Category: Genres

  • Jefferson Airplane’s Paul Kantner Dies at 74

    Iconic San Francisco musician Paul Kantner died Thursday, Jan. 28, of multiple organ failure and septic shock.

    A founding member of the Jefferson Airplane, Kantner, 74, suffered a heart attack earlier this week, reported the San Francisco Chronicle, adding that he had experienced many health problems in recent years.

    Paul Kantner

    With Jefferson Airplane, Kantner defined the mid-1960s psychedelic sound and created hits like “Somebody to Love” and “White Rabbit” featuring Grace Slick’s narcotic vocals. Most notably, the band was the first headliner at Bill Graham’s legendary Fillmore Auditorium and performed at Woodstock. Kantner and Slick transformed the group into Jefferson Starship in 1974; Kantner departed 11 years later, although the couple had a daughter together.

    S Malinski - Jefferson Starship - Ridgefield Playhouse-17

    In 1996, Kantner was inducted into the Rock and Roll Hall of Fame, and he continued touring up until his death. Most recently, Steve Malinski witnessed Kantner perform with several bandmates for a 50th anniversary celebration at the Ridgefield Playhouse in Connecticut this past August:

    The Starship’s presence on stage was bold and cohesive – original members of the Airplane Paul Kantner and David Freiberg kept the sound true and original to the Airplane along with longtime Starship drummer Donny Baldwin, keyboardist Chris Smith and guitarist Jude Gold. The animated and exhuberant Cathy Richardson fulfilled the big-shoes role created by Grace Slick’s powerful vocals, to whom she gave a tip of the hat to near the end of the set. Together they made the performance feel engaging to the audience with down to earth, unscripted banter and humor between songs, which has been a consistency for the group through the past several years.”

    Paul Kantner at the Woodstock 40th Anniversary Concert, Bethel Woods Aug. 15, 2009
    Paul Kantner at the Woodstock 40th Anniversary Concert, Bethel Woods Aug. 15, 2009

    Paul Lorin Kantner is survived by three children: sons Gareth and Alexander, and daughter, China. At press time, funeral arrangements had not been released.

  • Motley Crue’s Vince Neil to Compete in ‘The Celebrity Apprentice’

    This week, TMZ broke the news that Motley Crue’s Vince Neil is starring in the next season of NBC’s “The Celebrity Apprentice.”  With Motley recently hanging the gloves, Neil, who is no stranger to reality TV, is returning to the screen.

    vince neil celebrity apprenticeOn “The Celebrity Apprentice,” the stars that compete on the show partake in business tasks and assignments to raise money for their charity of their choice. No word on what charity Neil will raise money for. This season, Arnold Schwarzenegger has replaced Trump. Filming is expected to start in New York City in March with the show debuting this September on NBC.

    In other post-Motley Crue news, guitarist Mick Mars is recording a solo album with former Motley Crue vocalist John Corabi, and Nikki Sixx is expected to tour with Sixx A.M. in 2016.

  • Formula 5 and Strange Machines Get Weird at Funk ‘N Waffles Downtown

    In these frigid mid-winter temperatures, sometimes even the promise of submerging the subconscious in metamorphic melodies is not a strong enough force to lure blanket-wrapped couch dwellers from the confines of ultimate comfort. Those that failed to emerge from their cozy cocoons missed Formula 5 and Strange Machines exploring an assortment of jam tactics at Funk ‘N Waffles downtown Saturday January 23.

    Massachusetts-based Strange Machines opened, featuring Mike MacDonald (guitar/vocals), Christian Perron (keys), Bill Noonan (drums) and Craig Holland (bass). They launched their set with a hard rock attitude, temporarily taming their monster sound and diffusing into a nebulous ambience before mutating into a funky breakdown.Mike MacDonald, Craig Holland, Christian Perron- Strange Machines

    Throughout their set Strange Machines continued to cross genre boundaries, fully utilizing distortion techniques to broaden the scope of their sound and keep the crowd intrigued. At the conclusion of a song that culminated in a unification of crashing symbols and heavy guitar strumming, MacDonald posed, “You guys are okay with weird, right?” Swerving into a hip hop beat, the band continuously shifted gears to undulate seamlessly between rock and reggae overtones.

    Mike MacDonald, Craig Holland, Bill Noonan- Strange MachinesMacDonald’s vocals fluctuated conjunctively between soul and rock. While he nailed a falsetto covering MGMT’s “Electric Feel,” as is often the case with instrumental projects, the sound from his lips fell short of the grandeur projected from the musician’s fingertips. Despite vocals that at times felt forced, MacDonald and Holland conveyed an organic chemistry during a bluesy portion of the set as they merged into a matching rhythm, momentarily mirroring subtle full-body swaying. Knees and hips swiveled as skillful fingers dexterously plucked the stringed instruments slung across their bodies.

    Formula 5 followed, the crew of young musicians channeling New York pride from their Albany home base. Joe Davis (guitar/vocals), James Woods (bass) and Matt Richards (keys/vocals) presented a gentler, more even-toned identity, flooding the room with a mellow jazziness. The pleasant tones washed the crowd in a sea of warmth, conveying a sensation of floating leisurely through tropical ocean waves, or perhaps burrowing in that same fuzzy blanket flung abandoned on the couch on a Saturday night.

    Formula 5 and Strange Machines’ cover choices appropriately blended with each band’s sound aesthetic. Collectively, they served up a medley of jam-based dishes for every taste ranging from plain buttered noodles to jazzed-up spicy stew.

    Strange Machines setlist:

    Steal Away > jam, Squid, Golden Rule, Juxtaposed > Enter the Interceptor, Little Monster, The Shape of Things, Electric Feel*, Brighton Tickler, The In-between

    * MGMT cover

    Formula 5 setlist:

    I: Earthbound$* -> Floating@ -> Earthbound, Kid Charlemagne (Steely Dan), Pedro* -> Excalibur$, Coming Home -> Mellow Mood! -> Jam -> Hot Box

    E: Drum Solo -> Magic Carpet Ride (Steppenwolf)

    * – Unfinished
    $ – contains Tweezer (Phish) Tease
    @ – contains Divided Sky (Phish) Tease
    ! – Bob Marley & The Wailers cover, First time played

  • Barroom Philosophers Release Debut EP, Announce Shows

    The Barroom Philosophers formed in the summer of 2014, and since then the self-described “funky reggae with a side of rock” band has played countless gigs throughout Central New York. Most recently, the Syracuse-based group released their debut EP titled, Thoughts That Count, and are still in the running for a SAMMYs People’s Choice Award for favorite local band.

    promo_pix_1

    Mastered by Langston Masingale (StudioDOG Pro), the three-track EP features the producer’s signature analog style (using his self-invented Zulu device) and has found airplay on Syracuse-area radio stations, including Dave Frisina’s “Soundcheck” on Rebel 105.9. The release, including songs “Role Models,” “Zillion Pound Babies” and “Animal is Caged,” dishes up 15 minutes of original funk jams. Frontman David Koegel’s soulful chops set the groove on TTC, backed by surfy blues-rock riffs, cool horns, mellow bass lines and steady beats. Think Sublime meets the Black Crowes.

    The four-piece former cover band, consisting of Brenden Boshart (drums), Ty Hancock (bass), Koegel (vocals) and Joshua Way (guitar), have nearly 20 shows scheduled at hometown spots like Funk ‘N Waffles and the Westcott Theater, plus they are booked to perform at RocCity Brewfest in Rochester and Wild Weed Acres Music Festival in Ovid this summer.

    A complete list of dates for the Barroom Philosophers is available below. Thoughts That Count can be streamed digitally through the band’s website.

    https://www.youtube.com/watch?v=-b6Y_5IvtQE

    Barroom Philosophers 2016 Dates (New York):

    1/29 – The Ferris Wheel – Oswego
    1/30 – Mac’s Bad Art Bar – Mattydale
    2/6 – Mohegan Manor – Baldwinsville
    2/12 – Funk N Waffles (University) – Syracuse
    2/20 – RocCity Brewfest – Rochester
    2/26 – The Ferris Wheel – Oswego
    2/28 – Westcott Theater – Syracuse
    3/5 – Mohegan Manor – Baldwinsville
    3/11 – The Ferris Wheel – Oswego
    3/18 – Old City Hall – Oswego
    3/26 – Kitty Hoynes – Syracuse
    4/1 – Limp Lizard – Liverpool
    4/8 – The Ferris Wheel – Oswego
    4/16 – Old City Hall – Oswego
    4/23 – Bridge Street Tavern – Solvay
    5/13 – Kitty Hoynes – Syracuse
    5/20 – Old City Hall – Oswego
    5/28 – The Ferris Wheel – Oswego
    6/30 – Wild Weed Acres Music Festival – Ovid

  • Hearing Aide: Gone Gone Beyond

    Gone Gone BeyondPicture a small, dimly lit venue with a dusty stage in the back. The ambiance is quite relaxed; the space is occupied, but not packed. There is minimal chatter between young music-lovers who appreciate innovative music and ideas. The crowd vibes in time to a conglomeration of folk, indie, and electronic sounds. This is the mental imagery that could conceivably accompany Gone Gone Beyond’s self-titled debut album.

    Danny Musengo’s raw, captivating vocals are quite prominent throughout the album. The raspy timbre of his voice coupled with the soul behind each note keeps the audience holding onto each syllable.

    “Back Swing’s” electric guitar sounds haunting with the echo distortion and open melodic intervals. More unique instrumentation includes a growly trumpet harmony and violin. “Carnival” nicely juxtaposes what sounds like acoustic piano with electronic percussion. It’s got a flair of EDM with a dance groove towards the end that gives the a song cool ‘B’ section. “Under Seige” implements the innocent female vocals of Colibri which gives the track a refreshing quality.

    Gone Gone Beyond says that the subject matter of their lyrics stems from life, nature, and love- The Human Experience. “Here for A Moment” highlights that love and life are both fleeting, and Musengo sings that he’s “here for a moment, then floating away.” The repetition of the line allows for the layers to build and solidify the concept. In “Ain’t Givin’ Up On Love,” it’s obvious the quest for love is ongoing and shouldn’t be missed out on. The longest and final track called “Long Day” is the longest track in the collection. This song seems to represent life as a whole as life can be thought of as one lengthy day. While lyrics touch on children growing older and seemingly unrequited love, the instrumentals say it all. The soft lull and highs and lows paint an aural picture of the ups and downs of life.

    It is evident that David Block (producer) put a great deal of time and energy into writing and blending each of the compositional elements. The majority of tracks are just over five minutes long, which deviates from the standard four minute norm. There is more consideration for development of phrases and transitions between different ideas, which ultimately takes more time than a regular indie or folk song. Each song begins with a very sparse texture and builds throughout incorporating more and more instruments. The choice of instrumentation and musicianship of the players are what make this album enticing to listen to. Traditional band instruments like guitar and piano are combined with flute, violin, trumpet, double bass, synthesized sounds, and steel pan. Each instrument has a specific purpose and isn’t incorporated for the novelty of doing so.

    This album is quite artistic in creation and the hard work of perfecting each of the elements is very apparent. Check the album out on SoundCloud and Bandcamp!

    Key Tracks: Back Swing, Long Day, Ain’t Givin Up On Love

  • Break Science to Break it Down Back to Back in Brooklyn

    Brooklyn-based electronica duo Break Science will put on back-to-back hometown shows this week at Brooklyn Bowl.

    Break Science is the project of Adam Deitch (drums) and Borahm Lee (keys). The duo fuses its hip-hop roots with dub and funk influences and a smattering of electronic styles to create a fusion music that rumbles and moves bodies. Both collaborators have extensive experience playing in other bands (Lettuce, Pretty Lights Live Band, Lee “Scratch” Perry, Matisyahu), and Deitch has produced the likes of 50 Cent, Redman and Talib Kweli.

    In the past few months, Break Science have released the acclaimed single “Force of Nature” ft. Paperwhite and have toured the US. They’re set to appear at the Gem & Jam Festival in Tuscon, AZ, in February. In the midst of this activity, these Brooklyn Bowl gigs will showcase Dietch and Lee playing in two different live band configurations.

    Thursday, January 28, will feature Break Science performing in conjunction with Manic Focus, the musical project of likeminded Chicago-based artist John “JmaC” McCarten. The High & Mighty Brass Band Horns and CX will round out the band. Artifakts and Brasstracks will open.

    Friday, January 29, will feature the Break Science Live Band comprised of The Shady Horns, Adam “Shmmeans” Smirnoff and Jesus Coomes of Lettuce, Rahzel, CX and Bajah. Marvel Years and Dreamers Delight will open. Doors open at 6 PM and music starts at 8 PM both evenings.

  • Thompson Square Becomes Thompson ‘To The Third Power’

    Shawna and Keifer Thompson, better known to their fans as Thompson Square, welcomed to the world the arrival of little Cooper, their newborn son.  Taken along on this gestational journey, all their Thompson Square fans, shared personal moments throughout as they eagerly awaited his arrival.

    For those not familiar with this country music duo, Thompson Square is one of country music’s most loved couples and one of only a few that are duets.  Their musical talent began in Nashville as they both came to town to pursue a music career.  Immediately smitten with Shawna, Keifer knew she was the one.  At a recent show at Kegs Canalside in Jordan, NY, Keiffer took a moment to speak with NYS Music about their pregnancy, musical journey, and upcoming album.


    DSC_0484 copyKathy Stockbridge: Hi Keifer, so excited to be welcoming you and Shawna back to New York again.  You both have been together and performing together now for several years however your careers started as individual artists.  Explain the journey a bit to those that may not know the story.

    Keifer Thompson: Hey there, well we moved to town obviously not knowing each other as individual artists doing our own thing.  We dated three years and then were married three years before we decided that this was not what we wanted.  We wanted to be together all the time, so that is when Thompson Square was formed and that’s when everything started taking shape for us.

    KS:  Some things are just meant to be.

    KT:  That is true.

    KS:  Do you both come from musical families?

    KT: Shawna does, I do not. There is actually no musical talent at all in my immediate family.

    KS:  What drew you in that direction?

    KT: Well my grandmother was a poet and a writer and sometimes a singer.  I think I got everything I have from her.

    KS:  So, what were some of your early influences in music as you were growing up?

    KT:  It’s all rooted in traditional country music.  For me, my first exposure was Elvis, and Roger Miller , and all the traditional music.  For Shawna and I both, we had siblings that exposed us to 80’s rock and roll as well, but really we love everything, every genre.

    KS:  I can tell, you’ve got this rock and roll edge to your music.IMG_1689 copy

    KT:  Yeah we definitely lean more towards that than anything else.

    KS:  Can you give the readers a timeline perhaps of you coming to Nashville and your journey to today?

    KT:  We met in Nashville the very first week we were there.  We were doing our own individual things .  We met at the Nightlife in 1996, it’s kinda like a Nashville version of a karaoke bar.  They have a live band, they play whatever song you want, so you get up and sing.  So we met there and I hit on her the first night.  I had been dating someone else at the time for about five years and had broken it off when I moved from Oklahoma to Nashville.  I knew it wasn’t the right one for me, and at the time wasn’t planning on finding my wife, much less the mother of our children, but God works in mysterious way you know.  We were performing together in the house and I would play down on Broadway and she would come in and sit in with my band on the weekends.  I think we were too close to it at the time to see that what we had we extremely special (the singing together).  It was just unique and sounded different than everyone else.  But that wasn’t why we started Thompson Square.  Thompson Square was formed out of necessity to be together all the time.

    KS:  And congratulations to you both on your wonderful news on the baby.  I am so excited for you guys. Loved how you announced it to your fans on Instagram as well.  How did that come about?

    KT:  Yeah we were trying to figure out how we would announce it. I just happened to pick up a can of Diet Coke one day that said “Dad” on it. And then we thought that might be a good way of telling our fans.  You don’t want to go over the top with it. We wanted it to be organic and real, and that’s how it was.

    KS: (and just so you know, they were not drinking the sodas…just using them as props)

    KS: I think it was really cool that you wanted to share this with your fans.  Some people in the business like to keep their private lives very private, but you guys shared this with all those that love ya’ll.

    KT:  Because the fans are a huge part in our being where we are, we’ve grown with our fans, and we now know what our fans want from us and yes that’s the music, but we also are one of a few married couples doing this so they want to know what’s going on with us as much as a couple as they want to know what’s going on with our music.

    KS:  Yes, it’s a connection, the personal relationship we have with a musician, knowing them not only as a performer but on a personal level that forms that connection and following.  They like your music, but also as individuals.  So thank you for sharing an insight into your personal lives as well as professional lives.

    KT:  Thank you.IMG_2433 KS:  Now you spend a lot of time on the road touring, do you plan on taking the little one with ya and what are you most excited about having him out on the road with ya?

    KT:  Yes, I think just discovering the whole thing as it unfolds as it will be a totally new experience for us.  We have no idea what to expect, this little one will be extremely well traveled.

    KS:  Yes, he will have a jetset life?  Will you be decking the tour bus out for him?

    KT: Yes, we’ve been talking about that. We’re taking all the advice in and deciding for ourselves what’s best for our situation.  I don’t know, I’m just really excited about the whole experience and meeting him.  Our whole lives have been music, and we just got to a point where we knew we didn’t want music to rule every aspect of our lives.  We love it, but we also didn’t want to miss out on kids and family and that whole aspect of our lives.  We didn’t want to turn 60 or 70 years old and regret not having children and a family. Those are the things, those life decisions, that when you get out of your 20’s you kinda start looking at things a little bit different. And thank God for it as we are so excited about the whole deal, it’s going to be a really cool process.

    KS:  I love it!  There is nothing like it. In fact when I was pregnant I found myself singing to my son all the time before he was born.  Do you find yourselves doing that yet?

    KT:  Yes, and in fact we have started dabbling in writing some nursery rhyme stuff, and it’s really been interesting to see how we’ve changed as far as we’ve never had these emotions or influences before where we’re simplifying our lyrics and talking to him as though he’s already here with us. It’s a whole different thing, but it’s so very cool.IMG_1653 KS:  Cravings.  I would be remiss to not ask Shawna what she’s been craving.  And as far as that goes, the husband ends up going through this pregnancy thing as well, are you craving anything?

    KT: She’s craving sleep. Haha.  She went through the whole pickle thing in the beginning, but it wasn’t crazy combination things, it was just pickles but then she didn’t want meat she wanted only carbs, which we’ve heard is pretty common among new moms.  We’ve been really lucky, she hasn’t been sick, she hasn’t had any complications at all so we’re really thankful for that as that would make traveling almost impossible.

    KS:  Now you guys happen to be working on a third album.  What can your fans expect from this next album?IMG_2049 copy

    KT:  The only way I can describe it is, it’s pure Thompson Square.  Whatever you think Thompson Square is, that’s what this one is going to be.  And then there will be some surprises along the way too.  We took a little shot in the dark with Trans Am and that’s a huge part of who we are, that rock style, the edge, and it really connected with our fans, but not in every way we needed it to, to sustain itself.  That song really didn’t work the way we wanted it to and the way a lot of our fans wanted it to, but you live and you learn.  You try things and sometimes they fail, and sometimes you win.  So we’re kinda at that stage right now where we’re going back into the studio.  We’ve cut about 6 or 7 things that we really love. And we’re getting back to the woodshed, as they say, and we’ve cut some amazing stuff.  Sometimes you don’t loose site of who you are as an artist or a person, but sometimes you want to expose a bit too much, too soon.  As an artist you want to grow, you want to do things different, you want to experiment, and you want to do all these things and a lot of times that’s just for you. Your fans grow with you and they love you for what you’ve done and who you are, but as artists we can get away from that.  If it was up to us, from album to album they would be vastly different. That’s been the demise of some artists,s but it’s also been hugely successful for some artists. For us, I think Trans Am was so different from what we’ve done in the past so it was a little bit shocking for everybody, and I’m not sure everybody even knew it was us. Shawna didn’t have a huge presence not that record, and you can analyze it to death…

    KS:  If I could interject here…I think artists are progressive. Used to be years ago a label would sign an artist and then nurture them through several albums to get the sound they would be known for.  Today it’s not the same and so I give you credit for being true to who you are and what you want to sound like.  Not all labels are receptive to that.

    KT:  We are blessed as artists and fortunate to have a label that doesn’t push us in one direction. They pretty much let us do what we want.  Perhaps that’s because they haven’t had another married couple duo so they don’t have any benchmarks to look at and say, “hey that worked for them so it will for you”.  It’s kinda unchartered territory. So we are very thankful.  Ya know, every song can’t be a hit, and until you get to the level where everything you put out charts and is a hit… and we all want to get to that place.

    KS:  Do you write your own music.IMG_1515 KT:  Yes we write almost all of it. We’re just going to keep putting our heart into it, and releasing songs we believe in and we’re just going to keep doing our thing.

    KS: So covering the Taste of Country Music Festival is where I first saw you both for the first time and you blew my socks off.  Talk to me a little about that last set where you joined the legendary Hank Williams Jr. on the stage.

    KT:  I can’t express what big fans we are of Hank Williams Jr. and what a big deal that was for us. We actually do one of his songs just about every night in our show. But yeah, that was a huge deal for us.  He asked us to come join him and hang out on his bus and visit a little bit and get to know him. That was a big deal.  I don’t consider him a peer, I consider myself his student. He’s definitely done just about everything a person can dream of in their career.  So yeah, we were really proud of that.

    KS:  I think the lineup that day was the perfect combination as well.  We had you guys, with Tyler Farr, and Hank Williams Jr. Yeah, that was the best.  Now if you were asked to do a CMT Crossroads with anyone…who would you choose to collaborate with?

    KT: I would lean towards the Boss and the E Street Band.  We’re both huge Springsteen fans. But that list is huge.  It could be Foo Fighters, Black Keys, Tom Petty, Springsteen, I mean Double Trouble would be amazing.(Stevie Ray Vaughns Band)  there are countless people as we are huge music fans. We are definitely students of music so we have a list that would go on and on in that regard.

    KS: Well heck if that ever happens, let me know and NYS Music will be there to cover for you.

    KT:  Absolutely.

    KS: Thank you so much Keifer for taking the time to talk with us and we can’t wait to welcome you back to NY.


    As I ended the interview and then covered the show the following evening at Kegs Canalside, I noted the chemistry of this couple was absolutely electric.  Their mutual respect for each other’s talents musically and as husband and wife, gives a whole new level to their music and stage presence.  I feel that this part of them that they share with their audience opens them up and gives them a vulnerability that many artists don’t have.  The fact that they continue to experiment musically and develop their sound as it moves them, is just another testament to me that they are the cutting edge of country music today. NYS Music is excited to welcome with Keifer and Shawna their new addition to the group, and can’t wait to hear the new album once it’s been released.   DSC_0421 copy

  • Umphrey’s McGee Open 2016 Tour at The Beacon Theatre

    On Thursday, January 21, 2016 Umphrey’s McGee took the stage for their first night of a three night run at Beacon Theatre. 18 years to the day of their first performance ever, they brought the heat immediately.

    TMcKenna_UM_Beacon19

    Opening with “Gooneville,” track that had it’s debut in March 2015, Umphrey’s quickly segued into a the mathematical serenade of fan favorite, “Plunger.” Although it was only the second song of the first set, it felt as is everyone in the theatre was firing on all cylinders, fans included. “Plunger” took an ambient turn and segued into “40’s Theme” which had guitarist/vocalist Jake Cinniger telling the crowd to pick up some “New York City 40s.” “In the Black” and “Roulette” allowed Umphrey’s to display their prowess in transitioning from regaling vocal harmonies with backing chords to heavy, precision playing across all instruments. The band followed up with “Kimble,” which was fitting for a theatre as the song feels like it’s pulled from the soundtrack of a play or musical. “Attachments” was up next showing guitarist/vocalist Brendan Bayliss’ vocal ability on full display. Closing out first set was an almost relentless rendition of “Rocker Pt. 2” which had fans going nuts and throwing up the Umphrey’s rock hands ( mm/) all over the theatre.

    Second set opened with “All In Time” which traversed an almost ethereal musical landscape at points. A very special “Booth Love” featured teases and full on lyrics from the recently deceased Glen Frey’s “You Belong to the City.” Umphrey’s surgical musicianship was in full view mid-second set with “Bridgeless” into “Remind Me,” a few “Xxplosive” (Dr. Dre) teases during “Tribute to Spinal Shaft” and a full on auditory assault with a segue back into “Bridgeless” to close out the second set.

    The highlight of the night was most definitely the encore. In homage to the late, great, David Bowie, Umphrey’s encored with excellent covers of “Space Oddity” and “Fame.” The band funked it up for their rendition of “Fame” which just seemed to fit them perfectly. Here’s to hoping we see more of it in the future!

    [FinalTilesGallery id=’593′]

  • Clearwater Will Take Hiatus in 2016, Return Next Year

    The Great Hudson River Revival, popularly called The Clearwater Festival, will take a break in 2016. The festival was founded in 1966 by Toshi and Pete Seeger as a series of fundraising concerts to support the Hudson River Sloop Clearwater organization, and by 1978 had settled into its home at Croton Point Park in Westchester County.

    Clearwater is currently facing some financial strains due to an extensive restoration of the sloop Clearwater, costing upward of $5,000 a day. Since hosting the large, two-day festival concurrently with the restoration project would be a struggle for the organization, several smaller fundraising concerts are being planned throughout the year. In the meantime, Clearwater is looking for support from the community here.

    Sloop Clearwater
    Sloop Clearwater

    The festival draws an average of 15,000 attendees each of its two days and has played host to a variety of local and nation folk and roots-rock artists. While the festival will not be held this year, the organizers plan for it to return in its usual form in 2017.

    Read the letter below from Clearwater below:

    Dear Friends,

    We are saddened to announce that Clearwater will not be holding its Great Hudson River Revival this year. As you may have heard, the sloop is undergoing its largest restoration ever. It is a restoration that costs $5,000 a day and will run until at least June 2016. We must take this time to focus our effort on making sure the boat can sail again this year. The sloop Clearwater is the foundation of our organization, the vessel that brings people to the Hudson River and an inspiration to all who love her. Our work to protect the Hudson River is still our primary mission.

    While we will not be having a Revival this year, we will be holding a number of smaller fundraising concerts and events up and down the River throughout the year, and hope to have a larger riverside concert in the fall. Stay tuned and please join us!

    If it were not for our members, volunteers, vendors, artists, and many supporters, there would not be a Clearwater. We appreciate your unwavering support as we navigate this difficult time. We ask you to stay with us so that we can Float the Boat and come back stronger next year with a celebration truly worthy of 50 years and an incredible Great Hudson River Revival in 2017.

    The Felice Brothers
    The Felice Brothers – Clearwater 2015

    While we wait for the festival to return next year, revisit NYS Music’s recap of the 2015 Clearwater Festival here.

  • Thunder 106 Brings Kelsea Ballerini to Starland Ballroom

    Thunder 106 brought up – and – coming country artist Kelsea Ballerini to Starland Ballrom in Sayerville, NJ, for what promised to be a rocking night of female country artists. Kelsea Ballerini was supported by North Dakota’s Hailey Steele and NJ native Madeline Smith. Starland Ballroom has been hosting a slew of talented country artists in the recent months including Kip Moore and Michael Ray on the Wild Ones Tour and the upcoming show on February 14th with Dustin Lynch and Chris Lane.

    Madeline Smith opened up the evening with a mix of her own songs and various covers of popular country songs to get the crowd engaged and involved. Among the covers played by Smith were “We Were Us” by Keith Urban and Miranda Lambert, a good choice for a local artist to catch the attention of the crowd with a song they could sing along to, and her closing song, another by the extremely talented Miranda Lambert, “Mama’s Broken Heart”.

    Hailey Steele was up next after travelling from North Dakota to play two shows with Kelsea Ballerini, this show in NJ and the show the next day in Boston, MA. Steele took the stage with nothing but her guitar and strong vocals to captivate the crowd. She too played a good mix of songs including some of her more popular music from 2014 and 2015. “Another Like You”, an original by Steele was one of her most popular of the evening drawing strong favor from the crowd. The other song that seemed to stand out most with the crowd was “I Want Your Boyfriend” with a catchy chorus and highly relatable lyrics.

    By the time Kelsea Ballerini was set to take the stage the crowd was more than ready to see what the 22 year old, up – and – coming country artist would bring to the stage. Ballerini took the stage with command and confidence of someone well beyond her years. She has a stage presence and charismatic personality that sets her apart from many other rising artists and will enable her to continue to grow as a musician.

    Ballerini kicked things off with “Looking at Stars” off her first full length release, The First Time (2015). She continued on with a mix off songs off that record that had the crowd engaged and singing along including “Sirens” and her most recent single “Dibs” which was clearly a fan favorite from the crowd’s strong reaction. She carried on into “Peter Pan” which she introduced as a song for all of the girls who have encountered a guy that refuses to grow up and act his age, which is entirely relatable to the demographic of her fan base and the song “Stilettos, another relatable song for young girls about moving on from heartbreak and carrying on with your life. Ballerini is one of the stand out female artists in country currently that have been making a splash on country music radio with her strong willed, confident lyrics that resonate very strongly with the younger generation of country fans which is why she will continue to amass a dedicated fan base.

    A highlight of the evening was her cover of Little Big Town’s “Girl Crush” in which she enlisted the help Hailey Steele and had the entire crowd singing along emphatically as the two young women commanded the stage together. Ballerini ended the night on a very strong and memorable note with the spunky “XO” once again showing off her confident and spunky flare, and her most recognizable song, “Love Me Like You Mean It”. Ballerini took the country music world by storm with this song reaching gold as well as number one on the Billboard Country Airplay with her debut single. She is among ten other women in history to achieve such a feat including Carry Underwood most recently in 2006. Ballerini has had a lot going for her since her start and has capitalized on the many opportunities she has earned including her most recent nationwide tour opening for Jake Owen and Dan + Shay.

    The night was a memorable concert with three talented young women looking to make a name for themselves in country music. Each showed great potential to carry on and further their careers. It will not be long until Ballerini, especially, is preforming on much larger stages much like the ones she was on during her fall tour.