Category: Rock

Bearsville Theater Announces Spring Schedule

It’s no surprise that the Bearsville Theater in Woodstock released an exciting schedule for the spring.

This unique venue draws a variety of world-class artists throughout the year. This April and May will feature familiar names from several genres including folk, jam bands, reggae, funk and DJ sets.

Bearsville Theater sits in a wooded area about one minute outside of Woodstock. Guests can enjoy the Bear Café next door while checking out the Sawkill Creek. Radio Woodstock 100.1 WDST FM also shares the property. Fans of the venue return time and again for both the music and the incredible atmosphere.

Next week features rising stars Pink Talking Fish on April 7 followed by a funky treat a few days later on April 10: Paul Barrere & Fred Tackett of Little Feat with special guest the New Orleans Suspects featuring members of Neville Bros., Dirty Dozen Brass Band, the Radiators, James Brown and the Meter Men.

Grateful Dead fans can get their fix on April 15 with the Garcia Project and April 16 with Skeleton Keys featuring Todd Stoops of RAQ (formerly Kung Fu) and Alex Mazur of Gratefully Yours.

Folk group Elephant Revival from Colorado will play on April 30 and rising jam band stars Formula 5 take the stage on May 13.

A full schedule is available below. Please visit www.bearsvilletheater.com for details and tickets.

April 1 – The Mountain Goats

April 7 – Pink Talking Fish

April 10 – Paul Barrere & Fred Tackett of Little Feat with special guest the New Orleans Suspects featuring members of Neville Bros., Dirty Dozen Brass Band, The Radiators, James Brown, and The Meter Men

April 15 – The Garcia Project

April 16 – Skeleton Keys with Todd Stoops (Kung Fu) & Alex Mazur (Gratefully Yours)

April 23 – Ladies Night with DJ Lady Miss Kier of Deee-Lite and DJ Lady Verse

April 30 – Elephant Revival

May 6 – Feast of Friends (Doors Tribute)

May 7 – Tangoman & The Latin All Star World Beat Dance Band

May 13 – Formula 5 with Hayley Jane and Justin Hancock of Hayley Jane and the Primates

May 14 – Gary Nest Pine (former lead singer of The Wailers) & The Big Takeover

April 3, 2016
Slothrust Shreds at Baby’s All Right in Williamsburg

Slothrust shreds. This past Saturday Slothrust (Leah Wellbaum on guitar/vocals, Kyle Bank on bass, and Will Gorin on Drums) played Baby’s All Right in Williamsburg with Diet Cig, the playfully charming pop punk duo from Upstate, New York and YUNG, the killer rock band hailing all the way from Denmark. The show was sold out, the music was powerful, and the whole venue seemed to hum with the undeniably infectious energy of being young and alive in Brooklyn.

Slothrust finished up a month long tour at Baby’s that night and closed out the show. Their tour hopped all over the country, including five showcases at SXSW. As I watched them set up I wondered if they were worn out from tour, burnt out from travel, the back to back shows, the van life. I thought maybe their set would be a bit sluggish. I was dead wrong. They were tight. They are always so incredibly tight.

To start, they hit the crowd with a jam that was heavy like a ton of bricks and by mid set had leveled things out with both “Magnets part 1” and “Magnets part 2”, dark yet delicate crowd pleasers. The whole performance was a perfect balance; new songs and old favorites that provided a trip through intimate, emotional lyrics that were delivered with captivating, deadpan vocals and guitar riffs that rip right through you. It can’t really be compared to anything else. Slothrust is it’s own kind of strange darkness. Straight up grunge rock that can get you all choked up without a single cliche lyric to be sung.

They closed their set with “Crockpot” which is a spot-on representation of who they are as a band. It’s a sample of the dichotomy the trio has mastered; soft yet strong, gentle but raw and raging. A spellbinding sweetness broken by a build up that makes the blood flow faster through your body. As “Crockpot” rang out, the back lights made perfect silhouettes of the three talented musicians responsible for making the packed house sing along at the top of their lungs. It was then that I truly realized the power of Slothrust. I wholeheartedly believe their future holds something huge- something great. If you haven’t heard Slothrust yet, listen to “Of Course You Do” (their latest album which is an absolute masterpiece), get yourself to their next show, or do both if you know what’s good for you.

April 1, 2016
Larry Kirwan and Friends Mark St. Patrick’s Day With Comedy, Tradition, and Rock and Roll

A sea of green pooled around the sides of Fifth Avenue as the world’s largest St. Patrick’s Day parade stepped off to much better weather than expected, bringing over 200,000 participants to the celebration, and for some marked a new era of inclusion in the festivities. As the crowds fizzled away along the cross streets near the end of the five hour parade to their quotidian ways, some green-clad merrymakers were staggering a bit early while others continued their St. Patrick’s celebrations into the evening.

With countless pubs and venues in an already bustling music town there were plenty of ways to carry on into the night. Right in the heart of Midtown at Times Square former Black 47 leader Larry Kirwan assembled an eclectic and energetic lineup of entertainment at the B.B. King Blues Club.

As the early settlers of the dinner crew finished up dessert, the Lia Fail Pipe Band out of Mercer County, NJ performed a short set of tunes including a rendition of “The Foggy Dew,” a folk song about the 1916 Easter Rising. This traditional intro to the night helped disposition the show before comedian and long time yellow cab driver John McDonagh took to the stage as emcee for the night. Cracking a few entertaining observational jokes about the character of NYC and about some national politics (to a few mixed reactions), McDonagh helped kick the energy up a bit in the crowd, almost like a comedian warming up the audience before a taping of The Tonight Show.

The first musical act of the night required the need to term the mix of entertainment as eclectic. Rising NYC hip-hop artist Rory K (Larry Kirwan’s son) celebrated the release of his second album Young Professionals that night performing a handful of songs. While the genre may have been a bit different from the rest of the night, Rory K’s struck some chords with the audience. His confidence in the lyrics and exuberant stage presence made for an entertaining set, and possibly a new sound for some folks at B.B. King’s. Rory K’s night wasn’t completely over after his set was finished as he stepped back out later on for a father-son moment providing some freestyling over a portion of “Fire of Freedom.”

Stepping back into a more traditional setting, Black 47 co-founder Chris Byrne was joined by Andrew Harkin and Brian Tracey as The Lost Tribe of Donegal. As resident NYC musicians performing regularly at Rocky Sullivan’s in Red Hook (Brooklyn), they brought a mix of toe-tapping jigs and reels along with original compositions and a cover of Talking Heads’ “Life During Wartime” which blended a traditional sound with some rhythmic elements of modern rock music.

Black 47 last took the stage at the same place in Nov. 2014 with many somber emotions from fans after their final cover of “Gloria / I Fought the Law” and as Larry Kirwan took to the stage with his freshly assembled band there was plenty of cheerful delight to counter that nearly 18-month dejection. The band was made up of Kirwan, Coty Cockrell (keys), Deni Bonet (violin), Rene Hart (double bass) and former Black 47 bandmate Thomas Hamlin (drums). Joining the band for a few songs was multi-instrumentalist and virtuoso David Amram.

While nothing can replace the dichotomy that was Black 47 the cohesion on stage was remarkable. It was interesting to hear a handful of Black 47 tunes played with different instrumentation, particularly the keys and violin taking up the space where horns and uillean pipes were before.

The set list was comprised of several staples from the Black 47 catalog and a few new post-Black 47 songs penned by Kirwan. Of these songs, “Floating” had first made its debut this past fall at one of Kirwan’s solo acoustic gigs but now presented as a ballad defined that night by the beautiful sounds of Hart’s violin. Another new song hit the stage honoring Seán Mac Diarmada; dedicated this in memory of Sandy Boyer, host of “Radio Free Eireann” on WBAI, who recently passed away.

With the 100^th anniversary of the Easter Rising upon us, a theme of the night was the commemoration of the event. Though a minor element of the show, the songs “James Connolly” and “The Big Fellah” were part of the set in addition to the new song on Mac Diarmada. A Gaelic intro to “Big Fellah,” typically only sung on the studio version, brought the room down quiet before a distorted guitar cut through the silence. For “James Connolly,” an intuitive reaction from the crowd proves the power and legacy of the song.

Aside from the somewhat serious tone of the theme behind the show, there were many more fun moments throughout the night to bring back memories and excitement from the Black 47 years, particularly toward the end of the set with the booze-themed “40 Shades of Blue” and the former band’s MTV hit “Funky Ceili.”

Here’s looking forward to next St. Patrick’s Day in Manhattan.

Setlist:

Livin’ In America, Bas in Eirann, Big Fellah, Walk All The Days (w/ Chris Byrne), Fanatic Heart, Five Points, Camptown Races, Hard Times, Redemption Song -> Fire of Freedom (w/ Rory K), Floating, Sean MacDiarmada, James Connolly, Izzy’s Irish Rose, 40 Shades of Blue, Funky Ceili

Encore: Like a Rolling Stone

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March 31, 2016
Telegram at Pianos

Fresh from their appearance at SXSW and a packed week of NYC gigs, Telegram blazed, marched and paraded through a set of tightly wound, well-conceived, and – it must be said – extraordinarily loud songs at Pianos on Thursday, March 24. As a Brit myself I was heartened when the band, with their British accents and modest entourage, quietly streamed into the audience to catch the end of opening act Stephen Babcock and have a Stella or two.

I mention their entrance to the room, before they even got on stage, because their noticeability in a crowded room is pretty relevant: these guys, with leather tightly fitted and hair impressively styled, properly look like they are in a band. Once they are on stage, photographer Thom McKenna says to me, grinning: ‘One of the most English things I have ever seen.’ I agree, only to be caught off guard by the accent of frontman Matt Saunders as he introduces the band after their second song: ‘We’re from London’, he says, but his voice is not. A furrowed brow and a Google search later I confirm that Matt is, in fact, Welsh. It was the first of many times last night that my expectations were subverted by Telegram.

Telegram hurtled through their first couple of songs with bold assurance, gain-soaked instruments and a touch, I think it is fair to say, of glam-rock styling. It is tempting to lump Telegram in with a troupe of other ‘new psych bands’, as the Guardian did back in 2014, and as I had mentally done before even arriving at the show. But their third track of the night, ‘Inside/Outside’, with the its syncopated hi-hats and danceable snare cracks sharply glimmering through the mid-range overdrive, sets Telegram apart by the distinctiveness of their instruments and their musicianship. It cannot be overstated quite how loud the set was – one hopes for their sake that Matt, Pip, Moon and Cook wear ear-plugs on stage – but loudness does not equate to a hot mess. The guitar playing got pretty relentless at times, but it was always precise, with the rhythm often only hitting punchy downstrokes and the lead reverberating, echoing, and not ever, to my ear, muffling a note.

The bassist, Moon, is normally at the sonic frontier of the band’s sound. This is the case with their cover of Bowie’s ‘Heroes’. The bass is the backbone of the cover, and it does not fail to please the audience. The cover may well have been the highlight of the evening, which is no bad thing; nonetheless, it does make me wonder what it is about the song that makes it stand out just slightly above the rest of the band’s set. Perhaps it is the sheer spaciousness of ‘Heroes’, the way it demands that whoever is playing it give it room to breathe. Telegram’s sound can occasionally get so intense that they miss opportunities to let melodies expand, for ideas to soar and grow, as they instead move swiftly on to the next raging chord. As Telegram moves forward, I wonder if they will try to make room for more of whatever it is they managed to capture in that Bowie cover.

On Friday, March 25th, Telegram played at Brooklyn’s Shea Stadium. I am jealous of anyone who could make it and catch this forceful and impressive band on their last evening in New York City. Here’s hoping they return soon.

March 31, 2016
Plenty of Treats for Fans in moe.’s NYC Run

moe. pulled out some excellent segues and rare songs for their St. Patrick’s Day run in NYC.

The weekend started off St. Paddy’s Thursday with an intimate show at a smaller venue, Stage 48. The concert hall opened three years ago and has a capacity of about 1,100, with a horseshoe-shaped balcony area around the top, multiple bars and plenty of room for dancing.

The boys didn’t waste any time getting into it, launching into a nearly half-hour-long “McBain” to start the show, which then slid into “Down Boy.”

When guitar player Chuck Garvey took to his talk box in “Happy Hour Hero,” he sang into it a holiday wish for the crowd: “Happy St. Patrick’s Day you guys,” “I hope you have a very nice St. Patrick’s day. I hope you get real fucked up.”

The band then played “Downward Facing Dog,” but they didn’t finish it; instead they transitioned into “Deep This Time” to end the set. DFD is broken into two distinct parts, so it’s perfect to break up within a show, but it doesn’t happen often, if ever.

At the end of the set, bassist Rob Derhak, who had been coughing here and there throughout, made it pretty clear how he was feeling: “Thanks folks, I’m going to have to go get a blood transfusion, because that was like a four-hour first set.”

The second set didn’t let up, though. It was a festive ride from the opening notes of “Billy Goat” all the way through the set to the apropos “New York City.” The set only stopped once, after going “all the way down to the bottom” with “The Pit” then finishing up “Downward Facing Dog” with the part that gets dark and guitarist Al Schnier nearly growls out the lyrics.

After taking a quick breath, the band dove into the creepy-yet-whimsical “Bearsong,” which transitioned into Pink Floyd’s “Interstellar Overdrive.” Then the whole thing became a “The Pit” > “Tubing the River Styx” sandwich before going into “Farmer Ben.” Percussionist Jim Loughlin didn’t venture out from behind his setup as he often does when he’s singing a song, but it didn’t take any energy out of the crowd favorite that’s on the rarer side. The song always breaks down into a few covers, and this Ben had some very appropriate treats: “If I Should Fall From Grace With God” by the Pogues, “Shipping Up to Boston” by the Dropkick Murphy’s, and moe.’s own traditional Irish-sounding tune, “Raise a Glass.” The band played the full RAG and didn’t finish Ben before going into “New York City.”

The encore featured some neat play with lyrics. moe. started with Neil Young’s “Down By the River,” which they hadn’t played since 2002, then played their own “Wind It Up.” “River” begins with the phrase, “Be on my side. I’ll be on your side,” and WIU both starts with similar lyrics and ends with a repetition of that phrase.

3/17/16 Stage 48 setlist:

I: McBain > Down Boy, It >(nh) Smoke, Rise > Happy Hour Hero, Downward Facing Dog > Deep This Time

II: Billy Goat > Tubing The River Styx > The Pit > Downward Facing Dog, Bearsong > Interstellar Overdrive > The Pit > Tubing The River Styx > Farmer Ben > Raise A Glass > New York City

E: Down By The River > Wind It Up

Farmer Ben jam section: Ben> If I Should Fall From Grace With God > Ben > Shipping Up to Boston > Ben > Raise a Glass

On Friday, the fun moved to PlayStation Theater in Times Square. The band played the same venue in March 2015, but it was called the Best Buy Theater back then. This show kicked off right with “Yodalittle,” and the first set also featured a great “Puebla.”

The second set began with the band’s second time ever playing “Cosmik Debris,” a Zappa cover that moe. debuted at their Halloween show in Philly. That gave way to a string of songs lasting nearly or more than 15 minutes each, the highlight of which was “She.” The set ended with “Suck a Lemon,” which the band hasn’t performed since 2014, and they encored with “Bodhisattva,” a Steely Dan tune moe. hasn’t played since 2003.

3/18/2016 PlayStation Theater setlist:

I: Yodelittle > Blue Jeans Pizza, Puebla > Bullet, Calyphornya, Gone, Queen Of Everything

II: Cosmik Debris, Silver Sun >(nh) Kyle’s Song > Opium, She, Suck A Lemon

E: Bodhisattva, Mexico

Returning to the Playstation Theater on Saturday for the final night of the run, the revived audience welcomed moe. back to the stage with cheers and hands-full of beers. With a quick entrance and a 4-count, the evening blasted off with a rocking, short but sweet “The Ghost of Ralph’s Mom.” The highlight of the first set was the tasty “Brent Black” sandwich that included two fan-favorite covers from last year, House of Pains‘ “Jump Around” and “The Imperial March” from Star Wars. As the intermission approached, some fans filtered outside into the streets of Times Square and some took to the media center of the theater lobby to play the few select Playstation console games mounted to walls.

Set two came in easy with “The House of the Rising Sun,” which set a mellow mood for the “Lazarus” that followed. Special guest Suke Cerulo, from NY bands Lynch and Conehead Buddha, joined the group for a jammed out “Moth,” allowing Suke to explore the fretboard of his six-string guitar for the better part of ten minutes. That song is what the crowd needed to be picked up into full dance-mode again and Cerulo delivered with class. As the song ended, Suke waved to the grateful moe.rons and exited the dimly lit stage as Chuck melodically picked his way into “Rebubula.” It seemed as though the setlist for the evening was hand picked by Rob, since most of the songs were either written/sang by him or rhythmically driven by the bass guitar.

Before the encore, Al came out to sound off a few of the Al.nouncements for the night. Since some of the songs ran a tad over length and the “Hard” curfew was only a few minutes away, Rob hilariously slapped the scribbled on pieces of notebook paper out of Al’s hands and apologized to the audience saying, “Sorry. Blame me, blame me,” The crowd took it in stride and cheered as moe. executed an emotional “Ziggy Stardust” by the late David Bowie. A song which has become increasingly popular amongst the crew and community since Bowie passed away.

3/19/2016 PlayStation Theater setlist:

I: T.G.O.R.M., George, Blond Hair and Blue Eyes, Brent Black > Jump Around > Brent Black > The Imperial March > Brent Black

II: The House of the Rising Sun, Lazarus > Ricky Marten > Time Ed, Moth, Rebubula > Four > Rebubula

E: Ziggy Stardust

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March 30, 2016
Joe Russo’s Almost Dead Keeps Brooklyn Bowl Buzzing

To an interloper who missed opening night, witnessing Joe Russo’s Almost Dead at Brooklyn Bowl on Friday, March 25, could have been a bit like waking up on top of Mount Everest without knowing how you got there. Usually concertgoers stay alert for the peak moments of concerts that become precious memories. Night two of this sold-out three-night run felt like one big peak of something larger.

As a general rule JRAD plays Grateful Dead songs with all the force of a careening steam engine about to jump the tracks. On this night the band proved that they don’t even require a recognizable song structure to reach that energy level, as the opening improvisation dialed right in to the crowd-animating zeal cooked up the previous night.

Perfectly in line with the band’s signature ability to tear the Dead’s material away from its original context and invigorate it with original spirit, a five-piece horn section appeared at the start of “Hard To Handle” to add unprecedented texture and heat to the tune. Having set the tone for a night of “big band” Dead music, the dynamic of the Otis Redding-cover opener was balanced out with more Garcia flavor in “Franklin’s Tower”. “Feel Like A Stranger” took an abrupt dive into a spacey, bass-driven groove that quickly became the foundation of a jazz piano exposé by Marco Benevento. A spicy hot trumpet solo was a highlight of “Help On The Way,” which gave way to a particularly outlandish and adventurous “Slipknot!” A very carefully executed transition brought “Althea” to the fore in place of “Franklin’s,” which had already appeared in inverted position earlier in the set.

JRAD really showed Brooklyn Bowl what they’ve got as an original musical collective in the ensuing extended group improvisation, which called to mind Bitches Brew-era Miles Davis and was shaped by contributions from all band members. Lightning-fast fingerwork from Scott Metzger and trippy guitar skwonking by Tom Hamilton finally coalesced into an incredible whirlwind of a set-closing “The Other One”.

The second set began with a pair of punchy rockers, the mid-’60s novelty “Cream Puff War” kicking things off and “I Need A Miracle” regaining that steamrolling momentum established in set one. The gentle majesty of “Lady With A Fan,” embellished on this evening by beautiful flute parts, asserted itself at this juncture. The presence of the horn section recalled the orchestral flourishes on the studio recording of “Terrapin Station,” but the arrangement was something new and in harmony with JRAD’s high-intensity approach to this anthemic song. The cathartic, celebratory mood prevailing at this point was given some funky motive force with “Dancing in the Street”. A full-throttle “Cumberland Blues” brought the set to an end. A “Sugar Magnolia” encore inspired both daydreaming about springtime sunshine and anticipation of the third and final show to come.

The middle night of this Brooklyn Bowl run was notable for its expansive variety of soloists, with members of the guest horn section frequently stepping into the spotlight. Dueling exchanges of riffs between JRAD members heightened the ferocity of certain jams. Russo seemed determined to bolster every one of his nine fellow musicians onstage with muscular and relentless drumming, often accompanied by ecstatic facial expressions. The audience responded approvingly, to say the least, to this group as it payed homage to a legendary band with both humor and finesse. After an opening night featuring cover song debuts from outside the Grateful Dead repertoire and a follow-up show embellished with brass, it’s anybody’s guess what’s in store for round three.

Setlist:
Set 1: Hard To Handle > Franklin’s Tower > Feel Like A Stranger > Help On The Way > Slipknot! > Althea > The Other One
Set 2: Cream Puff War > I Need A Miracle > Terrapin Station > Dancing in the Street > Cumberland Blues
Encore: Sugar Magnolia

March 30, 2016
New York Minute: Troy Native Niki Lee Returns to Scene

Nicole Suto aka “Niki Lee” is an indie singer/songwriter living in Troy, NY who is returning to the live music scene after taking a hiatus to have and raise a child. Her first show in a self-admitted long while will be this Friday, April 1 at the Dinosaur BBQ. She opens up for fellow Lansingburgh natives, The Lawn Sausages, at 9 p.m. The show is free.

With the help of her friends Gary Levitt and Erica Quitzow of New Paltz, she recorded five tracks found on Reverbnation. She plays the guitar and loops her own backup vocals. “Accelerate” is a fun tune that shows off her playful, rocker side and incorporates the organ. Her sound is similar to Liz Phair and other 90s female musicians in the similar genre. Her style however is unique. Instead of your typical chord progressions, Niki often slaps the strings to create both percussion and notes.

“Faith” represents a darker side of Niki. This expression of negative emotion is something she says drives her to write music. Her live performances are a balance of both upbeat positive songs and those that are melancholy.

While performing live is something she intends to do, her real goal is to continue to write, produce and record music.

We recently chatted with Niki about her music and living in Troy.

After listening to your tracks on Reverbnation, we kind of get a Liz Phair vibe. Is that what has influenced you?

I first started really heavy in the singer, songwriter, kind of folksy vein, listening to Ani DiFranco, Suzanne Vega, really growing up with the 10,000 Maniacs, Natalie Merchant stuff. But I think it was really PJ Harvey who kind of hooked me into the electric guitar, not just playing acoustic. Then Liz Phair – I think I’ve probably listened to Exile in Guyville like a million times. I probably can sing the whole album from beginning to end, so yes, that’s a definite influence for me.

What inspires you?

I feel like a lot of the music that I’m playing now has been inspired by relationships, questioning the world about why things are the way they are and how you have an emotional reaction to that. A lot of my songs, I write when I feel upset about things so it’s very hard for me to write upbeat songs. When I’m happy, I’m not in the writing kind of mood, it’s so hard to write a happy song. But I know people don’t want to just hear bitching and moaning when they see me perform so I’ve worked in some positive ones as well.

So your show on April 1 will be the first one in a while, and a hometown show?

I’m opening up for the Lawn Sausages. A lot of us are from Lansingburgh, born and raised there. So it’s a lot of old time friends. I haven’t really played a gig in a long time and one of the members of the Lawn Sausages put this gig up so I asked if I could open for them. It’s going to be a very hometown, packed crowd. It will be a special gig because all my friends and family from years and years, being a Troy native.

I’ve traveled a lot, I’ve lived and played in San Francisco and New York City but I had to come back home. Something about being home it’s hard to get away from sometimes.

Do you have a favorite spot to hang out in Troy?

I really enjoy going down to the Farmer’s Market. It’s one of the best and the fact that it’s all year round is really great. My daughter loves Famous Lunch – we like greasy food in our family.

So I understand you had friends from New Paltz help you with your recordings. Did you go down there to do it?

Yeah. Gary Levitt and Erica Quitzow who I met in San Francisco but were from New York. After we all moved back I reached out to them because they are just amazing engineers and musicians. I asked them if they could record a few songs for me. I had done a few recordings in the past but never ones I felt proud of. I felt OK about them but they just didn’t represent how I wanted my songs to sound in a studio recording. These guys really nailed it. I like Imogen Heap and Tori Amos, people who pull in a lot of different elements and layered harmonies into their music. Unfortunately I can’t recreate that on stage so it will be kind of like a PJ Harvey four-track demos kind of feel at the show (laughs). I like pushing the boundaries of the singer-songwriter into the different musical sounds that you can play with and layer. It’s one of my favorite things about the music that I’m drawn to.

What else do you like to do when not songwriting or recording?

I work for the state as a budget analyst. I really like spreadsheets! (laughs) I do a lot of work with spreadsheets, tracking or spending. It’s nice because it’s really easy, it either adds up or it doesn’t. Plus, I don’t make the decisions of how it’s being spent In my free time I am a 4H Club co-leader for a dog training club call the Clover Paws. It’s something I do with my daughter. We have two dogs, so when I’m not making music or taking care of my daughter, I’m playing with my dogs.

March 30, 2016
Update: Project/Object Cancels Spring Tour

Announced this afternoon via Facebook, the Frank Zappa Tribute band Project/Object is postponing their April 2016 tour dates until further notice. The cancellation comes due to the ongoing health issues surrounding the group’s production assistant-social media manager-merch seller Robin Gelberg, who survived a tragic car accident about a month ago near Shelby, NC; she is the partner of the band’s guitarist Andre Cholmondeley. According to Cholmondeley’s post, this is the first time Project/Object has cancelled concerts during his time with the band since the 1990s. A support page has been set up for Gelberg through GoFundMe.

Project Object2:58 pm For Immediate ReleasePROJECT/OBJECT TOUR POSTPONEDIt is with a heavy heart that I have to…

Posted by Andre Cholmondeley on Tuesday, March 29, 2016

Original story:

On April 14, Project/Object will bring the sounds of Frank Zappa back to life on stage at The Hollow in Albany.

The alumni-based Zappa tribute band, featuring Ike Willis and Don Preston, is touring the Northeast this spring in celebration of the 50th anniversary of Zappa’s debut album, Freak Out! Willis’ booming baritone vocals and rhythm guitar appeared on Zappa band tours and albums from 1978 to the final FZ tour in 1988. Preston, a well-known synthesizer and jazz pioneer, played on the Mothers Of Invention records until 1974’s Roxy and Elsewhere; he has also scored soundtracks for feature films like Apocalypse Now.

The tour kicks off in Bridgeport, Connecticut, on April 7 and makes stops in Marlboro the following night before shows in Brooklyn, Buffalo, Rochester and closing out in Teaneck, New Jersey, on May 1.

Each show this tour will feature two sets of Zappa music with Willis and Preston; the Boston show is double billed with Consider the Source. And this April run continues the voter registration partnership with HeadCount, as shared on Twitter last month:

Project/Object on Tour APRIL 2016! We’re happy to continue the Zappa Tradition: VOTER REGISTRATION with @HeadCountOrg at shows! @guitartour

— Project Object (@ProjectObject) February 29, 2016

Project/Object: The Music of Frank Zappa has toured the United States, Canada and Europe during its 20-year existence. The group was founded in the 1990s by guitarist Andre Cholmondeley as a tribute to Zappa, who died of cancer in 1993 at 52. In 2015, Willis and Denny Walley came out of retirement for a special tour in celebration of Zappa’s late ’70s catalog, playing several shows in New York state. Alongside Willis (guitar, vocals), Preston (keys, vocals), Cholmondeley (guitar, vocals) and Walley (bass), the group will include musicians Ryan Berg (drums), Kendall Scott (keys, synths) and special guest Rich Rakowski (sax) at select shows.

Tickets for the 9 p.m. show at The Hollow are on sale through the venue’s website, along with passes for Brooklyn’s The Hall, Tralf Music Hall in Buffalo and Rochester’s Lovin Cup. Project/Object’s show at The Falcon in Marlboro does not require a cover charge for live music, but donations are appreciated. See the full tour dates below and visit the band’s website for more venue and ticket sales information.

Project/Object Spring 2016 tour dates:

4/7 – The Acoustic – Bridgeport, CT
4/8 – The Falcon – Marlboro, NY
4/9 – House of Independents – Ashbury Park, NJ
4/10 – Iron Horse – Northampton, MA
4/12 – Higher Ground – Burlington, VT
4/13 – The Middle East – Boston, MA
4/14 – The Hollow – Albany, NY
4/15 – The Hall – Brooklyn, NY
4/16 – Arch St. Tavern – Hartford, CT
4/17 – American Brewing Company – Harrisburg, PA
4/19 – The 8×10 – Baltimore, MD
4/20 – Club Café – Pittsburgh, PA
4/21 – Radio Radio – Indianapolis, IN
4/22 – Shank Hall – Milwaukee, WI
4/23 – Martyrs – Chicago, IL
4/26 – Beachland Ballroom – Cleveland, OH
4/27 – The Tralf – Buffalo, NY
4/28 – Lovin Cup – Rochester, NY
4/29 – Havana’s – New Hope, PA
4/30 – River St. Jazz Café – Wilkes Barre, PA
5/1 – Mexicali – Teaneck, NJ

March 29, 2016
Wyclef Jean To Perform Encore Performance At The Brooklyn Bowl

What happens when founding member of the Fugees, and solo artist Wyclef Jean makes an appearance to a full house at the Brooklyn Bowl, NY on Tuesday March 22, 2016? The crowd obviously couldn’t get enough, so due to popular demand the Brooklyn Bowl has added a second show with Wyclef Jean on Tuesday March 29, 2016.

Don’t miss your opportunity to see this legendary Grammy award winning artist. Doors to open Tuesday at 6pm, with show beginning at 8pm. Tickets are available for those 21 and over for $25.

March 26, 2016
Hendrix Spirit Alive In Syracuse

On Wednesday, March 16th, The Experience Hendrix rolled into the Landmark Theatre in Syracuse as an all-star cast brought the legacy of Jimi Hendrix’s music to life for the capacity crowd. Jimi’s sister, Janie, opened the festivities, welcoming the congregation to the Electric Church in celebration of the spirit and music of Jimi Hendrix.

The stage saw a revolving cast of guitarists and singers coming on and off the stage to share their renditions from Hendrix’s library. The evening started with Dweezil Zappa on lead guitar, Billy Cox (who played in both the Band of Gypsies and The Jimi Hendrix Experience) on bass and lead vocals, and Chris Layton (of Stevie Ray Vaughan’s Double Trouble) on the drums, ripping through “Freedom”.

The absence of an opening act was evident as it took several songs before the crowd matched the energy level of the music being pumped out of the Marshall stacks. Though, with the 25-song setlist clocking in at 3 hours with a 20 minute intermission, it is debatable if an opening act was even feasible.

Much like a well-written symphony, the onstage ensemble went through physical crescendos and decrescendos as musicians were added to and taken from the mix, providing a seemingly endless variety of ingredients to the hungry masses. From the basic power trio, to a full stage that included two pedal guitars, two lead guitars, bass, and percussion, The Hendrix Experience delivered a full spectrum of flavors through the night.

Each of the guitarists more than held their own and provided his own take on Hendrix signatures. Dweezil churned out an amazing wah-laden solo in “Stone Free”. Eric Johnson spent much of “Are You Experienced?” off in the wings of the stage conjuring supernatural feedback sounds from the amps. Zakk Wylde invoked some Jimi showmanship with both behind the head soloing, as well as literally chewing out a solo with his teeth. The Slide Brothers’ Calvin Cooke and Chuck Campbell hit unfathomable registers on their pedal guitars, most notably on “The Sky is Crying”. Mato Nanji and Johnny Lange shared a blistering solo in “Spanish Castle Magic” that had the crowd screaming in appreciation.

Then of course there was Buddy Guy, who was doing his thing before Jimi was doing Jimi’s thing. And at 79 years old, Buddy continues to do it. Buddy delivered gritty, witty lyrics in “Louisiana Blues”, and backed them up with shredding solos that reinvigorated the crowd that had started to look at their watches (not out of boredom, but disbelief and exhaustion). There is something about watching an elder statesman ripping through scales with the speed and feel that most guitarists will never know, it gives folks the energy to cheer just a little louder, a little longer.

Leaving the venue, I noted that instead of hearing conversations that started with “I wish they had played…”, what I heard mostly was “I can’t believe they played…” as the crowd was clearly pleased with how deep they dug into Jimi’s catalog. Much like a congregation after mass, those leaving the Landmark Theater appeared to be uplifted, fulfilled, and spiritually satiated, thanks to the service at The Electric Church.

For more information on the Experience Hendrix tour, visit their website here. To check out the full photo gallery by Mark McGauley, visit this link.

Cast (in order of appearance): Dweezil Zappa: guitar; Billy Cox: bass, vox; Chris Layton: drums; Mato Nanji: guitar, vox; Henri Brown: vox; Chuck Campbell: pedal guitar; Scott Nelson: bass; Calvin Cooke: pedal guitar; Eric Johnson: guitar, vox; Noah Hunt: vox; Zakk Wylde: guitar, vox, keyboard; Johnny Lange: guitar, vox;Janie Hendrix: backup vox; Kenny Wayne Shepherd: guitar; Billy Austin: drums; Buddy Guy: guitar, vox; Guitar: Dweezil Zappa, Mato Nanji, Eric Johnson, Zakk Wylde, Johnny Lange, Kenny Wayne Shepherd, Buddy Guy; Pedal Guitar: Calvin Cooke, Chuck Campbell; Bass: Billy Cox, Scott Nelson; Drums: Chris Layton, Billy Austin; Vox and Backup Vox: Henri Brown, Noah Hunt, Janie Hendrix

Set 1: Freedom, Stone Free, Foxey Lady, The Sky is Crying, Wait Until Tomorrow, One Rainy Wish, Love and Confusion, Third Stone from the Sun, Are You Experienced?, Manic Depression, Little Wing, Purple Haze,

Set 2: All Along the Watchtower, Fire, The Wind Cries Mary, Spanish Castle Magic, Gypsy Eyes, I Don’t Live Today, Come On – Part One, Voodoo Chile, Voodoo Chile (Slight Return), Louisiana Blues, Hey Joe, We Gotta to Live Together, Red House

March 24, 2016