Category: Metal/Hard Rock/Punk

  • ADTR, Halestorm, Anthrax and Others Rock Day Two at Rock’N Derby

    Rock’N Derby continued Saturday at the Schaghticoke Fairgrounds, and  saw a comfortable but cloudy day, with a small 10-minute rain shower during Halestorm’s set. The music started at 1:30 p.m. at the Upstate Concert Hall Arena Stage with New York City area band Streetlight Circus.

    Saturday’s lineup was jam-packed with bands, and boasted the biggest lineup out of the three days. The turnout of fans looked, considerably larger than Friday’s crowd. Fans who packed the fairgrounds saw the likes of Anthrax, Halestorm, Hollywood Undead, Sebastian Bach, Beartooth, Chevy Metal, All That Remains, Avatar, Cilver and A Day To Remember, who were the headliners for Saturday.

    A Day To Remember had the longest set time of any band in the three-day festival, with an hour and a half of playing time. ADTR headlined the Derby Stage, and their set had the most crowd surfing fans of the weekend to that point.

    After giving props to the security team for catching fans surfing over the rail all day, frontman and lead vocalist Jeremy McKinnon then asked the crowd if they had ever surfed a crowd surfer. He said to fans, “So during this next song, I’m gonna start this off by saying, you don’t have to participate in this shit cause its wild. We were playing in Wisconsin or some shit, on the Warped Tour one time, and these two guys did something that I will literally never forget. And I dubbed it ‘crowd surfing on top of a crowd surfer.’ Now let me explain this shit to you, somebody crowd surfs on top of the crowd as normal, and then your friend stands on top of you, like your a fucking surf board, and surfs all the way up to the front to the [security]. Please guys don’t do this, but have a fucking good time New York.” The band then played “Better Off This Way.”

    As the intro played for “Have Faith In Me,” McKinnon asked where the ladies were in the crowd. After many screams from the ladies in the lawn, the singer then said “Wow, that’s a lot of you.” He then dedicated the next song to them.

    In a hilarious moment, ADTR was next to notice the birthday girl in the front before the song “Sometimes You’re the Hammer, Sometimes You’re the Nail” and told the crowd they only had 3 songs left.

    McKinnon and lead guitarist Kevin Skaff had fun with the crowd and randomly started playing “Faith,” by George Michael. After two lines of the song, Skaff then joked “That was one song out of three.” The crowd laughed and McKinnon replied, “That’s one song down. What else we got Skaff?”

    Skaff started singing “Happy Birthday” to even more laughter. This prompted McKinnon to ask the crowd if anybody had a birthday. As the two’s eyes combed through the crowd, Skaff noticed a fan that said they turned sixteen today. He said back “You just turned sixteen and you already have a beer? That’s weird.” The crowd erupted again with laughter.

    McKinnon then noticed the 5-year old girl and asked if she wanted to come up on stage. The frontman then said to the crowd “Everybody out there tonight, this is this girls first show and she turns five years old today.” After cheers from the crowd, he asked the girl her name, then the band and the crowd sang “Happy Birthday” to the girl. After they sang to the girl, McKinnon said, “That should work for a first concert.” Skaff then interjected “That’s some good footage, put it in the archives. I was a Teenage Mutant Ninja Turtle for my fifth birthday.” That made McKinnon and the crowd laugh. The band got down to business and asked the crowd how many of them checked out their latest album Common Courtesy.

    A lot of bands could take note when being a headliner from ADTR when it comes to how many songs a band puts in their set. McKinnon recalled a story that happened from the beginning of their current tour. McKinnon stated, “I gotta to tell you a true story. We started this tour, and we were playing fifteen songs … and this girl got on Twitter and she was like, ‘Yo, I waited eight years to see your band, and you only played fifteen songs?’ And I got to tell you, she was not wrong, and I felt guilty. So we’re gonna play some extra songs for you tonight. Is that cool?” The fans at Rock ‘N Derby went crazy. McKinnon finished by saying, “So if this song right here meant anything at all to you in your life. If this song is your shit…you owe that girl.” ADTR then played “It’s Complicated.”

    ADTR closed out with “The Plot to Bomb the Panhandle.” McKinnon introduced the last song by saying “We are A Day to Remember from Central, Florida, and you’ve been fucking amazing tonight. Thank you for sticking around. This is going to be our last song for the night, and this is what I need from you. I wanna see everybody out there jumping up and down with us on this next song. That means everybody across the back, everybody on the fucking sides and especially all my people down fucking front. New York are you with me? I wanna feel the earth fucking shake.” What a way to close out the second night. ADTR’s set was really fun and energetic and wild. Multicolored streamers shot through the sky during the last song in the set. Set Time 9:30-11 p.m.

    Anthrax headlined the Rock’N Stage on Saturday night. Huge turnout of fans to take in their set. Joey Belladonna, an upstate New York native and the band’s lead singer, shouted out to the crowd after a couple songs saying, “Oh yeah, how we doing out there? Everybody good? I know we got a lot of people from New York here tonight. Good evening to you. It’s nice to be here. This is the first time I’ve seen this show out this way. It’s nice to see everybody here. You all having a good time? Fuck yeah, lets get this going, alright?” Anthrax then played “Madhouse.”

    After a couple more tracks, guitarist Scott Ian had the crowd laughing as he took the time to talk with the crowd about how the name of the town is hard to say and to give Belladonna a small break from singing. Ian stated “Upstate New York, how the fuck are you Rock’N Derby? Someone told me how to pronounce the name and where we are and I all heard was Shitty Coke!” The crowd erupted with laughter and started a “Shitty Coke” chant. Ian then apologized saying “Excuse me if I’m saying it wrong.” He then yelled “Shitty Coke, New York! We have a new album called For All Kings. I got a question, my friends. Do you love thrash metal? You’re welcome. This is ‘Evil Twin’.”

    During the intro to “War Dance” drummer Charlie Benante stopped the song making Scott Ian state “Why did you stop? I have to watch Game Of Thrones. You wanna know why he stopped. Cause Charlie is very concerned that some of you aren’t having as much fun as you should be having. Now check it out, don’t take this the wrong way. We love those dudes in Extreme. They were up here earlier. But this ain’t “More Than Words” now. This is some demolition derby shit. Let’s see you fuckers move one more time tonight. Let’s try the ‘War Dance’ again.” Set Time 9-10 p.m.

    This was the part of the night where the crowd segregated from one another. Everyone over 35 was there to watch Anthrax, while everyone under was watching A Day To Remember.

    Halestorm got the many fans taking in their set right into it by kicking things off with the song “Apocalyptic”. Frontwoman Lzzy Hale yelled to the crowd, ‘Rock ‘N Derby, are you ready?” After cheers from fans, Lzzy pointed to her brother on drums and replied “Arejay, give it to them.” Arejay let out a big “yeah,” then started the intro to “Love Bites.”

    After the band finished “Love Bites,” Lzzy took a minute to get acquainted with the crowd, she said “Rock’N Derby.” Then Lzzy shouted the name of the town Schaghticoke, correctly. She asked if she pronounced it right then went on to say “So how many of you are actually from Schaghticoke?” After almost silence from the fans Lzzy said “That’s like ten people.” After some laughs, Lzzy then got serious and introduced who they were and what they are about. She stated “Thank you so much for allowing us to be here tonight. We are Halestorm. My name is Lzzy Hale, and for the next 70 minutes or so I’m gonna be bossing you around alright. So, we got two rules, number one, we are all here to have a fucking fantastic time tonight. And number two Schaghticoke, when I say scream, you fucking scream, alright? Ready?” Halestorm then performed “Scream.”

    Lzzy then talked about how she is a a freaky chick. She said there’s some stuff up here that just ain’t right, pointing to her head, then told the crowd to ask any of her ex-boyfriends. She then said to the crowd “I feel like I’m not alone tonight, Schaghticoke, I’m not alone. Sing this one if you know it.” Halestorm then went into “Mz. Hyde.”

    If you know the lyrics, Lzzy picked the perfect time to perform the song, “Rock Show.” She noticed the birthday girl and said “Happy fifth birthday darling.” Lzzy then said to the crowd “This is what its all about right here. We have a future leader of rock and roll, right front and center. Young lady’s fifth birthday, first rock concert. I’m gonna be looking for you for lyrics alright.” The frontwoman the went on to sing freestyle asking the fans in attendance if they wanted her, if they loved her, cause she loves them too. Lzzy then asked the crowd “Schaghticoke, are we in church? Schaghticoke, are we in a classroom right now? Hell no. Schaghticoke, are we at a boring dead end job right now? Schaghticoke, give me one more, are we at a fucking rock show tonight?”

    After the song, Lzzy asked the crowd if anyone watched the demolition derby that went on earlier in the day. In a funny moment, she then shared her experience with the crowd “So something pretty cool, I was watching the derby over there. Fucking demolition derby. I was watching through the fence and I was like, what does it say on the side of number 33, it said fucking Halestorm, that’s what it said. So I’m rooting for this truck, I’m rooting for it the whole time, I’m like kill him, finish him. And then what do you know? Number 33 Halestorm won the friggin derby today. So this one goes out to all the drivers, this is called “I Like It Heavy.”

    After Arejay’s drum solo, Lzzy asked the fans if they could do something for her because she has never been to Schaghticoke. She the said “We decided that there’s only about 10 people actually live here. So I kinda wanna know something. I need to know what you can do. I need to know how crazy you motherfuckers are. I need to know, I need to know what kind of freaks showed up at a rock show in Schaghticoke, New York tonight. Are you ready?” Halestorm played “Freak Like Me.” Set Time 7:45-9 p.m.

    Avatar, a Swedish rock group, performed on the Rock’N Stage and put on one hell of a live show. Their costumes and frontman Johannes Michael Gustaf Eckerström’s gestures and mannerisms are silly but fun to watch. He had the whole crowd rocking and laughing at the same time. It’s really a feel-good time watching this band. It’s like a show inside of a show.

    As the intro for the band’s song “Hail The Apocalypse,” Eckerström asked the crowd to raise their horns in the sky and join us as we burn the house down. The band had a really good fan turnout ready to take in Avatar’s set. Set Time 3:30-4:10 p.m.

    All That Remains followed Avatar on the Rock’N Stage. Singer Philip Labonte stopped after a couple songs to ask the crowd, “You guys got some energy out there, huh?” Not liking the fans’ response, Labonte yelled to the crowd, “C’mon, I know you can do better than that, make some noise. In case you’re not familiar with All That Remains, we’re one of those bands who like to do some heavy stuff and some not-so-heavy stuff. The two songs we just played, they fall under not-so-heavy. And I think you gentlemen out there on the floor, out there in the pit. You guys ready for something heavy? Again not feeling the response from the crowd he wanted, Labonte yelled ‘Bullshit,’ then screamed “Are you ready for something heavy?” ATR then played “No Knock.”

    Labonte wanted to bring things back down for a bit. After asking fans if they were having a good time, he sat on the stage and said to the fans, “We don’t have a lot of time left so we’re gonna do a few more, and like I said earlier, we’re one of those bands that likes to play some heavy stuff, and some not-so-heavy stuff. A couple records back we wrote a song, that’s really not heavy at all, and if its cool with you guys, were gonna do it for you, alright? Here’s the deal, now’s the time to cuddle up next to your girlfriend or boyfriend if you expect to get laid tonight. Well you should expect to get laid, you’re at a fucking show, and everyone is drinking and shit. If you know the words, c’mon and sing along. This ones called “What If I Was Nothing?” Set Time 4:30-5:10 p.m.

    Hollywood Undead, an L.A. rap and rock group, had fans over at the Derby Stage bouncing and jumping through their whole set. Hollywood Undead has a unique stage show. If every member wearing their own individual masks on stage wasn’t enough, every member of the band plays an instrument and has vocal duties throughout their sets. Band members even rotate singers and musicians during their songs.

    Jordan “Charlie Scene” Terrell called up the little girl who was celebrating her fifth birthday at Rock ‘N Derby on stage to introduce the band’s next song. After asking her name, Terrell then asked the girl what her favorite song was. She replied “Let It Go” from the Disney movie Frozen. Terrell replied to the girl “Holy shit, we definitely don’t know that one. How about you introduce this song. Check this out. Let’s have you help me introduce this song. I’m gonna tell you what to say.” Terrell held the mic in front of her and whispered in the girls ear as he held another mic with his back turned. Terrell then said in a little squeaky voice, “This song is called ‘Comin’ in Hot’ motherfucker.”

    George “Johnny 3 Tears” Ragan stopped to talk to the crowd before the song “Day Of The Dead.” He made fun of the name of the town by pronouncing it Schnananananacoke.” Terrell replied “Did somebody say coke?” Ragan finished his speech by saying “You guys are fucking awesome. Thanks for having us, thanks for coming and support. It’s our pleasure to be here and do this Derby. We love it so fucking much. We had a record come out last year. We will play a song from it. This song is called ‘Day Of The Dead.’” Set Time 6:30-7:15 p.m.

    Former Skid Row frontman Sebastian Bach, rocked the Rock ‘N Stage. After the first song in the set “Slave To The Grind,” Bach said to the crowd, “I see you in the back, what the fuck’s going on New York? Lets go back to the first album. What do you say? Bach then played “Big Guns.” Bach played many Skid Row classics, ending the set with “Youth Gone Wild.” Bach really exceeded my expectations of him. It was going around that he was not feeling well, and his meet and greet with RND Vip’s was cancelled. Bach performed pretty good on stage vocally and showed a ton of energy. Set Time 6:35-7:20 p.m.

    Beartooth rocked out the Upstate Concert Hall Stage. I was kind of let down here, but it may not have been all their fault. They had bad sound quality, and I actually think they may have been too loud for the building they were in. There seemed to be an echo at times during their set depending on where you stood in the venue.

    Singer Caleb Shomo asked the crowd, when he says “1, 2” he wants them to say back, “1, 2, 3 ,4,” before the song “Dead.” He said to fans “We’re gonna do this one more time. When you say one, this whole room, barn, thing, is gonna be one giant mosh pit. Everybody moves. I need mass organized chaos. This ones called ‘Dead.’”

    Before the band played their new single “Aggressive,” Shomo said to the crowd “We kind of feel like we’ve been playing the same old shit for a little bit too long. We’re gonna change that one. We have a new record. Were gonna play a new one for you now, is that O.K.? This is the title track of our new album. This song is called “Aggressive,” Let’s go.” Set Time 8:45-9:30 p.m.

  • Five Finger Death Punch, Lamb of God, Clutch and Pop Evil Kick Off Inaugural Night at Rock ‘N Derby

    Last weekend, upstate New York hosted the first-ever Rock ‘N Derby, which kicked off May 20 at the Schaghticoke Fairgrounds. The Capital Region has been buzzing for months with anticipation for the Rock on the Range style three-day festival. Along with thousands of local diehard rock enthusiasts, fans from across the northeast and Canada made the hike on a beautiful early spring evening.

    Day one of the inaugural affair saw the likes of Lamb of God, Clutch, Parkway Drive, Wolfmother, Pop Evil, Scott Stapp, Corrosion of Conformity, Red Sun Rising, Wild Throne and the first band to ever headline a Rock ‘N Derby festival, Fiver Finger Death Punch. Friday night also saw Tool cover band Schism play on the Upstate Concert Hall Arena Stage, during the after party for fans who wanted to rock on into the late night hours.

    From Grand Rapids, MI, Pop Evil, had the honor to be the first group to not only play the Derby main stage, but the first band ever to perform at Rock ‘N Derby period. To everyone’s amazement, Pop Evil is now sporting a blond female drummer behind the kit. It’s been news that current drummer, Josh “ChaChi” Marunde, was departing the band for new opportunities that would keep him closer to home. At show time, no one was sure who she was, or if she will end up being a permanent replacement for Marunde, all I can say is that the girl is a total badass behind the kit. However, it has now been reported that the band has welcomed Hayley Cramer as their new drummer.

    Pop Evil came out and set the mood for the day. Fans went wild once the band started the first song in the set “Deal With The Devil.” Before playing the band’s current single “Take It All,” frontman Leigh Kakaty shouted out to local rock radio station Q103 for playing the new single. Kakaty went on to say to the crowd, “For everybody who just wanted a little, but now you want the whole damn thing. This song is called ‘Take It All’.”

    Kakaty then picked up a guitar and asked if there was any old-school Pop Evil fans out there tonight. After cheers from the crowd, Kakaty said, “Well here’s one off our first record for you guys then.” He started off the song “100 in a 55.” After completing the first verse, Kakaty asked the crowd, “If you still believe in rock-and-roll bands, make some noise,” which made the crowd roar with cheers.

    Kakaty gave a small heartfelt speech before moving into the next song, “Trenches.” He said, “I just wanna say, what an honor it is to be amongst real people who come to rock shows early. All these little kids I see, I wanna thank you parents for not raising them on any of that Justin Bieber bullshit. I didn’t know it was so fucking complicated. We are a rock band, we play rock music for brothers and sisters like you.” He went on to say that the band is currently on tour with two of the greatest icons, Rob Zombie and Disturbed. He then relayed a message on behalf of them, telling fans Zombie and Disturbed said to “fucking rock and roll tonight.” Kakaty’s speech went on to thank another band who was playing that night: ” There is one more band on this bill that I have to give a special shout out to, cause back in the day, they were one of the first bands to take a chance on us. You guys know them as Ivan and Zoltan and everybody at Five Finger Death Punch.”

    Fans sang along with the frontman during the last song in the set, “Footsteps.” Kakaty was so impressed it prompted him to sincerely say to the crowd, “Are you fucking kidding me? Wow, there’s no greater feeling on this planet than when your fans, excuse me, your friends, sing your songs back to you, God bless you. God bless you, New York, we love you.” Pop Evil showed a lot of fire and Kakaty was pretty good on vocals. Set Time 5:50–6:30 p.m.

    Neil, Jean-Paul, Dan and Tim, better known as Clutch also rocked the Derby Main Stage. Going into this show, I knew about the band, but never really followed them until recently. I was really impressed by how good this band performed. These guys are talented live musicians that anybody could go and see and enjoy themselves.

    Early in their set, singer Neil Fallon lightly slipped walking onstage. This made Fallon say, “I will tell you right now, at some point in the next 45 minutes, I will fall on my ass on this stage. It’s gonna be legendary. Did you spray this thing with WD-40 before we got up here? Set Time 6:50–7:45 p.m.

    Red Sun Rising performed over on the Rock ‘N Stage. Before the band played “My Muse,” frontman Mike Protich, who was not sure how to pronounce Schaghticoke, asked the crowd, “So what should I call you cause I can’t pronounce the city I’m in right now….. Albany?” (This became an eventual theme for all of the bands on the bill throughout the weekend.) As Protich looked to the crowd for answers he said, “I love all these New Yorkers. People here just shouting shit. We’re red Sun Rising from Akron, Ohio. It’s a pleasure to be here with you today.” Set Time 6:55–7:35 p.m.

    Lamb of God performed while the sun went down on the Derby Stage, and brought fans into the night. Frontman Randy Blythe was super pumped up during Lamb of God’s set, as he was constantly jumping around and moving. I swear, Monster Energy drink has to run through his veins.

    Blythe was next in line to ask the crowd how to pronounce the village Schaghticoke. Blythe said, “What the fuck is up upstate New York? Look at all you motherfuckers out there. Let me get a big Ric Flair Wooooooo.” The crowd “wooooooooed” back at Blythe, which made him say, “Fuck Yeah. Holy Shit. For those of you who do not know, and for those of you who drank too fucking much before you got here and don’t know where the fuck you are….We are Lamb of God. We come from Richmond motherfucking Virginia. I know we are in upstate New York, but I’m not going to attempt to pronounce the name of this fucking town. I fucked it up like 50 times.” Blythe then went on and tried to say the name of the town, even calling it Shaggy 2 Dope ( from Insane Clown Posse), which made the crowd laugh. He then asked the audience to pronounce the name the town on the count of three. The crowd shouted “Schaghticoke” in unison.

    About midway through the band’s set, Blythe acknowledged what would become another theme over the weekend.  There was a five-year-old girl celebrating her birthday during the three-day festival down in the front row. After asking the crowd if they were having a good time, Blythe said to the crowd, “Somebody down there has a fifth birthday.” He pointed at the girl and said,  “Don’t get squished sweetheart.”

    The frontman then turned his attention to the next song in the set list. He dedicated the next song to the little girl in the crowd and all the armed forces in the United States. He stated, “This song goes out to some people who don’t get the recognition I feel they deserve most of the time. These people do a hard, fucked-up job. They do it from a long ways from home. Most of the time they don’t even get a fucking thank you for this. I speak of the men and women in the United States armed services. This next song is for them.” The band then played “Now You’ve Got Something To Die For.” The crowd was insane for Lamb of God. Set Time 8:15–9:15 p.m.

    Parkway Drive was one of, if not the best, performers of the night. Parkway Drive headlined the Rock ‘N Stage Friday. Singer Winston McCall was going so insane onstage, I thought he was going to give himself a heart attack. He was jumping, bouncing and waving his arms so much, it was like he was teaching an aerobics class, while putting on a kick-ass rock show.

    Winston asked fans if they picked up the band’s new album, Ire. He then told the crowd that they are going to play a song off that album. Winston then said to the crowd, “You guys are doing great. One thing, one thing only. Just keep that vibe up here [raises hand above head]. Don’t let that energy drop. Keep it coming, keep it coming. If you haven’t crowd surfed yet today, you’re obliged to on the rest of this set. This one’s called ‘Vice Grip;’ step it up another notch.”

    Before the next song in the set, Winston screamed to the crowd, “That’s it. Keep it up here [motioning his hand above his head], keep your energy up here. Bring it in, sing with me. This one’s called ‘Idols and Anchors.’”

    Impressed with the fans’ reactions toward the band, Winston had to ask the crowd something before he continued: “Has anyone seen us before?” After minimal cheers, he replied, “A couple. Hi again.” He then asked for the first-timers to many cheers. Winston then welcomed everyone and said that he was just checking out the stats of the crowd, then thanked everyone for their time. Winston said, time is a precious thing, and that he appreciated fans spending some of it on them tonight.

    The frontman asked the crowd if they still had enough energy left in them, because he knows they must be fucked after Lamb of God’s set. He then asked if they had a little bit of energy left, because they were going to play another heavy track. Winston then said, “If you can hear my voice, get your hands up. Here’s the deal. If you have the energy to get your hand in the air, when this one drops, I need to see you get your feet up as well. That includes you guys in the stands.” The band then played “Bottom Feeder.” Parkway Drive will head back to the their native country of Australia for a tour after their RotR performance on Saturday. Set Time 9–9:45 p.m.

    Five Finger Death Punch was ready to close out the inaugural first night on the Derby Stage. FFDP got fans pumped with the first song in the setlist, “Lift Me Up.” After the second song in the set, “Hard to See,” Ivan Moody said, “Holy shit,” and called the crowd “motherfucking crazy.” Moody then asked the crowd to do him an honest favor and protect all the kids that were there enjoying the show. On that note, Moody then said to the crowd, “Front to back, side to side. When I jump up, you jump up. Now you know what to do.” FFDP then played “Burn it Down.”

    After bassist Chris Kael took over the vocal duties for the song “Got Your Six,” next on the setlist was the band’s cover of “Bad Company.” Moody asked the crowd, how many men and women have served, or are still serving for the United States military, and asked them to put their hands up. He then said to the fans with their hands down, “You guys see those fucking hands… you shake them, you thank them and you buy them a beer for our fucking freedoms. Thank you so much.” This of course prompted a big U.S.A chant from fans. Moody then brought the song in by saying, “I don’t know if you guys heard, but there were a couple of, um, I’ll call them corporations, that were talking shit about us online. What they didn’t understand is that we’ve got Bad Company [points to the crowd].”

    FFDP did their usual routine and brought up various kids onstage to join them for the song “Burn MF.” Moody pointed to the kids and told the crowd to make some noise for the next generation of heavy metal. Moody went on to say, “You guys wanna show them how the big kids do this? Then give me the biggest circle you’ve got right now. If you don’t wanna get hurt, now is the perfect time to get the fuck out of the way.”

    Guitarist Jason Hook and Moody did an acoustic medley of “Wrong Side of Heaven” and “Battle Born.” Moody then stated to the crowd that there are strict curfew rules here and that the band could only play one more song. Five Finger Death Punch then closed out the night with “The Bleeding.”

    I felt a small letdown here, and expected way more from these guys. If this was your first time ever seeing the band, you may have a slightly different opinion of the band’s set. It seemed the boys were a little off the mark onstage, and frontman Moody sang out of key and didn’t have his usual intensity. The thing that was most noticeable was the band’s set list. Fan-favorite track “Burn it Down” seems to always b one the band’s setlists, but it was missing along with the two current singles off their current studio album. Overall, everything seemed repetitive and overly rehearsed. Set Time 9:45–11 p.m.

  • Show Review: Lamb of God, Clutch and C.O.C. Magic City Music Hall

    The deep rumblings of bass notes, screams and the rhythmic pounding of drums that were heard resounding from the Magic City Music Hall on May 16 were the sweet sounds of what I am calling the best metal lineup of 2016. From the moment opener Corrosion of Conformity took the stage to the final note of headliner Lamb of God, this show was incredible.

    Up first was Raleigh, NC’s own Corrosion Of Conformity. They blasted out a perfect selection of songs from their 30-plus year career with such precision and ferocity that they set the tone as an opener. They kicked off their set with “Paranoid Opioid” off of their 2005 album In The Arms Of God. It wasn’t long before they tore right into one of the songs that got me hooked on them, “Broken Man.” Pepper took time to thank the fans who continue to support the band. He let the fans know that they keep doing what they do because of them. The crowd went crazy as they played an incredible version of “Vote with a Bullet.” They wrapped up their set with the hit that launched them into “metal legend status,” “Clean My Wounds.” After their performance, Pepper came out to hang and chat with fans.

    The lights dimmed and Chuck Brown’s “We Need Some Money” filled the PA system. The crowd was already excited, warmed up and feeling good, and then Clutch took the stage and began tearing through “Who Wants to Rock,” which they haven’t played live since 2013 Honestly, this was the perfect song to start their set, because their diehard fans went wild. Clutch played a flawless mix of old and new tracks that included “Cypress Grove,” “A Quick Death in Texas” and the crowd truly appreciated them breaking out “Sucker For the Witch” from the classic album Psychic Warfare. If you haven’t seen them live, I don’t know what the hell you are waiting for. Seriously, this band has been around since the early ’90s and they are remarkable. They bring together a unique blend of rock and metal and throw in a fun-loving blast of funk that creates a very satisfying, heavy-groove metal sound. I can’t do them justice with any description. You just need to get out and hear it for yourselves.

    The Magic City Music Hall went dark; the video screens on the stage began to flicker and came to life. Images of destruction, including buildings crumbling, explosions, war and fire, set the stage for the heavy-metal onslaught about to be experienced. The first chords rang out as the drums pounded and Randy Blythe exploded out onto the stage as the band ripped into “Walk With Me In Hell.” The crowd erupted into a mass of bodies moving, flying and crowd surfing.  Lamb of God also played a pleasing mix of old and new, obscure tracks and well-known hits. They slashed through songs like a well-oiled machine, with a set list that featured “Ruin,” the heart-pounding shred fest “Now You’ve Got Something To Die For,” “Still Echos,” “Desolation,” “Laid To Rest” and “Redneck.”

    If the combination of a capacity crowd and more than three hours of metal music wasn’t enough to get your heart pumping, then you probably should have checked your pulse to make certain you were alive. As the lights came back on and the smoke cleared, the fans I saw slowly making their way toward the bar, merch booths or the exits, all looked totally satisfied.

  • Megadeth’s Dave Mustaine Remembers Former Drummer Nick Menza

    During Sunday night of the first-ever Rock ‘N Derby, Megadeth frontman Dave Mustaine asked the crowd for a moment of silence for late drummer Nick Menza. “I don’t know if you know this or not, but Nick went to heavy metal heaven last night,” he said, before leading the group into “Trust.” Watch the homage to the former bandmate in the video below.

    On May 21, Menza, 51, died onstage during a performance with his current band, OHM, at the Baked Potato in Los Angeles. According to an official statement, Menza collapsed three songs into the set, and attempts to revive him were unsuccessful; it was later reported that he suffered a massive heart attack and was pronounced dead on arrival at the hospital.

    The late heavy metal drummer was with Megadeth during the group’s peak commercial success in the 1990s. Nick Menza contributed his signature drumming style to the albums Rust in Peace (1990), Countdown to Extinction (1992), Youthanasia (1994) and Cryptic Warnings (1997).

    After news of Menza’s passing became known, the Twittersphere and other social media channels were abuzz with expressions of sympathy from former bandmates Mustaine, David Ellefson, Marty Friedman and Chris Poland, among other rockers like Steve Lukather (Toto) and author J. Marshall Craig who was working with Menza on his memoir. In the excerpt below from Megadeth’s Facebook page (see the full post above), Mustaine explained his personal relationship with the former bandmate:

    …As a player, Nick had a very powerful jazzy flair, unpredictable and always entertaining. And as great a drummer as he was, the time spent with him as a person, a bandmate, and a friend was even more fun. There were several times we discussed him coming back to the band, but for various reasons it never came together. We’ve been in touch all along, he had come out to our shows recently, and he had remained a great friend, a true professional and a larger than life personality…”

    Before Megadeth played the May 22 show at the Schaghticoke Fairgrounds during Rock N’ Derby, Mustaine announced plans to honor Menza through an all-alumni benefit concert in California on the Albany rock station Q103, according to Loudwire. Stay tuned for updates on this Megadeth band members reunion show.

  • Hearing Aide: Andy Black “The Shadow Side”

    Andy Black, also known as Andy Biersack or Andy Sixx, is the lead singer and one of the founding members of the band Black Veil Brides. On May 6, Andy Black released his first solo debut album called The Shadow Side.

    andy blackWhile Black’s fans are normally used to hearing him sing hard rock or metalcore styled music he is taking is solo debut in a different direction. The Shadow Side is comprised of a much more of a pop-rock sound than we’re used to hearing from Black.

    The album starts out with the song “Homecoming King.” This is the longest song on the album at four minutes and fifty-six seconds. It’s a bit of a more relaxed song to help ease us into the transition of the different genres. His low raspy voice is great blend with the background instruments, there’s a nice blend between his voice and the percussion.

    As the album moves on it begins to pick up in beat with the next song “We Don’t Have to Dance.” This was Black’s first released solo single from the album. This is one of the most pop sounding songs on the album and already has music video with over seven million views.

    Andy Black’s dark voice is only more complimented by the pop-rock music performed on the song “Louder Than Your Love.” It’s another upbeat song towards the end if the album that kind of wants to make you get up and dance. The album rounds out at the end with the songs “Broken Pieces” and “The Void.” Both of these songs are more deep and musically relaxed than the rest of the album. Black’s raspy voice is a good contrast to the piano in “The Void,” giving the song that pop-rock sound.

    The whole album is a bit of a different direction for Andy Black, hopefully it’ll pay off in the way he wants. Black will be touring the entire The Shadow Side album starting in the UK on May 10. He will be playing a show at the Highline Ballroom on May 27 in New York.

    Key Tracks: Homecoming King, We Don’t Have To Dance, and Stay Alive

  • Jean-Paul Gaster, the Foot on the Clutch

    Clutch is one of the headliners for the Rock ‘N Derby Festival, taking place in Schaghticoke May 20-22 and is currently on tour with Lamb of God and Corrosion of Conformity. NYS Music recently had a chance to sit down with the man who keeps the beat for the venerable Clutch, Jean-Paul Gaster.

    When you’re in high school, you probably have a group of friends that you swear you’ll be tight with until the end of days. Perhaps that group of friends forms a band in someone’s garage or your parents’ basement. An oath is taken among yourselves that you’ll always be a band, no matter what.

    Odds are, that high school band probably doesn’t make it through graduation. Sometimes though, it does. All of a sudden, 25-26 years later, you look out in front of you during a show at say, Upstate Concert Hall, and see one of the guys you made that pact with oh-so-long ago, accompanying you in the rhythm section of one of rock’s longest running lineups.

    If your name is Jean-Paul Gaster, and you play drums in the Frederick, MD based band Clutch, that buddy you’re looking at is your high school pal and band mate, bassist Dan Maines.

    Clutch’s foundation can be traced back to the halls of Seneca Valley High School in Germantown, MD, where the members of the band met. Gaster, Maines and guitarist Tim Sult got together to form Clutch in 1991. Original vocalist Roger Smalls left the band shortly after formation and was replaced by another friend, Neil Fallon. The band has been going strong ever since.

    Gaster is a drummer’s drummer and a student of the instrument. We spoke at length about Clutch’s longevity and influence; the value of side projects; the festival scene and drumming as a mental exercise.

    Mike Kohli: One of the things I’ve noticed with you guys – I’ve seen you perform a few times over the past couple years –  is the way you interact with each other. I know you’re all friends from high school. Is that something that comes naturally? Do you just kind of give each other a look onstage and go with it? How’s the onstage chemistry work?

    Jean-Paul Gaster: Yeah, there’s definitely a lot of unspoken dialog going on up there. I think it just comes with playing with the same guys for so long. I think musicians do that in general . I think we’re in a unique situation because we’ve been doing it for so long. Even in the writing process, we might play for 45 minutes and there might not be a whole lot of verbal communication, sometimes none at all. But we manage to put these ideas together with sort of pointing and grunts.

    MK:  Kind of a universal language…

    MK: When I go to shows – I’m into a lot of different types of music- but typically when I go to a show, I watch the drummer. Now, I’m by no stretch of the imagination, a drummer. I do play a mean steering wheel though.

    When I caught your show with Corrosion of Conformity in Clifton Park a few months ago, watching your style, it’s got a jazzy feel to it, kind of like Bill Ward of Sabbath, Ginger Baker of Cream. You mentioned them before as big influences on you. Have you had any formal jazz training or did you teach yourself how to play?

    JPG: Early on, I took a few lessons, but I never really practiced. It wasn’t until I was about 23 when I started studying with a man named Walter Salb (Click the link for a short documentary on Salb). He was a professional teacher/instructor/player in and around Washington, D.C. for many many years. He actually started playing professionally in 1946, so he was definitely from the big band/swing era.

    jean-paul gaster clutch

    I learned a tremendous amount of stuff from him. A lot of it was thinking about jazz and what it means to play jazz. But i think more than that, he really taught me to be a musician and to be prepared for any musical situation. He wanted his students to be able to do any kind of gig and to play that music with authority and confidence. Those kinds of lessons had a really lasting impact on me. I miss that guy. He passed away about ten years ago.

    MK: I’m sorry to hear that. Sounds like he was a really big influence on you.

    JPG: Yeah, he definitely was. He lived life to the fullest all the way to the end; I will say that.

    MK: I’m kind of into the jamband scene, stuff like Phish and moe., those types of groups. Sometimes I’ll come across people who for whatever reason, still don’t know who Clutch is. Why that is, I don’t know. You guys have been around for such a long time and have been a big influence on a lot of bands. You’re solid, a solid rock and roll band.

    However, one thing I’ve noticed about you guys, you don’t fit neatly into any one mold. You’re not a metal band. You’re not a classic rock band. You came about during the grunge era, but you don’t fit into that category. You’re kind of in-categorizable. So when I try to describe Clutch to people who haven’t heard of you guys, I tell them you’re kind of a jamband. Your setlists aren’t always the same. You do stretch stuff out. You throw some improv in there. Have you ever been involved with any of the bands in the jamband scene? Say Warren Haynes or Govt Mule…

    JPG: We like those bands a lot. I’m a huge fan of the Allman Brothers, Govt Mule. Warren Haynes’ playing, I think, is just incredible. You know, a few years ago we spent a lot of time trying to break into that scene a little bit. In retrospect, I think we were still, for those folks, I think there was a little too much for them. Maybe a little too much music coming at them.  So, yeah, definitely familiar with that scene. Would love to play with some bands in that scene.  I think that maybe that they weren’t really ready for us at the time. But stuff changes. And hopefully we’ll be able to get our music out to some of that scene.

    I think the coolest part of being in this band is that we’re able to pull from so many different genres.  We’ve played with so many different kinds of bands through the years. When you come to a Clutch show, it’s really a mishmash of different kinds of music fans. And I’m very proud of that. And I think that has a lot to do with the longevity of the band and the band’s ability to draw like we do. These days, pretty much all over the world.

    MK: That’s exactly what I see when I go to the shows. There are guys who look like me, just a regular everyday joe, there’s college-aged people, there’s the stereotypical headbanger looking guys…It’s really a testament to what you guys do. You can draw all different types of people.

    JPG:  It’s a beautiful thing.

    MK: Working with Neil…when I listen to Clutch, I envision Neil’s voice, his vocal style, as another instrument in the band. But also, his lyrical style, it’s almost percussive, the way he delivers the lyrics. So he’s almost like a multi-instrumentalist in that way.  How does it play with you? Do you guys get together and work lyrics out so that they have that percussive style?

    JPG: I’ll say this. Neil writes all of the lyrics, which in this band is a great thing. Because, speaking for myself, my lyrics would suck (laughter). I think the last time I tried to write lyrics it was sometime in high school and it wasn’t good.

    So, we are well aware of Neil’s virtuosity and talent.  I think he’s probably the most talented lyricist in rock and roll today. It has to do with being able to pull from so many different sources. Much like the way we put together our music. I think a lot of bands spend a lot of time asking, “Is this our band? Is this the kind of music our band can play?” The great thing about Clutch, you can literally go up there and play whatever you want whether it’s in a live situation or getting together to write new songs. There are no rules. So in that respect, I think we’re very fortunate.

    neil fallon clutch jean-paul gaster clutch
    Neil Fallon of Clutch

    Speaking directly to the rhythmical feel of Neil’s lyrics, I think a lot of it has come directly from hip hop. Early on, Chuck D from Public Enemy was a big influence on him. We listened to a lot of hip hop as a band in the early and mid 90s. That had a lot to do with it for sure. And as a drummer, I react to whatever is happening rhythmically within the band more so than in a melodic sense so I’m listening for those things. On Psychic Warfare for instance,  I paid particularly close attention to the way Neil syncopated his lyrics and how they were swung. That gave me a lot of inspiration as to how to play that part, how to best support that vocal.

    MK: That whole hip hop thing, that’s really what came across to me. His vocal style is hard driving as well as hip hop. You summed it up perfectly.

    MK: Any plans for anymore Bakerton Group stuff? (The Bakerton Group is a Clutch side project that works primarily as an instrumental outfit, incorporating elements of blues and other sounds outside the typical Clutch sound.)

    JPG: No immediate plans. I will say, we did have a request from someone to record one of the Bakerton Group songs. We certainly said, “Of course. Go for it!” That was an interesting request. We haven’t had that in a while.  The Bakerton Group project gives us the opportunity to play a little bit differently than we do in Clutch. Mainly because it’s mostly instrumental stuff. It’s sort of a laboratory for us.

    Having said that, we’ve been so busy with Clutch stuff, we really haven’t had much time to do it. We did Earth Rocker, and there was a tremendous amount of momentum that came off of that record and that’s really flowed right into Psychic Warfare. And I know we’re going to be really busy on Psychic Warfare for at least another year.

    MK: That’s terrific. You guys deserve to be busy. I pre-ordered Psychic Warfare on vinyl and when it was delayed and delayed, I ran out to the nearest  store and bought the CD on release day. I had it on repeat for like four days straight.  I really soaked it up.  It’s definitely my favorite album of 2015, to say the least.

    JPG: Wow, thank you.

    MK: Festival season is heating  up. Do you enjoy the festival circuit?

    JPG:   Festivals are fun because you get to play with a lot of bands that you normally wouldn’t play with. And more importantly, there are lot of folks there who don’t necessarily know about Clutch who will be given the opportunity to check us out.

    MK: Do you get to mingle a lot with other bands when you play festivals?

    JPG: Sure. Sometimes you run into old friends. Sometimes you make new friends. It’s always a good time. And it’s nice to be outside and not so much in a rock venue. It’s a different kind of environment, when you spend 6 or 7 nights a week in the dark theaters and clubs, it’s nice to get outdoors.

    MK:  Is King Hobo (another Gaster side project with the motto: “Get funky or get out.”) still a thing? I know it has to be tough to get together with Per Wiberg (keyboardist) from Opeth and Thomas Andersson from Kamchatka.  Do you still work on stuff with those guys?

    JPG:  Sure. There’s some new stuff in the works with those guys. That was an incredible time to be able to go over there (The band recorded at Wiberg’s home in Sweden in 2005.) and record with Thomas and Per. I try to do as much of that as I can.

    You know, with every side project, at the end of the day, all that energy ultimately comes back and makes Clutch a better thing. Every time you play with somebody new you’re going to learn something. There’s gonna be some energy there that you pick up on that’s gonna eventually translate back to your day gig, which for us, is Clutch.

    MK: Do you do stuff over the Internet? Throw a few tracks in Dropbox and go back and forth with it?

    JPG: Yeah, we definitely do that kind of thing. It’s great to be able to take advantage of the technology available to us. We weren’t able to do that 10-15 years ago.

    MK: What do you listen to when you’re just going about your day?

    JPG: I listen to all kinds of stuff. I’ve been listening a lot recently to Miles Davis’ Live at the Cellar Door. It’s the complete recordings that he eventually edited down to make Bitches Brew. Jack DeJohnette is on that record. Dave Holland is on that record. Just last night I was listening to Robert Palmer’s Sneaking Sally Through the Alley. That’s an incredibly funky record. He’s got the Meters as his backing band on that record.

    MK: Yeah, yeah, that’s quite different than the Palmer who became a hit in the 80s.

    JPG:  I very much enjoy that recording. Really I listen to pretty much anything. The blues – Muddy Waters, B.B. King. Reggae stuff. Bob Marley and Augustus Pablo. I like dub a lot. I will say these days, I don’t listen to a lot of loud rock and roll. I do on occasion. I find myself always trying to pull influence from other stuff.  And I think that’s what makes the rock and roll better.

    MK: Your drum kit, I’ve noticed, is a lot of vintage equipment. Is that all you play?

    JPG: I have vintage kits. I have newer kits as well. But I will say, the newer kits I have, and I’m speaking specifically about my Gretsch USA Custom kit. Really, it’s the same drum and the same design that they’ve been making for 50-60 years. There’s a lot of modern stuff out there that’s great, that sounds good.

    I prefer to go with that older style tone. I don’t muffle my drums much at all. Playing a drum that’s wide open, that’s not muffled in anyway is much more difficult than playing one that’s muffled or has pillows in the bass drum. And the sound that you get out of a drum that’s wide open like that has a lot of possibility. You can get to a lot of different sounds, a lot of different dynamics depending how you hit that drum, how you address that drum in the context of what the music is.

    I find that vintage drums or drums in the style of vintage drums, give me a little bit more tonal color to work with. I don’t play a big kit. I have a bass drum, two tom toms, a snare drum and a couple cymbals and that’s about it. I look to my drums to give me a lot of options. And I feel like with drums like that, they really respond to how you tune them and how you play them ultimately.

    MK: Rumor has it, you’ve been known to practice on your drum pad for eight hours at a time while on the bus…

    JPG: (laughter) Eight hours may be a little bit more than what really happens. I will say that when I’m out on the road, i have a practice kit and a couple of drum pads. And when you’re out there, that’s what you do 24 hours a day.

    So when I wake up i think, “What do i need to do to make this the best show it can be?” I think about the drums all day long. Before sound check I try to warm up. After sound check I’ll typically get something to eat and then I’ll hit that practice kit until showtime.  I’m there sometimes for three or four hours, but the time moves quickly.

    Practice for me is not a tedious thing. I had an interviewer say to me one time, “I hear that you practice very often.” And i explained to him, “Sure, I’ll practice three or four hours a day sometimes.” He says, “Well, doesn’t that get boring?” (laughs) I said, “Only if you find practice boring.” I don’t. I find it to be very meditative.

    There are points in the practice routine where you really reach a mental state in which time is irrelevant and you’re only considering the concept in front of you and how it relates to other stuff that you’re doing. I get a lot of enjoyment out of that. A lot of relaxation. So much of what we do now is mental.  What I mean by that is, drumming has become more mental than physical for me. So, many of the exercises I’m working on are not really how fast can you hit the pad or how quickly can you play paradiddles. I’m really trying to deconstruct stuff. I’m trying to get inside the drums, subdivide things into what I haven’t done before. It’s a very mental thing for me.

    MK: Well, that’s good to know. I get tired just watching you.

    (laughter)

    MK:  I don’t want to take up too much more of your time, just one more thing: A buddy of mine, who went to the show with me back in October, wanted me to mention something to you.  He’s been home brewing for a while and is on the verge of opening a brewery here in our town. He said, “If Clutch plays opening night of the brewery, I will close the doors the next day. It cannot be topped.”

    (laughter)

    You guys wanna call his bluff?

    JPG: (laughter) Ha ha, no. But we’ll take some of his beer.

    MK: Nice. OK, I’ll let him know.

    MK:  Thanks for taking time to speak with NYS Music. Good luck with the rest of the tour and keep on rockin’.

    JPG: Thank you, sir. Talk soon.

  • Sick Puppies Rock the Iron Works

    Buffalo Iron Works was introduced to a night full of in your face rock with promising young bands rocking the house. Hudson, all the way from Los Angeles, kicked things off Thursday night with a high energy, on-point performance, despite the lack of crowd participation and lackluster reaction.

    Stitched up Heart set up their gear and by their looks I wasn’t sure what to expect. Their outfits were great but hinted at a feeling of metal and screaming, which did not fit the rest of the bill. Front woman Alecia “Mixi” Demner ran onto the stage and had such a crisp, clear voice with a power that reminds one of Lzzy Hale from Halestorm. The band had magnificent harmony and the hair flips and guitar riffs were impressive. I am definitely a fan and cannot wait to listen to their newest tunes.

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    Red Sun Rising (RSR) is a band I’ve seen before when they were in town opening for Seether and Mark Tremonti at Rapids Theatre last year. RSR’s fan base has grown tenfold and they have a more confident stage presence since I last saw them. Mike Protich’s vocals have mammoth power and clarity to them.  He has a towering stage presence that captivates and engages the audience. Dave McGarry replaced original guitarist Tyler Valendza and he is an exceptional replacement. McGarry’s uses his long hair to his advantage, whipping it around while playing his catchy riffs. I expect to see this band headlining their own shows within the next five years.

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    Sick Puppies returned to Buffalo after a lengthy hiatus, and first time since their antecedent lead singer, Shimon Moore left the band. Many fan favorites were played as well as a couple of new songs. They kicked off their set with “War” that immediately brought the audience off their feet.

    Buffalo gave a warm welcome to new front man Bryan Scott as he stood his ground. Bassist Emma Anzai, made her presence felt with her typical top notch performance. Stand out songs from the Aussies’ set list included “Riptide,” “Should’ve Known Better” and “Pitiful.”  The band also performed their latest single, “Stick to Your Guns” from their upcoming release Fury.  The crowd loved the appearance of another taste of the new record during a short version of “Black & Blue.”  Bryan Scott has stepped into some big shoes and came off as a solid replacement. The direction the band is now taking is impressive and the crowd at the Iron Works seemed to agree.

  • Skid Row Slays Turning Stone Casino Showroom

    After rescheduling their performance last winter because the then lead singer quit the band, New Jersey’s own heavy metal lords, Skid Row, made up for lost time with the sold-out crowd at the Turning Stone Casino Showroom in Verona on May 14.

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    Taking over vocal duties for Skid Row is now the one and only ZP Theart, who’s best known as the former frontman of the power-metal band Dragonforce. Theart joined Skid Row after former singer Tony Harnell left the band in December.

    ZP and the rest of Skid Row came out Saturday night to prove they could still kick ass — and that they did. The packed house didn’t stay seated for more than 30 seconds once the band opened with “Slave to the Grind” and continued with a heavy set featuring classic tracks from the group’s self-titled 1989 album and 1991 followup, Slave to the Grind. Skid Row even threw in a cover of the Ramones’ “Psycho Therapy” before capping off the night with a three-song encore that included “Quicksand Jesus,” “Beat Yourself Blind” and “Youth Gone Wild.”

    This performance definitely showed diehards that ZP has the pipes to fill the shoes of Skid Row’s original singer, Sebastian Bach. Check out the setlist and gallery from the band’s United World Rebellion stop in New York below.

    https://www.youtube.com/watch?v=Qe8ZUebehxU

    Setlist: Slave to the Grind, Big Guns, Sweet Little Sister, Piece of Me, 18 and Life, Makin’ a Mess, Riot Act, In a Darkened Room, Psycho Therapy [1], I Remember You, Monkey Business
    Encore: Quicksand Jesus, Beat Yourself Blind, Youth Gone Wild
    [1] Ramones Cover

    [FinalTilesGallery id=’791′]

  • Supergroup Saudade Led By Deftones Frontman

    Deftones frontman Chino Moreno is next in line to get involved in a supergroup. Moreno, who has also been involved with other side projects like Crosses, Palms and Team Sleep, will now front the supergroup Saudade. Saudade will also feature Bad Brains guitarist Dr. Know, former Bad Brains and current Cro-Mags drummer Maxwell “Mackie” Jayson, jazz keyboardist John Medeski and Moreno’s Crosses/Team Sleep bandmate bassist Chuck Doom.

    Deftones and Incubus-4054

    The band released their first single, also titled “Saudade.” The track is a four-minute-and-some-change instrumental that can be downloaded for free through BitTorrent Bundle. Curious music fans can also unlock the music video by sharing an email address.

    Moreno started his music career when he formed the Deftones in 1988 with high school friends Abe Cunningham (drums) and Stephen Carpenter (guitar). Moreno has seen some highs and lows during his career. In 2001, Moreno and the Deftones won a Grammy for Best Metal Performance for their song “Elite,” off the band’s certified platinum third studio album White Pony.

    In that same year, Moreno suffered inflammation on his right vocal cord and partial paralysis of the left vocal cord while on tour with Godsmack. Against doctor’s orders, Moreno sang the softer melodies of the lyrics while bassist Chi Cheng performed the screaming parts of each song so the band didn’t have to cancel the remaining shows on the tour.

    In November 2008, while working on what would’ve been the Deftones sixth studio album titled Eros, bassist Chi Cheng was severely injured in an automobile accident, leaving him in a partially conscious state until his death more than four years later in April 2013. To this date, the band has no desire to finish the album.

    The Deftones would later recruit Sergio Vega to replace Cheng on bass and release the album Diamond Eyes in 2010.

    https://youtu.be/nAi-J49LqPM

  • Show Review: Madame Mayhem at The Lost Horizon

    MADAME MAYHEM who is currently on tour supporting Mushroomhead and promoting her new record Now You Know, made a stop at the Syracuse famed Lost Horizon this past Monday evening for an intimate performance.  The 14 track release features an all-star powerhouse collaboration consisting of some of rock’s most talented musicians including Billy Sheehan (Mr. Big), who not only produced the album but played on it as well, Ray Luzier (KoRn), Ron “Bumblefoot” Thal (ex-Guns N’ Roses), Russ “Satchel” Parrish (Steel Panther), and Corey Lowery (Saint Asonia, Stuck Mojo, Eye Empire).

    Madame Mayhem who is the direct support on the current Mushroomhead tour is definitely a must to check out. Mayhem and the band delivered their set with in-your-face attitude and no shortage of NYC style swagger. Their set had many notable songs including her newest single “Left For Dead,” which delivers a melodic yet intense punch to the gut. It will be hard to forget their performance of “Monster,” especially if you are a fan of bands like Lacuna Coil and Evanescence.  After a dominant 30 minute performance, one can easily say that Madame Mayhem acquired many new fans in Syracuse.

    Prior to the show I had the opportunity to sit down with Madame Mayhem. Despite the terrifying spiked gloves she had on, she was very laid back and easy to talk to. It was a pleasure chatting with her about the video for “Left For dead”, her musical influences and what she likes most about touring.

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