Capital Region rockers Wild Adriatic recently rolled out dates for a Eurotrip and U.S. tour as well. The three-piece group will head out on the road beginning Feb. 11 in Boston and wrapping up May 15 in Spain.
Fresh off the heels of their debut voyage on the Rock Boat, where they played an all-Zeppelin set and jammed onstage with Sister Hazel, Michael Franti and Gavin Degraw, WA’s upcoming tour includes Northeast-heavy dates with home state stops in Corning, Saratoga Springs, Rochester, Syracuse, Brooklyn, Buffalo and Jamestown before returning to Europe for a four-week headlining run.
The blues-rock band consists of Travis Gray (vocals, guitar), Rich Derbyshire (bass) and Mateo Vosganian (drums); supporting groups that will share the bill with WA during this winter/spring tour will be the Mallett Brothers Band, Let’s Be Leonard, Turkuaz, Sister Sparrow and the Dirty Birds, the Suitcase Junket and Animal Years.
This January, WA released their first full-length live album from their two-night performance in Albany last October and will record the upcoming Feb. 20 show at Putnam Den for a possible future album. The band’s self-titled EP dropped in 2011, and their most recent collection debuted May 2015 as the five-song Never Enough. Although, according to the press release, WA has a new record in the works:
We’ll be back in the studio making our second full length record in Fall 2016. Hoping to release Early 2017 and we have never been more excited to get in the studio and create! So much inspiration over the last few months, I know we have a few more tunes in us to get out before we hit the studio but we are very excited with how the material has come together so far!”
Tickets for all 2016 show dates are on sale through Wild Adriatic’s official website.
Wild Adriatic 2016 Tour Dates:
2/11 – Boston, MA – Lansdowne Pub^
2/12 – Burlington, VT – Nectar’s^
2/13 – Sugarloaf, ME – Sugarloaf Mountain^
2/18 – Corning, NY – Corning Museum of Glass 2300 Series
2/19 – Portsmouth, NH – Birdseye^
2/20 – Saratoga Springs, NY – Putnam Den*
2/25 – Rochester, NY – Flour City Station
2/26 – Syracuse, NY – Funk N Waffles Downtown*
2/27 – Stratton, VT – Grizzly’s%
3/3 – Worcester, MA – Electric Haze
3/4 – Brooklyn, NY – Brooklyn Bowl#
3/10 – Sellersville, PA – Sellersville Theater
3/11 – Mifflinburg, PA – Rusty Rail
3/12 – Asbury Park, NJ – Wonder Bar
3/16 – Washington, DC – Black Cat~
3/17 – Mercersburg, PA – Mansion House~
3/18 – Philadelphia, PA – Milkboy~
3/24 – Hartford, CT – Arch Street Tavern
3/25 – Manchester, VT – The Perfect Wife
3/26 – Stratton, VT – Grizzly’s*
3/31 – Pittsburgh, PA – Thunderbird Cafe
4/1 – Buffalo, NY – Buffalo Iron Works
4/2 – Jamestown, NY – Shawbucks
^ – w/ The Mallett Brothers Band
* – w/ Let’s Be Leonard
% – w/ Turkuaz
# – w/ Sister Sparrow and the Dirty Birds & The Suitcase Junket
~ – w/ Animal Years
4/14 – Oostende, Belgium – Bada Bing
4/15 – Kortrijk, Belgium – Den Trap
4/16 – Krefeld, Germany – Kulturrampe
4/17 – Turnhout, Belgium – Dax Cafe
4/19 – Norderstedt, Germany – Music Star
4/20 – Malmo, Sweden – St Gertrund
4/21 – Hamburg, Germany – Sound Yard
4/22 – Bordesholm, Germany – Albatros
4/23 – Singwitz, Germany – Kesselhaus
4/26 – Bratislava, Slovakia – Muzeum Obchodu
4/27 – Kufstein, Austria – Eggers
4/28 – Besancon, France – Passengers Du Zinc
4/29 – Alencon, France – La Luciole
4/30 – Rouen, France – Hipster Cafe
5/2 – St Etienne, France – Thunderbird Lounge
5/4 – Bilbao, Spain – Antzokia
5/5 – Ourense, Spain – Cafe Auriense
5/6 – Cangas, Spain – Salason
5/7 – Aviles, Spain – Centro Niemeyer
5/8 – Leon, Spain – Gran Cafe
5/11 – Estepona, Spain – Louie Louie
5/12 – Murcia, Spain – Garaje Beat Club
5/13 – Castellon, Spain – Veneno Stereo
5/14 – Valencia, Spain – Pabersematao
5/15 – Torredembara, Spain – La Traviesa
The original Woodstock took place in 1969 in Bethel and became one of the most famous music festivals of all time. There have been two other Woodstock anniversary festivals in the past, Woodstock ’94 in Saugerties and Woodstock ’99, held in Rome, N.Y., which came to a rather disastrous end with rioting, fires and police lines.
Singer-songwriter and blues guitarist Samantha Fish’s third studio release, Wild Heart, is rife with powerful vocals, raunchy guitar riffs and thunderous drumming. Fish’s vocals will remind listeners of other female powerhouses like Grace Potter and 
As a perpetuation of Bowie’s gift, the artwork for Blackstar has been released for non-commercial use. Artist 
So when I found out earlier this week that it would be acoustic Candlebox, I gave pause because I was expecting the full band instead of something stripped down. Expectations were set on electric but acoustic performances of songs you’ve listened to for more than 20 years was a change I could get behind. Within moments of Kevin Martin discussing the story and the conditions behind writing “Sweet Summertime,” I became intently focused, more so than I would have been hearing the usual renditions from the Candlebox lexicon, without a little something extra on the side. Over the next two hours, Martin and Brian Quinn played a dozen Candlebox songs and gave insight into how these compositions were created amid turbulent paths taken by the band and behind the scenes.
It only took two songs to get to the dark side of Candlebox, and just like that, I was 17 again. “Drowned” was introduced as the result of Maverick Records, who launched Candlebox’s first album to national acclaim, faced pressure from in an effort to produce Lucy, the follow up their 1993 self-titled debut. “Cover Me,” has a religious focus, as Martin doubted that one lone god was the right one among the many gods throughout history.
Throughout the night, it was uncanny how the tone of Martin’s voice hasn’t changed a bit in 25 years; emotion packed lyrics poured out over intense guitar work from Quinn. Songs of longing, such as “Miss You,” was dedicated to his father, a WWII veteran, and “Love Come Back to Me” were stellar.
He did decline a request to play “Breakaway,” regarding the suggestion with “Memories of the process are very painful and the process of recording Happy Pills was so raw,” that to revisit the lyrics in this point and time wouldn’t have the same power and meaning behind them. “Far Behind,” written in tribute to Andy Wood from Mother Love Bone, whom they first knew in the Seattle scene in 1991, was given a new frame from which to hear the song.
After, Brian broke into “The Weight” to the surprise of the audience who sang along while a song off the forthcoming album, “Alive at Last,” closed the show. Without a doubt, acoustic Candlebox exceeded expectations and makes seeing the full live band a must with new light shed on songs that have aged well.
Frank Palangi, a Queensbury native, opened the show with a 30 minute set of gritty acoustic guitar work and flexible vocals that captured the attention of the crowd. Palangi channeled Faith no More, Alice in Chains, Lifehouse and other late 90s rockers through a series of originals that must translate well in a live, plugged-in setting. For a local musician opening for Candlebox at The Egg, the thrill was visible in his smile and on stage presence.