Category: Jam/Progressive

Lotus Completes Halloween Weekend in Buffalo

Lotus completed a two night run in Buffalo October 29-30 with a Space Disco Theme on Halloween, complete with the Town Ballroom’s giant Disco Ball shining on a crowd who were dressed to impress.

The room filled in shortly after Jimkata took the stage to a sold out show. Lotus followed and absolutely crushed the room and blew the roof off the place.

October 29 Setlist
Set 1: Middle Road, I’ve Been a Fool (Toy Guns), Uffi, Destroyer, Bubonic Tonic>In the Bliss>Bellwether
Set 2: Fearless, Ashcon, 128>Philly Hit>Did Fatt>128, Turquoise, Greet the Mind
Encore: Sodium Vapor, Age of Inexperience

October 30 Setlist
Set 1: Nematode, Opo, Arupa>Sift>Mikesnack>Hammerstrike, Eats the Light
Space Disco Set: Space Disco Intro Story>Snooze 4 Love>Stellar Triangulation*>Bizarre Love Triangle>Giffards Airship*, Sextant*, Ra Ako St>Life on Mars>Like a Prayer>Get Lucky
Encore: Jump Off, Disappear in a Blood-Red Sky
*original music written for Space Disco Set

Check out live download here for night 1 and night 2.

November 10, 2016
Skeleton Keys Keep the Capital Region Movin’

Saturday, November 5th at the Putnam Den had the Capital Region feeling pretty grateful. Luckily enough, there isn’t a lack of Grateful Dead cover bands or jam-centered music in town. That doesn’t mean, however, that the New Paltz natives, Skeleton Keys, can’t draw a decent crowd to lend a listening ear to career-spanning tunes pulled directly from the Dead’s catalogue.

The night showcased the harmonious talents of Skeleton Keys, complete with Alex Mazur of fellow Dead aficionados, Gratefully Yours. Chances are you’ve probably seen them, or some variation of them previously at the Den or The Hollow in downtown Albany. The keyboard-based, electronic exploration took listeners through two sets of music that lasted into the late hours of Sunday morning. Things kicked off a bit late but instantly let loose the second the six-piece stepped on stage with keyboard wizard sit-ins. Just last Wednesday, the same venue saw a room packed with Dopapod faithful’s adorned in Dead and Phish gear, eager to see what their joint tour with Pigeons Playing Ping Pong would bring.

Saturday night at @putnamden: feelin’ grateful! #SkeletonKeys #Grateful #nysmusic #livemusic #Saratoga

A video posted by NYS Music (@nystatemusic) on Nov 5, 2016 at 8:19pm PDT

You can say once you’ve seen one Dead cover band show, you’ve seen them all. To an extent that could be true, but Skeleton Keys made sure to spice up the night with set breaks and solos in all the right spots. Two percussionists, one manning a drum kit and the other on hand drums, two keys players, one bassist and a vivacious singer took den-goers through an authentic rendition of 1976’s Steal Your Face tune, “Sugaree.” The second song of the night found its way into an extended jam that ended with a captivating hand-drum solo.

On November 5, 1979, the Grateful Dead brought fourth the famed matchup of “China Cat Sunflower” into “I Know You Rider” during their show at the Spectrum in Philadelphia. Fast-forward to 2016, and the Skeleton Keys pulled out another approved combination. As things wrapped up, Mazur led the group into what seemed like a tease of “Fire on the Mountain.” After being played in full, the Shakedown Street hit then segued into “Scarlet Begonias” which found most people up on their feet with a drink in hand.

The Saratogian nightlife staple will host a number of stimulating shows in the coming months. On Nov. 19, returning favorites Pink Talking Fish will take on a performance of Pink Floyd’s Dark Side of the Moon juxtaposed with Phish’s rock-opera “Gamehendge,” all while sprinkling Talking Heads songs in between. A special Thanksgiving Throwdown will take place with Eastbound Jesus on Nov. 23 and the Capital Region’s own Formula 5 will throw down with Tauk on Dec. 8!

November 7, 2016
Hearing Aide: Tweed “The Chunky Life”

The Chunky Life, a five song album from Philadelphia band Tweed combines classic synth parts, powerful vocals, and funky grooves to create a whirlwind of vibes that range from the dark and mysterious to those of high energy that automatically warrant head bops after pressing play. The second track on the album, “Best Thing On The Menu,” is composed of many different levels and moods. From the fast paced funky grooves and interesting lyrics to the dark and broody sections that almost sound like modern day dub step garnished with the sound of wailing guitar solos, the song exhibits a very eclectic style of music taste and ability for the band.

“You,” combines a story told through sound with the same groovy drum patterns and rhythms, although this time incorporates vocals that are similar to and seem to be reminiscent of songs from the late 1990’s or early 2000’s. The solo nearing the end is indicative of the mixed emotions of confusion and lust Tweed tries to emit from this track.

Other notable songs from this project are “Big Sky” and the strong finishing last song, “Loup-Garou.” All five tracks in The Chunky Life emit the same vibes – maintaining the funk flare that is initially intended. That being said, there isn’t much of a buildup or climax, which makes listeners question the storyline behind the tracks. With songs that end among the six or seven minute range, Tweed creates a head bopping environment that is indicative of the world’s need and, furthermore, necessity for funk music.

Key Tracks: Big Sky, You, Best Thing On The Menu

November 6, 2016
Lespectacle 6.0 Returning to Brooklyn

On Saturday, November 5, lespecial will roll into The Paper Box in Brooklyn for the 6th annual “Lespectacle 6.0. ” The sixth installment of the annual throwdown will include performances by Supersillyus Lifeband, Ross Jenssen, Tsimba, and The Beatbox House in addition to lespecial’s two-sets of “death-funk” festivities.

The Connecticut based trio is sure to rage with their circus of talent for a late night in Brooklyn as the event is slated from 9pm until 4am. Keep an eye out for band member sit-ins during each performance as this lineup of artists cannot be contained! Tickets for “Lespectacle” are still available for a short time, but after the band’s killer 2016 Fall Tour, they won’t be around for long. You can purchase tickets here.

November 5, 2016
moe. Treats Philly to a Tarantinoe. Dance Off

Tarantinoe. Halloweenoe. The Fillmore in Philadelphia hosted moe.’s annual halloween bash this past weekend, featuring two back-to-back nights of movie-themed fun. After last years epic Star Wars theme, the band and their crew knocked one out of the park with a celebration based on movies and characters of Hollywood writer/director, Quentin Tarantino. Tarantino‘s gruesomely violent and detailed story writing presented the band and crew with an incredible amount of inspiration for set lists, costumes, and stage design.

Leading into Friday evening, moe. held a special one-hour meet and greet at The Foundry, a smaller venue located above the Fillmore, giving fans a chance to hang out with the band and enjoy some of their signature Saranac Hoppy Hour Hero beer at special pricing, including some specialty cocktails named after a few of moe.’s songs. Shortly after, fans dressed in various character outfits began to fill the venue in anticipation for the party to begin. The stage, subtly dressed with red velvet crowd control rope, stanchion posts, and a popcorn machine gave the appearance of a movie theater. Some lucky guests in the front row were even treated to some buttery popcorn as they patiently waited.

Within moments, Vinnie, Chuck, Jim, Al, and Rob all appeared on stage dressed to impress as the five main Reservoir Dogs, with black suits, sunglasses, and narrow ties. Moe. then kicked off the two-night event with the popular surf tune “Misirlou” the opening song to Pulp Fiction, before playing an alternate version of their own song “Crab Eyes” called “Crazy 88.” The three front men did a miraculous job re-writing lyrics to their own songs to fit the story line of some of Tarantino’s most popular movies. Next up was “Django,” an original score by Al, which he recorded and submitted to the producers of the movie Django Unchained. Although the song was liked and considered for the movie, it never made its way to the final cut. Closing out the first set with a crowd pleasing “Stuck in the Middle” from Reservoir Dogs, the group followed with a simply altered yet hefty version of “meat,” titled “gimp.”

The best surprise of the evening was Vinnie Amico singing “Magic Carpet Ride” which segued into a lyrically altered “Bear Song” before reprising the ending of M.C.R. Dialogue samples from Pulp Fiction were in abundance both nights as “Buster” began with a conversation clip between Jules and Vincent Vega about how filthy dogs and pigs are. The dancing continued as the guys jammed into “Jazz Wank” with a slightly altered but tasty “Four” following before finishing the set with an energetic “Pussy Wagon.”

To everyone’s delight, Al appeared for his usual encore announcements dressed in a sparkly gold dress with matching blonde wig. The dress appeared to look quite uncomfortable as Al suggested that everyone give props to women, he then proceeded to blow the lid off of The Fillmore with “WooHoo” from Kill Bill and “Godzilla” to close out night one.

Night two exceeded expectations with better attendance, more costumes, and higher energy than the previous show. Front of House Sound Engineer Steve Young and the crew, did a smashing job on creating a visually and purposeful set which included a chopped up Cadillac, separated into two pieces. Repainted and polished, the front and back of the caddy lit up with color-changing LED lights while the headlights and brakes lit up in sync with different sections of the songs. Stuffed with a cooler full of beverages for the band, the trunk provided some fun entertainment. A camera linked to the video screen on stage hid behind the cooler capturing moments of the guys smiling, waving, and showing off their beer cans to the crowd. The immensely thought out detail also included personalized “moe.ron” license plates with moe. stickers neatly stuck to the bumper, two walls designed like Jack Rabbit Slims restaurant and Crown Pawn Shop from Pulp Fiction, and a window cutout that displayed the bands’ extra guitars like they were for sale. It was a job well done, for sure!

The first set began with “Battle Without Honor Or Humanity” from Kill Bill and without huddle, the group blasted into a power-driven “Annihilation Blues.” Bringing back the cool surf energy, the group played out The Centurions’ “Bullwinkle Part II”. Chuck cleverly changed “Shoot First” into “Shot Marvin,” before they rocketed through “CalifornIA,” and closed out the set with a thrilling “Head” turned into “ear.”

After leaving enough time to mingle, have a drink and hit the bathroom, the house lights dimmed and a hilarious video montage of the band acting out a murderous gangster scene entertained the audience until moe. emerged to the stage with new costumes, appearing as if they just committed the slaying backstage. While Jim and Rob simply added masks to their black suits, Chuck morphed into Jules Winniefield, Vinnie into Vincent Vega, and Al into Jackie Brown (once again wearing a dress). But the dress didn’t stop Al from firing on all cylinders that night, especially while singing “Girl You’ll Be a Woman Soon” to the solos in during the “Vinnie Vega” and “Budd.”

The funkiest dance number of the evening was “Jungle Boogie” which featured a collage of Samuel L. Jackson samples, interestingly timed by Jim. A laid-back instrumental jam helped the band lead into “Watching Pulp Fiction,” finishing up the last segue of the night. Starting with an audio clip from the movie, moe. rounded up the second set with “Kill Bill,” the altered version of “Billy Goat.”

For the last hurrah of the weekend, contestants for their “dance off” twisted around stage as the band played “You Never Can Tell,” to remake the iconic Jack Rabbit Slim’s dance scene. Audience cheered to whom they thought was the best, thus eliminating one pair at a time to become the winners of the grand prize, a band-signed bowling pin and their own table at the side of the stage to enjoy the last song. Moe. then finished off strong with a lengthy rocking “Recreational Chemistry” before thanking everyone they possibly could for making the weekend so special, especially the fans.

See the band-made video clip from the show on their Facebook page.

Friday Set – 10/28/16

I: Misirlou*, Crazy 88^, Cissy Strut, Django#, Stuck In The Middle**, gimp.^^

II: Magic Carpet Ride*** > Wolf Song^^^ > Magic Carpet Ride***, Buster > Jazz Wank > Four > Pussy Wagon^^^^

Enc: Woo Hoo****, Godzilla

* FTP (cover – Dick Dale) > Pulp Fiction
^ alternate lyrics Crab Eyes
# FTP (original – al. song)
** FTP (cover – Stealers Wheel) > Reservoir Dogs
^^- alternate version of meat.
*** FTP (cover – Steppenwolf) > Reservoir Dogs
^^^ alternate lyrics for Bearsong
^^^^ alternate lytics for Paper Dragon
**** FTP (cover – 5.6.7.8.’s) > Kill Bill

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Saturday Set – 10/29/16

I: Battle Without Honor Or Humanity* >(nh) Annihilation Blues, Bullwinkle Part II**, Shot Marvin^ > CalifornIA > ear.^^

II: Girl You’ll Be A Woman Soon***, Vinny Vega^^^ > Rumble**** > Budd^^^^ > Jungle Boogie% > Watching Pulp Fiction#, Kill Bill#

Enc: You Never Can Tell%%, Recreational Chemistry

* FTP (cover – Tomoyasu Hotel) > Kill Bill
** FTP (cover – The Centurions) > Pulp Fiction
^ alternate lyrics to Shoot First
^^ alternate lyrics to head.
*** FTP (cover – Neil Diamond) > Pulp Fiction
^^^ alternate lyrics to Timmy Tucker
**** FTP (cover – Link Wray & His Ray Man) > Pulp Fiction
^^^^ alternate lyrics to Bring You Down
% FTP (Kool & The Gang) > Pulp Fiction
# alternate lyrics to Stranger Than Fiction
## alternate lyrics to Billy Goat
%% FTP (cover – Chuck Berry) > Pulp Fiction}

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November 3, 2016
Phish Pay Tribute to David Bowie on Final Night of Vegas Run

There are many reasons to venture to Las Vegas – gambling, award winning restaurants, shopping, swank hotels, and of course, the numerous live shows that decorate the Strip. But it is rare that one band would attract 16,000+ fans to travel to Las Vegas for four nights of music and revelry throughout Sin City, and that is where the allure of Phish stands above and beyond others.

Arriving the night before the musical madness began, the air was electric with Phish fans peppering the hotels along the strip, heading to Brooklyn Bowl to check out The New Deal and The Disco Biscuits, and settling in for a very long weekend of music. There is so much that Vegas offers, so adding in a quality dinner with friends, hopping on the High Roller, partaking in the west coast only delicacy of In-n-Out Burger, renting a cabana by the lazy river at MGM or trying your luck at the tables were competing with preparing for Phish each night, for these are not shows you just show up to at 7:30 pm. Fans likely had packed schedules thanks to Phish each night and selecting what to do during the day thanks to this cornucopia of the usual Vegas offerings.

Yet when it’s getting close to showtime and you’re ready to wander through MGM Grand towards the Garden Arena, passing top notch restaurants and shops along the way, the energy becomes palpable and that familiar buzz that you only find outside a Phish show makes an appearance. You’ll find this in any city Phish plays in, but when you have one of the greatest live bands ever performing in America’s Playground, the experience is unique with vivacity and vibes that are truly sky high.

October 28th kicked things off with “Martian Monster,” and the next two nights that followed featured opening songs from the 2014 Halloween album Chilling Thrilling Sounds of the Haunted House. A surprise set two opener of “Crimes of Mind” stunned the audience, while a 25 minute “Golden Age” took the cake as the jam of the night, with “Simple>Light” not far behind. Saturday’s show featured an hour long second set segment “Mercury > Piper > Scents and Subtle Sounds > Tweezer > I Always Wanted it This Way” that had no let up and brought out one song that was left off Big Boat (Mercury) and one new Big Boat track that fans had been clamoring to hear live (I Always Wanted it This Way.) Sunday’s first set was littered with energetic jam vehicles “Ghost,” “Chalkdust Torture” and “Stash,” while the second set “Down with Disease” and “Birds of a Feather” that opened the set took fans on a 37 minute psychedelic journey deep into Type II jamming. However the “Harry Hood > Have Mercy > Harry Hood” was the big surprise of the night, dropping a rarely played song (the first in 5 years) right in the middle of one of Phish’s oldest compositions.

Then there was Halloween. The popular rumor that was afloat for weeks beforehand, and even given some credence over the summer from those in the know was that Phish would perform David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars, perhaps with an orchestra. When fans arrived, they received a PHISHBILL featuring the iconic cover of Bowie’s album, with each Phish band member’s face photoshopped onto Bowie’s over four separate bills. Fans dressed as Bowie took particular joy in seeing the cover, flipping the page open and seeing that yes, Phish was about to honor Bowie. High fives, gleeful smiles, joyful tears and utter amazement were seen in the faces of nearly all fans as they walked in with PHISHBILL in hand, prepared for music history to be made.

Halloween started with “Carini,” throwing fans off from the expected number off Chilling Thrilling, but “Your Pet Cat” followed to keep the theme running. There was not a moment in the set where things slowed down until “Petrichor” appeared late in the set, with mixed reactions throughout the crowd akin to the mixed reactions towards its inclusion on Big Boat. But the first set was just the appetizer; the second set was the meal we had waited all day to gorge on.

The entire performance of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, with six strings, three backup singers (Celisse Henderson, Jo Lampert and frequent collaborator Jennifer Hartswick) found Phish embracing the album fully and diving in deep for a performance that delivered in every way. Starting with a powerful “Five Years,” and ending with “Rock ‘n’ Roll Suicide,” Phish poured everything into each of the 11 songs. “Starman,” with Mike Gordon leading on vocals, let the children boogie throughout the arena, arms outstretched and singing along with each word. Trey put down his guitar and put forth an impressive vocal performance on “It Ain’t Easy” with Jennifer, Celisse and Jo driving home the powerful tune, while Page stepped away from his piano for “Ziggy Stardust,” Trey nailing the solo and fans air guitaring and fist pumping through one of the most memorable tracks on the album. “Suffragette City,” soundchecked on The Tonight Show with Jimmy Fallon earlier in October, was the most rousing number of the night, pure rock ‘n’ roll from start to finish. But the finale of “Rock ‘n’ Roll Suicide,” sung by Trey sans guitar, was the most powerful number of the night, with the refrain “You’re not alone” sending waves of chills through the audience.

The third set brought out the heavy jams and pushed the envelope for fans dancing their way through the ninth and final set of the run. A dark “46 Days” led to “Sand,” which was followed by “Twist” that led to a drums segment with the full band surrounding Fishman’s kit and Trey on the marimba lumina. An 11-minute “2001” had hints of Bowie’s “Fame” and was the dance highlight of the night. Closing out the set was “Slave to the Traffic Light,” as good as you can get for a weekend closer, followed by an appropriate acapella encore of Bowie’s “Space Oddity,” with no follow up needed. Fans and musicians will look back at the Halloween show as a banner moment in rock ‘n’ roll history as one of the greatest live bands ever paid immense tribute to one of the greatest and most unique musicians ever.

Twist drums jam #phish

A video posted by pete mason (@phanart) on Nov 1, 2016 at 1:19am PDT

Setlists via Phish.net

October 28, 2016
Set 1: Martian Monster, No Men In No Man’s Land, Dogs Stole Things, Beauty of My Dreams, Destiny Unbound, Limb By Limb, Home, When the Circus Comes, Steam > The Wedge, Cavern, Walls of the Cave
Set 2: Crimes of the Mind, Golden Age > Simple > Light > Twenty Years Later > Blaze On, The Squirming Coil
Encore: Bouncing Around the Room, Bold As Love

October 29, 2016
Set 1: The Birds, Kill Devil Falls, 555, Roggae, Gumbo, Lawn Boy, Wilson, Maze, Wingsuit, More
Set 2: Mercury > Piper > Scents and Subtle Sounds[1] > Tweezer > I Always Wanted It This Way[2], The Horse > Silent in the Morning > Golgi Apparatus
Encore: Shine a Light > Tweezer Reprise
[1] No intro.
[2] Trey on Marimba Lumina.

October 30, 2016
Set 1: The Dogs, Ghost, Funky Bitch, Chalk Dust Torture, Army of One, Heavy Things, How Many People Are You, Stash, Theme From the Bottom > Suzy Greenberg
Set 2: Down with Disease[1] -> Birds of a Feather , Fuego, Miss You, Harry Hood -> Have Mercy -> Harry Hood > A Day in the Life
Encore: Character Zero
[1] Unfinished

October 31, 2016
Set 1: Carini[1], Your Pet Cat, AC/DC Bag > Free > Possum, What’s the Use? > Wombat, Tube, Wolfman’s Brother, Ass Handed, Petrichor > Run Like an Antelope[1]
Set 2: Five Years[2], Soul Love[3], Moonage Daydream[4], Starman[3], It Ain’t Easy[5], Lady Stardust[6], Star[5], Hang On to Yourself[5], Ziggy Stardust[7], Suffragette City[5], Rock ‘n’ Roll Suicide[4]
Set 3: 46 Days > Sand > Twist[8], Meatstick > Also Sprach Zarathustra > Backwards Down the Number Line > Slave to the Traffic Light
Encore: Space Oddity
[1] Lyrics changed to reference Trey’s shirt.
[2] Phish debut; With Sylvia D’Avanzo, Alisa Horn, Todd Low, Antoine Silverman, Alissa Smith, and Hiroko Taguchi on strings; Trey on acoustic.
[3] Phish debut; With Sylvia D’Avanzo, Alisa Horn, Todd Low, Antoine Silverman, Alissa Smith, and Hiroko Taguchi on strings and Jennifer Hartswick, Celisse Henderson, and Jo Lampert on backing vocals; Trey on acoustic.
[4] Phish debut; With Sylvia D’Avanzo, Alisa Horn, Todd Low, Antoine Silverman, Alissa Smith, and Hiroko Taguchi on strings and Jennifer Hartswick, Celisse Henderson, and Jo Lampert on backing vocals.
[5] Phish debut; With Jennifer Hartswick, Celisse Henderson, and Jo Lampert on backing vocals.
[6] Phish debut; Trey on acoustic.
[7] Phish debut.
[8] Trey on Marimba Lumina and Mike and Page on percussion.

November 3, 2016
Photo Gallery: Dopapod and Pigeons Playing Ping Pong Funk Saratoga Up

Dopapod and Pigeons Playing Ping Pong brought their tour through Upstate New York Wednesday, October 26th, arriving at the Putnam Den to a packed house prepared for a night of dancing, spectacular lighting and more than 3 hours of flowing funk and prog rock.

Highlights from Pigeons Playing Ping Pong’s set include the ending trio of “Spacejam > The Hop > F.U.,” while Dopapod had a monster trio of their own: “Present Ghosts > Priorities -> Vol. 3 #86” and “Onionhead” with “Like a Ball” sandwiched in between.

Stay tuned for a NYS Music in Motion interview with Dopapod next week.

Pigeons Playing Ping Pong Setlist: Too Long, Julia, Fun In Funk, Burning Up My Time > Funk E Zekiel^ > Burning Up My Time > Offshoot, Whoopie, The Liquid > Upfunk, Spacejam > The Hop > F.U.
Notes:^ Unfinished

Dopapod setlist: Psycho FABA intro>FABA*, Present Ghosts > Priorities -> Vol. 3 #86, Trickery, Super Bowl > Onionhead^ -> Like a Ball > Onionhead% > Nuggy Jawson
E: Nerds#

*contained Psycho Nature teases
^contained teases of Run Like Hell, YYZ, Thunderstruck, and Like a Ball
%contained Nuggy Jawson tease
$contained NBC teases; the band also went into the outro of Pink Floyd’s “Sheep”
#Greg Ormont from Pigeons Playing Ping Pong sat in on Tequila Girl banter

October 28, 2016
Vibe and Direct Play Nietzsche’s

On what felt like the first Buffalo weekend it actually felt like fall, a band from Cleveland made their first appearance at Nietzche’s on Friday, October 21st. While many other bars nearby in Buffalo’s Allentown district had people flocking in from the cold, this establishment had quite the treat in Vibe & Direct.

The band, made up of Doug Rab on bass, Mike Miller on guitar and electronic effects, and Danny Giannetto on drums, plays a self-described psychelectrojam dance party. It comes down to Miller playing his guitar in a blues-smooth jazz sounding style, with plenty of fast strumming thrown in, Rab bouncing around on bass wearing his lensless green sunglasses, poofball golf hat, and shirt saying “Electrolytes, it’s what plants crave,” and Giannetto throwing off drum licks like Carter Beauford of the Dave Matthews Band.

Despite the band’s proclamation of psychelectrojam, the jam part is what stands out most. The psychelectro aspects didn’t feature in every song, they moreso enhanced, but that didn’t stop the audience there from bobbing their heads along with the sharp beats. A band engaging in lengthy jam sessions needs to know where the other members are heading, chord-wise and tempo-wise, so that the entire song doesn’t fall apart. Thank goodness these players have those skills. No matter where they were in the middle of their various jams, nobody gave the impression they were lost, nor struggling.

The song that best epitomized Vibe & Direct’s set and style was a cover of Seals & Croft’s “Summer Breeze,” from early in the set. It started off respectable enough, channeling the same yacht rock vibe the original captures. But once the first 3 minutes of the song were up, they went on an original jam session that had you forgetting they were playing a cover. It was a shame they had to take a 10-minute break after finishing because of technical difficulties involving Miller’s computer.

Vibe & Direct kept at it until 2 am, playing through roughly two and a half hours with an intermission. It was also the night the Chicago Cubs won the National League pennant, and will face the band’s hometown Cleveland Indians in the World Series. Miller had to make a comment that two championships for Cleveland in one year would be too much for him. They certainly kept those huddling in the cramped standing space entertained, and no doubt those listening at the bar or passing by outside could find something to like too.

October 27, 2016
James Brown Band Lives Again!

Sunday night at The Warehouse at FTC was filled with nothing but surprises. Everything was so pleasantly unexpected and it made seeing the band James Brown Dance Party a true spectacle to behold. The supergroup absolutely rocked the Fairfield, Connecticut venue and the few people there were all equally blown away by the talent of everyone on stage. It’s hard to understand why more people didn’t show. Perhaps it was a Sunday night party, or high ticket prices, but hopefully this review will convince James Brown fans to make time to see these guys where ever and whenever they go.

Supergroups have the potential to yield some impressive pieces of music with names like Crosby, Stills, Nash and Young, Cream, Bad Company and others making a pretty big name for themselves. The James Brown Dance Party has that same potential, if they were to ever go on and create some original tracks. There was such a strong sense of camaraderie between the musicians mainly among the horn line, which is the exact recipe needed to create some true works of art.

The classic King of Soul covers they played were executed perfectly. They pretty much played each cover verbatim but they really began to shine when they broke off to solos and started to have some fun. Again, the energy of the group was radiating from the horn line with guitarist Matthew Chase (The Chase Brothers) bassist Chris Sherman (Bootsy Collins) and drummer Adam Chase (Jazz is PHISH) lying dormant throughout the performance, as well as lead singer Elise Testone (American Idol). Trombonist Adam Dotson (Rubble Bucket), Trumpeter Carter Yasutake (LCD Soundsystem), and saxophonist Morgan Price (Charles Bradley) were the focus of the show from the get go when they played an instrumental version of “People Get Up” and “Drive Your Funky Soul.” Everyone in the horn line seemed to give it their all while most of them were already profusely sweating and blowing their horns all up and down the scales during their solo time. It seemed like there was a bit of friendly competition between the trio brassmen, and it helped them push their skills just a bit further, as they were each representing their own band. Of course, there was never any signs of hatred towards one another, but it was pretty obvious they were trying to one-up the person that soloed before them.

They played two sets that lasted a little almost two hours playing the tracks, “Get Up Off of That Thing,” “Get On Up,” “Papa’s Got a Brand New Bag,” and so many more. Each one was unique thanks to the horn line while still holding the sound of the original song outside of the solos. They were all just as tight, funky and energetic as the original group and aside from Testone, the group all together sounded eerily close to the original recordings the covered. Their second set consisted of “The Boss,” “It’s a Man’s, Man’s, Man’s World,” and “Cold Sweat” and others to cap off the night with the audience going wild after every song.

This will not be last time the group will be in the Connecticut and New York area, but odds are the line-up will be completely rearranged, making each performance unique. Check out their website and Facebook page for information on shows and line-ups.

October 23, 2016
Warren Haynes’ 28th Annual Christmas Jam to Feature ‘The Last Waltz’

The hardest working man in rock and roll revealed the lineup for his annual Christmas party Thursday. The show takes place at the U.S. Cellular arena in Warren Haynes’ hometown of Asheville, NC on Dec. 10. A line-up loaded with talent features Haynes’ main vehicle, Gov’t Mule headlining, along with a who’s who of musicians celebrating the 40th anniversary of The Band’s final show as The Last Waltz Band.

Haynes started the Christmas Jam in 1988 at a local Asheville club as a benefit for local charities. For the past 18 years, he has used it as a fundraiser for Habitat for Humanity. As of last year, the Jam has raised over $1.8 million for the Asheville Area Habitat for Humanity.

The 2016 version of the Christmas Jam happens Dec. 10 and is guaranteed to sell out quickly. Pre-sale tickets are available at noon Monday Oct. 24 with VIP packages also available. General sale begins Nov. 1. General admission tickets are $63 and a limited number of reserved seats are available for $73.

Performers this year, in addition to Gov’t Mule, include Bob Weir, Michael McDonald and Jamey Johnson with Alison Krauss. The Last Waltz Band features Haynes, McDonald, Johnson, Don Was, John Medeski and Terrence Higgins.

Other special guests scheduled to appear include Branford Marsalis, George Porter, Jr., Steve Kimock, Marcus King, Kevn Kinney, Audley Freed, “Steady Rollin’” Bob Margolin and Mike Barnes.

For more information on this year’s event, visit the Jam’s website. And while you’re mulling over whether you should attend, take a gander at this stellar version of “Stormy Monday” featuring Gregg Allman from the 2013 Jam.

October 21, 2016