Category: Genres

  • Show Preview : Danielle Ponder and the Tomorrow People to Play Funk N Waffles

    Danielle Ponder and the Tomorrow People will be making a stop at the Downtown Syracuse Funk N Waffles on July 16. Ponder, a Rochester native, offers a transcendent mix of powerful groove and soul music with gospel roots.

    Ponder and the Tomorrow People was named one of the “Top Ten Bands to Watch” by CityPaper and was the winner of the 2015 Roc Awards, “Best Local Band.” Ponder and her band are currently on tour in support of their 2016 EP release Blow Out the Sun.

    danielle ponder funk waffles

    Ponderhas been described as having a “riveting and honest” stage presence. Ponder describes her live shows as an interactive experience, “When I get on stage I want the audience to be just as important as the musicians. I want to hear them, feel them and see them dancing and moving.” The Funk N Waffles show starts at 9 p.m. and tickets are still available here.

  • Phish Brings Joy to SPAC Night 3

    Phish returned to SPAC to close out their 3-night run. Following two incredibly fun shows, excitement and expectations for the Sunday show were sky high. The weather was as perfect as Saturday night. Fans roamed the packed lots well before the show, and, upon entering the venue, were greeted with easier security lines than the previous night. While the music may not have met the expectations of those hungry for a monster show, it had its moments, and everyone was filled with love and joy.

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    The first set was filled with many of their fun shorter songs that didn’t see much jamming, kicking off with “The Wedge” and “Heavy Things.” The dance party got started when the band launched into “Tube.” While a very fun Gordon song, “Sugar Shack” has been on many fans’ drop list for Phish, preferring it played by Gordon’s solo band. Anastasio hasn’t seemed to be able play it well. McConnell came out from behind the keys to croon the audience with “Lawn Boy” before a fast-paced “Sparkle” made it’s triumphant return following an absence in 2015. Excitement built as the first notes of “It’s Ice” were heard, followed by “Guelah Papyrus,” but the band took it down again with “Ocelot.” The set ended on a high note with “Possum” that brought the energy through the roof and glow sticks flying as everyone waited in anticipation of what would likely be a big second set.

    When Phish came back to open the second set with “Soul Shakedown Party,” the increased energy and excitement could be felt throughout the crowd. Then came the funk. “The Moma Dance” featured an extended Type II jam that brought us all to outer space, clocking in around 17 minutes and competing for best version. While much of the rest of the set was less interesting musically, the love throughout the crowd could be cut with a knife. “Joy” brought some needed relaxation to the set with the band telling us “we want you to be happy,” and the happiness spread like a wildfire. New song “Breath and Burning” came next, played for a third time this summer after its debut at Deer Creek. The energy returned at the end of the set with “Axilla > Theme from the Bottom > Harry Hood > Show of Life.” We all knew who our friends were during “Theme” as we were surrounded by them. “Harry Hood” featured a blissful jam and could have ended the set, but the band had another message for us. “Show of Life” returned for the first time since New Year’s Eve 2013 to close it out. When the band came out for the encore, we were all surprised that it would be “Rock and Roll.” It was, however, a fitting cap to what was a euphoric set as our lives had all just been saved by rock and roll.

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    The crowd was slow to disperse following the set as high fives, hugs and smiles were exchanged among new friends. The three-night run had come to a close, leaving all of us just a bit closer to finding ourselves in this show of life. Everyone walked out even more excited for the remainder of the tour. Next stop, Portland!

    Setlist by Phish.net

    Soundcheck: Winterqueen (x2), Guelah Papyrus

    Set 1: The Wedge, Heavy Things, Tube, Sugar Shack, Lawn Boy, Sparkle > Sample in a Jar, It’s Ice > Guelah Papyrus, Ocelot > Scent of a Mule, Possum

    Set 2: Soul Shakedown Party, The Moma Dance > Twist > Joy > Breath and Burning, Axilla > Theme From the Bottom > Harry Hood > Show of Life

    Encore: Rock and Roll

    [embedyt] http://www.youtube.com/watch?v=MTxvxCal92k[/embedyt]

  • Phish Sets the Gearshift Out of Control for SPAC Night Two

    Phish’s second night at the Saratoga Performing Arts Center was preceded by a beautiful early summer afternoon, a welcome change from Friday’s thunderstorms that served as the soaking precursor to the night one show. Fans also seemed to feel more settled, ready to dive into the middle of the run, despite having to wait in the lengthy security lines.

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    The boys kicked things off with “Crowd Control,” a solid but rather underwhelming choice considering the intensity that would awaken later in the show. Mike Gordon took the lead vocals on the “555,” with accompaniment from John Fishman before sailing into some improv grooves on “Seven Below.” The consistently upbeat and funky “Back on the Train” had fans howling with delight. Trey Anastasio slammed into a solo only to be matched by Page McConnell’s key shreds. This led to “Army of One” with additional impressive displays of jazz inspired liberties on keys. The “Divided Sky” included the basic choreographed dance jumps of Anastasio and Gordon. The song included its lengthy pause in which all four members appeared still as statues. The raw human emotion could not be hidden as a wide grin on Anastasio’s face shined like a pillar of light, letting the 20,000 or so die-hard fans know he was just as happy to be in the spa city as they were.

    “Martian Monster,” a Halloween 2014 debut track, gave Anastasio another chance to demonstrate melodic percussion on Fishman’s marimba lumina as he did the previous night during the massive and lengthy “Chalkdust Torture.” A quick “Rift” followed by “Water in the Sky” moved into a slamming “46 Days.” Chris Kuroda’s new LED light boards beamed throughout the song, mimicking the look of liquid in motion as Anastasio and McConnell drove the song to the first set’s closer, “Walls of the Cave.”

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    The jam-heavy second set began with “No Man in No Man’s Land” before diving into the intensity of “Fuego,” featuring long and deep improvisations and jams. The crowd sang along the tune’s “whoa-ohs” and simultaneously tossed boat loads of glow sticks into the night sky. “Light” included some type II style jams before teasing back the lyrics of “No Man in No Man’s Land” and ended with a fun rendition of TV on the Radio’s “Golden Age.”

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    The later half of the second set was stocked with tour debuts, beginning with “Taste,” which featured some intricate piano playing that moved throughout the song with McConnell’s directive. “Horse” glided right into “Silent in the Morning,” as it typically does. The ever perky “Julius” made it nearly impossible not to boogie down before the foursome took to the Beatles’ “A Day in the Life” bringing the second set to a triumphant close. A small child on her father’s shoulders graciously accepted Anastasio’s guitar pick as a token of his appreciation for even his youngest fans.

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    A bubbly “Bouncing Around the Room” kicked off the two-song encore before exploding into “Run Like an Antelope,” demonstrating the extensive musical prowess of all four members and closing SPAC night 2 with a bang.

    As if your face hadn’t fully melted off after nights 1 and 2, there’s still time to grab the mop and bucket for night 3 at SPAC this evening. As they say, “never miss a Sunday show.”

    Setlist via Phish.net
    Soundcheck: Funky Bitch, How Many People Are You, Miss You, Tide Turns

    Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky > 46 Days, Walls of the Cave

    Set 2: No Men In No Man’s Land > Fuego > Light -> Golden Age > Taste, The Horse > Silent in the Morning > Julius, A Day in the Life

    Encore: Bouncing Around the Room, Run Like an Antelope
    [1] Trey on Marimba Lumina.

  • Primus Drummer Tim “Herb” Alexander Suffers Second Heart Attack

    In 2014, Primus drummer Tim “Herb” Alexander suffered a heart attack, resulting in Tool drummer Danny Carey filling in for several dates Primus had scheduled for a tour with its classic lineup while Alexander recovered.

    Tim AlexanderSaturday, Alexander revealed via his Instagram, that he recently had another heart attack:

    Alexander is currently home and resting according to a follow-up Instagram post Saturday. Primus is next scheduled to play festival dates at Joshua Tree and Sacramento in October.

    Primus played Brewery Ommegang in Cooperstown last summer on a tour with Dinosaur, Jr. and Sean Lennon’s Ghost of a Saber Tooth Tiger, a tour that led to the recent Claypool Lennon Delirium album and tour. Below is a fan-shot video of “Southbound Pachyderm” complete with fireworks display.

  • Whitesnake Fills Artpark For A Night Of Greatest Hits

    On Tuesday, June 28th, Whitesnake and special guests Whitford/St. Holmes rolled into Lewiston, NY for an unforgettable night at Artpark.

    The evening started off just after 7PM with Whitford/St. Holmes. For those who were unfamiliar with the band, they surely put two and two together once the two legends took the stage. Nearly 40 years ago, Brad Whitford left Aerosmith to team up with Ted Nugent vocalist Derek St. Holmes to do an album and a tour. Now in 2016, the duo have another album and are getting the crowds ready each night for Whitesnake. Together, Whitford and St. Holmes cranked through 6 songs off their new album Reunion and ended with a mix of Aerosmith/Nugent tracks. For fans of that pure rock/blues rock genre, Whitford/St. Holmes truly bring it. As an added bonus, immediately after their set, both Whitford and St. Holmes stopped by the merch booth to sign copies of Reunion and meet fans.

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    After a quick stage change,  the sound of “My Generation” by The Who came over the PA. This sound meant it was time to start the show and out walked the man everyone came to see, David Coverdale. Forming Whitesnake in 1978 after leaving Deep Purple, Coverdale has been the front-man ever since. Joining Coverdale in Whitesnake on Tuesday, were Tommy Aldridge on drums, Reb Beach and Joel Hoekstra on guitar, Michael Devin on bass and Michele Luppi on keyboards.

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    The set kicked off with the track “Bad Boys” which was off the 1987 release Whitesnake. From that point, the crowd knew that the band was there for business. Labeled as “The Greatest Hits Tour”, Coverdale and the rest of Whitesnake surely delivered that to Artpark. Fans probably could have guessed what Whitesnake was going to play that evening but that wasn’t the point. It’s not often an iconic band such as Whitesnake comes to Lewiston, NY to play the beautiful Artpark. Judging from the turnout, everyone seemed to agree and bought tickets for the show. Artpark always offers great prices to their shows and at their concession stands.

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    One of the highlights of the night was watching Reb Beach and Joel Hoekstra on guitar. The two went back and forth all night trading guitar licks and ripping solos. The two of them play with such ease and know how to perform. Both Beach and Hoekstra have great résumés. Beach has worked with bands such as Winger, Dokken, Alice Cooper and more. Joel Hoekstra, on the other hand, played for Night Ranger and was a member of the Trans Siberian Orchestra.

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    Fans both young and old were spotted throughout the crowded amphitheater. Parents, who’ve been listening to Whitesnake for what seems like ages now, brought out their kids to see the show. Seeing generations rock out together to songs like “Slow an’Easy”, “Is This Love” and “Here I Go Again” goes to show how timeless these songs are. Whitesnake’s legacy is one that is surely going to last forever.

    Coverdale and the rest of Whitesnake ended the night with the hard-hitting track “Still of the Night” off their 1987 self-titled album. Coverdale, for being 64 years old, still sings the classic hits, like this one, incredibly well and left the audience standing begging for more.

    Whitesnake Setlist

    Bad Boys, Slide It In, Love Ain’t No Stranger, The Deeper The Love, Fool For Your Loving, Sailing Ships/Judgement Day, Guitar Solo, Slow an’Easy, Bass Solo, Crying In The Rain, Drum Solo, Is This Love, Give Me All Your Love, Here I Go Again, Still Of The Night.

    Whitford/St. Holmes Setlist

    Shapes, Rock All Day, Hell Is On Fire, Gotta Keep On Movin’, Shake It, Hot For You, Dayjob Medley (Last Child/Train Kept A-Rollin’/Stranglehold)

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  • 24 Songs and a Monster Chalkdust Torture Keep the Energy Flowing at Phish’s First Night at SPAC

    Phish made their triumphant return to SPAC for the first time since 2014 and brought with them a boatload of energy for a top show of tour thus far. The rain and tornado warnings peppered the pre-show with downpours and lightning, but a break in the weather gave the fans a chance to stroll Shakedown in the West 50 lot and catch up with friends new and old before heading into the venue for the band’s only three-night run on the east coast, and it’s a highly anticipated run at that.

    Opening the night with “Stealing Time From the Faulty Plan,” “The Birds” and “NICU,” Phish brought in the high energy from the outset, followed by “Cities” > “David Bowie,” which recalled the Ventura 98 “Bowie” > “Cities” > “Bowie,” if slightly short on replicating the magic from that sandwich.

    “Free,” “Uncle Pen” and “Halfway to the Moon” followed, which kept the energy rolling prior to “Let’s Go,” the sole debut of the night and a new tune penned by Mike Gordon with the most promise thus far. It could easily stand out as the single off the forthcoming Bob Ezrin-produced album expected later this year. First impressions and a few relistens give a JGB funk vibe mixed with Gordon’s “Andelman’s Yard”; fans will definitely be clamoring for “Let’s Go” throughout the tour.

    “Waiting All Night” dropped the tempo down slightly before a 10-plus minute “Bathtub Gin” took the reins and stood out as a highlight Type I jam of the set. A brief “Golgi Apparatus” seemed to be the set closer, but Trey let the crowd know “We’re gonna do one more,” leading into the perfect set closer, “The Squirming Coil.” A better first set in terms of song selection and maintaining energy could not have been scripted. Any dwelling on the memory of the storm that preceded the show had effectively been erased.

    The new light rig for Phish this tour is an upgrade visually and aesthetically, and it will get even better given how lighting designer Chris Kuroda evolves through each tour. The depth of the screens plus regular lighting mixed in accents the band in a different manner but accompanies the new material perfectly.

    #Phish @magicofspac Night 1

    A photo posted by pete mason (@phanart) on

    The second set of SPAC didn’t wait to get rolling, jumping out with “Sand” > “Carini,” two songs that signaled a stepping off point for Type II jamming. It was the “Chalkdust Torture” though that reigns supreme as the jam of the night and thus far of the tour, clocking in at more than 22 minutes and featuring intense, exploratory jamming, Trey on the Marimba Lumina, Mike on keys and a tone that derives from the drive-in set at Magnaball last August. Phish picked a great song to get weird during, rivaling the Randall’s Island “Chalkdust” from 2014 and creating its own moniker “SPACDust” almost immediately.

    Trey on the Marimba Lumina during a huge Chalkdust Torture jam at #SPAC #phish

    A video posted by NYS Music (@nystatemusic) on

    A mellow “Prince Caspian” and “Bug” followed and while not nearly as high energy as the 45 minutes that preceded, there was no drop off from the crowd response and thus, no complaints. “Shine a Light” by the Rolling Stones made its first debut of the tour, as did “My Sweet One,” thanks to a banner hanging in the balcony before the song. Trey pointed to the fans and led the band into the bluegrassy love song for a short two minutes. “Sleeping Monkey,” always welcome, teased Destiny’s Child’s “Say My Name” in the intro, and eventually jumped into “2001” out of the blue, dropping funk late into the set ahead of a set closing “Fire.” The band returned to the stage to close the show with “Character Zero,” not relenting on the energy one bit.

    Phish is having a lot of fun at SPAC, and it was only the first night. Given the extensive song selection already this tour, rare covers, new Phish songs and tour debuts, we could be looking at the best three-night SPAC run since 2012, if night one is any indication.

    Setlist via Phish.net

    Soundcheck: Alaska, Let’s Go, Unknown Trey Song, Unknown Mike Song
    Set 1: Stealing Time From the Faulty Plan, The Birds > NICU, Cities, David Bowie, Free, Uncle Pen, Halfway to the Moon, Let’s Go[1], Waiting All Night > Bathtub Gin > Golgi Apparatus, The Squirming Coil
    Set 2: Sand > Carini > Chalk Dust Torture[2] > Prince Caspian > Bug, Shine a Light, My Sweet One, Sleeping Monkey > Also Sprach Zarathustra > Fire
    Encore: Character Zero

  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • Composter and Bassist Rob Wasserman Passes Away at 64

    Rob Wasserman, Grammy award winning bassist and composer, known for playing with artists such as Ani di Franco, Lou Reed, and Bob Weir, has passed away at the age of 64.

    rob wassermanMere hours after Weir announced via Facebook that Wasserman was hospitalized and facing a health struggle, a second post followed confirming his passing. Weir posted, “I’m devastated to pass along that Rob Wasserman lost his struggle today, and we have lost a beautiful friend and artist. I can still hear the sound of his bow playing those strings unamplified and pure. It’s one of the most glorious sounds I’ve ever heard, and the music and warmth he gave us will live on in the hearts of everyone he touched.”

    Wasserman attended the San Francisco Conservatory of Music, studying composing and the double bass, though he began playing violin as a teenager. He was known for his trilogy of albums: Solo, Duets, and Trios. In the latter two albums, Wasserman worked with Jerry Garcia, Elvis Costello, and Lou Reed, among numerous others.

    Wasserman is perhaps best known for founding RatDog with Bob Weir after the death of Jerry Garcia in 1995. Previous to RatDog, Wasserman and Weir toured for several years as Scaring the Children. RatDog toured until 2014, performing Dead covers and some original songs. They released one studio album, Evening Moods, in 2000.

    Wasserman’s most recent album was Cosmic Farm in 2005.

    [embedyt] http://www.youtube.com/watch?v=lTBcXDBKuBA[/embedyt]

  • Phish “Friends” Premieres at The Mann, Fishman shares Lyrics

    Phish premiered a new song, “Friends” from Syracuse’s favorite drummer, Jon Fishman on June 29 at the Mann in Philadelphia. Fishman posted the lyrics in the comments of a fan’s (Peter Banta) Facebook post earlier today.

    The band kicked off a three-night run at Saratoga Performing Arts Center Friday night, which included another debut, “Let’s Go.” NYS Music is on site and will have a full wrap up of the SPAC run.

    NYS Music loves new songs as much as other dedicated fans. Share your thoughts on this, and other premieres on this tour.

    Friends, by Jon Fishman

    Friends,
    If the lord ever comes

    descending from the skies in some fiery fashion
    as so many say he will
    You will not see me
    going joyously to greet him expecting my deliverance,
    but running for the hills
    For if such a day should come to pass
    this is no God come to save the human race,
    but a big boat
    like the ones our forefathers sailed
    having made it across the great ocean to our shores
    from outer space.
    And friends
    when that boat finally comes
    ascending from the depths of our imagination
    to appear within our sight
    We’ll be born again
    as we’ve been so many times all throughout the ages when we find that we’re not right,
    and with darkness lifted from our eyes, then we’ll find what should come as no surprise…
    We’re on a big boat like the ones our forefathers sailed
    headed across the great ocean from our shores to outer space

  • Miranda Lambert Brings the Sass to Darien Lake

    Keeper of the Flame is Miranda Lambert’s 2016 tour, and she brought some friends with her to Darien Lake on June 23. Brothers Osborne kicked things off, but didn’t kick things off right. They did not get the crowd engaged, and more so, their commentary was rather off-putting. Regardless, some of the crowd loved it and that’s what matters, making your fans happy.

    Kip Moore doesn’t quite fit into the country genre per say. He’s got the looks and charisma a country star might have but the raspy pipes of rocker. Regardless, he fit in and blew the opener away. He’s still in his infancy only being signed four years ago by MCA Nashville. Moore already has quite following and had some diehard fans singing along to almost every song. He belted some well-known songs like his very first single “Something ‘Bout a Truck” and his most played on the radio “Running for You.” Give him a few years and he’ll be ready to be the headliner of the shows.

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    As the lights went down the crowd began to scream, and a video that flaunted girl power featuring history icons from the decades sprawled across the screen, while Beyonce’s “Run the World” song played over the speakers. As the old saying goes, if you got it, flaunt it — and Lambert did just dazzling with a set that included each of the hits that have kept her name high atop the charts for the past decade, along with some new never heard before songs. Given that she writes much of her own music, Lambert let her songs do the talking from the stage and treated fans with tales of hard living, lost love, hope and happiness that made for an alluring evening of music.