NYS Music 20​16

Category: Genres

  • Skillet’s Jen Ledger Hints At Possible All Women Supergroup

    Christian music rockers, Skillet, stopped by the recently opened Lucky Strike Social, inside the Crossgates Mall in Albany. The Q103 sponsored event, held a contest over the last week, giving fans the chance to enter for the chance to win a spot on the guest list, which was the only way into the intimate 3-song Q&A event. The event took place inside the venue’s, Jupiter Hall, which is a 900 person concert style club with tables and couches in a elegant setting.

    For years, rumors have persisted about an all-female supergroup consisting of Jen Ledger and Korey Cooper from Skillet, Lizzy Hale of Halestorm and Emma Anzai of Sick Puppies. During one of the Q&A parts of the show, hostess for the event, Q103’s Candace, told the ladies from Skillet, that the radio station had recently had Emma and Sick Puppies over for a Garage Session. Candace noted that Sick Puppies will join Skillet for a fall tour at the end of the year. She went on to tell the ladies that she was curious about the rumors of them teaming up with Anzai and Hale, and if there were a possibility that something could actually happen. Drummer and vocalist Jen Ledger replied, saying:

    We literally just spoke to Emma about this. We played a show with her recently, and she came on the bus with us, and hung out with us and I was like, ‘I feel were are getting a lot of demands on Twitter and Instagram, saying about them being a supergroup.’ The word is already out there, and we will see if we can make something happen. I think something needs to happen.

    Vocalist and bassist John Cooper quickly stated that they should do acoustic cover tunes, and he would help pick the songs for them.

    Skillet is set to release its tenth studio album Unleashed August 5. The band closed with an acoustic version of its lead single from the upcoming  album “Feel Invincible,” which has been heating up rock radio airwaves everywhere.

  • moe. Brings More Than Tasty Brews to Saranac On Friday July 30, 2016

    Some families, if they’re lucky, have reunions every year or so. If you’re a moe.ron, its whenever moe. the band is able to park it and throw down for a couple of days. Last weekend, the boys dropped into their old stomping grounds of Utica for two nights of their annual stint at the Saranac Brewery, over July 30-31, 2016; bringing a wave of openers and late night shows, along with their own bust-outs and full throttle psychedelic rock to 830 Varick St.

    With Ryan Montbleau opening the first night, fans were treated to a full band which, in typical Montbleau fashion, kicked off the weekend with sulky vibes mixed with high intensity big band sounds encapsulated within a small ensemble.

    People who know what a Montbleau Band show is capable of were buzzing over his electricity and for those who only thought they knew, were served a healthy dose of wild female vocals, buttery trombone, crazy fingered keys, and the smooth charm of the talented singer-songwriter.

    With gray skies, high heat and humidity hovering, a crowd with a propensity for partying gave moe. full-bellied cheers as the first set began with the classic ,”Timmy Tucker,” a sign that things were off to a great start. “Timmy” sneakily segued into the bouncy “Threw It All Away” followed by another segue back into “Timmy.”

    A quick hello and welcome to Utica from bassist Rob Derhak led into the cautionary, in-your-face monster, “Don’t Fuck With Flo” followed by “CIA.” Fans were then treated to two covers, “Fame” by the late David Bowie, and Steely Dan’s “Bodhisattava,” with Ryan Montbleau, accompanied by his female vocalists, sitting in on the performance. The two covers showcased guitarist Chuck Garvey’s vocal abilities and classic rock chops to help close out a stellar first set.

    The second set began with a bang, as drummer Vinnie Amico rolled off the opening beats to “Water,” followed by the instrumental ditty “Hector’s Pillow;”  the first two songs of a six-song segue. The beloved “Bring You Down” began patiently, but the jam soon grew to heights the song is known to reach. Yet each time the beauty of it is expanded upon as guitarist Al Schnier soloed his way into the songs closing lines, “be with me, be with me,” all while checking off stats as the first time played in the city as well as at the brewery.

    The last half of the segues included the epic “Silver Sun”. The Pink Floyd inspired tune quickly turned into a beast as it transitioned into the Grateful Dead’s “The Other One,” using the same quadraphonic sound implemented earlier in the summer by the bands front-of-house engineer, Steve Young. Heads were spinning as sound echoed from the towering brewery back onto the fully loaded crowd and segued back into “Silver Sun.”

    The night was completed with “Mar De Ma,” an Amico-penned instrumental honoring his wife and daughters, “Y.O.Y,”, and “Plane Crash.”

    Much to many fan’s pleasure, the band strayed from the setlist and chose “Sensory Deprivation Bank” for the encore. Attendees were then unleashed into the streets to take part in the late night acts offered throughout Varick Street.

    moe – Saranac Brewery, Utica, NY – July 30, 2016

    Set I: Timmy Tucker > Threw It All Away > Timmy Tucker, Don’t Fuck With Flo > CalifornIA > (n.h.) Fame, Bodhisattava

    Set II: Water > Hector’s Pillow > Bring You Down, Silver Sun > The Other One > Silver Sun, Mar-DeMa (n.h.) Y.O.Y., Plane Crash

    Enc: Sensory Deprivation Bank

  • 15th Annual Albany Jazz Fest Announces Lineup

    The City of Albany has announced the lineup for the 15th Annual Jazz Festival, to be held on Saturday, September 10. The day-long free event will be held at the Washington Park Parade Grounds, due to construction at Jennings Landing.

    The Ellis Marsalis Quintet headlines Jazz Fest, a legend of modern premier jazz piano. The father of Wynton, Branford, Delfeayo and Jason, all legends in their own right, the patriarch of one of the world’s most famous musical families will perform with a quintet of musicians for a memorable headlining performance.

    Lucky Chops, a brass band who made their name in the NYC subway system, calling on their roots at LaGuardia Arts High School. Having toured Demark and France, as well as clubs all over New York, they were featured on MTV’s “Girl Code Live” and carry a wide fanbase that grows with each performance.

    KJ Denhert blends urban folk & jazz that can move you to laugh, dance and cry.  She steps out of the box for her latest recording, Album No. 9, exploring genres that have influenced her throughout her career. Praised for her pathos, originality and impeccable musicianship, KJ is a one-of-a-kind songwriter, guitarist and performer, not to be missed.

    Jazz Caravan, based out of Albany, is a trio blending west-coast modern and Latin jazz stylings. Roger Noyes (guitar), Tony Berman (bass) and Jim Ketterer (drums) make up this unique trio, drawing on mid-century swing to bop and post-bop, as well as Ellison-inspired music, mashups of Monk and Brubeck-based figures; an odd-meter remake of a traditional hymn, a swingin’ rendition of folk melodies inspired by Leo Tolstoy, a hard-backbeat take on baroque and klezmer music, and even a Latin-groove reconstruction of Led Zeppelin.

    Cliff Brucker & Full Circle is led by multi-instrumentalist and composer/producer Brucker, well known in the Capital Region for his 40 years of performance in the region. Full Circle includes Leo Russo, a local jazz legend, as well as pianist Larry Ham, trumpeter Dylan Canterbury, guitarist Mike Novakowski and bassist Otto Gardner, all masterful players who have performed with some of the most important names in jazz.

    Schedule of performances during the 15th annual City of Albany Jazz Festival:

    Cliff Brucker & Full Circle 1-2pm

    Jazz Caravan 2:30-3:30pm

    KJ Denhert 4-5pm

    Lucky Chops 5:30-6:30pm

    The Ellis Marsalis Quintet 7-8:30pm

    Since its debut in 2002, the City of Albany Jazz Festival has featured an eclectic array of all-time musical greats, critically acclaimed up-and-coming artists and local favorites at Albany’s most spectacular outdoor venues. Great food, beverages and vendors make the Jazz Festival an event for all ages – and admission is still free! No glass, animals or recording of performances. All City of Albany parks are now curb-to-curb tobacco-free.

  • Peach Music Fest Returns to Montage Mountain, Gregg Allman Cancels

    In just one week, The Peach Music Festival will return to Montage Mountain in Scranton, PA for their fifth annual four-day celebration. The festival is slated for August 11 – 14. Jamband fans from all over the country will head up the mountain for headliners Trey Anastasio Band and The String Cheese Incident. Due to illness, Gregg Allman canceled his tour including his headlining performances at Peach Fest. Allman was scheduled to play his own set  as well as one with SCI known as “The Gregg Allman Incident. At this time it is unclear what the festival plans to do for a replacement.

    Originally an Allman Brother’s Band festival, the spirit of ABB  will live on with Warren Haynes’ appearance in Gov’t Mule as well as “Wake Up with Warren Haynes.” In addition, Les Brers is scheduled to perform at Peach Festival, created by Butch Trucks, founding member of the ABB.

    Festival goers can take advantage of the mountain for camping as well as the on-site waterpark to cool off. The site features three stages including The Pavillion at Montage Mountain, a unique and beautiful venue.

    In addition to the headlining acts, other anticipated performances include The Claypool Lennon Delirium, two sets of moe., Joe Russo’s Almost Dead, Railroad Earth, two sets of Dark Star Orchestra, Anders Osborne and more.

    Late night sets will sprawl across three stages including a special Pink Floyd set from moe. and a two-hour set with Umphrey’s McGee. The Floozies, Cabinet, Flux Capacitor and a Pink Floyd set by Electron will all tear up the after midnight scene.

    New this year, and in line what Front Gate Tickets did for Camp Bisco hosted at Montage Mountain in July, ticket holders were sent chipped wrist bands over the traditional cloth bracelets.

    Tickets for the Peach Music Festival are available at www.thepeachmusicfestival.com

  • (Board) Walk Me Out, Dark Star Orchestra at Ford Amphitheatre Coney Island

    On Sunday July 31, Dark Star Orchestra tested the waters of the newly opened Ford Amphitheater at Coney Island Boardwalk. They got the crowd moving right away with a rocking “Passenger” as fans young and old exchanged high fives. As per usual, there were several setlist detectives in the audience trying to determine what classic show the band was recreating before our eyes and ears. I discovered an early Easter egg as only one drummer appeared on the stage, hinting at the fact that Mickey Hart was not present for this gig.

    dark star orchestra coneyLead guitarist Jeff Mattson did an exceptional job filling Jerry’s shoes for “Sugaree,” before Rob Barraco tackled Pigpen’s “Mr. Charlie.” The “Black Throated Wind” that followed had a particularly hot ending as Rob Eaton embodied the role of Bob Weir. Always searching for a Grateful Dead setlist motif, I instantly became fascinated with the gambling aspect of “Loser” that was presented in the fifth spot. At every DSO show, us setlist detectives are attempting to discover the recreation by playing the hand we are dealt by the band members, and we had no chance of losing this time. Another ace was drawn once Barraco jumped back on the lead vocals for “Next Time You See Me,” channeling Pigpen in what was sure to be an early 70’s performance. Lisa Mackey, normally filling in as Donna, covered the harmonica for the tune during her first appearance of the night. A standard “El Paso” gave way to another song referencing a card game, “Dire Wolf.”

    dark star orchestra coneyThe spirit of Pigpen returned for “Two Souls in Communion,” relaxing the audience before a spaced-out “Playing In The Band.” After the 15-minute-plus version, I had enough set list evidence to predict the band’s recreation. I knew it was something from Europe ’72 as classic Pigpen tunes were frequent, yet they jumped in the deep end for “Playin’.” With assistance from a quick Google search, I discovered that they were recreating the iconic final show of their European run, May 26, 1972 from London. The show would be Pigpen’s second to last performance with the band, and symbolically the next song after my setlist discovery was “He’s Gone.”

    dark star orchestra coneyA familiar “Cumberland Blues” and “Jack Straw” led to “Chinatown Shuffle,” which is the last tune Pigpen ever sang on stage. In fact, the four songs sang by Pigpen in the first set would follow him to his grave after that hallowed evening. My lyrical deck of cards theory returned with the “diamond-eye Jack” during “China> Rider.” On the eve of Jerry’s birthday, a wave of euphoria came over the crowd during the “Not Fade Away> Goin’ Down the Road Feeling Bad> Not Fade Away” sandwich that closed out the mesmerizing and particularly long first set.

    An extended “Truckin’” reminded the New York audience of the ways and means as the second set caught fire early. The band treated us to the night’s second sandwich with “The Other One > Morning Dew > The Other One.” It isn’t clear if Jerry is singing directly to Pigpen during one of his final nights, but this version is one of the best in Dead history and DSO did an excellent job recapturing the emotion from over 44 years ago. Not only was the “Dew” sang with such emotion, but the jam that ensued showcased bassist Skip Vangelas dropping some serious Phil-bombs to test the foundation of the newly built venue.

    dark star orchestra coney“Sing Me Back Home” gave us a moment to catch our breath before the “high-lo jack and the winner takes the hand” lyrics brought a smile to my face during “Me and My Uncle.” “Ramble On Rose” brought the casino-night motif to a close and presented the “aces back to back” before a high-energy two-pack of “Sugar Magnolia” and “Casey Jones” closed the second set. As the 11PM curfew rounded the corner, DSO remained on stage and quickly wished Captain Trips a happy birthday. A fellow setlist detective gave me a pat on the back as the May 1972 discovery was confirmed. Closing out the Sunday, the band gave us one more reason to enjoy the weekend with “One More Saturday Night.” Outside the venue, dozens of fans roamed the beach holding balloons with smiles on their faces (I can only assume for Mr. Garcia’s birthday). The first ever Grateful Dead recreation at the Ford Amphitheater at Coney Island was a massive success and I predict the energy to return during two nights of Phil & Friends in mid-September. Decades after that magical night on the other side of the Atlantic, Deadheads were once again treated to the peace, tranquility and curiosity of a beautiful experience, just like waves upon the sand.

  • Steel Panther Brings Hair Metal To The Sherman Theater

    On Saturday, July 30, the greatest 80s hair-metal band to not come out of the 80s took over the Sherman Theater. Steel Panther, the comedic hair-metal/glam-metal band came to Stroudsburg, PA to give fans a taste of what they can’t get anymore, unless they’re listening to classic-rock radio stations that have been playing the same songs for 30 years.

    Unlike bands like Motley Crue, Van Halen, Skid Row, etc. Steel Panther can give fans a live performance that’s absolutely spot on. Perhaps it’s because the band only got its start in the early 2000s or maybe they have some special potion that keeps their musical talents from slipping away.

    Steel Panther - Photo: Mark McGauley

    After releasing a live acoustic album called Live From Lexxi’s Mom’s Garage Steel Panther has been playing gigs in select cities. Between gigs the band has also been working on its official follow-up album to 2014’s All You Can Eat. While fans are anxiously waiting for new material, they get to watch Steel Panther do what they do best out on the road.

    Saturday’s set started off with “Eyes of a Panther,” which is off Steel Panther’s official debut album Feel the Steel. The debut album seemed to be focused on the most throughout the night. Over half the setlist came from that first album, but the crowd didn’t seem to care.

    Steel Panther - Photo: Mark McGauley

    As always, Steel Panther’s show wasn’t without the jokes, banter, and crowd interaction with the ladies. Even though some of the act may be repetitive for some fans, that didn’t stop them from laughing hysterically. For fans who aren’t familiar with Steel Panther, mix together a glam-metal band with Dr. Dirty and that’s what is created.

    Lead singer Michael Starr, at the age of 51, continues to exceed expectations for live performances. At his age, Starr continues to blow away fellow vocalists in his age group. Singers from other 80s bands should be getting on top of their game before Starr takes their job. Starr and fellow guitarist both played in the Van Halen cover band called The Atomic Punks, so if Van Halen ever needs a new singer, Starr should be getting a phone call.

    Steel Panther - Photo: Mark McGauley

    During Satchel’s guitar solo, he made his way up to the drum kit. From the kit, Satchel played some famous guitar riffs while also playing the bass drum. Watching Satchel play is just mesmerizing. The guy comes up with some bitchin’ riffs and can shred up and down the neck of the guitar with ease. Michael Starr and guitar master Satchel shouldn’t be getting all the credit though. Lexxi Foxx and Stix Zadinia do a kick-ass job on the bass and drum-kit.

    The only downfall of the night was that it seemed to end too fast. Only playing 15 songs including a guitar solo just doesn’t seem to feed the Steel Panther hunger. With more songs though, the band would probably have to cut out the comedic segments between songs and that’s a part of the experience.

    Setlist: Eyes of a Panther, Tomorrow Night, Fat Girl, Party Like Tomorrow Is the End of the World, Let Me Cum In, Asian Hooker, Turn Out the Lights, Guitar Solo, Ten Strikes You’re Out, Girl From Oklahoma, 17 Girls in a Row, Gloryhole, Community Property, Party All Day, Death to All but Metal

    [FinalTilesGallery id=’924′]

  • Dopapod and Pigeons Playing Ping Pong Plan Huge Fall Tour

    Dopapod and Pigeons Playing Ping Pong announced today a co-headline tour kicking off October 5 in Jacksonville, FL and ends December 17 in Indianapolis, IN.  The more than 30 shows will cover much of the eastern half of the country, making stops in Saratoga Springs, Buffalo, Syracuse and New York City along the way. The two bands bring an incredible dose of funk with them, and have become staples on the festival circuit for many years.

    Rochester native and Dopapod vocalist/guitarist Rob Compa shared his thoughts on the tour. “Pairing up made too much sense not to do!  We’re always crossing paths, whether it be barely missing each other along tour or at festivals.  After a while it became clear that we ought to do something cool together.  I’m happy that this finally came together.”

    Pigeons Playing Ping Pong’s frontman Greg Ormont added jokingly, “We’ve always wanted to tour with a band whose name is a palindrome but ABBA and Emily’s Sassy Lime are always too busy, so we ended up with Dopapod. Fortunately, they’re great friends and even better musicians, so it should be an epic few months on the road.”

    Both groups recently shared the stage in Philadelphia, PA at The TLA where Dopapod keyboardist Eli Winderman sat in with Pigeons on their original song, “F.U.”

    Dopapod & Pigeons Playing Ping Pong Fall 2016 Tour Dates:

    10/05 Jacksonville, FL: 1904
    10/06 Gainesville, FL: High Dive
    10/07 St. Petersburg, FL: State Theatre
    10/08 Ft. Lauderdale, FL: Culture Room
    10/09 Orlando, FL: Venue 578
    10/11 Macon, GA: Cox Capitol Theatre
    10/12 Columbia, SC: Music Farm
    10/14 Darlington, MD: Luna Light Music Festival
    10/26 Saratoga Springs, NY: Putnam Den
    10/27 New Haven, CT: Toad’s Place
    10/29 Northampton, MA: Pearl Street
    11/02 Syracuse, NY: Westcott Theater
    11/03 Buffalo, NY: Iron Works
    11/04 TBA
    11/10 TBA
    11/11 Charlottesville, VA: Jefferson Theatre
    11/12 TBA
    11/17 TBA
    11/18 New York, NY: Irving Plaza
    11/30 Asheville, NC: The Orange Peel
    12/01 Atlanta, GA: Terminal West
    12/02 Charleston, SC: Pour House
    12/03 Raleigh, NC: Lincoln Theatre
    12/06 Chattanooga, TN: Revelry Room
    12/07 Nashville, TN: Exit In
    12/08 St. Louis, MO: Old Rock House
    12/09 Iowa City, IA: Gabe’s
    12/10 Chicago, IL: Bottom Lounge
    12/14 Ann Arbor, MI: The Blind Pig
    12/15 Kalamazoo, MI: Bell’s Brewery
    12/16 Milwaukee, WI: Mirimar Theatre
    12/17 Indianapolis, IN: The Vogue Theatre

  • The Jauntee Announce Second Leg of Summer Tour, Phish After-Parties in Denver

    The Jauntee has announced the second leg of their Summer Tour, extending out to Colorado for a series of post-shows during the Phish run at Dick’s Sporting Goods Park.

    Hailing from Boston, The Jauntee have solidified a dedicated following through a focus on live improvisation, setlist variety, and musical exploration that makes every show different from the last. Among tour highlights include an all-improv set at Laniakea Fest in Ohio, Phish after-parties in Denver at Quixote’s True Blue on Friday and Saturday of Labor Day, a stop at Funk n Waffles in Syracuse on September 15, and a performance at Catskill Chill on September 23.

    Drawing influence from a wide variety of acts, The Jauntee’s improvisational landscape spans multiple genres, including funk, rock, jazz, progressive, bluegrass, psychedelic and ambient music. Their willingness to explore genres, abandon all song structure, and dive into ‘the weird’ sets them apart from your average upcoming jam band. They aim to push the boundaries of improvisation, embrace the moment and engage the audience. With a quickly growing loyal fanbase, an ever-expanding song catalog and an inclination for open ended improvisation, every show promises to be a unique experience.

    Check out The Jauntee’s live shows for a taste of their incredible sound.

    Summer 2016 Tour Dates
    7/15 – Port Hunter – Edgartown, MA
    7/16 – Port Hunter – Edgartown, MA
    8/05 – Spotlight Tavern – Beverly, MA
    8/07 – Empowerment Festival – Westminster, MD
    8/12 – Nectar’s – Burlington, VT+
    8/19 – James Street – Pittsburgh, PA#
    8/20 – Birds of a Feather Fest – Whitesburg, KY
    8/25 – Barkley Ballroom – Frisco, CO
    8/26 – Victoria Tavern – Salida, CO
    8/27 – Lazy Dog – Boulder, CO
    8/28 – Ullr’s Tavern – Winter Park, CO
    8/31 – Hodi’s Half Note – Fort Collins, CO&
    9/01 – Old Town Pub – Steamboat Springs, CO
    9/02 – Quixote’s – Denver, CO*
    9/03 – Quixote’s – Denver, CO*
    9/06 – The Bottleneck – Lawrence, KS
    9/07 – The Bootleg – St. Louis, MO
    9/08 – New Vintage – Louisville, KY
    9/09 – Laniakea Fest – College Corner, OH
    9/10 – Woodlands Tavern – Columbus, OH~
    9/14 – The 8×10 – Baltimore, MD^
    9/15 – Funk N’ Waffles – Syracuse, NY
    9/16 – B.R.Y.A.C. – Black Rock, CT
    9/23 – Catskill Chill – Lakewood, PA

    + w/ Bella’s Bartok
    # w/ The Clock Reads
    & w/ The Sweet Lillies
    ~ w/ Jahman Brahman
    ^ w/ ELM – Electric Love Machine
    * Phish After Parties

  • You Can’t Half-Ass Bluegrass: 2016 Grey Fox Bluegrass Festival Recap

    Another sun sets for the annual Grey Fox Bluegrass Festival, which spanned July 14 through 17, 2016 in Oak Hill, NY. With a stellar lineup and not-too-ridiculous weather, there was music playing all day, everyday, all weekend. Ringing through the distance from the Main Stage, to small gatherings under pop-ups and RVs, there was music, and you were never quite sure if it was played from a record, the radio, or between musician attendees.

    Thursday

    Hovering for camp site real estate, Grey Fox attendees loaded in as early as Tuesday to Walsh Farm. Even on Thursday, the first official day of live music, there was no space left in all the camping areas, and people already commenced their festivities and jamming. Since most notable Grey Fox artists didn’t play until the late afternoon, and played two sets at that, most attendees set up sites, got their bearings, and settled into the weekend. Guests ranged from large packs of young adults to groups of families to solo travelers, and everyone made an effort to make their campsites waterproof and visually appealing. There were stations on the walk to and from camp, featuring board games, a jam tent, and even a pop-up tent bar. Before long, the area was a small city of people, all welcoming and eager to hear some fine bluegrass.

    After making several laps around the area, with food and drinks in hand, the music kicked off at Main Stage with Compton & Newberry, Band of Ruhks, and Ithaca-based group The Horse Flies. As the sun made its descent for the first festival day, The Horse Flies kept the rhythm moving for festival dancers, which made a nice transition into Steep Canyon Rangers shortly after, with blood-curdling fiddle playing by Ranger Nikki Sanders. This set was particularly percussive as well, which polyrhythmic syncopation on the mandolin, and every member joining in on the drum kit at one point in their set. Their set list included songs spanning the early 2000’s to today, featuring “Stand and Deliver”, “Whiskey in the Afternoon”, and “Radio.” It was the Wood Brothers who closed out the Main Stage Thursday night, featuring three powerhouse musicians, Jano Rix and brothers Chris and Oliver Wood. Some of their songs included “What the Devil” and “I Got Loaded” from arguably their best record to date, entitled The Muse. The crowd was lively and relatively tame for a music festival crowd, but people were certainly conserving energy to enjoy the great music that was still to come.

    Friday

    For most campers that inhabited ares with families, the start of each day was about 8 a.m., when some of Grey Fox’s younger fans woke everybody up for breakfast. Despite ongoing fear of thunder, the weather was relatively smooth Thursday night into Friday, and the sun was harshly shining by the time the music kicked off for the day. First off was Charm City Junction, despite it being the time slot for the Lonely Heartstring Band on the schedule. Never the less, they brought an Irish flavor to Grey Fox with songs like “Train on the Island” and “I’ve Got a Woman,” with some additional jazz improvisation in the tune “Greasy Coat.” As part of their set, they dove off into a brief history lesson, relating traditional Irish music to the creation of old time music, eventually forming its way into bluegrass.

    Just as Irish traditional music evolved to bluegrass, Charm City Junction evolved the stage for Pennsylvania-born trio The Stray Birds shortly after. Bringing an element of twang and hollering to the Grey Fox crowd, their music featured tight vocal harmonies, a switch-off of instruments, and an energy that won over the crowd. Along with their latest single release “Sabrina,” the band played the title track from their 2014 album Best Medicine, which features the lyrics music is the best medicine I sell.

    As the day progressed, more shows seem to pop up all over the main area of Grey Fox. The Grass Roots Stage had workshops on songwriting and vocal lessons, and the Slow Jam offered lessons for beginners in fiddle, mandolin, guitar and banjo. The Creekside Stage hosted a few bands for a second show following their Main Stage visit, one of which was Mollie O’Brien & Rich Moore. With a powerhouse vocalist and cool bluesy guitarist, not to mention a husband and wife power duo, Mollie and Rich won over the hearts of their listeners with their spontaneous personalities and musical chemistry. It was from there many attendees flocked over to the Catskill Stage to witness Trout Steak Revival. They payed tribute to the festival’s sponsor beer (and creator of the amazing Summerfest Crisp Lager), Sierra Nevada, and played their song with the same name off of their 2015 album Brighter Every Day. Along with playing the title track to the album and a song about pie, they seemed to take a progressive bluegrass (is that a thing yet?) kind of direction for their last song, leaving Grey Fox on a different note, and setting the stage for the Dave Grisman Bluegrass Experience, which had some fire-like mandolin playing to heat up the gathering crowd. As the night progressed, many worked their way back up the hill to Main Stage to see the Del McCoury Band at 9pm. The Main Stage was flooded with hula hoopers, campers, and dancers as Del McCoury entertained the audience with crude humor and creative musicianship. They played “Rain and Snow,” “Fire On the Mountain,” and “Cornbread and Creekwater,” before Del McCoury opened up the floor for requests for the rest of the night, and was completely blown away by his crowd response. As campers made their way back to camp, Matuto filled the air with their non-conventional bluegrass songs, featuring elements of rock and world music as a backdrop for the night’s close.

    Saturday

    After two separate attempts, it was Saturday at 1pm that devoted fans had the chance to see the Lonely Heartstring Band play their set at the Catskill Stage. After their recent release of Deep Waters in June 2016, they played a selection of new songs, including the title track “Deep Waters” and “The Tide.” As children ran around the crowds and their set drew to a close, they also covered the Bob Dylan classic “Rambling, Gambling Willie,” which brought every audience member to their feet to clap along. Moving towards Main Stage to see Mr. Sun, a crowd was already actively engaged in 24-year-old songwriter Sierra Hull. She hosted one of many power trios throughout Grey Fox featuring guitarist Justin Moses and bassist Ethan Jodziewicz, who remained on stage for Mr. Sun at 3pm. Featuring jazzy interludes, funk bass rhythms, and a variety of catchy tunes, Mr. Sun certainly won over audience members who may not have known them before.

    All throughout Saturday, dozens of mandolin and banjo players graced the Grey Fox stage to showcase their plucking speeds and artistic flare, but it wasn’t until Saturday night that attendees finally saw the pros. Making his first Grey Fox appearance of the year, Béla Fleck joined in with Sierra Hull for an unforgettable set of intense solos. Sierra Hull shattered any preconceived notion of what bluegrass should look and sound like, and folks of all ages were grateful to see her perform alongside banjo extraordinaire Béla Fleck. After one of Della Mae’s larger sets, Chris Tile joined Béla Fleck on stage with no backing band to deliver one of the most notable performances of Grey Fox. Their set traveled through time, from Scarletti’s Sonata in C Major K. 159 to the Punch Brothers hit “No Concern of Yours.” For each new song they played, the more attention to dynamics they gave. At several times throughout their set, the hundreds that gathered to watch fell silent only to hear the delicacy of their playing. They were able to harmonize, imitate multiple instruments and their respective ones, and carry an entire set for themselves without anyone ever leaving the area. There’s something about bluegrass that brings you to a better understanding of music theory, improvisation, and song structure, and it’s beyond apparent in these two musicians. As Saturday night came to a close, Donna the Buffalo lead the last hurrah in the Catskill Stage, giving Grey Fox guests one more night of dancing before heading home the following day.

    Sunday

    Despite the massive rush leading up to the festival, many people didn’t stay too long on Sunday, making the barren lands of Walsh Farm seem endless in distance from where campsites still remained. For a relatively quick set, Della Mae closed out Grey Fox as people got their last fill of food and dancing. It wasn’t long before distant travelers had to pack up for the weekend and ship back home, but each attendee walked away with some good memories, extra snacks, and if they were lucky, a new instrument, courtesy of Grey Fox’s weekend-long raffle.

    Grey Fox has surely delivered another great year this year, with an amazing lineup and a group that you can’t find at other festivals. The hospitality and incredible musicianship of every Grey Fox attendee is overwhelming, and fans of all walks of life can find a home in Walsh Farm. If you’re looking to join in next year, follow Grey Fox’s Facebook page and website.

  • Central New Yorkers Celebrate 75th Birthday at Red Rocks

    To play a show at the Red Rocks Amphitheater located in Morrison, Colorado is a modern day right of passage as a musician.  Constructed in early 1900’s, this National Historic Landmark documents it’s earliest show, the Grand Opening of the Garden of the Titans,  on May 31, 1906, some 100 years ago, featuring Pietro Satriano and his 25 piece brass band.  This spectacular modern day venue was the vision of John Brisbane Walker, who found this setting to be the perfect acoustic balance between these gigantic rock formations, just as the Ute might have for generations preceding.  In 1941 the City of Denver purchased the land and with the assistance of the Civilian Conservation Corps, built the amphitheater we know today. Dedicated on June 15, 1941, Red Rocks Amphitheater is now celebrating it’s 75th birthday, hosting concerts series each year with some of the worlds most elite performers.

    central new york red rocksIn an article by John Wenzel of The Denver Post, Wenzel revisits a few of Red Rocks’ most notable concerts throughout it’s history.  Notably the Beatles tour of 1964 was included.  This show actually was the only show on that tour not to sell out for them.  What very well could have set the precedent of the jam band movement at Red Rocks, can possibly be directly linked to the Grateful Dead’s show in 1978 spawning a myriad of jam bands to return each year since to the mystical setting.  Included also in this list was the Jimi Hendrix Experience who came to perform to the 9,525 capacity venue and was the only show there to date that did not document the event with photos or video.  Annual events tend to be a common occurrence with The Blues Traveler as they take up residence each 4th of July at Red Rocks.

    The late John Denver, was a huge advocate of Red Rocks and performed there a total of 17 times throughout his career, televising it live to a global audience reaching the masses and shining a light on the jewel nestled within the rocks.  In 1971, what is recalled today as the Riots at Red Rocks, ticket-less fans stormed the venue to see the Jethro Tull show prompting both a riot with law enforcement and spawning a five year ban of Rock & Roll at the Rocks.

    With such rich history, such breathtaking beauty, and such mystical healing of music and nature combined, it is truly a venue that every performer wishes to have an opportunity to experience at least once in their careers.  Joe Bonamassa, a native of Central New York, is no exception.  Having performed there several times to date, it seemed fitting that this journalist would experience her first show and check off her bucket list item with a hometown hero.  Bonamassa is one of this generations most influential blues guitarist forging music not for the airtime it would be grated, but solely for the love of music.  Influenced throughout his life by such greats as B.B. King, Eric Clapton, Peter Green, Paul Kossoff, Gary Moore, Rory Gallagher, Jeff Beck, and Jimmy Page, Bonamassa knew guitar was what he wanted to do at the age of 4.  He had to experience the movement it gave him.  As he closed out his recent tour with his parents looking on from the audience at Red Rocks, it was an honor to take part in this magical night and hear what inspired him to become the musician he is today.

    As the angry storms poured down on eager concert goers just prior to the show, the delays forced all to take cover and ride the storm out.  It was only a matter of time that the clouds blew their way across the rocks to give a peek to what was most definitely the most spectacular view of Denver and the surrounding mountainous terrain that surrounded it.

    With concert goers encompassing the seating throughout the venue and sitting on the rocks surrounding the stage, it was as though they were hugging the stage.  The magical music was accompanied by the most spectacular back lighting highlighting the rocks behind and crowning Bonamassa in the center of the stage; creating the most breathtaking set I’ve seen to date.  As if that wasn’t enough, then moon crept up behind the stage to peek out above the jumbo tron.

    This show was everything and then some for myself and those lucky enough to attend the closing show of the tour.  To have Joe Bonamassa as the star in the middle of this jewel, was truly an honor shared by his hometown friend and those back home at NYS Music.  It is highly recommended to make the journey to see both Joe and Red Rocks, checking two “must sees” off your bucketlist.  Happy 75th Birthday Red Rocks from NYS Music.  It was an honor to bring this home to our readers.

    Setlist:  Beck’s Bolero/Rice Pudding, Mainline Florida, Boogie with Stu, Let Me Love You Baby, Double Crossing Time, Motherless Children, SWLABR, Tea for One/Can’t Quit You Baby, Little Girl, Pretending, Black Winter/Django, How Many More Times Encore: Locomotive Breath Intro>This Train, Mountain Climbing, Hidden Charms, and Sloe Gin.