Category: Metal/Hard Rock/Punk

  • Godsmack on Hiatus, New Album on Hold Until 20 Year Anniversary in 2018

    Godsmack fans who were hoping for a new album from Sully and the boys will get exactly what they wanted. A new album. What fans didn’t want though is, that they are going to have to patiently wait until sometime in 2018 to get their ears on the band’s seventh studio effort. 2018 also marks the 20th anniversary of Godsmack’s debut album.

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    Godsmack frontman, Sully Erna, recently sat down with Roxy Myzal of HardDrive Radio Blabbermouth reports, and talked about the bands future plans and his career.

    Myzal asked Erna what fans could expect from Godsmack in the upcoming months. He replied:

    I don’t know yet. We’re talking now about getting together maybe fall of next year to write and record and dropping something top of 2018, which is gonna be the 20th-year anniversary of our first album. So we thought, you know what? We could have pushed it and did something to drop in 2017, but we were, like… You know what?

    After, Erna touched on how drummer Shannon Larkin and guitarist Tony Rombola are currently working on their side project The Apocalypse Blues Revue, and that he is currently busy with his solo stuff. Erna continued:

    So let’s just finish this and do it right and just wait a pinch longer, because if we do that, and we drop in 2018, we can make a really big, great world tour with the whole theme of the first album concepts involved in it and all that. So I think that may be the plan.

    When asked about some of his personal highlights from his 20 year career as a musician, Erna responded:

    Well, certainly for my musician side of me, I think it’s meeting some of the people that were my childhood heroes. Being able to meet Neil Peart [Rush] a couple of times, that was, for me… I didn’t need to meet anyone else after that. As much as I love the Steven Tylers and the Joe Perrys and the James Hetfields, Neil Peart… that guy changed my life as a musician. I quit school because of Rush.

    Erna is set to embark on another solo acoustic tour this fall, beginning in Atlanta at Center Stage on Oct. 26. The tour will support his just released second studio solo album Hometown Life. The tour will make several stops in New York. First stop will take place Nov. 1 at The Space in Westbury, Nov. 2 at the Gramercy Theatre, Nov. 13 at the Turning Stone Casino in Verona, Nov. 16 at the Riviera Thaetre in North Tonawanda, and Nov. 22 at The Egg in Albany.

  • English Rock Legends UFO and Saxon Announce U.S. Spring Tour

    Pioneering English hard-rockers UFO have announced a spring tour commencing March 9, 2017 at Scout Bar in Houston, TX and concluding April 2, 2017 at Brighton Music Hall in Allston, MA. The tour also includes a two-night stay at the B.B. King Blues Club in New York, NY. UFO will be joined on all dates by fellow New Wave of British Heavy Metal progenitors Saxon along with special guest Jared James Nichols. This will be the first time UFO and Saxon have toured together since the 1980s.

    Visit UFO, Saxon, and Jared James Nichols’ facebook pages to learn more.

    UFO is busy in the studio comleting their 22nd album, the follow-up to 2015’s A Conspiracy of Stars, which is reportedly a collection of covers. The current lineup features original members Phil Mogg (vocals) and Andy Parker (drums), as well as Paul Raymond (keyboard/guitar), Vinnie Moore (guitar), and Rob De Luca (bass).

    Here’s live footage from earlier this year of UFO playing their classic “Rock Bottom.”

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    Let Me Feel Your Power, a new double live album from British metal stalwarts Saxon, is due out October 28, 2016 in the United States on UDR Music. Saxon consists of Biff Byford (vocals), Paul Quinn (guitar), Nigel Glockler (drums), Doug Scarrett (guitar), and Tim “Nibbs” Carter (bass).

    Check out Saxon performing “Wheels of Steel” in support of their new live album.

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    UFO and Saxon Tour Dates: 

    Mar. 9 – Houston, TX – Scout Bar
    Mar. 10 – Dallas, TX – Gas Monkey Live
    Mar. 11 – San Antonio, TX – Alamo City Music Hall*
    Mar. 14 – San Diego, CA – House Of Blues
    Mar. 15 – San Francisco, CA – The Independent
    Mar. 16 – Los Angeles, CA – Belasco
    Mar. 18 – Anaheim, CA – The Grove
    Mar. 19 – Las Vegas, NV – House Of Blues
    Mar. 21 – Denver, CO – Summit Concert Hall
    Mar. 24 – Sioux City, IA – Anthem at Hard Rock Casino
    Mar. 26 – St. Charles, IL – Arcada Theater
    Mar. 28 – Cleveland, OH – House Of Blues
    Mar. 29 – New York, NY – B.B. King Blues Club & Grill
    Mar. 30 – New York, NY – B.B. King Blues Club & Grill
    Apr. 1 – Jim Thorpe, PA – Penn’s Peak
    Apr. 2 – Allston, MA – Brighton Music Hall

  • Hearing Aide: Green Day’s “Revolution Radio”

    I remember it vividly: On a long bus ride for an elementary school field trip, one of my oldest friends handed me a cassette that would be the very first turning point on the musical journey that my life has become.

    The year was 1993, and I was very much into rap at the tender age of 8. Caleb, who had a serious disdain for my musical choices at the time, took my Walkman and inserted a recently released tape of Kerplunk, Green Day’s second album. I’d never heard of the band, and was not sure what to expect.

    The snarling growl that accompanied Billie Joe Armstrong’s guitar slapped my eardrums around on the opening track, “2,000 Light Years Away,” and I didn’t know what to do. It was odd, at first, but as I made my way through the tracks, I became quickly hooked on the pop-punk that would soon propel Green Day into super-stardom.

    And this was only the beginning of what became my first, and biggest, band obsession. I made my parents get me their debut album, 1,039 Smoothed Out Slappy Hours, which was a compilation of all their earliest material. I loved Green Day before anyone knew who they were.

    Later that year, a friend and I devised a plan to get our parents to take us to see them at Union College in Schenectady. To make a very long and boring story short, the two of us ended up by ourselves at the concert, swinging and swaying in a rowdy group of maybe 1,000 people, and I will never forget the awe I felt seeing a trio of early 20s kids playing the fastest and catchiest rock and roll on the planet. It started a live music obsession that, to this day, comes first in my life after my family and work.

    I can talk about how Dookie is my all-time favorite album ever released by anyone, or about how Insomniac spoke to my pre-pubescent self better than anyone, or how Nimrod, while not universally liked, showed how Green Day can shake things up. What about Warning, which featured a bevy of instruments which helped the band veer away from three-chord pop-punk? Or how American Idiot vaulted the band back to super popularity and brought music and politics together again? I don’t think we need to talk much about 21st Century Breakdown, or their quickly released trio of albums, Uno, Dos and Tres, which were not Green Day’s best efforts.

    Now, 23 years later, Green Day just dropped its 12th studio album, Revolution Radio, and I have to say that for a band I idolized growing up, then grew to despise a bit in the mid-2000s, they have reeled me right back in. Gone are the days of songs about masturbation, moving out of mom’s house and staying up all night snorting meth.

    And while it has some political undertones, Revolution Radio really is a 12-song collection of angst, anger, mortality and youthful remembrance by Armstrong, Mike Dirnt and Tre Cool. And it’s fast, loud, mean and chock full of emotion and that “we don’t give a fuck what you think” attitude that made me fall head over heels 23 years ago.

    “Somewhere Now” starts the album with a Clash kind of feel. Its catchy chorus and clever wording simply give way to the meat of this album. “Bang Bang,” the first single released, shoots out at you like a bullet from a stolen gun. “Daddy’s little psycho and mommy’s little soldier” is a line that hits close to home, as this was me as a child. Great choice for a single, and it’s mean as hell with that charm that only Green Day can insert into a morbid song.

    “Revolution Radio” is the catchiest song on the album, and is as close to classic Green Day as it gets. Think the anger and destruction captured throughout Insomniac and this is what you’re getting in the title track. “Say Goodbye” opens with a vibe of The Wall-era Pink Floyd, then quickly transforms into a preachy ditty that touches on, presumably, the recent spate of violence in this country involving police.

    “Outlaws” is a love song that misses its mark. It is the only song that seems out of place here. “Bouncing Off The Wall” is another throwback to Armstrong’s wilder days, before he went to rehab a few years ago.

    “Still Breathing,” “Youngblood” and “Too Dumb To Die” are a trilogy of songs that I have listened to over and over in the last 72 hours. “Youngblood” is a punk rock love song that ends with the subject saying “but fuck you I’m from Oakland” and is a great way to close it out.

    “Too Dumb To Die” is about reckless behavior from the band’s past, and became my favorite song from the band in many, many years. It’s the most punk rock thing on the entire album, and maybe of the band’s career. “Troubled Times,” “Forever Now” and “Ordinary World” touch back on the societal and political unrest in the country, without slamming it down our throats like American Idiot did.

    Overall, this is the best Green Day album, in my opinion, since Nimrod. Green Day returned to what made the world fall in love with them and made it angrier, faster, louder and catchier.

    I am certainly back into this band like it’s 1997.

    Key Tracks: Too Dumb To Die, Revolution Radio, Youngblood, Bang Bang

  • Reznor Responds to Questions of NIN Returning in 2016

    Ever wonder what happened to that Nine Inch Nails‘ return that Trent Reznor spoke about around last holiday season? Reznor sent out a tweet around the Christmas holiday in 2015 and stated that Nine Inch Nails’ would return in 2016.

    Well with 2016 rapidly coming to an end, the only thing NIN fans have heard from Reznor were a couple movie announcements he will take part in. Reznor will be apart of Leonardo DiCaprio’s documentary about climate change titled Between The Flood, and Peter Berg’s motion picture about the 2013 Boston Marathon bombings titled Patriot’s Day, which stars Mark Wahlberg.

    NIN 2016With less than three months left on the calendar year, COS reports that Reznor recently posted a photo to Instagram of him and some crew members from the movie Between The Flood. This prompted fans to comment and ask the front man, what’s the deal with NIN returning in 2016 like he said – Reznor responded with “2016 is not over yet!”

    Reznor over the summer registered a song titled “Dive and Slam,” on ASCAP’s Repertory and attributed the song to Nine Inch Nails’. The track originally had a September 16 release date, but that info was disputed by Reznor and has yet to be released. Reznor is the only original member of the band, and serves as the band’s main singer, songwriter, producer and instrumentalist. Once Reznor records a new album, he then sets out to assemble a band to play live on tour with him.

    Nine Inch Nails’ has released nine studio albums. The band’s most current album Hesitation Marks, was released in 2013. NIN has sold over 10 million albums in the United States and over 20 million worldwide.

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 3

    Day 3 of Riot Fest 2016 has arrived and it is the day I have been waiting for since I was twelve years old. The original Misfits lineup will be taking the stage and performing together for the first time since 1983.

    Santa Cruz punk band the Swinging Utters kicked off the third day of Riotfest. Led by frontman Johnny “Peebucks” Bonnel, the band led off with their classic hit “The Librarians are Hiding Something.” The crowd took over the singing duties during “No Eager Men” as Johnny jumped wildly around the stage. After a very spirited and entertaining set the band expressed their thanks and bid the crowd farewell.

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    Of course I have to mention the frontman for Twisted Sister, Dee Snider. Snider is currently touring in support of his solo album, We Are the Ones, scheduled to be released in October. Snider has acknowledged that the album is a new direction for him and he hopes fans like it and will continue to show their support. Snider gave the crowd a little taste of what he meant by “new direction” when he performed his version of the Nine Inch Nails hit “Head Like a Hole.” He performed a nice mix of his new music and of course Twisted Sister classics like “I Wanna Rock” and “We’re Not Gonna Take It.” It was truly a memorable performance by the rock legend. I was very fortunate to have been able to sit down with Dee Snider later that day and chat about his new music project.

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    There were so many memorable performances that it is tough to sum it all up. Bad Religion was amazing. Punk band Leftover Crack really got the audience revved up. Tiger Army brought their blend of punk and rockabilly to the festival, not to mention they were the best dressed band of the weekend. Me First and the Gimme Gimmes performed their unique versions of cover songs such as “Jolene” and my personal favorite “Over the Rainbow.” Earlier that day, I had the privilege of sitting down with Me First and the Gimme Gimme’s lead singer, Spike, to chat about Riotfest and the bands that he was looking forward to checking out.

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    The day kept getting better and better. The master of modern horror heavy metal, Rob Zombie, took the stage and performed the White Zombie classic album Astrocreep 2000 in its’ entirety. I have seen Rob Zombie live multiple times and had only heard him perform select tracks such as “More Human Than Human.” But getting to hear the entire album was awesome! Zombie’s current band consisting of John 5, Piggy D (Matt Montgomery) and Ginger Fish brought the album to a new level of intensity and depth.

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    Now, after 2 days and too many bands to count , it leads me to the one musical moment I have waited for since I was 12 years old… the Original Misfits were about to take the stage to close out Riot Fest 2016 in Chicago!

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    Looking around all you can see is an ocean of people jam packed into Douglas Park waiting to witness the music history that was about to unfold. The stage lights go down and the smoke rolls out over the stage and you could feel the anticipation building. Suddenly the curtain drops revealing two enormous pumpkins (from the Halloween 7” cover) on each end of the stage complete with eerie glowing eyes, and a wall of crimson ghost amps in the background. The crowd gets revved and then explodes into a massive mosh pit as Glenn, Jerry and Doyle lead right off with “Death Comes Ripping” the perfect song to set the tone for their set. They didn’t waste any time belting out classics like “20 Eyes,” “I Turned Into A Martian” and “Where Eagles Dare.” Backing up the original trio was the incredible and heavy hitting Dave Lombardo (formerly of Slayer) on drums and Acey Slade (Dope) on guitar.  Both were excellent choices! Glenn took time between songs to tell stories about how he and Jerry formed the band back in 78. At one point Glenn paused and asked the audience if they liked pumpkins. Glenn and company played a lengthy set list of 26 songs from the bands 38 year history. They even played the first song Glenn and Jerry ever wrote and performed together “She” during their encore.

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    For me, this was the band that I had listened to since I was a kid. I collect their records, posters and memorabilia. I never thought I would witness an original lineup reunion in my lifetime and I have to say that I was completely floored by their performance. It was everything I expected and more, not-stop, high energy punk, massive mosh pits and bodies crowd surfing everywhere. My dreams come true!

    Set list:

    1. Death Comes Ripping
    2. 20 Eyes
    3. I Turned Into a Martian
    4. Mommy, Can I Go Out and Kill Tonight?
    5. Vampira
    6. All Hell Breaks Loose
    7. Hybrid Moments
    8. Teenagers From Mars
    9. London Dungeon
    10. Earth A.D.
    11. Green Hell
    12. Devilock
    13. Horror Business
    14. We Are 138
    15. Hollywood Babylon
    16. Who Killed Marilyn
    17. Halloween
    18. Die, Die My Darling
    19. Astro Zombies
    20. Skulls
    21. Last Caress

    Encore:

    1. Bullet
    2. Night of the Living Dead
    3. She
    4. Attitude

    As the final notes rang out and the crowd starting to clear this first trip to Riot fest and to Chicago will definitely be one I won’t forget!

    Please enjoy the photos and interviews below from a killer final day at Riot Fest 2016!

  • Photo Gallery: Riot Fest 2016 Douglas Park Chicago Day 2

    Punk veterans, The Vandals, kicked off day two of Riot Fest 2016 with some good old fashioned fast paced punk rock tunes. They whipped the audience into a beer throwing, pogo jumping frenzy. This was my first time seeing The Vandals and I am hoping I get the opportunity to catch them again at some point.

    Other notables included the UK band The Hives, who despite a late start to their set, belted out hit after crowd pleasing hit. Alternative punk pop band Motion City Soundtrack took the stage to perform their second to last show. In March of 2016 the band announced that they were calling it quits for now and didn’t know what the future had in store for them. They invited their fans to come out to a show and sing along with them one last time.

    It would be criminal not mention another icon who played an intense and incredible set, former Husker Du guitarist, Bob Mould! I was blown away by the passion and ferocity of his performance! At 55 he can easily shred and tear up the stage with the best of them! I was humbled to finally get the chance to see him perform.

    Day two of Riot Fest 2016 ended with some of my personal favorites. What can top the Descendents and Social Distortion playing live?  I have been fortunate enough to see both bands in the past and just like before, the Descendents were absolutely incredible live. Milo and the gang came out swinging hard and didn’t let up for the entire hour that they played. They tore through classic favorites like “Everything Sux,” “Rotting Out,” and “I Like Food” as well as some new songs. After an unforgettable 29 song set, the massive crowd was screaming for more. 

    I love Social Distortion and my favorite Social D album is White Light, White Heat, White Trash so you can imagine how thrilled I was when I found out that they would be performing the album in its’ entirety at Riotfest to celebrate its’ 20th anniversary. Normally, I don’t get star struck when I am shooting bands but being in the photo pit when Mike Ness and the band took the stage and started playing “Dear Lover” left me awestruck with my jaw on the floor. It was definitely surreal. They ended their set with Johnny Cash’s immortal classic “Ring of Fire” which had the audience screaming so loudly it drowned out Morrissey who was playing on the other stage at the time. Thank you Social Distortion for performing my favorite album.

    Earlier in the day I sat down with singer, songwriter Donna Missal. Even though I had missed her performance that morning, we had fun chatting about music and riot fest.

    Day 2 was amazing. Please enjoy the photos and interviews below.

  • Skillet rocks the Q lounge at Lucky Strike

    Skillet stopped by the Lucky Strike Social Club on Tuesday on a promotional stop for their upcoming album Unleashed that will be released on August 5. The show was put on by Q103 and was an invite only performance and this writer was lucky enough to get an invite.

    skilletThe acoustic show opened with the band, singer John Cooper rhythm guitarist and Cooper’s wife Korey playing percussion on a wooden box, drummer Jen Ledger also playing percussion on a wooden box and lead guitarist Seth Morrison, taking the stage and performing their hit “Monster”. The show continued with local DJ Candace from Q103 doing an interview with the band and taking a couple of questions from the audience.

    The band discussed many topics including their music being used by the WWE and their love of professional wrestling. Another topic of discussion was the band being considered a “Christian Rock” band and if that label has hurt them and their success. Singer John Cooper stated that he was proud of his faith and that the band has many fans that reach beyond religion. There was also discussion of the meaning behind some of their deeper cut recordings.

    The band closed their 3 song set with their newest single “Feel Invincible”. The small but rowdy crowd seemed to love the intimate setting that was provided and the up close feel between them and one of their favorite bands.

  • Buckethead Completes Two Night Stand at B.B. King’s Blues Club and Grill

    On September 22 and 23, guitar virtuoso, Buckethead, performed two nights in a row at B.B. King Blues Club & Grill in New York City. Buckethead, who is no stranger to the venue, packed in fans both nights and performed unique sets each night.

    In recent years, Buckethead has been essentially off the radar when it comes to live shows. While sitting in his coop somewhere, he’s been busy putting out album after album. Although these new albums may not be chart topping releases, the man with the white mask and bucket on his head never disappoints.

    BucketheadThe second show on Friday the 23rd was what every Buckethead fan could have wanted. The venue was packed tightly before Buckethead got on stage and seemed to keep getting tighter and tighter as the show went on. The show started shortly after 8PM with “Welcome to Bucketheadland.” With a catalog like the one he has, it’s impossible to tell what the man is going to throw at the crowd. After the opening song, it was another popular tune called “King James.”

    The night prior, fans in the crowd said Buckethead had played almost 3 whole hours. Unfortunately, Saturday’s show was only about 2 hours total, but no one was complaining. Back in May, Buckethead made one of his first tour stops, for what seemed to be ages, at B.B. King’s Blues Club & Grill. At that show he played 2 sets totaling 23 songs, that included “Nottingham Lace” and “Lebrontron.” This time around, he only played a total of 18 songs. The decrease in songs was more than likely due to Buckethead playing 2 nights in a row though, so there weren’t any complaints.

    Anyone that has seen Buckethead before knows that there isn’t much going on, up on stage. The stage itself is pretty bare. There are two Marshall cabinets with EVH 5150 heads. The floor contains a slew of guitar pedals and cables. Lastly, there are two pearl white Gibson Les Paul guitars, custom for Buckethead and sometimes a bass guitar. Buckethead doesn’t have any fancy backdrops or custom lighting like other bands/musicians have either. When someone goes to see Buckethead, the show is watching him play and listening to the music he can create.

    Buckethead There are absolutely no gimmicks at a Buckethead show. For those who don’t like the “costume” and “story” behind him, it’s something to look past since this guy is easily one of the best musicians of our time. Plus, the fact that no one has publicly seen or heard this man speak shows that Buckethead takes his image seriously and will probably never do what KISS did and lose the costume.

    BucketheadThe beginning of the set seemed to be hit after hit for Buckethead fans. It was a great feeling knowing almost every song Bucket played from the start. Other songs early in the evening were, “Want Some Slaw?,” “Big Sur Moon,” “Siege Engine,” “Giant Robot Theme,” and most of all “Jordan.” After all these songs, fans turned to one another in almost disbelief at the set they were hearing.

    One of the most entertaining parts of any Buckethead show is watching him improvise his songs. Songs like “Soothsayer,” one of Buckethead’s most popular, doesn’t sound like how it is on the record. Buckethead improvises so well, he can completely change a solo to one of his songs and make it even better.

    The night ended not with Buckethead showing off his incredible guitar skill, but with his dancing and nunchucks skills. After his presentation of the robot dancing and nunchucks, he took out his sack of toys and handed them out to his fans who were close to the stage. Lucky fans got to leave the venue with different masks, action figures and more.

    Buckethead Setlist: Welcome to Bucketheadland, King James, Want Some Slaw?, Crash Victim, Big Sur Moon, Siege Engine, Giant Robot Theme, Jordan, Mad Monster Party, Gory Head Stump 2006: The Pageant of the Slunks, The Redeem Team, Fountains of the Forgotten, Shaded Ray, Buckethead’s Toystore, Soothsayer, Jowls, The Embalmer, Jam, Toy Presentation

  • Gwar Declares the Next President

    The night was beautiful, so beautiful in fact that the only thing that could make it better was blood covered concert goers. That is what was going to happen in downtown Buffalo and Town Ballroom in the heart of the theatre district.  People were wrapped around the building waiting to get in. You know who the veterans are in regards to going to Gwar concerts; they are the ones dressed in white or any lighter color they didn’t mind trashing.

    Hardcore metal band Mutoid Man was first to hit the stage, and that they did with vulgar sexual references; everything from penis to boob jokes. Guitarist Steve Brodsky and bassist Nick Cageao poured huge, unrelenting riffs out of their amplifiers, while Ben Koller drove songs with his innovative style of drumming. The thing that stood out most about Mutoid Man was they were having fun playing on stage and you saw it in each of them based solely off expression.

    GWARCrowbar is a sludge metal band from New Orleans known as “some dudes” and have been in the music scene for nearly 30 years now. Windstein interacted brilliantly with the crowd and kept everyone engaged in between songs as Crowbar tuned their instruments. Spitting like a cowboy who thinks he’s still in the saloon, Windstein rumbles and roars into pit-starter “Conquering,” and so the riffs start falling. Frontman Kirk Windstein, metal legend that he is, still sets up his own gear from scratch, tunes guitars himself, and distributes set lists to the band. This shows the humbleness he has a reputation for.

    Then as the lights lowered and the elaborate stage was set up by a crew of about 10 workers, people got as close as they could to the front of the stage. This is where my previous statement about being a beautiful night for concert goers comes into play. What`s the indication of Gwar coming on stage? When the music stops you know that’s when things are about to get messy.

    GWARThe screen they bring on stage lit up and showed an unflattering picture of Donald Trump and Hillary Clinton. First to the stage was ring announcer Sleazy P. Martini, who talked about what was going to unfold this evening – 3 separate wrestling matches and one of them would be Trump vs. Hillary. The fight between the two led to Hillary as the triumphant winner. She ripped his face off then took out his intestines and pointed his blood splattering chest towards the crowd, soaking several rows of patrons. As Hillary was celebrating her win, Blothar came up and ripped off her breasts and spewed even more blood onto the crowd ranging almost to the back of the venue in distance.

    Viciously some aliens from another planet came in and fought Blother and Bone Snapper, stealing the title! Musically this group of guys are very talented in their respected instruments; Brent Purgason (Pustulus Maximus) shreds a mean guitar, and Gwar front-man Blothar has appeared on Ted Talks and is quite intelligent. The cult following they have is undeniable. Dave Brockie (Oderus Urungus) was the front man prior and that’s what most people knew Gwar as, granted it will never be the same but Blothar is a great replacement.

    Back to the wrestling match, the intruder aliens came back to fight the final fight and this time Bone Snapper and Blothar were victorious! They won the title and Blothar announced to the crows that he was best suited to be the president of the United States. Fans cheered like they were at a rally and with the election candidates we have now, I think our best bet for a better future is Blothar for president!

    GWAR

  • Rock Allegiance Stands Strong Among Competition

    For the second straight year, Chester, PA was home to Rock Allegiance. The Rock Allegiance festival, which is one of the many Danny Wimmer Presents events, returned to Talen Energy Stadium (formerly PPL Park) on Saturday and Sunday September 17 and 18.

    Unlike last year’s festival, Rock Allegiance 2016 was set for 2 full days that included some of the biggest bands today, such as Avenged Sevenfold, Alice In Chains, The Offspring and Slayer. To accompany two full days of music, this year added even more of the festival’s signature Gourmet Man Food and other experiences for fans to check out. Some of this year’s experiences included The Music Experience, The Jack Daniel’s Experience, FYE Experience and Zippo Encore. As always, proud sponsor, Monster, was on site giving away free products and hooking fans up with chances to meet their favorite bands.

    Saturday’s festival lineup featured quite a mix of bands. There were heavy metal bands, cover bands, comedy bands, grunge bands and more. Some of Saturday’s stand-out performances were Skindred, Avatar, and Motionless In White. Each one of these bands brings something unique to the table that not an everyday band does. Skindred had the most unique sound of the day. The Welsh rockers mix heavy metal with reggae and create some insane grooves. Lead singer Benji Webbe certainly knew how to lead his band and give the crowd a set to remember past the weekend.

    Certainly no one was disappointed with headliners Alice In Chains, Breaking Benjamin and The Offspring. Each one of those bands has earned their keep and each had their own die-hard fans in attendance. Alice In Chains was joined by Billy Duffy of The Cult for their song “Rooster.” One band that failed to bring out the special guests that everyone was hoping for was Taylor Hawkins’, Chevy Metal.  Chevy Metal, which is Hawkins’ cover band that rips through classic rock songs with ease, is known for bringing out big names at their shows. Unfortunately, when the band closed out the Liberty Stage, no guests came out to join the band.

    Fans of Sepultura got to hear the legendary album, Roots, in its entirety during Max & Igor Cavalera’s Return To Roots set. This was one of the most bad-ass sets of the day. Seeing the two brothers back on stage doing Sepultura songs was absolutely incredible and the crowd went wild. One band that seemed to sneak its way into a huge main-stage slot was Baroness. These guys have been growing and growing non-stop and have been receiving incredible support from some of the biggest musicians on the planet. The love and support of Baroness landed them a late evening slot and definitely gave the band a chance to reach an audience of plenty of Baroness virgins.

    It’s impossible to not mention Trivium when it comes to kicking ass. The guys in Trivium seem to live on the road and never show any signs of slowing down. Although their last album Silence In The Snow, wasn’t as “heavy” as some old fans would have liked, this monster of an album has been a commercial hit and the tracks are solid. Gone are the signature screams of singer Matt Heafy, but the record showcases Heafy’s ability to actually sing. Together with long time band members Corey Beaulieu and Paolo Gregoletto and new drummer Paul Wandtke, Trivium continues to give festival crowds around the world a brutal, fast and a seemingly too short set.

    Saturday’s top performance didn’t come from any headliner or by any band that played on either stage inside the stadium. The top band of the day took the Liberty Stage at 4:15. That band was letlive. For people who skipped letlive., saying they missed out is a complete understatement. Often times, writers will say a band had “high energy” and all these other generic compliments about a band they thought was pretty good. On Saturday, letlive. could be described to someone who missed them simply as, f*&King insane. Singer Jason Aalon Butler gave Rock Allegiance everything he could, without getting in too much trouble. Butler ended up hanging upside down at the soundboard tent and running throughout the crowd while his team of roadies tried to keep the audience from becoming strangled with this microphone cord. If there’s one thing fans at Rock Allegiance aren’t ever going to forget, it is letlive’s set.

    Out of the 2 day festival, Sunday was definitely the day with the stacked lineup. The day started off with what would be one of the best sets of the day from Death Angel. Singer Mark Osegueda is by far one of the best vocalists in heavy metal. This guy can hit any note imaginable. If there was one bad thing to say about Sunday, it would be Death Angel’s set was too damn short. Next time, Death Angel deserves a mid-day main stage slot to show the crowd what they bring to the table.

    After Death Angel, bands like Devour The Day, Twelve Foot Ninja, Crobot and Kyng were all back to back one after the other. Although none of these bands have hit it big yet, they’re all in the process of knocking down that door. This year was Devour The Day’s second year in a row playing Rock Allegiance and the crowd was definitely excited to see them again. The singer of Kyng wasn’t too happy with them and Crobot playing at almost the same exact time. He went on to say that whoever booked that should be fired.

    From 2:30 onward, many fans may not have even left the two main stages inside Talen Energy Stadium. Unfortunately for bands like Neck Deep, Amity Affliction and Pierce The Veil, the main stages where were the party was at. Although, even though the inside floor was packed in, these bands attracted their own die-hard fans and fans who may have been curious to check out someone new. Pierce The Veil certainly could have played inside due to the crowd and the stage setup they had. The guys in Pierce The Veil are an absolute blast to watch on stage and their spaceship on stage isn’t something every band brings out on the road.

    Sevendust had a huge crowd over at the Bridge Stage for their set. One of those fans at the Bridge Stage was Anthrax singer, Joey Belladonna, who joined Lajon Witherspoon to sing “Face to Face.” Sevendust was another victim of the dreaded short festival set. Only having time for a handful of songs, Sevendust wasted no time between songs and gave fans as much as they could. The band closed out their set with their Grammy nominated track “Thank You.”

    Some other highlights of the day were Hellyeah and Killswitch Engage. Both of these bands are entertaining to watch from start to finish. Hellyeah singer, Chad Gray is one of the most explosive front-men in metal. Hellyeah’s setlist only featured songs off their 2 latest albums Blood for Blood and Unden!able. During the track “Sangre por Sangre,” bassist Kyle Sanders spit fake blood all over Chad’s face. Chad would sport this blood for the rest of the set and it was clear this band meant business. Hellyeah have certainly been working their asses off creating new music and trying to win over the haters of their group.

    Killswitch Engage, on the other hand, doesn’t have to do anything fancy on stage to win over fans. The guys in KSE are purely bad-ass and get the crowd going regardless if they’re fans of their band or not. Certainly one of the rowdiest crowds of the day, Killswitch gave them all the reason to be. Guitarist, Adam Dutkiewicz, did what he does best and got the people of Rock Allegiance in the KSE mood. Dutkiewicz and singer Jesse Leach lead the charge and helped give Killswitch Engage one of Sunday’s best performances.

    The rest of the evening after KSE was great as anyone would have guessed. Chevelle, Anthrax, Volbeat and Slayer were all fantastic. Each band had a giant fan base in each section of the floor. Slayer fans waited all day along the rail of the Bridge Stage to be in front of Kerry King and Tom Araya. Having half of the big “four” on one stage was an easy choice for thrash metal fans on where to set up camp. Getting that front row spot for both Anthrax and Slayer would put any thrash metal fan in heaven, or in this case, hell.

    As expected, Anthrax stuck with their casual festival setlist. This setlist is fine for any casual fan of Anthrax, but the die-hard fans who traveled to see them definitely wanted something a little different. Tracks like, “Got The Time” and “Antisocial” could definitely be replaced by songs off their latest two albums, which were both outstanding. Both Chevelle and Volbeat, on the other hand, picked their setlists well offering a nice balance between new and old material. Slayer was also another band that seemed to surprise the crowd with their setlist choice. Instead of playing mainly tracks of their latest album Repentless, they only chose to play the title track. The rejuvenated Slayer lineup dug into deep cuts as well as playing the fan-favorite classics like “Raining Blood” and “Angel of Death.”

    The two top performances on Sunday belonged to two bands that toured together not too long ago. Those two bands are Ghost and headliner Avenged Sevenfold. Ghost, who just kicked off their Popestar Tour days before, opened their set with their new EP single “Square Hammer.” For fans who hadn’t caught on to Ghost already, were probably walking out of the stadium that night with a shirt or CD from the FYE tent. Ghost definitely had one of the biggest fan bases over the entire weekend. Ghost shirts were seen by the minute on both days of the festival. The stage show wasn’t what fans will see at headlining shows due to time restrictions, but fans weren’t complaining. The Ghouls, complete with their new female bassist, ripped through 6 more songs after “Square Hammer.” Together with Papa Emeritus III, the band flawlessly performed songs such as “From the Pinnacle to the Pit,” “Cirice,” “Year Zero”, and more. Unlike headlining shows where the band closes with “Monstrance Clock,” Ghost changed things up and said their goodbyes with “Mummy Dust.”

    The chance of Avenged Sevenfold disappointing the fans at Rock Allegiance this year was practically 0%. It’s been a while since Avenged Sevenfold has toured and fans were ready for something that was new and fresh. The band went on stage and opened with “Nightmare.” Fans could quickly point out that Avenged no longer had the extensive stage setup like they did on their Mayhem Festival run a few years back. This time, Avenged kept things simple with an empty stage and a giant LED screen. People who thought that was all they brought were definitely mistaken. It didn’t take long for the onslaught of flames to come from the back of the stage song after song. The new tour not only meant a new stage but also a refreshed setlist. This time around, Avenged played tracks like “Planets,” “Acid Rain,” “To End the Rapture,” and “Second Heartbeat.” The weekend ended with “Unholy Confessions,” instead of the typical encore of “A Little Piece of Heaven.”

    At the end of the weekend, it would be hard to say fans were left disappointed. The lineup for both days of the festival was solid and seemed to have something for everyone. It may have been noticed by people at Rock Allegiance that it wasn’t close to a sold-out capacity crowd, but that doesn’t affect the experience negatively. With two other festivals going on over the same weekend, both within reasonable driving distance, Rock Allegiance held its ground and drew a decent size crowd for what it was up against. Hopefully next year, Chester, PA. can once again be the host of Rock Allegiance for the 3rd straight year.