of their epic musical journey and prepare to hit the road for a nationwide tour once more….

    Thursday April 28 JERRY JOSEPH AND THE JACKMORMONS

    Joseph is a prolific and accomplished songwriter who has written hits for Widespread Panic. He has released 30 albums in his more than 30 year career, not only as a solo artist, but also with the Jackmormons, supergroup Stockholm Syndrome, his burning two-piece The Denmark Veseys, and with his beloved 80s cult band, Little Women.  Playing over 150 shows around the globe a year, Joseph is a relentless live performer.  He has toured with Vic Chesnutt, Chris Whitley and Walter Salas-Humara, just to name a few. Not only has he toured Costa Rica’s Pacific Coast with the Jackmormons, but also solo through Nicaragua, Mexico, south-east Asia, Israel, Nepal, Lebanon, and the bulk of Europe.  Most recently he volunteered as a rock school music teacher in Kabul, Afghanistan. Over the years, Joseph and his Jackmormons have shown a penchant for picking a spot on a map, taking over a town, and putting on a festival. Last year, Jerry Joseph and the Jackmormons released a live concert DVD, Nicaragua, recorded over three nights just outside of Rivas, Nicaragua. Joseph was inducted into the Oregon Music Hall of Fame in October 2015. He will be touring in Mexico, Australia and New Zealand this Winter and Spring in addition to the States. Check the Jackmormons’ web site for tour dates.