Category: News Desk

  • Mockingbird Foundation Releases Third Edition of ‘The Phish Companion’

    The Mockingbird Foundation and Phish.net have released a third edition of The Phish Companion: A Guide To The Music & Their Music. The companion is an invaluable guide to the band’s history, show reviews, fan art, original photos and tour capsules.

    the phish companionThe eight chapter, 898 page hardcover book is filled with full-color pages capturing 33 years of Phish history. It includes art by some of the most esteemed Phish poster artists, such as AJ Masthay, David Welker and Justin Helton.

    The Mockingbird Foundation has said that if the first two editions were like trusty, sturdy Subarus that could get you around reliably, then the third edition is “Doc Brown’s DeLorean” time-machine.

    The book is available for purchase on the Phish Companion website. It will also be available for public sale outside of the website for the first time at the June 25 PhanArt show at the Cubby Bear in Chicago.

    All proceeds from the Mockingbird Foundation go to benefit music education for children, and the foundation has raised nearly $1 million for the cause.

  • Good Vibrations: Brian Wilson Breezes Into Syracuse This Summer

    This summer, the famed Beach Boys leader, Brian Wilson, breezes into Syracuse for a good vibrations performance at the Great New York State Fair. The legendary songwriter’s tour stop in Central New York is part of the 50th anniversary celebration of the group’s iconic 1966 album, Pet Sounds, in which Wilson will perform in its entirety at Chevy Court on Aug. 29.

    Good Vibrations Brian Wilson A follow-up to 1965’s The Beach Boys Today! Wilson’s Pet Sounds became his masterpiece, and at the time, it was one of the most expensive albums produced, at a cost of more than $70,000. Although the album was not as commercially successful in the United States as it was in the United Kingdom, it is now considered to be one of the most influential, and first experimental, concept albums. The 36-minute psychedelic surf rock record — inspired by the Beatles’ Rubber Soul — moved the group from on-the-surface lyrics of girls, cars and California living to a more introspective side. On revisiting the album, Wilson, 73, told the Nottingham Post, “It was a happy time in my life. I was young and creative, and it brings back a lot of good memories for me.”

    On June 10, Capitol Records released a 50th anniversary collector’s edition of Pet Sounds that features a four CD/Blu-ray audio versions in a hardbound book and 180-gram vinyl editions in both mono and stereo, plus session outtakes, alternate mixes and unreleased live recordings. Touring in support of it, Wilson will be joined by former bandmates Al Jardine and Blondie Chaplin to recreate the Beach Boys’ 11th studio album that features popular songs like “Wouldn’t It Be Nice,” “God Only Knows,” “Sloop John B” and “Caroline, No.” (Listen to the full album here.) Tour dates during this anniversary run also include stops at the Ottawa Jazz Festival on July 3, Toronto on July 4, Burlington, VT, on July 6, New York City’s Beacon Theater on Sept. 24 and at the University at Buffalo Center for the Arts on Sept. 28. The Chevy Court concert is set for Mon., Aug. 29 at 8 p.m.; the show is free with admission to the fair.

    According to Syracuse.com, Troy Waffner, acting fair director, dubbed the concert as a “once-in-a-lifetime event,” adding that, “this will be a magical night for fans of that band and album, but also a great night for others to discover some of the most important music of its time.”

  • Medeski Martin Wood Plan 25th Anniversary in New York City

    Although the jazz-funk fusion trio has been silent for bit, Medeski Martin and Wood recently announced the release of a new record this fall, followed by the news that the band would celebrate its 25th anniversary with two shows in New York City in October.

    MMW 25th anniversary

    After performances at Colorado’s Red Rocks Amphitheatre (July 22) and in Esslingen, Germany, (Sept. 2), John Medeski (keyboards), Billy Martin (drums) and Chris Wood (bass) will regroup for two nights at Le Poisson Rouge in New York City. The Bleecker Street venue currently rests on the site of the old Village Gate where MMW played their first show together. The anniversary concerts are set for Oct. 19 and 20; special guests are soon to be added to the bill.

    As reported by Jambase, the news that MMW was back in the studio at work on a new album came from a Tweet by drummer Billy Martin:

    MMW dropped their debut album Notes From the Underground in 1992, and the group’s last release Free Magic came out in 2012 via the band’s label Indirecto Records. In 2011, MMW recorded brand new tracks to celebrate the 20th anniversary of their musical journey together, and aptly named the compilation 20. This fall, the three-piece is releasing a collaborative recording with the 20-member ensemble Alarm Will Sound.

    Tickets for the quarter-century celebration — both single-day and two-night offerings — went on sale at noon today through the venue’s website.

  • Mountain Jam 2016: Day 4

    Unlike the previous three days, the weather at the onset of Sunday, June 5, at Mountain Jam 2016 was gloomy with continuing patches of rain. People throughout the campgrounds were picking up their equipment and assessing any damage. The storm hadn’t been overly aggressive, but that didn’t stop things like camping canopies from collapsing under the weight of accumulated rainfall.S Malinski - Michael Franti - Mountain Jam 2016-8

    Once everyone completed their morning cleanup, regular plans for the last day of the festival started. Parents and kids joined together in Healey Hall at 9 a.m. for Yogarama with Bari Koral, a yoga instructor who brings fun music into the mix to make yoga interesting for kids. And of course yoga for the older kids was next, led by none other than Michael Franti. Originally scheduled to be held in Dolan’s Lake Park, across Ski Bowl Road from the festival grounds, Franti’s yoga session had to be moved into Healey Hall due to the inclement weather.S Malinski - Micheal Franti yoga - Mountain Jam 2016

    After yoga with Franti, Michael joined Radio Woodstock in their Mountain Jam booth for an interview and a quick song. NYS Music was there to experience his time on the radio and sing-along with him and the rest of the crowd who gathered around; Franti loves to be surrounded by people, while he plays—it really fuels his love-filled music and performance.

    Meanwhile, Woodstock native Elijah Wolf, Boston-based Quilt and New York City’s London Souls played on the Valley Stage. The continuing mist didn’t stop fans from throwing on rain gear and enjoying themselves on the final day of Mountain Jam 2016. Like the previous day, the schedule had a change, and it caused Michael Franti’s Mountain Stage performance to be the last main stage show of the weekend—except this time the schedule change was caused by mother nature.

    S Malinski - The London Souls - Mountain Jam 2016

    Severe weather alerts came across the PA system, and everyone was instructed to pack-up their belongings as quickly as possible and either leave the grounds or seek shelter immediately. No one knew exactly what to expect from the weather, but the general fear was that high winds would cause structures, like the stages, to become unsafe. Attendees complied as best as possible. Some were able to pack-up and depart, while others fastened down their equipment and congregated in the main lodge to wait out the storm.

    Many festival-goers were sad that they had to miss the final three acts of the weekend—Brandi Carlisle, Third World and especially, the Avett Brothers. Safety is always understandable, but that doesn’t quell unrest about an upheaval of musical plans. Luckily, thanks to Radio Woodstock, a secret set popped up in the media loft where the radio station had been broadcasting all festival long.S Malinski - Avett Brothers - Mountain Jam 2016

    The buzz about this secret set started to spread throughout the crowd inside the lodge, just downstairs from the loft, but no one knew exactly who was going to play and where. Suddenly, some stage crew started carrying in instruments and brought them up to the radio booth, followed by four gentlemen who make up the originally scheduled closing band, the Avett Brothers. After some audio setup, the indie-folk quartet played a four-song set over the airwaves and over the station’s PA system, which was turned up and pointed at the crowd downstairs. After each song, applause erupted from below. It was clear that the remaining festival-goers recognized just how lucky they were and how much they appreciated the Avett Brothers’ humble and apologetic attitude toward having to cancel last minute.

    As the weekend finally drew to a close, people sat around recapping the events of this year’s Mountain Jam. Everyone had their own individual experiences, but the final product of all experiences was joy and an overall feeling of fulfillment. Much sought-after music had been enjoyed to the fullest, and everyone knew that the 2016 festival season was truly underway.

    Check out the photo gallery below—captured by Steve Malinski—to experience the fourth and final day of the twelfth annual Mountain Jam.

    [FinalTilesGallery id=’822′]

  • Mountain Jam 2016: Day 3

    Saturday, the main day of Mountain Jam 2016 had arrived. Attendees stepped out into a brand new day of the weekend. The warmth started to set in as the fog fully broke at about 9 a.m. It was easy to tell the day ahead of music and festivities would be glorious, sun-filled and containing an item that many people would be crossing off of their musical bucket lists after nightfall.

    S Malinski - Nathaniel Rateliff and the Nightsweats - Mountain Jam 2016-3

    The day started off with an act in Healey Hall that has helped bridge the parent-child festival gap at Mountain Jam for multiple years. Ratboy Jr., comprised of Timmy Sutton (rhythm acoustic, electric guitar, vocals) and Matty Senzatimore (drums, keyboards, bells, vocals) provide families with a friendly place to bring their children first thing in the morning. As we all know, the children get up early and must be entertained. Described as “Ween-esque,” whose “intergalactic folk music is paired with curious subject matter like eating clouds, high five-ing shadows, big-headed Mexican wrestling hopefuls, space fuzz and guitar pickin’ chickens,” by Out With The Kids, Ratboy Jr. has become just as important of an act at Mountain Jam as most other supporting acts the core attendees arrive to see.

    S Malinski - ASL Interpreter - Mountain Jam 2016Once the children had their fill of silliness to hold them over until after nap time, the rest of the spectacular and diverse schedule of music, events and workshops started to unfold. Next up in Healey Hall was the Paul Green Rock Academy, a school in Saugerties, NY, that is driven to show kids a path to success onstage through interactive performance-based lessons, with the goal of creating genuine music through creativity and experience. While the kids were rocking out the Hall, Rochester-based Mikaela Davis was performing on the Valley Stage. Mikaela was a late addition to the bill when Gary Clark Jr. had to suddenly back out. Shortly after, Darlingside, a Cambridge, MA, indie-folk band, hit the Mountain Stage. NYS Music was fortunate enough to be nearby when Darlingside stopped by Radio Woodstock’s live broadcast area for a quick set and captured a clip on Instagram.

    S Malinski - Houndmouth - Mountain Jam 2016-3

    The Mountain and Valley Stages’ next acts were dynamite, to say the least. After Mikaela Davis played, Con BrioSon LittleLettuce and Houndmouth finished out the Saturday music on the Valley Stage. Alternating from those acts on the Mountain Stage were Sister Sparrow and the Dirty Birdsthe Record Company, a Warren Haynes solo set (another addition from the Gary Clark Jr. cancellation) and Nathaniel Rateliff and the Night Sweats. Each of the last acts on the two concert field stages played to the audience as dusk turned to night.

    While those bands played their sets, Healey Hall was home to a couple of workshops, one by Jay Blakesberg, in which he gave an abridged version of his book tour presentations he gives all over the country. Jay told NYS Music that he normally talks a lot longer about his books, but since he only had 45 minutes he chose to dedicate more time to a question-and-answer session and signing books for fans. There was also a documentary on Lettuce follow by an opportunity for participants’ questions, and then another documentary called A History of Cannabis in America. These events helped many attendees get more out of this mountain festival by allowing an in-depth view into portions of the music industry.

    S Malinski - Lettuce - Mountain Jam 2016-4

    Once the sun was down, the face of the mountain filled to the point that a nine-year veteran attendee exclaimed that the crowd was the largest he’s ever seen on a Saturday night. He hypothesized that it could be attributed to large single-day ticket sales sparked by the 9:30 p.m. act, Beck. Unlike most acts at festivals, Beck came out late, but no one was upset once he hit the stage.

    S Malinski - Beck - Mountain Jam 2016-2

    Beck opened up his set with “Devil’s Haircut” and naturally, the crowd erupted with cheers. Anyone who has seen one of his shows knows just how amazing the next hour and a half went. The set list of Beck’s performance was equally as eclectic as his history of songwriting and production. Aside from the opener, he played hits like “Loser,” “Que Onda Guero” and “E-Pro.” He also paid homage to the late artists Prince and David Bowie by covering “Raspberry Beret” in the latter half of his set and by playing part of “China Girl” during his band introductions in the middle of the encore, “Where It’s At.” Once Beck’s set was over, no one could stop talking about how electrifying he was. However, there wasn’t a soul who was worried about a lull in the fun, since the late-night acts to come were certain to keep people’s ears filled with topnotch music and help their feet continue to kick the dust around with a variety of impromptu dance moves.

    The first act of the late night was Con Brio, playing their second set of the night, but this time in Healey Hall, which due to the last-minute schedule changes overlapped Beck’s set by a half hour. Next up was Thievery Corporation on the Mountain Stage. Lettuce finished off Saturday’s music in Healey Hall and played to a packed house, while the oh-so-common Mountain Jam rain finally made its first appearance of the weekend.

    Slowly, but surely, people made their way back to their campsites to ensure everything was watertight in anticipation of any increased precipitation. The biggest hope on everyone’s mind was that the rain would move in and out while everyone was sleeping so Sunday’s big acts like Michael Franti, Brandi Carlisle and the Avett Brothers would be able to perform under clear skies. Little did they know the weather had different plans for Sunday.

    Check out the photos below taken by our staff photographer, Steve Malinski, throughout Day Three of Mountain Jam.

    [FinalTilesGallery id=’816′]

    [FinalTilesGallery id=’818′]

  • Mad Tea Party Jam: A Fusion of Art and Music Not to Miss

    The Mad Tea Party Jam is a festival that friends have been buzzing about for years. This year, I am finally going to make it, and I’m excited to bring you the inside scoop of the weekend, garnished with a gallery by Amanda Siedner.

    This year’s Mad Tea Party Jam will take place from June 16 through 19 in Artemas, PA, at the Four Quarters InterFaith Sanctuary, a new location for the festival. This will be the fifth anniversary of the event, which began as the wedding of Elise and Taco Olmstead, founders of the Appalachian Jamwich. Now it is an anniversary celebration that the couple shares with everyone, and it’s a gathering that focuses heavily on the art community, in addition to packing the weekend with amazing musical experiences (see the video below).

    11698804_489710994528817_8264487173674825419_o

    The Lineup

    Topping this year’s lineup are Papadosio, Twiddle and Tauk, with each playing two sets. Other scheduled artists include Consider the Source (Radiohead Set), Big Something and Aqueous playing three sets each, two Broccoli Samurai sets, the Jauntee, the Primate Fiasco, Electric Love Machine (ELM), two Litz sets, Deltanine, Definition of One, Oh Kee Pa and more (see the full schedule here).

    13301343_1109814322408945_7881760746996204642_o

    Artists and Workshops

    Throughout the weekend, there will a team of live painters creating visual art for festival-goers to explore while enjoying the music. The weekend is jam-packed with alluring workshops. Notably, Dale Allen Hoffman, the key-note speaker, will offer “profound insights about Mary and the Divine Feminine” in his workshop “Isis-Magdalene and the Sacred Fire of Ecstasy.” You can learn sacred geometry/mandala making with Charles Gilchrist, or learn about innovative eco-sustainable architecture with Gariel Carazos. There will be a 90-minute vinyasa-style Yoga workshop with Courtney Gabinetti to help open your heart, and a Laughter Yoga Workshop with Damon Owen. Other workshops include an Empowerment workshop, Healing Through Hoop, Merkabah Light Body Activation, among others. You can see the full list of workshops and their descriptions here.

    11427419_489711204528796_5241767167384976443_o

    Camping

    The new location seems to be a great fit for such a spiritual, art-geared event. According to the website, since 1994, “Four Quarters has been growing functional cultural alternatives, firmly grounded in an Ecological and Earth Spiritual perspective… A sacred place in the Alleghenies, set aside in perpetuity as a Sanctuary for Nature… and for People.” It will feature a shaded camping area perfect for hammocks, a swimming hole for festival-goers to dip into to cool off and two fishing ponds. You can learn more about the Four Quarters InterFaith Sanctuary on their website.

    Mad Tea Party Jam offers a VIP experience that will feature camping closest to the stages and the VIP lounge, catered dinner with the bands, a VIP laminate and a Merch Package. There will be a costume theme on each of the three nights that the website encourages people to “interpret loosely;” Thursday is Toga, Friday will be Disco and Saturday plans for a Star Wars/Space theme.

    11053493_489705661196017_8739873159811355503_o

    Things to Know

    According the Mad Tea Party website, festival-goers won’t be able to camp next to their cars, however, they will be able to drop their things off at their campsite before driving the car out to parking. Children are welcome at the festival; anyone under the age of 13 will be admitted for free. Water stations will be available, as well as a few small restrooms with showers, in addition to the porta-potties around the grounds. Mad Tea Party is a BYOB event for those of the legal drinking age, but Four Quarters will be selling bottles of their mead. Bad attitudes, glass, fireworks, pets are among things listed as not welcome at the festival.

  • Aqueous Announces New Drummer

    Buffalo groove rockers Aqueous announced they have ended their search for a drummer. After months of video submissions and touring auditions, the band announced via their Facebook page that Cincinnati native Rob Houk will solidify the quartet’s lineup.

    The official statement hit just as the band looks to hit the road with a strong summer festival touring schedule.

    aqueous new drummer

    ANNOUNCEMENT- We’d like to take a minute today and officially welcome the truly amazing Rob Houk to the Aqueous family as a full time member/drummer! We searched high and low to find the right fit, and not only is Rob an incredible musician that we all connected with immediately, but he’s also THE RADDEST dude- As many of you already know from having caught recent AQ sets with him behind the kit, this guy is the real deal, and we’re all feeling super inspired by what he’s brought to the table- get ready friends, big things coming. Welcome Rob!

    On the other side of the coin, we’d like to sincerely thank ALL of the wonderful drummers who put in time and effort submitting great applications and specifically thank those who helped fill the spot temporarily and keep AQ going while we figured it all out, we deeply appreciate how much work everyone put in and means so much- THANK YOU! Onward.

    Aqueous announced in December 2015 that they were looking for a new drummer.  The band made the decision to not only make the search public, but to also extend the search nationally. Houk told NYS Music that he learned of the band’s search quickly via Facebook. “The day they announced it, that was all I saw on my news feed. There’s a ton of AQ [Aqueous]  fans in Cincinnati, so all of my friends were posting about it.”

    A few weeks after a video audition,  the band met with Houk. After that audition proved to be a success, the band gave Houk the opportunity to play with them at the Original Mother’s in Chicago on March 24. That led to Houk sitting in with the band as they hit the road in Colorado and the Midwest at the beginning of April.

    Aqueous and Houk made their way back to Buffalo on April 9, where Houk got to experience playing with the band in their hometown, an experience Houk said he enjoyed.

    The energy of that room was something I had never felt before honestly. The amount of love the city of Buffalo has for AQ is something really special. In was truly an honor to play for a crowd of people that care so much about the band. I immediately felt at home.

    Houk has a variety of musical experience behind the kit, spending time in bands spanning a variety of genres including punk and hip-hop. He is also the resident studio drummer Colemine Records, a funk and soul label based out of Loveland, Ohio. He recently played with the Cincinnati based livetronica band Ethosine.

    Among his favorite bands of all time, Houk notes a list of artists, some of which Aqueous has shared the stage with. “Some of my favorite bands of all time are Umphrey’s McGee, Dopapod, Papadosio, Ween… There’s a long list. I try to find influence in everything I listen to.”

    Houk will play his first show as the band’s official drummer in Buffalo this Wednesday when hometown fans of Aqueous can catch the band play a free show at Buffalo’s Larkin Square. The band has already kicked off the summer with festival spots at Summer Camp, Domefest and the Paradise Music Festival. You can check out Aqueous with Houk behind the kit this summer at Electric Forest, Peach Fest and Disc Jam as well as Western New York-area festivals including Buffalove and Night Lights Festival.

  • Charley Orlando Unveils Summer Tour Dates

    Charley Orlando, the folk-rock singer-songwriter from Glenville, will perform across Central New York this summer.

    The artist released the dates of his upcoming shows this week. He will perform solo at Funk n’ Waffles in downtown Syracuse at 8 p.m. Sunday, June 12. Tim Herron will also play that night.

    The following weekend, Orlando is scheduled to perform at Cortland Beer Company in Cortland and Art on the Porches in Syracuse on Friday, June 17 and Saturday, June 18, respectively. In the Friday show, the singer will be joined, as he often is, by the musicians of his band RUHA.

    unnamed

    One of Orlando’s other projects — Pearly Baker’s Best, a Syracuse-based Grateful Dead tribute band — will play twice this summer. The group will be at Funk n’ Waffles on Saturday, July 9, as part of Hippie Ball II before appearing at Ray Brother’s BBQ in Bouckville for the Jerry Garcia Celebration on Friday, Aug. 5.

    Orlando has released 13 albums, most recently StarSeed in 2014. On his website, Orlando refers to the album as “an unconventional recording style creating rhythmic patterns and atmospheric layers in Ableton Live first, before adding guitar, harmonica, and finally vocals to each track.”

    Charley Orlando summer 2016 tour dates:

    • June 3 — Taste of Syracuse, Syracuse, NY — 5:45 p.m. (RUHA)
    • June 4 — Maxwells, Syracuse, NY — 7 p.m. (solo)
    • June 10 — Old City Hall, Oswego, NY — 7 p.m. (solo)
    • June 12 — Funk n’ Waffles, Syracuse, NY — 8 p.m. (solo)
    • June 17 — Cortland Beer Company, Cortland, NY — 8 p.m. (RUHA)
    • June 18 — Art on the Porches, Syracuse, NY — 11 a.m. (solo)
    • July 9 — Hippie Ball II, Funk n’ Waffles, Syracuse, NY — 8 p.m. (Pearly Baker’s Best)
    • July 31 — KMASE & Cones, The Ice Cream Stand, North Syracuse, NY — 12 p.m. (solo)
    • August 5 — Jerry Garcia Celebration, Ray Brother’s BBQ, Bouckville, NY — 8 p.m. (Pearly Baker’s Best)
    • August 13 — SeedStock VIII, Cortland, NY — 12 p.m. (RUHA)

    https://youtu.be/dUGkf-meigY

  • Mountain Jam 2016: Day 2

    20160603_MountainJam_TheSuitcaseJunket_Performance_Timmermans_0039On June 3, festival-goers awoke in their tents, RVs, and hotel rooms to a beautiful day ahead. The temperature was in the low 60s, there was some light comfortable wind blowing through the mesh of tents, and some clouds in the sky, which kept the sun from waking people up hot and sweaty. Most importantly, there was the first full day of Mountain Jam 2016 ahead.

    The day of music got underway on the Valley Stage with The Suitcase Junket, a one-man-band out of Amherst, MA. Matt Lorenz entertained the crowd with his adaptation of a music man, crooning out sweet lyrics, while smoothly playing a combination of a variety of instruments to accentuate those heartfelt vocals.

    The next couple of acts to hit the Valley Stage were Marcus King Band and Love Canon. Marcus King and his band proved to be a crowd favorite and was invited to play a small acoustic set live on Radio Woodstock, which is broadcasting on-site all weekend. NYS Music captured a moment of that radio set on Instagram. Love Canon, a fast-paced bluegrass band with a keen ability to cover Top 100 songs got the late-afternoon crowd fired up for the evening to come. Their covers of J. Geils Band’s “Centerfold” and Africa’s “Toto” ensured that as few butts were on the grass or in chairs as possible.

    The Mountain Stage had its first act early in the afternoon, with And The Kids, a band based in Northampton, MA, who labels themselves as not just indie rock, but as an existential and accessible form of music.  After this unique and subtle yet powerful trio was a band who has worked hard to be thought provoking with the depth to assist generations with escaping the ease of apathy.  That band with such an intense charge is Nahko and Medicine for the People.  NYS Music was fortunate enough to catch a few minutes with Nahko, an artist with a great heart and his mind truly in an enlightened state.

    20160603_MountainJam_Nahko_Performance_Timmermans_0378

    “A lot of the music that I eventually opened up to that fueled my own style of writing came from [the Sixties]. The old story-telling of a time when there was a very strong movement, as far as a social movement goes, to become aware of yourself and to be involved in your political structure and to be involved in making democracy work for the people.” He goes on to explain that he doesn’t see his music having a political drive. Instead he prefers to label it as having political content and some non-fictional history lessons, which is ultimately positioned to open fans’ minds in order to do their part in shaping a better world.

    The Santa Monica, CA based band was here playing their first Mountain Jam and were excited to say the least. The only disappointment was that they had to leave almost directly after their set. However, the reason was nothing short of incredible: they are performing at a Bernie Sanders rally in San Diego, CA.

    The Mountain Stage then welcomed Courtney Barnett, the Melbourne, Australia-based singer, song writer, guitarist and all-around bad-ass performer. Courtney brought her attitude-filled full-bodied sound to the Catskill Mountains, introducing many to her music and galvanizing the crowd when she played The Grateful Dead’s “New Speedway Boogie” for her first time ever in front of an audience. NYS Music posted a clip of that excellent cover on Instagram as it happened.

    S Malinski - Courtney Barnett - Mountain Jam-3

    Immediately after the Australian indie-rocker finished her set, Brooklyn’s own Turkuaz got things started on the Valley Stage. Anyone who has seen this power funk ensemble knows that the impending set they stand anxiously waiting to see will fill everyone’s ears with a ground shaking orchestration. Turkuaz shows everyone why this relatively young band has started to gain the momentum that is likely to carry them to very high places in the national music scene and possibly beyond.

    S Malinski - Turkuaz - Mountain Jam-4

    As the evening led into night, Mountain Jam 2016 was captivated by the music of Jason Isbell and Chris Robinson Brotherhood, who was making their return after having been on the Mountain Jam X billing in 2014. By the time CRB was wrapping up their ever-soul-filled set, dusk had settled in nicely and the previously anticipated rain had decided to issue a stay of aquatic festival execution.

    The soon to be chilly night was then taken over by an incredible pair of Mountain Stage acts.  Wilco was tasked with firing up the crowd for the historical host of Mountain Jam, Warren Haynes. The veteran band completed their assignment with mastery, giving a massive crowd of long-time Wilco fans and first-timers alike the 90’s alternative rock fix they’d been seeking, whether they knew it or not.

    After Wilco, there was a 30 minute lull. That gave people enough time to run and prepare for the host to present his musical bounty. Gov’t Mule took the stage just before 11:00 pm to a crowd itching to hear the drawl of that Southern rock. It’s not easy to forget how breathtaking of a show the Mule gives its fans, but if someone in that crowd had forgotten, they were immediately reminded when the band opened up with the Black Sabbath cover “Sweet Leaf.”  They proceeded to give the audience some of their favorites, including “Thorazine Shuffle” and “Funny Little Tragedy,” which finished with a “Thorazine” reprise, Traffic’s “Dear Mr. Fantasy,” “Mule,” in which the festival was teased with riffs of “Shakedown Street,” and then finished with a “Soulshine” encore.

    S Malinski - Wilco - Mountain Jam 2016-3

    When Warren and his crew of troubadours left the Mountain Stage the crowd was split in two.  Those who filed toward Healey Hall for The New Mastersounds and those who sought the comfort of their camp sites, RVs and hotels after a long first full day of Mountain Jam 2016. For the latter, rest was needed to ensure the best experience of the Saturday of music and events to come, while the former knew that it would take a powerful force to stop their momentum.S Malinski - Gov't Mule - Mountain Jam 2016-4

    Today, the third day of the 12th annual Mountain Jam, the festival-goers are in store for a day filled with amazing music and other incredible events. Sister Sparrow & The Dirty Birds, Beck and Thievery Corporation have Mountain Stage duties.  Son Little, Lettuce and Houndmouth will be playing their sets on the Valley Stage. All the while there will be workshops, documentaries and Q&As from the likes of Jay Blakesberg and Lettuce. Late night will be covered by the sounds of Con Brio and then Lettuce. Whether you haven’t yet streamed Mountain Jam 2016 or if you have all along, be sure to visit Tourpedo to stream all of these great artists. In the meantime, check out these galleries from yesterday by our staff photographer, Steve Malinski.

    [FinalTilesGallery id=”806″]

    [FinalTilesGallery id=”807″]

  • Boy and Bear to Make a Pit Stop in Albany

    Australian five-piece indie-folk band Boy and Bear will make a pit stop at the Hollow in downtown Albany on Wed., June 8. Venturing from Toronto to Albany and then to Buffalo and New York City, the group will give the Capital District a rare treat to see a band currently on the rise and promoting their third release, Limit of Love.

    The band formed in 2009 in Sydney by singer-songwriter Dave Hosking, who quickly teamed up with Killian Gavin (vocals, guitar), Timothy Hart (drums, vocals), Jonathan Hart (vocals, mandolin, keyboards) and David Symes (bass) to release their debut album Moonfire in 2011. The critically acclaimed Moonfire, which was recorded in Nashville, won numerous Australian Recording Industry Association music awards, while Limit of Love was formed at Peter Gabriel‘s Real World Studio in England. Limit of Love remains the band’s greatest attempt at honesty and good old-fashioned recording with zero automation and minimal takes, which is frequently matched and backed up in their live performances.

    Sandwiched in between Moonfire and Limit of Love was the band’s grandest release, Harlequin Dream, featuring the hit song “Southern Sun” that prominently featured slide guitar and was noted to be an homage to Australian artist and guitarist Richard Clapton. It was also the tenth most played track on the triple-A radio format in the United States in 2014. Smooth singing Hosking cuts through his lyrics like room temperature butter, making each song seem more heartfelt and emotional. While Limit of Love differs quite a bit from Harlequin Dream, both offer a shining glimpse into the guts and heads that make up Boy and Bear.

    WEQX welcomes Boy and Bear to the Hollow in Albany on June 8;  doors open at 8 p.m.