Category: Syracuse

  • Wild Adriatic Hits the Road for Eurotrip

    Capital Region rockers Wild Adriatic recently rolled out dates for a Eurotrip and U.S. tour as well. The three-piece group will head out on the road beginning Feb. 11 in Boston and wrapping up May 15 in Spain.

    Fresh off the heels of their debut voyage on the Rock Boat, where they played an all-Zeppelin set and jammed onstage with Sister Hazel, Michael Franti and Gavin Degraw, WA’s upcoming tour includes Northeast-heavy dates with home state stops in Corning, Saratoga Springs, Rochester, Syracuse, Brooklyn, Buffalo and Jamestown before returning to Europe for a four-week headlining run.

    The blues-rock band consists of Travis Gray (vocals, guitar), Rich Derbyshire (bass) and Mateo Vosganian (drums); supporting groups that will share the bill with WA during this winter/spring tour will be the Mallett Brothers Band, Let’s Be Leonard, Turkuaz, Sister Sparrow and the Dirty Birds, the Suitcase Junket and Animal Years.

    This January, WA released their first full-length live album from their two-night performance in Albany last October and will record the upcoming Feb. 20 show at Putnam Den for a possible future album. The band’s self-titled EP dropped in 2011, and their most recent collection debuted May 2015 as the five-song Never Enough. Although, according to the press release, WA has a new record in the works:

    We’ll be back in the studio making our second full length record in Fall 2016. Hoping to release Early 2017 and we have never been more excited to get in the studio and create! So much inspiration over the last few months, I know we have a few more tunes in us to get out before we hit the studio but we are very excited with how the material has come together so far!” 

    Tickets for all 2016 show dates are on sale through Wild Adriatic’s official website.

    Wild Adriatic 2016 Tour Dates:

    2/11 – Boston, MA – Lansdowne Pub^
    2/12 – Burlington, VT – Nectar’s^
    2/13 – Sugarloaf, ME – Sugarloaf Mountain^
    2/18 – Corning, NY – Corning Museum of Glass 2300 Series
    2/19 – Portsmouth, NH – Birdseye^
    2/20 – Saratoga Springs, NY – Putnam Den*
    2/25 – Rochester, NY – Flour City Station
    2/26 – Syracuse, NY – Funk N Waffles Downtown*
    2/27 – Stratton, VT – Grizzly’s%
    3/3 – Worcester, MA – Electric Haze
    3/4 – Brooklyn, NY – Brooklyn Bowl#
    3/10 – Sellersville, PA – Sellersville Theater
    3/11 – Mifflinburg, PA – Rusty Rail
    3/12 – Asbury Park, NJ – Wonder Bar
    3/16 – Washington, DC – Black Cat~
    3/17 – Mercersburg, PA – Mansion House~
    3/18 – Philadelphia, PA – Milkboy~
    3/24 – Hartford, CT – Arch Street Tavern
    3/25 – Manchester, VT – The Perfect Wife
    3/26 – Stratton, VT – Grizzly’s*
    3/31 – Pittsburgh, PA – Thunderbird Cafe
    4/1 – Buffalo, NY – Buffalo Iron Works
    4/2 – Jamestown, NY – Shawbucks

    ^ – w/ The Mallett Brothers Band
    * – w/ Let’s Be Leonard
    % – w/ Turkuaz
    # – w/ Sister Sparrow and the Dirty Birds & The Suitcase Junket
    ~ – w/ Animal Years

    4/14 – Oostende, Belgium – Bada Bing
    4/15 – Kortrijk, Belgium – Den Trap
    4/16 – Krefeld, Germany – Kulturrampe
    4/17 – Turnhout, Belgium – Dax Cafe
    4/19 – Norderstedt, Germany – Music Star
    4/20 – Malmo, Sweden – St Gertrund
    4/21 – Hamburg, Germany – Sound Yard
    4/22 – Bordesholm, Germany – Albatros
    4/23 – Singwitz, Germany – Kesselhaus
    4/26 – Bratislava, Slovakia – Muzeum Obchodu
    4/27 – Kufstein, Austria – Eggers
    4/28 – Besancon, France – Passengers Du Zinc
    4/29 – Alencon, France – La Luciole
    4/30 – Rouen, France – Hipster Cafe
    5/2 – St Etienne, France – Thunderbird Lounge
    5/4 – Bilbao, Spain – Antzokia
    5/5 – Ourense, Spain – Cafe Auriense
    5/6 – Cangas, Spain – Salason
    5/7 – Aviles, Spain – Centro Niemeyer
    5/8 – Leon, Spain – Gran Cafe
    5/11 – Estepona, Spain – Louie Louie
    5/12 – Murcia, Spain – Garaje Beat Club
    5/13 – Castellon, Spain – Veneno Stereo
    5/14 – Valencia, Spain – Pabersematao
    5/15 – Torredembara, Spain – La Traviesa

  • Blind Owl Band Roars Through The ‘Cuse

    The Blind Owl Band rode their roaring four-stringed freight train right through the Westcott Theater in Syracuse on Feb. 6, and with a full house of faithful fans, they surely got the dance floor heated. The bearded band responsible for breaking in your dancing shoes consists of Arthur Buezo (guitar, vocals), Christian Cardiello, (double bass, fretless bass), James Ford, (banjo, vocals) and Eric Munley (mandolin, vocals).

    The band strummed their instruments so effortlessly, there were times I wondered if their swift fingers even touched the strings. They most definitely live up to their name the “Blind” Owl Band, if they were blindfolded I have no doubt their manic, musical mastery would be no different, as the dance floor was moving all night.

    If you missed this furious fleet of string masters, you can catch them in their hometown of Saranac Lake at the Waterhole on Feb. 13, the Hanger in Troy, NY, on Feb. 18 and at Nectar’s in Burlington, VT, on Feb. 19 with Bella’s Bartok.

  • Annie in the Water w/ St. Lenox Take the Spotlight

    Annie in the Water brought a huge crowd to Funk ‘n Waffles located in downtown Syracuse Friday night, two party buses of about 90 people from Hamilton NY pulled in, more than half of them were Colgate University students.

    Opener St. Lenox took the stage as a solo act and immediately captivated the roaring crowd with his incredible voice, catching the attention of passerby’s who peered in the window out of curiosity, before entering.

    Annie in the Water is proving to be one of the most formidable funk bands that has ever occupied Funk ‘n Waffles and it was to no surprise that they immediately captivated the crowd.

    Those who are familiar with the band know that this tenacious trio haven’t had a bass player for quite some time, but it took them by surprise to see they welcomed back an old friend Lucas Singleton from Albany NY. Lucas has played with Michael Lashomb and Brad Hester in the past and he was undoubtedly a great addition to the show. Brad Hester also introduced a significantly new instrument to the mix, the Jamboxx, which plays high quality impressive digital sounds and is still under development.

    Stay tuned for their newest album to be released this year!

  • The Blind Owl Band Coming to The Westcott Theater February 6

    The Blind Owl Band, hailing from Saranac Lake, a small town nestled in the heart of the Adirondack Mountains, are coming to The Westcott Theater on February 6, with local musicians Chris James, Mama G and the Spittin’ Sirens from Syracuse, NY.

    The Blind Owl Band will be bringing their four stringed freight train to Central NY as they kick off their 2016 tour taking them all over the East Coast. With Arthur Buezo (guitar, vocals), Christian Cardiello (double bass/fretless bass), Eric Munley (mandolin, vocals) and James Ford (banjo, vocals).

    Opening artists Chris James and Mama G shared the spotlight with The Blind Owl Band at Sterling Stage Kampitheater, in Sterling NY at the String Fling Festival 2015. The Spittin’ Sirens are sure bring a new energy to the stage and get the crowd dancing with Chris James (aka Davey Jonesin’, guitar/vocals), Mama G (aka Silva Tooth, mandolin/vocals), Foxy Rutkowski (aka Shipwreck, percussion/vocals) and Heidi Jane Kessel (aka The Kraken, one string bass banjo).

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Lotus and El Ten Eleven Electrify the F Shed

    It was a study in contrast Saturday night at the F Shed in Syracuse. Two bands took the stage, each playing their own electro-infused brand of instrumental rock. Two bands at the opposite poles of the same current. Listening to recordings of the bands, you might have a tough time discerning what is creating the sounds. Seeing the music created live on stage, could be an educational experience.

    Jesse Miller- Lotus

    Opener El Ten Eleven, a bass and drums duo out of Southern California, is probably best known for their soundtracks of Gary Hustwit’s trilogy of popular design documentaries, Helvetica, Objectified and Urbanized. Like Explosions in the Sky with Friday Night Lights, behind those movies’ sound is a hard-working band with multiple albums and a penchant for wowing crowds with their memorable live performances.

    Mike Rempel, Jesse Miller, Mike Greenfield, Luke Miller, Chuck Morris- Lotus

    Kristian Dunn, wielding either a double neck guitar and bass, or a fretless bass, has a massive bank of looping and effects pedals at his disposal, and Tim Fogarty with synthesized and standard drums in his kit, also makes use of looping and effects. Together they composed complex infectiously melodic rock nuggets, layering theme over theme over theme over impossible beats. The band of two becomes a quartet and increases in size and complexity, as the two humans are joined by their electronic echoes.

    Playing for the first time in Syracuse, El Ten Eleven ran through an early-starting yet energetic 45 minute set that had most in the filling venue either jaws agape or grooving happily. For those intrigued or wanting more, Western New York gets a chance to see them at full power in small clubs next month, with shows at Mohawk Place in Buffalo and the Bug Jar in Rochester on February 26 and 27 respectively.

    [embedyt] http://www.youtube.com/watch?v=Yhjr8Htgtzw[/embedyt]

    No stranger to Syracuse, headliner Lotus were the 1 to El Ten Eleven’s 0, or perhaps more accurately, the 01 00 to their 10 11. The quintet features Mike Rempel on guitar, Jesse Miller on bass and keys, Mike Greenfield on drums, Luke Miller on guitar and keyboards, and Chuck Morris on percussion. By their set time, the F Shed was fully packed and ready to party.

    While their music isn’t devoid of looping, they make more sparse and subtle use of it than the front and center way El Ten Eleven employed it. Instead, Lotus relied more on their five strong lineup. The tunes were similarly electronic-leaning upbeat and catchy rock jams. With El Ten Eleven, the beauty lies in the creation and structure of the songs. With Lotus, on the other hand, the beauty comes when they broke through the song stucture. In tight four to six minute segments, El Ten Eleven ended their songs just as you were figuring them out. Lotus continued to explore a song until you couldn’t remember even where it began.

    There were times when what Lotus was playing could sound very similar to what El Ten Eleven had laid down earlier in the evening. But the way that each band arrived at that point was very different. Whether it be Fogarty drumming on Dunn’s bass for that perfect rhythmic loop, or the Miller twins switching back and forth between synths, samples and guitars, each band took unique approaches to cull the exact landscapes they desired.

    Luke Miller- Lotus

    Like a genre super computer, Lotus pulled from funk, house, hip hop, jazz and more, concocting perfectly groovy and unique blends on the fly, that kept the young crowd in constant motion. The deeper and further they stretched it, the better it got. The band steered the music expertly through twists and turns, discovering sparks of energy around unexplored dark corners. Rempel’s thoughtful and blistering guitar work was a consistent highlight, but each member contributed heavily in impressive full band improvisations throughout the show’s two sets.

    Lotus featured a spectacular light show. Color changing LED lanterns hung behind and in front of the stage and were also sprinkled around the musicians. Additionally, three different types of mobile LED lights lined the back, while additional lights lit up the ceiling above the band with moving patterns. The multi-dimensional lighting was able to match whatever the band was turning out, morphing the stage from song to song, jam to jam, note to note. All in all, it was plenty enough to turn a shed in the middle of a farmer’s market into a proper Saturday night dance party.

    Setlist:
    Set 1: Middle Road> Massif, Sunrain> Expired Slang> Sunrain, Pachyderm, Spiritualize
    Set 2: Suitcases And Sandwiches, Basin to Benin, Neon Tubes, Soma, Eats the Light, Philly Hit> 128> Umbilical Moonset> 128
    Encore: Behind Midwest Storefronts

    [FinalTilesGallery id=’607′]

  • Thursday Nights in February at Funk n Waffles Presented by NYS Music

    We’re deep into winter, or somewhere at the start of spring, depending on how you look at it. The weather however, if great at Funk n Waffles in Syracuse, and NYS Music is proud to present Thursday nights throughout February at the popular downtown venue.

    February 4 – Normal Instruments

    A supergroup creating brand new music every single night – all improvisation, every time – kicks things off on February 4 in grand fashion. Featuring Michael Carter from The Indobox, Jules Jenssen from Ross Jenssen, Matt Beckett from Cosmic Dust Bunnies and Jeff Bujak of Bujak Live, Normal Instruments is one of the most unique jamtronica bands in the scene today.

    February 11 – Root SHOCK with West End Blend

    Root SHOCK blends roots reggae, dancehall, heavy drum & bass, and soulful vocals with conscious lyrics into positive dance music will make you want to move. The band has been surprising and delighting crowds across the Central New York region and beyond, bringing their unique high-energy style spearheaded by the stunning vocals of Jessica Brown to a wide range of settings. The band’s dedication to spreading music with a positive message has paid off in entertaining, elevating, and energizing music lovers of all walks of life! 2016 promises to be an explosive year for Root Shock, as they’ve finally made time to record their first studio album, are anchoring a monthly Syracuse reggae night designed to bring the best and most diverse acts that modern reggae has to offer to the area. They’re not stopping there though; the band is set to hit the road to spread their uplifting message and vibes and take their renowned live performances to the masses!

    Since their conception, ten piece band West End Blend has been playing their version of pop, funk and soul in venues all over the Northeast. Fronted by vocalist Erica Bryan, the band pays homage to classic throwback sounds while adding their own distinct vibe and flair. West End Blend boasts a four­piece horn section, two guitars, bass, keyboards and drums packing the group onto stages every night. From humble beginnings in an epic basement funk dance party, The Blend’s goal has always been to bring a party atmosphere to every show and venue ever since.The Blend just released their debut full length record, Rewind, on September 26. Recorded at Telefunken Elektroakustik with engineer Brendan Morawski in CT, the band is proud to present the kick off to the next step in their career. West End Blend is just getting started and there’s so much to do. But right now… it’s time for them to pile into the van. This juggernaut of a funk and soul band is ready to hit the pavement.

    February 18 – Bob Holz: A Vision Forward

    Composer/drummer Bob Holz is one of New York’s most experienced and in-demand band leaders. An alumni of Berklee School of Music, Bob majored in performance and composition with teachers Gary Chaffee and Michael Gibbs. He went on to study privately with Dave Weckl and Billy Cobham. He also found a mentor in drummer Wilby Fletcher Jr.( McCoy Tyner). Holz has composed and played on numerous live and studio recordings, movie sound tracks and theatrical productions. Perhaps his most well know movie sound track was for the major motion picture entitled Show Your Love directed by Edward J. Bruno for VCA films. Holz has also toured extensively as a band leader (The Bob Holz Band).

    Holz played at the 1999 Woodstock Music Festival in New York. He also performed along with Dr. John at a coveted awards ceremony at the 2006 M&T Jazz Festival in Syracuse, NY. In 2010 he traveled to Memphis to participate and perform as a finalist in the W.C. Handy Blues Awards.

    February 25 – The Moho Collective with Boots n’ Shorts

    The Moho Collective lives in a world with no words. In fact, they make it a point to convey their story without any vocals at all. The Rochester NY based instrumental trio knows how to push the envelope stylistically and tonally yet keep their audience engaged with exciting arrangements and a wide range of dynamics. Drummer Ryan Barclay, guitarist Kurt Johnson, and bassist Justin Rister combine disparate influences ranging from the Allman Brothers and the Meters to Sigur Ros and the visual loops of Dutch graphic artist M. C. Escher. Expect to hear things you like and maybe something you don’t. The range of this band is vast yet accessible for all audiences. TMC at some points will move your feet and at other times challenge your ears. Don’t let the size fool you, TMC packs a huge sound into a 3 piece package that doesn’t disappoint.

    Boots n’ Shorts carries on the tradition of old-time music while making it relevant to a modern audience. Meeting at the crossroads of mountain music and the merry pranksters, they introduce new sounds to old-timers and old sounds to new-timers. Blending backgrounds in bluegrass, folk, old-time, jazz, blues, and psychedelic rock,BnS has a large repertoire of original music, classics, and traditional tunes.

    All shows start at 8pm each night. Visit Funk n Waffles for more info

  • Annie in the Water returning to Funk ‘n Waffles with St. Lenox

    On Friday, February 5 Annie in the Water will be returning to Funk ‘n Waffles with St. Lenox  who are sure to bring a unique mix to downtown Syracuse.

    Annie in the Water whose roots remain in Watertown NY, will be making their second stop on their 2016 Tour here in Syracuse NY, bringing their positive vibes to numerous venues throughout Vermont, Maine, Potsdam NY, Troy NY, Wilmington NY and their homestead Watertown. Founding members Brad Hester (vocals/percussion/guitar/looper) and Michael Lashomb (guitar/vocals) and featured member Dillon Goodfriend (keys) are sure warm the atmosphere with a mixture of high energy reggae/rock and uplifting lyricism.

    Andrew Choi is the incredibly talented singer/songwriter behind St. Lenox, with Chris Hills / Nick Fed (guitar), Jorge Vega/Brandon Vitruls and Todd Celmar (drums), Chris Bolognese (bass) and Fritz Chrysler (mp3 Player). St. Lenox is a smooth mixture of jazz, classical music and electronica. Andrew Choi’s will surely bring some depth to the stage with some powerful lyrics from his debut album Ten Songs About Memory and Hope released on January 20, 2015. Andrew hopes to release their newest album titled Ten songs from my American Gothic in the Spring of 2016.

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Formula 5 and Strange Machines Get Weird at Funk ‘N Waffles Downtown

    In these frigid mid-winter temperatures, sometimes even the promise of submerging the subconscious in metamorphic melodies is not a strong enough force to lure blanket-wrapped couch dwellers from the confines of ultimate comfort. Those that failed to emerge from their cozy cocoons missed Formula 5 and Strange Machines exploring an assortment of jam tactics at Funk ‘N Waffles downtown Saturday January 23.

    Massachusetts-based Strange Machines opened, featuring Mike MacDonald (guitar/vocals), Christian Perron (keys), Bill Noonan (drums) and Craig Holland (bass). They launched their set with a hard rock attitude, temporarily taming their monster sound and diffusing into a nebulous ambience before mutating into a funky breakdown.Mike MacDonald, Craig Holland, Christian Perron- Strange Machines

    Throughout their set Strange Machines continued to cross genre boundaries, fully utilizing distortion techniques to broaden the scope of their sound and keep the crowd intrigued. At the conclusion of a song that culminated in a unification of crashing symbols and heavy guitar strumming, MacDonald posed, “You guys are okay with weird, right?” Swerving into a hip hop beat, the band continuously shifted gears to undulate seamlessly between rock and reggae overtones.

    Mike MacDonald, Craig Holland, Bill Noonan- Strange MachinesMacDonald’s vocals fluctuated conjunctively between soul and rock. While he nailed a falsetto covering MGMT’s “Electric Feel,” as is often the case with instrumental projects, the sound from his lips fell short of the grandeur projected from the musician’s fingertips. Despite vocals that at times felt forced, MacDonald and Holland conveyed an organic chemistry during a bluesy portion of the set as they merged into a matching rhythm, momentarily mirroring subtle full-body swaying. Knees and hips swiveled as skillful fingers dexterously plucked the stringed instruments slung across their bodies.

    Formula 5 followed, the crew of young musicians channeling New York pride from their Albany home base. Joe Davis (guitar/vocals), James Woods (bass) and Matt Richards (keys/vocals) presented a gentler, more even-toned identity, flooding the room with a mellow jazziness. The pleasant tones washed the crowd in a sea of warmth, conveying a sensation of floating leisurely through tropical ocean waves, or perhaps burrowing in that same fuzzy blanket flung abandoned on the couch on a Saturday night.

    Formula 5 and Strange Machines’ cover choices appropriately blended with each band’s sound aesthetic. Collectively, they served up a medley of jam-based dishes for every taste ranging from plain buttered noodles to jazzed-up spicy stew.

    Strange Machines setlist:

    Steal Away > jam, Squid, Golden Rule, Juxtaposed > Enter the Interceptor, Little Monster, The Shape of Things, Electric Feel*, Brighton Tickler, The In-between

    * MGMT cover

    Formula 5 setlist:

    I: Earthbound$* -> Floating@ -> Earthbound, Kid Charlemagne (Steely Dan), Pedro* -> Excalibur$, Coming Home -> Mellow Mood! -> Jam -> Hot Box

    E: Drum Solo -> Magic Carpet Ride (Steppenwolf)

    * – Unfinished
    $ – contains Tweezer (Phish) Tease
    @ – contains Divided Sky (Phish) Tease
    ! – Bob Marley & The Wailers cover, First time played

  • Barroom Philosophers Release Debut EP, Announce Shows

    The Barroom Philosophers formed in the summer of 2014, and since then the self-described “funky reggae with a side of rock” band has played countless gigs throughout Central New York. Most recently, the Syracuse-based group released their debut EP titled, Thoughts That Count, and are still in the running for a SAMMYs People’s Choice Award for favorite local band.

    promo_pix_1

    Mastered by Langston Masingale (StudioDOG Pro), the three-track EP features the producer’s signature analog style (using his self-invented Zulu device) and has found airplay on Syracuse-area radio stations, including Dave Frisina’s “Soundcheck” on Rebel 105.9. The release, including songs “Role Models,” “Zillion Pound Babies” and “Animal is Caged,” dishes up 15 minutes of original funk jams. Frontman David Koegel’s soulful chops set the groove on TTC, backed by surfy blues-rock riffs, cool horns, mellow bass lines and steady beats. Think Sublime meets the Black Crowes.

    The four-piece former cover band, consisting of Brenden Boshart (drums), Ty Hancock (bass), Koegel (vocals) and Joshua Way (guitar), have nearly 20 shows scheduled at hometown spots like Funk ‘N Waffles and the Westcott Theater, plus they are booked to perform at RocCity Brewfest in Rochester and Wild Weed Acres Music Festival in Ovid this summer.

    A complete list of dates for the Barroom Philosophers is available below. Thoughts That Count can be streamed digitally through the band’s website.

    https://www.youtube.com/watch?v=-b6Y_5IvtQE

    Barroom Philosophers 2016 Dates (New York):

    1/29 – The Ferris Wheel – Oswego
    1/30 – Mac’s Bad Art Bar – Mattydale
    2/6 – Mohegan Manor – Baldwinsville
    2/12 – Funk N Waffles (University) – Syracuse
    2/20 – RocCity Brewfest – Rochester
    2/26 – The Ferris Wheel – Oswego
    2/28 – Westcott Theater – Syracuse
    3/5 – Mohegan Manor – Baldwinsville
    3/11 – The Ferris Wheel – Oswego
    3/18 – Old City Hall – Oswego
    3/26 – Kitty Hoynes – Syracuse
    4/1 – Limp Lizard – Liverpool
    4/8 – The Ferris Wheel – Oswego
    4/16 – Old City Hall – Oswego
    4/23 – Bridge Street Tavern – Solvay
    5/13 – Kitty Hoynes – Syracuse
    5/20 – Old City Hall – Oswego
    5/28 – The Ferris Wheel – Oswego
    6/30 – Wild Weed Acres Music Festival – Ovid

  • Thompson Square Becomes Thompson ‘To The Third Power’

    Shawna and Keifer Thompson, better known to their fans as Thompson Square, welcomed to the world the arrival of little Cooper, their newborn son.  Taken along on this gestational journey, all their Thompson Square fans, shared personal moments throughout as they eagerly awaited his arrival.

    For those not familiar with this country music duo, Thompson Square is one of country music’s most loved couples and one of only a few that are duets.  Their musical talent began in Nashville as they both came to town to pursue a music career.  Immediately smitten with Shawna, Keifer knew she was the one.  At a recent show at Kegs Canalside in Jordan, NY, Keiffer took a moment to speak with NYS Music about their pregnancy, musical journey, and upcoming album.


    DSC_0484 copyKathy Stockbridge: Hi Keifer, so excited to be welcoming you and Shawna back to New York again.  You both have been together and performing together now for several years however your careers started as individual artists.  Explain the journey a bit to those that may not know the story.

    Keifer Thompson: Hey there, well we moved to town obviously not knowing each other as individual artists doing our own thing.  We dated three years and then were married three years before we decided that this was not what we wanted.  We wanted to be together all the time, so that is when Thompson Square was formed and that’s when everything started taking shape for us.

    KS:  Some things are just meant to be.

    KT:  That is true.

    KS:  Do you both come from musical families?

    KT: Shawna does, I do not. There is actually no musical talent at all in my immediate family.

    KS:  What drew you in that direction?

    KT: Well my grandmother was a poet and a writer and sometimes a singer.  I think I got everything I have from her.

    KS:  So, what were some of your early influences in music as you were growing up?

    KT:  It’s all rooted in traditional country music.  For me, my first exposure was Elvis, and Roger Miller , and all the traditional music.  For Shawna and I both, we had siblings that exposed us to 80’s rock and roll as well, but really we love everything, every genre.

    KS:  I can tell, you’ve got this rock and roll edge to your music.IMG_1689 copy

    KT:  Yeah we definitely lean more towards that than anything else.

    KS:  Can you give the readers a timeline perhaps of you coming to Nashville and your journey to today?

    KT:  We met in Nashville the very first week we were there.  We were doing our own individual things .  We met at the Nightlife in 1996, it’s kinda like a Nashville version of a karaoke bar.  They have a live band, they play whatever song you want, so you get up and sing.  So we met there and I hit on her the first night.  I had been dating someone else at the time for about five years and had broken it off when I moved from Oklahoma to Nashville.  I knew it wasn’t the right one for me, and at the time wasn’t planning on finding my wife, much less the mother of our children, but God works in mysterious way you know.  We were performing together in the house and I would play down on Broadway and she would come in and sit in with my band on the weekends.  I think we were too close to it at the time to see that what we had we extremely special (the singing together).  It was just unique and sounded different than everyone else.  But that wasn’t why we started Thompson Square.  Thompson Square was formed out of necessity to be together all the time.

    KS:  And congratulations to you both on your wonderful news on the baby.  I am so excited for you guys. Loved how you announced it to your fans on Instagram as well.  How did that come about?

    KT:  Yeah we were trying to figure out how we would announce it. I just happened to pick up a can of Diet Coke one day that said “Dad” on it. And then we thought that might be a good way of telling our fans.  You don’t want to go over the top with it. We wanted it to be organic and real, and that’s how it was.

    KS: (and just so you know, they were not drinking the sodas…just using them as props)

    KS: I think it was really cool that you wanted to share this with your fans.  Some people in the business like to keep their private lives very private, but you guys shared this with all those that love ya’ll.

    KT:  Because the fans are a huge part in our being where we are, we’ve grown with our fans, and we now know what our fans want from us and yes that’s the music, but we also are one of a few married couples doing this so they want to know what’s going on with us as much as a couple as they want to know what’s going on with our music.

    KS:  Yes, it’s a connection, the personal relationship we have with a musician, knowing them not only as a performer but on a personal level that forms that connection and following.  They like your music, but also as individuals.  So thank you for sharing an insight into your personal lives as well as professional lives.

    KT:  Thank you.IMG_2433 KS:  Now you spend a lot of time on the road touring, do you plan on taking the little one with ya and what are you most excited about having him out on the road with ya?

    KT:  Yes, I think just discovering the whole thing as it unfolds as it will be a totally new experience for us.  We have no idea what to expect, this little one will be extremely well traveled.

    KS:  Yes, he will have a jetset life?  Will you be decking the tour bus out for him?

    KT: Yes, we’ve been talking about that. We’re taking all the advice in and deciding for ourselves what’s best for our situation.  I don’t know, I’m just really excited about the whole experience and meeting him.  Our whole lives have been music, and we just got to a point where we knew we didn’t want music to rule every aspect of our lives.  We love it, but we also didn’t want to miss out on kids and family and that whole aspect of our lives.  We didn’t want to turn 60 or 70 years old and regret not having children and a family. Those are the things, those life decisions, that when you get out of your 20’s you kinda start looking at things a little bit different. And thank God for it as we are so excited about the whole deal, it’s going to be a really cool process.

    KS:  I love it!  There is nothing like it. In fact when I was pregnant I found myself singing to my son all the time before he was born.  Do you find yourselves doing that yet?

    KT:  Yes, and in fact we have started dabbling in writing some nursery rhyme stuff, and it’s really been interesting to see how we’ve changed as far as we’ve never had these emotions or influences before where we’re simplifying our lyrics and talking to him as though he’s already here with us. It’s a whole different thing, but it’s so very cool.IMG_1653 KS:  Cravings.  I would be remiss to not ask Shawna what she’s been craving.  And as far as that goes, the husband ends up going through this pregnancy thing as well, are you craving anything?

    KT: She’s craving sleep. Haha.  She went through the whole pickle thing in the beginning, but it wasn’t crazy combination things, it was just pickles but then she didn’t want meat she wanted only carbs, which we’ve heard is pretty common among new moms.  We’ve been really lucky, she hasn’t been sick, she hasn’t had any complications at all so we’re really thankful for that as that would make traveling almost impossible.

    KS:  Now you guys happen to be working on a third album.  What can your fans expect from this next album?IMG_2049 copy

    KT:  The only way I can describe it is, it’s pure Thompson Square.  Whatever you think Thompson Square is, that’s what this one is going to be.  And then there will be some surprises along the way too.  We took a little shot in the dark with Trans Am and that’s a huge part of who we are, that rock style, the edge, and it really connected with our fans, but not in every way we needed it to, to sustain itself.  That song really didn’t work the way we wanted it to and the way a lot of our fans wanted it to, but you live and you learn.  You try things and sometimes they fail, and sometimes you win.  So we’re kinda at that stage right now where we’re going back into the studio.  We’ve cut about 6 or 7 things that we really love. And we’re getting back to the woodshed, as they say, and we’ve cut some amazing stuff.  Sometimes you don’t loose site of who you are as an artist or a person, but sometimes you want to expose a bit too much, too soon.  As an artist you want to grow, you want to do things different, you want to experiment, and you want to do all these things and a lot of times that’s just for you. Your fans grow with you and they love you for what you’ve done and who you are, but as artists we can get away from that.  If it was up to us, from album to album they would be vastly different. That’s been the demise of some artists,s but it’s also been hugely successful for some artists. For us, I think Trans Am was so different from what we’ve done in the past so it was a little bit shocking for everybody, and I’m not sure everybody even knew it was us. Shawna didn’t have a huge presence not that record, and you can analyze it to death…

    KS:  If I could interject here…I think artists are progressive. Used to be years ago a label would sign an artist and then nurture them through several albums to get the sound they would be known for.  Today it’s not the same and so I give you credit for being true to who you are and what you want to sound like.  Not all labels are receptive to that.

    KT:  We are blessed as artists and fortunate to have a label that doesn’t push us in one direction. They pretty much let us do what we want.  Perhaps that’s because they haven’t had another married couple duo so they don’t have any benchmarks to look at and say, “hey that worked for them so it will for you”.  It’s kinda unchartered territory. So we are very thankful.  Ya know, every song can’t be a hit, and until you get to the level where everything you put out charts and is a hit… and we all want to get to that place.

    KS:  Do you write your own music.IMG_1515 KT:  Yes we write almost all of it. We’re just going to keep putting our heart into it, and releasing songs we believe in and we’re just going to keep doing our thing.

    KS: So covering the Taste of Country Music Festival is where I first saw you both for the first time and you blew my socks off.  Talk to me a little about that last set where you joined the legendary Hank Williams Jr. on the stage.

    KT:  I can’t express what big fans we are of Hank Williams Jr. and what a big deal that was for us. We actually do one of his songs just about every night in our show. But yeah, that was a huge deal for us.  He asked us to come join him and hang out on his bus and visit a little bit and get to know him. That was a big deal.  I don’t consider him a peer, I consider myself his student. He’s definitely done just about everything a person can dream of in their career.  So yeah, we were really proud of that.

    KS:  I think the lineup that day was the perfect combination as well.  We had you guys, with Tyler Farr, and Hank Williams Jr. Yeah, that was the best.  Now if you were asked to do a CMT Crossroads with anyone…who would you choose to collaborate with?

    KT: I would lean towards the Boss and the E Street Band.  We’re both huge Springsteen fans. But that list is huge.  It could be Foo Fighters, Black Keys, Tom Petty, Springsteen, I mean Double Trouble would be amazing.(Stevie Ray Vaughns Band)  there are countless people as we are huge music fans. We are definitely students of music so we have a list that would go on and on in that regard.

    KS: Well heck if that ever happens, let me know and NYS Music will be there to cover for you.

    KT:  Absolutely.

    KS: Thank you so much Keifer for taking the time to talk with us and we can’t wait to welcome you back to NY.


    As I ended the interview and then covered the show the following evening at Kegs Canalside, I noted the chemistry of this couple was absolutely electric.  Their mutual respect for each other’s talents musically and as husband and wife, gives a whole new level to their music and stage presence.  I feel that this part of them that they share with their audience opens them up and gives them a vulnerability that many artists don’t have.  The fact that they continue to experiment musically and develop their sound as it moves them, is just another testament to me that they are the cutting edge of country music today. NYS Music is excited to welcome with Keifer and Shawna their new addition to the group, and can’t wait to hear the new album once it’s been released.   DSC_0421 copy