Rock band Candlebox made its mark in the 1990s with a self-titled debut featuring multiple singles, including “Far Behind,” “You,” and “Cover Me,” and follow ups Lucy and Happy Pills. Touring throughout the decade and selling over 8 million albums brought the band to a hiatus in 2000, but the reformed band reunited in 2006 for two more albums, Into the Sun and Love Stories & Other Musings.
An acoustic performance, featuring Kevin Martin and Adam Kury, will take center stage in Albany on Tuesday, February 2 at The Egg Performing Arts Center in the Swyer Theater at 8pm with Frank Palangi opening. Tickets are available at The Egg box office or online. Candlebox are currently hard at work on their new album, which is set for release on March 11, 2016. Preorder Disappearing in Airports.
Check out upcoming Tour dates and visit their Facebook and Twitter accounts to stay up to date on all things Candlebox.
How does this happen so regularly to concert goers? New York State Attorney General Eric Shneiderman had the same question, and his office conducted a three-year investigation into the ticketing industry and Thursday issued a 
The opener and title source, “American Gypsy” skips the formality of introduction and goes straight to the point. It has a defiant, swampy feel of movement and searching that echoes Steppenwolf with its drive and instrumentation. It’s a tribute to the hit tv show “Sons of Anarchy” and the video illustrates it well. “Home By Morning” speaks to the blues leanings Sly obviously lives by. The guitar is down and dirty, the harp accentuates and the organ fills are well-placed. Then there’s the rhythm section, make no mistake, a soloist is a soloist, but blues-rock lives on the drive underneath and these cats are tight. It reminds me a bit of Foghat when they jam and just about any other 70s era outfit from their cut, like J. Geils.
The festival’s 2016 lineup will feature Motown miracle Smokey Robinson and jazz fusion pioneer 
A quick return to Star Wars brought the lively “Cantina Theme” Garvey employed some dexterous finger-picking, while Derkak employed some effects pedals to mimic the familiar theme from Star Wars – A New Hope. Loughlin’s malletkat added to the feel of the song, giving the feel of being in the cantina itself.
Schnier’s coming-of-age song, “Mexico” came next. The teases into it from “Captain America” had the crowd warming up its vocal chords, ready to join in at the first word. This one turned into a chill-inducing, whole-crowd sing along. Garvey’s solo take during this song had Rob Derhak sitting back smiling with pride in his bandmates. While “Mexico” isn’t one of the big jam vehicles die-hards yearn for, as witnessed Friday night at the Palace, it is certainly a crowd-pleaser, and one that deserves a spot among the great narrative songs.
The band has been celebrating its 25th anniversary throughout 2015 and sound as cohesive as they ever have. A relationship this long, no matter what the scenario, is difficult to maintain at any level, yet it seems as if moe. has found new life in this trip around the sun. Onstage smiles were continuous during this run; it’s obvious that this is a band still having fun playing together.
Busting out with a rare “
Following a half-hour break, the band opened the second set with a tribute to the 
This led to the surprise of the night as Loughlin left the confines of his kit at the back of the stage to drop some mad rhymes to 
As the band members took a brief break, microphone stands were brought to the front of the stage for the encore. Schnier played his acoustic, while Garvey plucked on his electric. Amico played the tambourine and Loughlin the maraca, as Derhak, with the assistance of a lyric sheet, sang the Talking Heads’ “This Must Be the Place (Naive Melody)” with help from the crowd on such lyrics as “Home is where I want to be.” As moe.’s adopted hometown, the collaboration was a fitting end to the show capping off the band’s silver anniversary year.