Category: Beyond NYS

  • Justin Bieber Walks Off Stage During Manchester Concert

    Justin Bieber had another meltdown of sorts during a performance on his Purpose World Tour in Manchester, England Sunday night, E News reports. Having had enough with fans screaming in between songs, Bieber addressed his overzealous Belieber’s sincerely to please calm down. After the crowd seemed to ignore what the singer was saying, Bieber dropped the mic as he walks off stage.

    He returned a minute later to again sincerely address the crowd and explain that he wanted fans to tone it down a bit so he can connect with them more. As fans still screamed, Bieber went on to say that he won’t talk anymore and that he is just gonna play music because the crowd can’t handle it.

    The pop star had the same thing happen to him in Birmingham days earlier, and had to address the crowd about their noise level, asking them if they could relax for two seconds. He also said to the crowd that he is two feet away and that their screaming is obnoxious.

    Many videos of the incident in Manchester have hit social media. Bieber stated before he walked off the stage:

    I appreciate all the support. I appreciate love. I appreciate the kind things. But the screaming in these breaks has got to stop. Please and thank you. I don’t think it’s necessary when I’m trying to say something and you guys are screaming.

    After a quick breather, Bieber returned and told the fans:

    I’m not quite sure, you know, why you guys came tonight. I hope it was to enjoy our company as well as me enjoying your company. I feel like I wanna connect with you. The point of the no-screaming thing is that when I’m looking at you in the eyes you know that we’re actually having a moment and having a connection. It’s not that I’m trying to be an asshole, it’s me just simply wanting to have a moment. Manchester, you are awesome. We’re just going to do the music. Obviously Manchester just can’t handle it, so let’s do the music.

    In other Bieber news, DJ Mags 2016 #1 DJ in the world, Martin Garrix will join Bieber’s tour on all Australian dates in 2017. This past May, Bieber announced on his Instagram that he will no longer take pictures with fans. He posted:
    If you happen to see me out somewhere know that I’m not gonna take a picture I’m done taking pictures. It has gotten to the point that people won’t even say hi to me or recognize me as a human, I feel like a zoo animal, and I wanna be able to keep my sanity.
  • Foreigner Opens Their Much Anticipated Acoustic Tour at the F.M. Kirby Center in Wilkes-Barre, PA

    The legendary multi-Grammy and American Music Award nominated band Foreigner, who has over 80 million worldwide album sales and remains one of the best selling and recognized bands of all time, made the much anticipated premier of their 2016 acoustic tour opening at the F.M. Kirby Center in Wilkes-Barre, PA on Friday October 21, 2016.

    Foreigner announced earlier this year that they would be kicking off a month long acoustic tour running from October 21st through November 19th with a special and historical stop at the famed Carnegie Hall in New York City. However, Wilkes-Barre, PA would be the launching point for this long awaited, intimate, stripped down acoustic tour.

    There were no drum risers or drum kits, multi tiered keyboard stands, stacks of amps, electric guitars or the highly energetic full impact punch of a regular Foreigner show which typically includes lots of stage energy, running, and jumping along with guitar and drum solos. Instead, the atmosphere was very intimate and relaxed with six white stools lit with moody spots, several acoustic guitars on stands and a few tables with water bottles waiting for the band. The table next to Kelly Hansen, lead singer, had a few hand held percussion instruments he used throughout the set.

    Scheduled for an 8 p.m. start time, guests started arriving at the historical venue around 6 p.m. where the VIP guests were treated with a special meet and greet with the band before the start of the show. Most guests interviewed related a sense of being a part of a special night and feeling the venue and band members themselves made them feel like they were part of the show, relaxed and humbled being a part of the premier of the acoustic tour.

    At 8 p.m. Foreigners tour manager Phil Carson walked out on stage to the sold out crowd at the F.M. Kirby Center and announced the band. As the band members walked out waving and giving peace signs to the crowd, Mick Jones, one of Foreigners founding and only original member, walked out and greeted the audience with two hands waved overhead. The audience was going wild over the fact that Mick was in attendance for tonight’s performance. Mick, who has not toured regularly with the band much this summer, was definitely a nice surprise for all the Foreigner fans. All the band members seemed to sense the excitement and anticipation of the crowd and the historic significance their performance would have on the audience with a feeling of grace and gratitude shared between themselves and the crowd.

    After the warm greeting, the band made their way to their respective chairs on stage from left to right, Michael Bluestein on a Kurzweil electric piano, Bruce Watson on guitars, mandolin, Dobro, banjo and more, Mick Jones on guitar, Kelly Hansen on vocals, Jeff Pilson on bass and guitars and Thom Gimbel on guitars, flute, sax and bass.

    Kelly and Mick each said a few words thanking the crowd for being a part of this special intimate and emotional night, about the inception of the acoustic album largely giving credit to bassist Jeff Pilson before beginning their first song of their fifteen song set, “Double Vision.” The band performed flawlessly, as expected, giving the crowd a different flavor on this Foreigner classic hit. Mick got into a little singer-songwriter mode for the next song talking about when he first came to the “Big Apple” in the 1970’s after being in a few bands prior to forming Foreigner in 1976 with former lead singer Lou Gramm. He discussed the inspiration for the next song, “Long, Long Way From Home,” which featured Thom Gimbel on amazing saxophone. Next up was the popular song “Say You Will.” At times throughout the night, the band had emotional and intimate interactions with the crowd talking about the history, the members and inspiration for the songs. This being the 40th anniversary of Foreigner made it even more special as Mick talked about the ups and downs, trials and tribulations and various band members over the last 40 years.

    Throughout the night, the mood was fun and relaxed with some joking and a bit of roasting of some band members by each other. Again, there was nothing fancy in regards to stage theatrics, lighting, lasers, smoke machines or loud electric amps and guitars –  just the music and the stories. Really, in all respects, the only thing that came through was the music and the personalities of the band in a real and emotionally felt manner. The music was spot on and flawless with the acoustic guitars, electric piano, Bruce’s Appalachian flair on the guitar, mandolin, banjo and some amazing fret work on the dobro during the song “Girl On The Moon.”

    Above all, the harmonies were pure, smooth, silky perfection. Being stripped down without the loud distraction from the electric guitars, synthesizers or drums, the vocals were really the pinnacle of this acoustic set that blended well with the instruments.

    The band, in keeping with the traditional Foreigner stage show, again brought out a local choir to join them on stage for their 1984 number one hit, “I Want To Know What Love Is.” However this time was different for two reasons. First, again, it was an all acoustic unplugged set. Second, instead of a local high school, Foreigner this time chose a local adult choir to join them onstage for the acoustic rendition of this timeless classic. The Wyoming County Chorale from Tunkhannock, PA joined Foreigner onstage for the second to last song of the evening. I’m sure by this point most of the audience at the F.M. Kirby Center had goosebumps not only from this amazing vocal/acoustic rendition, but from the unforgettable experience of the entire night. Closing out their set, again in keeping with Foreigner tradition, was the #3 song on the 1978 Billboard Hot 100 chart and certified platinum hit, “Hot Blooded.”

    In the course of music history, many things stick out in the minds of the fans. Things like their first concert, meeting their favorite band or simply catching a guitar pick or drumstick thrown from stage. The premier of this Foreigner acoustic tour at the historic and intimate F.M. Kirby Center had to be one of those moments for many of the fans in attendance. The fans left sensing the different, real and graceful side of the band and their music heard in a way that will surely leave lasting memories.

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  • James Brown Band Lives Again!

    Sunday night at The Warehouse at FTC was filled with nothing but surprises. Everything was so pleasantly unexpected and it made seeing the band James Brown Dance Party a true spectacle to behold. The supergroup absolutely rocked the Fairfield, Connecticut venue and the few people there were all equally blown away by the talent of everyone on stage. It’s hard to understand why more people didn’t show. Perhaps it was a Sunday night party, or high ticket prices, but hopefully this review will convince James Brown fans to make time to see these guys where ever and whenever they go.

    Matthew Chase- Guitar, Elise Testone- Vocals and Morgan Price- Saxophone

    Supergroups have the potential to yield some impressive pieces of music with names like Crosby, Stills, Nash and Young, Cream, Bad Company and others making a pretty big name for themselves. The James Brown Dance Party has that same potential, if they were to ever go on and create some original tracks. There was such a strong sense of camaraderie between the musicians mainly among the horn line, which is the exact recipe needed to create some true works of art.

    The classic King of Soul covers they played were executed perfectly. They pretty much played each cover verbatim but they really began to shine when they broke off to solos and started to have some fun. Again, the energy of the group was radiating from the horn line with guitarist Matthew Chase (The Chase Brothers) bassist Chris Sherman (Bootsy Collins) and drummer Adam Chase (Jazz is PHISH) lying dormant throughout the performance, as well as lead singer Elise Testone (American Idol). Trombonist Adam Dotson (Rubble Bucket), Trumpeter Carter Yasutake (LCD Soundsystem), and saxophonist Morgan Price (Charles Bradley) were the focus of the show from the get go when they played an instrumental version of “People Get Up” and “Drive Your Funky Soul.” Everyone in the horn line seemed to give it their all while most of them were already profusely sweating and blowing their horns all up and down the scales during their solo time. It seemed like there was a bit of friendly competition between the trio brassmen, and it helped them push their skills just a bit further, as they were each representing their own band. Of course, there was never any signs of hatred towards one another, but it was pretty obvious they were trying to one-up the person that soloed before them.James Brown Dance Party

    They played two sets that lasted a little almost two hours playing the tracks, “Get Up Off of That Thing,” “Get On Up,” “Papa’s Got a Brand New Bag,” and so many more. Each one was unique thanks to the horn line while still holding the sound of the original song outside of the solos. They were all just as tight, funky and energetic as the original group and aside from Testone, the group all together sounded eerily close to the original recordings the covered. Their second set consisted of “The Boss,” “It’s a Man’s, Man’s, Man’s World,” and “Cold Sweat” and others to cap off the night with the audience going wild after every song.

    This will not be last time the group will be in the Connecticut and New York area, but odds are the line-up will be completely rearranged, making each performance unique. Check out their website and Facebook page for information on shows and line-ups.

  • Warren Haynes’ 28th Annual Christmas Jam to Feature ‘The Last Waltz’

    The hardest working man in rock and roll revealed the lineup for his annual Christmas party Thursday. The show takes place at the U.S. Cellular arena in Warren Haynes’ hometown of Asheville, NC on Dec. 10. A line-up loaded with talent features Haynes’ main vehicle, Gov’t Mule headlining, along with a who’s who of musicians celebrating the 40th anniversary of The Band’s final show as The Last Waltz Band.

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    Haynes started the Christmas Jam in 1988 at a local Asheville club as a benefit for local charities. For the past 18 years, he has used it as a fundraiser for Habitat for Humanity. As of last year, the Jam has raised over $1.8 million for the Asheville Area Habitat for Humanity.

    The 2016 version of the Christmas Jam happens Dec. 10 and is guaranteed to sell out quickly. Pre-sale tickets are available at noon Monday Oct. 24 with VIP packages also available. General sale begins Nov. 1. General admission tickets are $63 and a limited number of reserved seats are available for $73.

    Performers this year, in addition to Gov’t Mule, include Bob Weir, Michael McDonald and Jamey Johnson with Alison Krauss.  The Last Waltz Band features Haynes, McDonald, Johnson, Don Was, John Medeski and Terrence Higgins.

    Other special guests scheduled to appear include Branford Marsalis, George Porter, Jr., Steve Kimock, Marcus King, Kevn Kinney, Audley Freed, “Steady Rollin’” Bob Margolin and Mike Barnes.

    For more information on this year’s event, visit the Jam’s website.  And while you’re mulling over whether you should attend, take a gander at this stellar version of “Stormy Monday” featuring Gregg Allman from the 2013 Jam.

  • Formula 5 was ‘The Band That Could’ at Owsley’s Golden Road in Boulder, CO

    For a while on Saturday, October 8, the four intrepid members of the Albany based jamband Formula 5, in the middle of their first tour of Western states, thought they’d be trapped in a “The Little Engine That Couldn’t” scenario with their trademark 70’s tour van that may well have driven off the set of the disco-era cop show, Starsky and Hutch.  The trouble began about 40 miles south of Boulder as they headed from a tour stop in Taos, New Mexico. The van engine sputtered to stop. From that moment, the engine stopped repeatedly in ever shortening distances. But they chugged and chugged until finally, at the last stoplight, the band was able to safely push their ride into a parking space in front of their intended destination, the aptly named Owsley’s Golden Road, named after the Grateful Dead’s longtime tour manager and longtime acid expert par excellance.

    Quickly, Formula 5 became “The Little Band That Could, and Did.” Despite the vehicle trouble, the band wasted no time ripping into a collection of original melodies that spun into robust jams laced with the occasional harmonizing lyrics. Even with extended improvisations, Formula 5 didn’t waste notes as they chewed their way out of a paper bag of vinyl musical traditions including funk, jazz, and psychedelic rock. They weren’t just the little band that could. They were the band that did. And then some.

    Their tour rolls into Columbus, OH on Thursday, October 14, Athens, OH on Friday, October 15 and Scranton, PA on October 16.

  • English Rock Legends UFO and Saxon Announce U.S. Spring Tour

    Pioneering English hard-rockers UFO have announced a spring tour commencing March 9, 2017 at Scout Bar in Houston, TX and concluding April 2, 2017 at Brighton Music Hall in Allston, MA. The tour also includes a two-night stay at the B.B. King Blues Club in New York, NY. UFO will be joined on all dates by fellow New Wave of British Heavy Metal progenitors Saxon along with special guest Jared James Nichols. This will be the first time UFO and Saxon have toured together since the 1980s.

    Visit UFO, Saxon, and Jared James Nichols’ facebook pages to learn more.

    UFO is busy in the studio comleting their 22nd album, the follow-up to 2015’s A Conspiracy of Stars, which is reportedly a collection of covers. The current lineup features original members Phil Mogg (vocals) and Andy Parker (drums), as well as Paul Raymond (keyboard/guitar), Vinnie Moore (guitar), and Rob De Luca (bass).

    Here’s live footage from earlier this year of UFO playing their classic “Rock Bottom.”

    [embedyt] http://www.youtube.com/watch?v=l-kvk21KbsA[/embedyt]

    Let Me Feel Your Power, a new double live album from British metal stalwarts Saxon, is due out October 28, 2016 in the United States on UDR Music. Saxon consists of Biff Byford (vocals), Paul Quinn (guitar), Nigel Glockler (drums), Doug Scarrett (guitar), and Tim “Nibbs” Carter (bass).

    Check out Saxon performing “Wheels of Steel” in support of their new live album.

    [embedyt] http://www.youtube.com/watch?v=iE4d4wjc1Lo[/embedyt]

    UFO and Saxon Tour Dates: 

    Mar. 9 – Houston, TX – Scout Bar
    Mar. 10 – Dallas, TX – Gas Monkey Live
    Mar. 11 – San Antonio, TX – Alamo City Music Hall*
    Mar. 14 – San Diego, CA – House Of Blues
    Mar. 15 – San Francisco, CA – The Independent
    Mar. 16 – Los Angeles, CA – Belasco
    Mar. 18 – Anaheim, CA – The Grove
    Mar. 19 – Las Vegas, NV – House Of Blues
    Mar. 21 – Denver, CO – Summit Concert Hall
    Mar. 24 – Sioux City, IA – Anthem at Hard Rock Casino
    Mar. 26 – St. Charles, IL – Arcada Theater
    Mar. 28 – Cleveland, OH – House Of Blues
    Mar. 29 – New York, NY – B.B. King Blues Club & Grill
    Mar. 30 – New York, NY – B.B. King Blues Club & Grill
    Apr. 1 – Jim Thorpe, PA – Penn’s Peak
    Apr. 2 – Allston, MA – Brighton Music Hall

  • Recess with Spinelli Interview with Caravan Palace

    What do you get when you mix old swing music with modern electronic beats? Well, Electro-Swing of course!  And who better to talk about the genre than the pioneers of Electro-Swing, Caravan Palace of Paris, France! From Robots, science-fiction to bras and vintage French porn and late night television, this is an interview you will not want to miss.

    Listen to the abridged feature/interview

    You can listen to the Full Radio Broadcast

    On-stage, Caravan Palace proves they are performers and musicians; keeping the crowd engaged, dancing and of course swingin’.

     Caravan PalaceRecess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT

    Follow Recess with Spinelli: Instagram Twitter Facebook Youtube Soundcloud  Mixcloud Tumblr and online at longbowmedia.us

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 3

    Day 3 of Riot Fest 2016 has arrived and it is the day I have been waiting for since I was twelve years old. The original Misfits lineup will be taking the stage and performing together for the first time since 1983.

    Santa Cruz punk band the Swinging Utters kicked off the third day of Riotfest. Led by frontman Johnny “Peebucks” Bonnel, the band led off with their classic hit “The Librarians are Hiding Something.” The crowd took over the singing duties during “No Eager Men” as Johnny jumped wildly around the stage. After a very spirited and entertaining set the band expressed their thanks and bid the crowd farewell.

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    Of course I have to mention the frontman for Twisted Sister, Dee Snider. Snider is currently touring in support of his solo album, We Are the Ones, scheduled to be released in October. Snider has acknowledged that the album is a new direction for him and he hopes fans like it and will continue to show their support. Snider gave the crowd a little taste of what he meant by “new direction” when he performed his version of the Nine Inch Nails hit “Head Like a Hole.” He performed a nice mix of his new music and of course Twisted Sister classics like “I Wanna Rock” and “We’re Not Gonna Take It.” It was truly a memorable performance by the rock legend. I was very fortunate to have been able to sit down with Dee Snider later that day and chat about his new music project.

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    There were so many memorable performances that it is tough to sum it all up. Bad Religion was amazing. Punk band Leftover Crack really got the audience revved up. Tiger Army brought their blend of punk and rockabilly to the festival, not to mention they were the best dressed band of the weekend. Me First and the Gimme Gimmes performed their unique versions of cover songs such as “Jolene” and my personal favorite “Over the Rainbow.” Earlier that day, I had the privilege of sitting down with Me First and the Gimme Gimme’s lead singer, Spike, to chat about Riotfest and the bands that he was looking forward to checking out.

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    The day kept getting better and better. The master of modern horror heavy metal, Rob Zombie, took the stage and performed the White Zombie classic album Astrocreep 2000 in its’ entirety. I have seen Rob Zombie live multiple times and had only heard him perform select tracks such as “More Human Than Human.” But getting to hear the entire album was awesome! Zombie’s current band consisting of John 5, Piggy D (Matt Montgomery) and Ginger Fish brought the album to a new level of intensity and depth.

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    Now, after 2 days and too many bands to count , it leads me to the one musical moment I have waited for since I was 12 years old… the Original Misfits were about to take the stage to close out Riot Fest 2016 in Chicago!

    Chris Besaw RiotFest Chicago Misfits 22 Chris Besaw RiotFest Chicago Misfits 24

    Looking around all you can see is an ocean of people jam packed into Douglas Park waiting to witness the music history that was about to unfold. The stage lights go down and the smoke rolls out over the stage and you could feel the anticipation building. Suddenly the curtain drops revealing two enormous pumpkins (from the Halloween 7” cover) on each end of the stage complete with eerie glowing eyes, and a wall of crimson ghost amps in the background. The crowd gets revved and then explodes into a massive mosh pit as Glenn, Jerry and Doyle lead right off with “Death Comes Ripping” the perfect song to set the tone for their set. They didn’t waste any time belting out classics like “20 Eyes,” “I Turned Into A Martian” and “Where Eagles Dare.” Backing up the original trio was the incredible and heavy hitting Dave Lombardo (formerly of Slayer) on drums and Acey Slade (Dope) on guitar.  Both were excellent choices! Glenn took time between songs to tell stories about how he and Jerry formed the band back in 78. At one point Glenn paused and asked the audience if they liked pumpkins. Glenn and company played a lengthy set list of 26 songs from the bands 38 year history. They even played the first song Glenn and Jerry ever wrote and performed together “She” during their encore.

    Chris Besaw RiotFest Chicago Misfits 27 Chris Besaw RiotFest Chicago Misfits 9

    For me, this was the band that I had listened to since I was a kid. I collect their records, posters and memorabilia. I never thought I would witness an original lineup reunion in my lifetime and I have to say that I was completely floored by their performance. It was everything I expected and more, not-stop, high energy punk, massive mosh pits and bodies crowd surfing everywhere. My dreams come true!

    Set list:

    1. Death Comes Ripping
    2. 20 Eyes
    3. I Turned Into a Martian
    4. Mommy, Can I Go Out and Kill Tonight?
    5. Vampira
    6. All Hell Breaks Loose
    7. Hybrid Moments
    8. Teenagers From Mars
    9. London Dungeon
    10. Earth A.D.
    11. Green Hell
    12. Devilock
    13. Horror Business
    14. We Are 138
    15. Hollywood Babylon
    16. Who Killed Marilyn
    17. Halloween
    18. Die, Die My Darling
    19. Astro Zombies
    20. Skulls
    21. Last Caress

    Encore:

    1. Bullet
    2. Night of the Living Dead
    3. She
    4. Attitude

    As the final notes rang out and the crowd starting to clear this first trip to Riot fest and to Chicago will definitely be one I won’t forget!

    Please enjoy the photos and interviews below from a killer final day at Riot Fest 2016!

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 2

    Punk veterans, The Vandals, kicked off day two of Riot Fest 2016 with some good old fashioned fast paced punk rock tunes. They whipped the audience into a beer throwing, pogo jumping frenzy. This was my first time seeing The Vandals and I am hoping I get the opportunity to catch them again at some point.

    Other notables included the UK band The Hives, who despite a late start to their set, belted out hit after crowd pleasing hit. Alternative punk pop band Motion City Soundtrack took the stage to perform their second to last show. In March of 2016 the band announced that they were calling it quits for now and didn’t know what the future had in store for them. They invited their fans to come out to a show and sing along with them one last time.

    It would be criminal not mention another icon who played an intense and incredible set, former Husker Du guitarist, Bob Mould! I was blown away by the passion and ferocity of his performance! At 55 he can easily shred and tear up the stage with the best of them! I was humbled to finally get the chance to see him perform.

    Day two of Riot Fest 2016 ended with some of my personal favorites. What can top the Descendents and Social Distortion playing live?  I have been fortunate enough to see both bands in the past and just like before, the Descendents were absolutely incredible live. Milo and the gang came out swinging hard and didn’t let up for the entire hour that they played. They tore through classic favorites like “Everything Sux,” “Rotting Out,” and “I Like Food” as well as some new songs. After an unforgettable 29 song set, the massive crowd was screaming for more. 

    I love Social Distortion and my favorite Social D album is White Light, White Heat, White Trash so you can imagine how thrilled I was when I found out that they would be performing the album in its’ entirety at Riotfest to celebrate its’ 20th anniversary. Normally, I don’t get star struck when I am shooting bands but being in the photo pit when Mike Ness and the band took the stage and started playing “Dear Lover” left me awestruck with my jaw on the floor. It was definitely surreal. They ended their set with Johnny Cash’s immortal classic “Ring of Fire” which had the audience screaming so loudly it drowned out Morrissey who was playing on the other stage at the time. Thank you Social Distortion for performing my favorite album.

    Earlier in the day I sat down with singer, songwriter Donna Missal. Even though I had missed her performance that morning, we had fun chatting about music and riot fest.

    Day 2 was amazing. Please enjoy the photos and interviews below.

  • Hearing Aide: Phish’s “Big Boat”

    Ever think Phish would start off a studio album with a sort of Brit-pop-punk sounding song?

    Me either, but that’s exactly what the band did by kicking off Big Boat with the Jon Fishman song “Friends,” which is the perfect lead-in to an album by a band that has built its fanbase by throwing it curveballs. Phish’s 13th studio recording is the most genre bending album they have released.

    big boatTeaming back up with Fuego producer Bob Ezrin, Phish has created an at-times overproduced record that probably will not be universally loved by fans and aside from a few tracks, won’t get much play from me. But, the beauty of Phish is that this is perfectly fine because each of these songs will be defined by what they do on stage.

    “Blaze On” and “No Man in No Man’s Land” both debuted live in 2015 and become almost immediate jam vehicles. The album versions of these songs are very strong and have the same feel of the live performances.

    The apocalyptic “Breath and Burning” gives way to the first Page McConnell song, “Home,” which features a very Phishy little synth-driven jam. “Things People Do” is very Mike Gordon-like, but is written by McConnell. “Waking Up Dead,” written by Gordon, is among the few songs that sound Phishy.

    The Anastasio ballads “Running Out of Time” and “Miss You” are poignant, with the latter being one of the more emotive songs the guitarist has written in a while. “I Always Wanted it That Way” goes back toward the synth-pop sound, before straightforward rocker “More” sits as the last barrier until the orchestral composition “Petrichor” closes the album with a complicated, at times intricate but often wandering song that Anastasio initially wrote to be performed with an orchestra.

    Big Boat is not their best album, but honestly, who cares? Let’s see what happens on Fall Tour and during the New Year’s Run.

    Key Tracks: More, Waking Up Dead, Petrichor