Category: Rock

  • Carl Palmer’s ELP Legacy Pays Tribute to Keith Emerson

    When it comes to rock and roll drummers, Carl Palmer joins the ranks of the most regarded drummers in the genre. Under the touring name of Carl Palmer’s ELP Legacy, the drummer intended it to be a celebration of his 50th year as a professional musician. However, in early 2016 when tragedy struck his former bandmate Keith Emerson (who was set to join Palmer on a few shows), the show quickly turned around to a tribute to Emerson.

    S Malinski - Carl Palmer ELP Legacy - Paramount-2

    Palmer stopped by the Paramount Hudson Valley theater on June 16 with his performance, joined by Paul Bielatowicz on guitar and Simon Fitzpatrick on bass. Without Emerson’s legendary keyboard role in the mix of the sound, the group took a new form of power trio to interpret and present Emerson, Lake and Palmer’s music. Channeling the groundbreaking progressive rock format in this setting doesn’t seem like an easy task, but Palmer did it in a fresh way that was just as exciting as ELP’s recordings.

    S Malinski - Carl Palmer ELP Legacy - Paramount-15

    The two-set show started off with a punchy version of the Peter Gunn theme and continued with many of the iconic original and classical re-arrangements that make up the ELP library. Throughout the evening, Palmer took a moment between each song to break from the kit to share a story about the tune, particularly if there was a connection to Emerson. Most notably, he dedicated “Pictures of an Exhibition” to Emerson, which had been one of Emerson’s favorites.

    S Malinski - Carl Palmer ELP Legacy - Paramount-12

    Palmer’s band can properly be called a power trio — their sound was rich, robust, and complete to fill out the fresh take on ELP’s songs. In a way, it sounded like a really good garage band with a progressive rock influence.

    Fitzpatrick alternated between bass and Chapman Stick, which coupled with Bielatowicz’s guitar recreated Emerson’s keyboard parts which defined many of ELP’s songs. Behind them (or rather, front and center on the stage), Palmer’s technical  and powerful drum playing was just as, if not more, vivid than in his younger ELP years. Both Fitzpatrick and Bieltowicz had opportunities to show their chops with solos — an instrumental version of “Take a Pebble” by Fitzpatrick on Chapman Stick and Bielatowicz with a multi-part solo guitar solo right before the intermission.

    Leading out of “Fanfare for the Common Man,” Palmer broke out an extended solo, fairly routine at the start. Building up the solo, he mixed in some electronic drums buried in the kit. After a few minutes navigating the kit, a grin grew on his face as he stood up to show off some Buddy Rich-style stick tricks that drew some quick applause.

    Before calling it a night, Palmer introduced the encore by encouraging the audience to take their phones out and record and post a video of it in memory of Keith.

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  • Melissa Etheridge Sends a Pulse Through Peekskill

    When Melissa Etheridge took the stage at the Paramount Hudson Valley, her presence was immediate as the sold-out theater greeted her with a standing ovation at her first notes. As she appeared from the shadow behind her wall of guitars adorning the stage it was apparent that she was just as excited to be there as the audience was.

    For a solid two hours, Etheridge presented a dynamic set (with no break) complete with both delicate moments and high-energy songs. Although the show was a solo act, her two hour set wasn’t just a singer with a guitar. Using loop effects and some percussion she backed herself up with more than just a guitar. At one time, she played a game of guitar roulette – looping a few background percussion and rhythm lines as she contemplated which of her ten guitars to pick next to play a bit of the lead part.

    With a few words shared between songs, she took particular attention – honest attention – to the surrounding Peekskill community citing the art that she took in earlier in the day. Particularly stunning to the audience was her lead into “Silent Legacy” where she picked up the bass behind her and introduced it as the bass guitar she had bought just that day from Division Street Guitars (a small shop just around the corner from the Paramount) which is a permanent addition to her collection and is appearing with her elsewhere on tour.

    Etheridge’s setlist included many of her chart-topping songs and a few off her latest album This Is M.E. A few came in as requests including “Ready to Love” on piano which had never been recorded and only performed a few times. Two other highlights included the swampy tune “Stranger Road” played on her resonator and “Chrome Plated Heart” played on the candy blue guitar she called “Trouble” which included a lot of looping and soloing.

    Etheridge responded to the Orlando shootings which occured just days prior in the way she knew how buy writing, recording, and releasing a brand new song, “Pulse,” just two days later. Three days after the song was received by the public, Etheridge paused near the middle of her set to reflect about it and the song before performing it for one of the first times live. It was just as emotional for Etheridge as is was for some of the audience who held up signs supporting the song (a surprise to her).

    Etheridge brought a driving close to her set with a one song encore, building out a complete jam on the beautiful white 12-string Ovation. The ascending chord lines in the jam kept the audience wanting more each time, but sadly a show has to conclude at some point.

    Setlist: Ain’t It Heavy, If I Only Wanted To, Silent Legacy, I Want to Come Over, Ready to Love, Pulse, Come to My Window, Stranger Road, The Weakness in Me, Chrome Plated Heart, I’m the Only One, Bring Me Some Water

    Encore: Like the Way I Do

  • Dweezil Zappa and Twiddle Both Play Whatever The F#%K They Want

    Canalside is one of the premier outdoor concert venues in beautiful Buffalo New York.  July 7 the free concert series brought Dweezil Zappa and Twiddle into town. Bryan Johnson and Family opened the night of music on the waterfront. Their set was high energy while providing a laid back sound.

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    Twiddle took the stage next. They opened with Amydst The Myst. Buffalo’s own Mike Gantzer of Aqueous joined in on the fun during Apples and Indigo Trigger. The quartet from Vermont closed their set with Catapiller.

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    Twiddle Set List:

    Amydst The Mist, Apples%, Indigo Trigger%, Catapiller

    % w/ Mike Gantzer (Aqueous)

    Set List Courtesy of uTwiddle

    Dweezil Zappa is currently on tour celebrating the 50th anniversary of Frank Zappa and The Mothers Of Inventions debut album “Freak Out”. He paid tribute to his late father by using a replica of Frank Zappa’s Gibson Roxy SG. That 80’s medley they played halfway through the set was a trip.

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  • Hollywood Vampire Joe Perry Collapses During Show

    Sunday evening provided a scare to members of the rock collective Hollywood Vampires and its fans at the Ford Amphitheater at Brooklyn’s Coney Island. Shortly into the band’s set, Joe Perry, long time Aerosmith guitarist, began to feel dizzy and sat down on the drum riser.  Moving off to side stage he collapsed and was rushed by ambulance to a local hospital.

    Continuing with the show, the band was unaware of his condition and wished their friend and colleague well in unison with fans.

    Keeping up with his progress through social media, he is currently “stable and resting” at Columbia Presbyterian Hospital.

    With a full schedule still up in the air, Alice Cooper has kept fans updated through social media posts and for the time being, the show must go on.

    Hollywood Vampires 2016 Tour Dates

    July 12 Kettering Fraze Pavilion, OH
    July 13 Mount Pleasant Soaring Eagle Casino & Resort, MI
    July 14 Cadott Rock Fest, WI
    July 16 Clarkston DTE Energy Music Theatre, MI
    July 18 Fargo Scheels Arena, ND
    July 22 Rohnert Park Green Music Center, CA
    July 23 Jacksonville Brtt Festival Pavilion, OR
    July 24 Saratoga Mountain Winery, CA
    July 25 Paso Robles California Mid-State Fair, CA

  • Journey Review: When The Lights Go Down at SPAC, You Want to be The-e-er-ere

    Leather-vested and sweat-covered, Neal Schon unearthed a solo that — even amid the political hatefest and madness of 2016 — could unite America. The SPAC lighting backdrop transformed into a slideshow montage of soldiers, flags and the like as the Journey founding member serenaded the crowd with an improvisation-heavy guitar rendition of “The Star Spangled Banner.”

    Though the concert was the Fifth of July — not the Fourth — Schon’s tight fretwork and re-defining of the term “rock anthem” could be appreciated at anytime. Nearly 50 years into his musical career, he had not lost much in strum speed, not any in his tonal quality.

    The masses hooted and hollered, as you might expect an upstate New York crowd to do for an homage to the troops, but the three-minute solo, just half an hour into Journey’s set, was far from the show’s sole highlight.

    Without an unfair comparison to the voice of Steve Perry, lead singer Arnel Pineda’s vocals were rich, rangeless and did justice to the classics. The Filipino, now in his ninth year heading the band, was running and hopping around the stage like a man half his age for many of the upbeat songs — “Any Way You Want It” and “Wheel in the Sky”. In the slower, ballad-like hits — “Faithfully”, “Lights”, “Don’t Stop Believing” — he focused more on the notes, avoiding any pitch wavers a jump or leg-kick might cause to a sentimental song.

    Drummer Steve Smith was an unsung hero of the Journey set. Smith, who backed the band from 1978 until 1985, through much of its heyday, rejoined the band this year after Deen Castronovo left in the fallout of a domestic violence arrest.

    Smith’s rolls were precise and military-like and his cymbal work seemed effortless during his solo, about two-thirds through the band’s performance. The drummer, using a traditional grip for increased roll speed, may have delivered the best drum solo at the venue since 2013, the last time Neil Peart and Rush were in town; Smith’s work on the kit was simply incredible.

    Journey was the third band in the night’s lineup, immediately preceded by fellow Bay Area group — and also fellow notable Rock n’ Roll Hall of Fame snub — The Doobie Brothers.

    A fan’s first observation of The Doobie Brothers taking the stage is likely the band’s size. With four men on guitars and basses across the front, two kit drummers in the back, and a saxophone and keyboard player too, the group’s look is imposing, and the sound was too.

    The Doobie Brothers were not as sing-along as Journey was (do not be mistaken, there were more than a couple patrons joining in on “Black Water”), but instead were jamming more. Whereas Journey’s song interludes isolated individuals soloing on their instruments, The Doobie Brothers had more collective instrumental sections.

    The first performance of the concert came from singer Dave Mason, originally of Traffic. Mason performed three of his own songs, including “We Just Disagree”, as well as three from Traffic.

    Mason’s guitar playing showed little wear from the years, as he demonstrated ample ability. The singer closed his set with “All Along the Watch Tower”, originally by Bob Dylan and made famous by Jimi Hendrix.

  • WEQX Presents: AWOLNATION @ Upstate Concert Hall July 13

    This Wednesday AWOLNATION will headline the stage at Upstate Concert Hall with guests Finish Ticket and Irontom.awolnationWEQX presents AWOLNATION, an electro rock band formed and lead by Aaron Bruno. The American band is signed onto Red Bull Records, and their first EP, Back from Earth, was released on iTunes in May of 2010. Their first studio album, Megalithic Symphony, followed just a year later with hits such as “Sail” that hit #17 on the Billboard Hot 100, #4 on the Billboard Rock Songs chart, and #5 on the Billboard Alternative Songs chart.

    Bruno has performed in other bands such as Home Town Hero and Under the Influence of Giants. He writes all his own music and will be performing with his band through October including festivals such as the Billboard Hot 1oo fest in NYC this August.

    http://awolnationmusic.com/

    Doors 7:00 PM Show 8:00 PM

    Click here for tickets!

  • Melissa Etheridge brings sexy back at the Beacon Theatre

    Singer, songwriter and activist, Melissa Etheridge, who is currently on tour with Pat Benatar and Neil Giraldo, stopped by the Beacon Theatre in New York City on Wednesday night to strut her stuff, flash her pearly whites and remind us what sexy music sounds like.

    Melissa Etheridge Beacon TheatreWatching Etheridge perform her hits from the 80’s, 90’s and the 00’s is a sensual pleasure for the ears and the heart. Her still stellar raspy signature voice commanded the audience as she tore through all her hits including “I Want to Come Over”, “Pulse”, “Chrome Plated Heart”, “I’m the Only One”, “Bring Me Some Water”.

    Melissa Etheridge Beacon TheatreHer Grammy award winning, “Come to My Window” had everyone on their feet and reminiscing about the longing and ache we’ve all felt for another.

    Her pumped up, energetic encore of “Like the Way I Do” practically blew the roof off the Beacon and left us all howling for more.

    Melissa Etheridge Beacon TheatreMs. Etheridge is on tour across the states and Canada all summer long. Come October, she’ll joining the reigns of many with her own cruise, “Melissa Etheridge and Friends, Rock the Boat” sailing from Tampa to Mexico.

    Melissa Etheridge Beacon Theatre

  • NYS Music Presents Thursday Nights @ Nietzsches

    NYS Music Presents, Thursday Nights at Nietzsches in Buffalo.

    7/7  Tyler Pearce Project, Dirty Smile, Noah Gokey

    Tyler Pearce Project is a soulful pop rock band consisting of Miss Pearce and her band mates Greg Broadhurst (drums), Chris Vandenbos  (Guitar),  and John Cannon (Bass). Her enchanting voice and passionate performance is not one to miss.

    Thursday Nights Nietzsches

    Dirty Smile always comes prepared with honest songs and infectious energy. This rock pop soul band stands resolute in its pursuit of rock-n-roll greatness. The energy of their live performance leaps from the bandstand with grand enthusiasm. It’s difficult to ignore the vibrant, free flowing presence of Megan Brown at the microphone. Erik Eimiller, Jesse Raderman, Mike Suda, and Gus Walters form the adept band behind Brown that sounds seasoned beyond its years; dynamic and intense with a rock soul.

    Thursday Nights NietzschesNoah Gokey  is a Buffalo, NY based singer and songwriter who has produced over 120 songs and 9 albums while appearing on radio stations TV, and a variety of stages. Gokey’s unique sound is difficult to categorize in one genre but can be described as an eclectic mix of arsenal rock with influences from folk, blues, jazz, and reggae.


    7/14 Tiny Rhymes, RADARADA, The Tins

    Tiny Rhymes is an indie alt-folk chamber group from Buffalo, NY. Featuring tight vocal harmonies, richly melodic string lines, and the introspective songwriting of leader Sharon Mok. Though the group members are classically trained, they strive to be instinctive about their technical choices and arrangements

     RADARADA  is Buffalo’s freshest Jazzy HipHop band. Inspired by artists such as Common and John Coltrane, RADARADA seeks to expose and exploit the similarities between jazz and hiphop in both a meaningful and creative way.

    Thursday Nights NietzschesWith influences ranging from Talking Heads to Tame Impala, The Tins masterfully create layered jams that USA Today claims as “brilliant pop exuberance.” From Buffalo NY, the trio has released a number of critically acclaimed records and are currently in rotation on SiriusXM Radio and have been licensed to several hit TV shows including Beverly Hills 90210 and Roadtrip Nation.

     

    7/21 The Public Presents: The Get Money Squad, Uncle Crunchy & the Granolas, Feverbox, Jon Bap

    The Get Money Squad  is a Surf Rock duo consisting of Quinton Brock & Jon Bap.

    Feverbox , formed only at the beginning of this year consists of Josh Little, Nicholas Kelly and Griffin Smith who have been playing music together since high school. .Taking notes from bands like The Beatles, The Strokes, The Kooks, Arctic Monkeys and The Shins, the trio decided to start a new project with the intention of making original music that stayed true to their creative influences with a focus on vocal harmony, catchy riffs, smart lyrics and a tight live performance.

    7/28 Buffalo Infringement Festival Opening Ceremonies

    8pm   Brass Pro and the Waterfront Revivalist
    8:30pm   beerhall philosophers
    9pm   the Minions
    9:30pm   The Left Hand of Darkness
    10pm   The Hell’s Harlots Burlesque
    10:30pm   MatKa
    11pm   Bagel Jesus & Friends
    11:30pm   Lazy Ass Destroyer
    midnight   Intent To Sell
    12:30am   Hooked on Casiophonics

  • Whitesnake Fills Artpark For A Night Of Greatest Hits

    On Tuesday, June 28th, Whitesnake and special guests Whitford/St. Holmes rolled into Lewiston, NY for an unforgettable night at Artpark.

    The evening started off just after 7PM with Whitford/St. Holmes. For those who were unfamiliar with the band, they surely put two and two together once the two legends took the stage. Nearly 40 years ago, Brad Whitford left Aerosmith to team up with Ted Nugent vocalist Derek St. Holmes to do an album and a tour. Now in 2016, the duo have another album and are getting the crowds ready each night for Whitesnake. Together, Whitford and St. Holmes cranked through 6 songs off their new album Reunion and ended with a mix of Aerosmith/Nugent tracks. For fans of that pure rock/blues rock genre, Whitford/St. Holmes truly bring it. As an added bonus, immediately after their set, both Whitford and St. Holmes stopped by the merch booth to sign copies of Reunion and meet fans.

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    After a quick stage change,  the sound of “My Generation” by The Who came over the PA. This sound meant it was time to start the show and out walked the man everyone came to see, David Coverdale. Forming Whitesnake in 1978 after leaving Deep Purple, Coverdale has been the front-man ever since. Joining Coverdale in Whitesnake on Tuesday, were Tommy Aldridge on drums, Reb Beach and Joel Hoekstra on guitar, Michael Devin on bass and Michele Luppi on keyboards.

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    The set kicked off with the track “Bad Boys” which was off the 1987 release Whitesnake. From that point, the crowd knew that the band was there for business. Labeled as “The Greatest Hits Tour”, Coverdale and the rest of Whitesnake surely delivered that to Artpark. Fans probably could have guessed what Whitesnake was going to play that evening but that wasn’t the point. It’s not often an iconic band such as Whitesnake comes to Lewiston, NY to play the beautiful Artpark. Judging from the turnout, everyone seemed to agree and bought tickets for the show. Artpark always offers great prices to their shows and at their concession stands.

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    One of the highlights of the night was watching Reb Beach and Joel Hoekstra on guitar. The two went back and forth all night trading guitar licks and ripping solos. The two of them play with such ease and know how to perform. Both Beach and Hoekstra have great résumés. Beach has worked with bands such as Winger, Dokken, Alice Cooper and more. Joel Hoekstra, on the other hand, played for Night Ranger and was a member of the Trans Siberian Orchestra.

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    Fans both young and old were spotted throughout the crowded amphitheater. Parents, who’ve been listening to Whitesnake for what seems like ages now, brought out their kids to see the show. Seeing generations rock out together to songs like “Slow an’Easy”, “Is This Love” and “Here I Go Again” goes to show how timeless these songs are. Whitesnake’s legacy is one that is surely going to last forever.

    Coverdale and the rest of Whitesnake ended the night with the hard-hitting track “Still of the Night” off their 1987 self-titled album. Coverdale, for being 64 years old, still sings the classic hits, like this one, incredibly well and left the audience standing begging for more.

    Whitesnake Setlist

    Bad Boys, Slide It In, Love Ain’t No Stranger, The Deeper The Love, Fool For Your Loving, Sailing Ships/Judgement Day, Guitar Solo, Slow an’Easy, Bass Solo, Crying In The Rain, Drum Solo, Is This Love, Give Me All Your Love, Here I Go Again, Still Of The Night.

    Whitford/St. Holmes Setlist

    Shapes, Rock All Day, Hell Is On Fire, Gotta Keep On Movin’, Shake It, Hot For You, Dayjob Medley (Last Child/Train Kept A-Rollin’/Stranglehold)

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  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.