Category: Funk/Soul/R&B

  • Hearing Aide: Eric Krasno “Blood From a Stone”

    Eric Krasno and his debut solo album Blood From a Stone references an original composition, as well as the effort he put into singing on an album for the first time; indeed for him the experience was like drawing blood from a stone. Taking the album as a whole, the soul infused into the rock throughout the album (featuring Derek Trucks, the London Souls and more) creates a binding production, a step in a slightly different direction that will be welcomed by Krasno’s fans throughout this more than two-decade career.

    Fans will find a rock and soul project, rather than the jazz and funk instrumental feel of Krasno’s Chapter 2. “This is more of a lyrical and songwriting album with elements of improv and funk in there. This was more about presenting the songs and letting them take life from there,” said Krasno.

    The two-time Grammy winning Krasno shared that the album finds its influences in the era of Stax Records, with elements of Hendrix, psychedelic rock and the Grateful Dead, lyrically speaking. “I have very eclectic tastes from hip hop to Neil Young, and I pulled from many influences but made it a cohesive project — that was the toughest thing after wanting to go in so many different directions,” he said.

    In recent years, Krasno has seen a shift to the studio, producing albums for Allen Stone, Tedeschi Trucks and Aaron Neville, and started a record label, Feel Music Group. Reflecting on working with such legends, Krasno said, “Neville was a dream come true to produce for one of my favorite singers.” He has gotten a healthy amount of attention from the New York Times, which has helped to spread the word and brings new fans into the fold. Bowlive, an eight-night event that aims for a Spring 2017 return to Brooklyn Bowl, “helps the whole family grow — from Lettuce to Soulive, to Bowlive and the new record label.”

    Blood From a Stone shows a soul stirring and haunting “Jezebel,” an “In Memory of Elizabeth Reed” influenced “Curse Lifter” featuring Derek Trucks, and “Wicked this Way,” a full bodied mellow funk number, featuring Alicia Chakour on vocals. The album’s longest track, “Please Ya,” is deeply bluesy, pain creeping from the words over the longing from a sad tempo. The flow to the album along with variety in the tracks makes it a passive or active listen — sit back or dive in, no matter what you’re easily hooked.

    The Eric Krasno live band will feature Danny Mayer (Beau Sasser’s Escape Plan), Mary Corso (Beau Sasser’s Escape Plan), Eric Kalb (the Dap Kings), Alex Chakour (Charles Bradley), and DeShawn Alexander (a Berkelee student whom Krasno met when he taught a Master Class recently) which was brought together after the studio album was complete. While the London Souls are featured on the album and Nigel Hall, too, Krasno set out to create a band that could tour in support of the album. Krasno went with musicians he’d worked with, whom he felt would rep the album well. Check out Eric Krasno Band tour dates and catch this new soul rock group as they draw blood from a stone.

    Key Tracks: Waiting on Your Love, Jezebel, Unconditional Love, Curse Lifter

  • NYS Music Presents Thursday Nights @ Nietzsches

    NYS Music Presents, Thursday Nights at Nietzsches in Buffalo.

    7/7  Tyler Pearce Project, Dirty Smile, Noah Gokey

    Tyler Pearce Project is a soulful pop rock band consisting of Miss Pearce and her band mates Greg Broadhurst (drums), Chris Vandenbos  (Guitar),  and John Cannon (Bass). Her enchanting voice and passionate performance is not one to miss.

    Thursday Nights Nietzsches

    Dirty Smile always comes prepared with honest songs and infectious energy. This rock pop soul band stands resolute in its pursuit of rock-n-roll greatness. The energy of their live performance leaps from the bandstand with grand enthusiasm. It’s difficult to ignore the vibrant, free flowing presence of Megan Brown at the microphone. Erik Eimiller, Jesse Raderman, Mike Suda, and Gus Walters form the adept band behind Brown that sounds seasoned beyond its years; dynamic and intense with a rock soul.

    Thursday Nights NietzschesNoah Gokey  is a Buffalo, NY based singer and songwriter who has produced over 120 songs and 9 albums while appearing on radio stations TV, and a variety of stages. Gokey’s unique sound is difficult to categorize in one genre but can be described as an eclectic mix of arsenal rock with influences from folk, blues, jazz, and reggae.


    7/14 Tiny Rhymes, RADARADA, The Tins

    Tiny Rhymes is an indie alt-folk chamber group from Buffalo, NY. Featuring tight vocal harmonies, richly melodic string lines, and the introspective songwriting of leader Sharon Mok. Though the group members are classically trained, they strive to be instinctive about their technical choices and arrangements

     RADARADA  is Buffalo’s freshest Jazzy HipHop band. Inspired by artists such as Common and John Coltrane, RADARADA seeks to expose and exploit the similarities between jazz and hiphop in both a meaningful and creative way.

    Thursday Nights NietzschesWith influences ranging from Talking Heads to Tame Impala, The Tins masterfully create layered jams that USA Today claims as “brilliant pop exuberance.” From Buffalo NY, the trio has released a number of critically acclaimed records and are currently in rotation on SiriusXM Radio and have been licensed to several hit TV shows including Beverly Hills 90210 and Roadtrip Nation.

     

    7/21 The Public Presents: The Get Money Squad, Uncle Crunchy & the Granolas, Feverbox, Jon Bap

    The Get Money Squad  is a Surf Rock duo consisting of Quinton Brock & Jon Bap.

    Feverbox , formed only at the beginning of this year consists of Josh Little, Nicholas Kelly and Griffin Smith who have been playing music together since high school. .Taking notes from bands like The Beatles, The Strokes, The Kooks, Arctic Monkeys and The Shins, the trio decided to start a new project with the intention of making original music that stayed true to their creative influences with a focus on vocal harmony, catchy riffs, smart lyrics and a tight live performance.

    7/28 Buffalo Infringement Festival Opening Ceremonies

    8pm   Brass Pro and the Waterfront Revivalist
    8:30pm   beerhall philosophers
    9pm   the Minions
    9:30pm   The Left Hand of Darkness
    10pm   The Hell’s Harlots Burlesque
    10:30pm   MatKa
    11pm   Bagel Jesus & Friends
    11:30pm   Lazy Ass Destroyer
    midnight   Intent To Sell
    12:30am   Hooked on Casiophonics

  • Show Preview : Danielle Ponder and the Tomorrow People to Play Funk N Waffles

    Danielle Ponder and the Tomorrow People will be making a stop at the Downtown Syracuse Funk N Waffles on July 16. Ponder, a Rochester native, offers a transcendent mix of powerful groove and soul music with gospel roots.

    Ponder and the Tomorrow People was named one of the “Top Ten Bands to Watch” by CityPaper and was the winner of the 2015 Roc Awards, “Best Local Band.” Ponder and her band are currently on tour in support of their 2016 EP release Blow Out the Sun.

    danielle ponder funk waffles

    Ponderhas been described as having a “riveting and honest” stage presence. Ponder describes her live shows as an interactive experience, “When I get on stage I want the audience to be just as important as the musicians. I want to hear them, feel them and see them dancing and moving.” The Funk N Waffles show starts at 9 p.m. and tickets are still available here.

  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • Dave Matthews Band Gets Sexy With Sold Out Lakeview Amphitheater

    Dave Matthews Band brought an eclectic mix of its unique catalog of songs and covers to an enthusiastic crowd of 17,500 at the Lakeview Amphitheater in Syracuse on Wednesday June 22. The show marks the first sold out show at the newly opened amphitheater.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-1

    Fans were a bit apprehensive about the traffic, the no tailgating policy and the venue’s ability to handle the large crowd, but the venue seemed to do a good job managing traffic. Shuttles were running constantly to and from alternate parking locations as far away as downtown Syracuse. The no tailgating policy was generously overlooked. People were having a good time enjoying a few drinks but it didn’t appear that anyone was out of control. However, a no pop-up tent and no grill policy was strictly enforced. Some lighting could be added to improve visibility toward the exits and in the parking lots and they definitely need to add some additional porta-potties. The sound quality and the views are the best I’ve experienced compared to other amphitheaters in the northeast.

    Dave Matthews Band took the stage around 8:30 and opened with their classic tune “Warehouse,” followed by “When the World Ends” and mega hit “Crash Into Me.” It seemed as if every single person in the audience knew every song as they belted out the words with every breath. The audience continued singing and dancing through “Don’t Drink the Water.” The band slowed things down with “Stay or Leave” and immediately got the crowd revved up again with fan favorite “#41,” where Boyd Tinsley had the audience cheering as he showcased his awe inspiring violin skills.

    As the band is currently on tour celebrating their 25th anniversary before they go on a hiatus in 2017, they had no problem celebrating as fans jumped up and down, pumped their fists and occasionally took the lead singing parts of songs. At one point the fans lead a chant of “Thank You For Letting Me Be Myself,” to which Matthews took a step back and treated the audience to his trademark impish grin and eyebrow raise.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-2

    Between songs, Matthews was relatively quiet, thanking the audience and remarking about the beauty of the venue. He did leave fans hopeful by stating, “I hope we can come back here and play for y’all again sometime.” The celebration continued as the band paced through a nineteen song set. Stefan Lessard rocked a beautiful six string bass for the occasion. Carter Beauford, smiling as always, pounded the drums so fast at some points it looked like his hands were vibrating. Guitarist Tim Reynolds zipped up and down the fret board, producing intricate and unique sounds while making it look completely effortless.

    Jeff Coffin (saxophone) and Rashawn Ross (trumpet) were joined by saxophonist and old friend, Sam Kininger. Kininger has played with Ross in Lettuce and Soulive’s Shady Horns Section. The horn section showed they are more than just an accompaniment as they blared in perfect harmony through “What Would You Say” and “Jimi Thing.”

    Matthews showed his silly side as he borrowed a party hat from an audience member and wore it through the band’s almost hilarious version of Prince cover “Sexy Mother F*cker” to end the main part of the set. You would think that after almost two and a half hours that the fans would start to fade, but instead they roared, cheered and many chanted their “wish list” song hoping the band would oblige and play it during the encore. Shouts of “Two Step,” “Halloween,” and “Watchtower” rang out over the deafening cheers of the crowd. It is this intense level of excitement and anticipation that proves why Dave Matthews Band is a summer ritual for so many fans.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-3

    The band took a short break and ended the evening with a two song encore that included “The Song That Jane Likes” and fan favorite “Tripping Billies.” Carter Beauford tossed out buckets of drum sticks as fans roared and begged for more.

    Set list:

    Warehouse, When the World Ends, Crash Into Me, Sugar Will, Don’t Drink the Water, Stay or Leave, #41, Samurai Cop, Grey Street, Satellite, Break Free, Lie in Our Graves, Shake Me Like a Monkey, Typical Situation, What Would You Say (with Sam Kininger), Jimi Thing (with Sam Kininger), Sexy M.F. (Prince cover) (with Sam Kininger)

    Encore:

    The Song that Jane Likes, Tripping Billies

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  • Rochester Jazzfest Visuals: Erykah Badu at Kodak Theater

    Fans of legendary R&B artist Erykah Badu got to spend an extra hour and a half getting to know each other outside Rochester’s picturesque Kodak Hall at Eastman Center as the 8:00 p.m. scheduled show was delayed due to flight issues.

    erykah badu kodak theaterAs the lights dropped around 9:30 p.m. Miss Badu’s band took the stage and quickly entered into a smooth jazzy jam for about ten minutes as the anticipation grew. Badu finally took the stage to a roar and portrayed her vocal mastery through a mishmash of hits and deep cuts deep into the evening hours. A few songs into the set she paused to reflect on her last trip to Rochester many years before and invited the crowd to come down and join her by the stage.

    erykah badu kodak theaterWith no soundcheck, no time to prepare, and basically walking from a plane onto the stage, Badu proved her superstar status with an impeccable and flawless performance that will live on until she graces Rochesterian’s with her awe-inspiring presence again.

    erykah badu kodak theater
    Rochester Jazz Festival, 2016.

    Jazzfest continues all week long with Chick Corea (Tues. June 28), Bruce Hornsby (Wed. June 29), Chris Botti (Thurs. June 30) and Greg Allman (Fri. July 1) filling out the remainder of the Kodak Hall schedule. Check out the full schedule here.

  • Disc Jam 2016 Outdoes Itself

    Now in its sixth year and second at the current location in Stephentown, NY, Disc Jam Festival has established itself in every sense of the phrase. The bands are top caliber, the stage setups are the real deal, and the attendees make it feel like home away from home. Disc Jam 2016 has set the bar high for an overall festival experience in the Northeast.

    Thursday night of the festival was spent by many setting up their home for the weekend. Those in VIP were granted access to prime real estate next to the creek, adjacent to the pond. Other campers with cars took up residency in the spacious fields surrounding the main stage area. The great thing about Disc Jam is that no matter where you camp, you’re no more than a two-minute walk to the main stage. That also means that you can hear the music throughout the venue – a nice perk of small festivals.

    The sounds of Strange Machines filled Gardner’s Farm, setting the tone for the festival – heavy on the jams – though their set ended with a playful “Shake Your Body” cover by Michael Jackson. Next was everyone’s favorite cover smash up, Pink Talking Fish, taking the main stage until midnight. Weaving in and out of Pink Floyd, Talking Heads and Phish brought them to a surprise lap dance for the soon-to-be-wed keyboardist Richard James. Set to Billy Idol’s “White Wedding” Hayley Jane of Hayley Jane and the Primates, and her pack of back-up dancers, playfully teased the bashful bachelor only to have their spot taken over by Boston promoter and tutu sporting Benny Tucker aka “Woodies and Cream.” Hayley Jane led the vocals through “This Must Be the Place (Naive Melody)” and “Suzy Greenberg to wrap up the evening on the main stage.

    Thursday night – and really the whole festival – was unseasonably cold. With temperatures in the mid to low 40s with high winds, festival patrons were disappointed there was no community bonfire as promised. The bonfire did blaze on the next few nights which was a welcomed relief.

    Friday was easily the best day weather wise. Although breezes still made for a slight chill, the sun was warm and skies were crystal clear. Chicago based rock group, Litz, kicked things off in the morning followed by Teddy Midnight who really picked up the pace. The Brooklyn natives added jam scene veteran Wiley Griffin as their guitarist last August. Since then the group has been gaining fans and notoriety with steady momentum. The blues guitar riffs and synthesized key strokes along with a fantastically funky bass line made for the get-out-of-bed energy disc jammers needed.

    Hayley Jane and the Primates, along with original drummer Jesse Hayes, took the early afternoon main stage with a full David Bowie tribute set. As usual, Hayley Jane is theatrical in her stage presence. Although her voice is truly impeccable, the set was reminiscent of a high-level karaoke production.

    Set in the Innova Tent Stage at 5 p.m., Tom Hamilton’s American Babies overlapped Yo Mama’s Big Fat Booty Band and part of Pigeons Playing Ping Pong. Guest bassist Jim Hamilton, Tom’s brother, filled in for the set. Having grown up playing music together, this was something truly special for die hard fans and even those new to the Babies. The set included several songs off their new album, An Epic Battle Between Light and Dark, including “Fever Dreams” and “What Does it Mean.” Covers included the Grateful Dead’s “Shakedown Street” and The Band’s “Atlantic City.”

    As the sun began to set Kung Fu powered through an incredible set welcoming Shira Elias of Turkuaz on vocals and Lowell Wurster of Lucid on percussion. The following 30 minutes was a complete change of pace. Cappadonna of the Wu Tang Clan and his posse pumped up the crowd with Craig Brodhead and the Turkuaz Horns as support. Free style rapper Honeycomb laid down a solid flow, even tossing shade to Jay-Z.

    After a short break, headliners Electron took to the stage for a set many people attended the festival to see. Flow artists bordered the stage adding to the entertainment of it all, a psychedelic circus if you will, starting with “Plan B,” “42,” -> “Rock Candy” and later back to “42” after a solid rendition of Pink Floyd’s “Another Brick in the Wall Part 2.”  The set ended with fan favorite “Shelby Rose,” and the crowd singing in unison, “every night is heaven sent!”

    Friday night wasn’t over yet as Dopapod packed the Innova Tent Stage with Disc Jammers. Opening with “Nuggy Jawson,” a “Nerds” tease ultimately served as hint to one of Saturday night’s picks during their second set with the Dopapod Orchestra. Ed Mann hopped on the vibraphone for “Dracula’s Monk” and Frank Zappa’s “Peaches en Regalia.” Turkuaz’s Craig Brodhead joined Dopapod for a heart pounding “8 Years Ended,” before concluding with “Vol. 3 #86.”

    Saturday was a wet one, raining from 11 a.m. to nearly 1 p.m. which kept many campers from attending the daily set of Bearly Dead, as well as Elm, Funky Dawgz and Mister F. Congo Sanchez was the first dry set on the main stage which absolutely blew the crowd away. The trio features Thievery Corporation’s drummer with a down-tempo, reggae, hip-hop mix. This will be a band not to miss in the future. Consider the Source did a full Radiohead set, that while was impressive in so far as pure skill, simply did not have the attraction a regular COS set has.

    The Nth Power, a world, funk, jazz group featuring Nikki Glaspie on the drums, flexed their creative muscle during their Saturday afternoon set. With the sun shining and drying things out, fans got down with the funky yet sultry tunes. The Turkuaz Horns and Shira Elias played a few brand new songs to the delight of the smiling faces in front of them. Directly proceeding the Nth Power, prog rockers TAUK took the stage sounding better than ever. Craig Brodhead also jumps on for a nasty cover of Hendrix’ “Voodoo Child.”

    The highlight of the entire festival was without a doubt the Dopapod Orchestra. Clouded in mystery for months since it was announced, fans gathered to the stage as the grounds became engulfed in a low, warm fog. Beginning with a straight forward “Turning Knobs,” the Blend Horns of West End Blend were welcomed on stage laying down a new element to favorites like “Nerds,” “Super Bowl,” and a seriously sinister “Psycho Nature.” Kung Fu drummer Adrian Tramontano hopped on the drums next to Scotty Zwang for a lengthy “FABA.” The Turkuaz horns  then took a turn with a stunning “Ophelia” by The Band. Turkuaz drummer Michaelangeo Carubba also sat in for “Roid Rage,” a song he helped write as he is Dopapod’s original drummer. The Orchestra ended with Led Zeppelin’s “Kashmir” before returning to the stage for the  encore of “Picture in Picture” in which Rob Compa’s guitar student Greg King took over for the later half of the song. Compa hopped on bass for a few minutes as well so the two could jam. This was truly incredible to witness and a set not easily forgotten.

    The Turkuaz Horns and Ryan Dempsey of Twiddle joined lespecial for some late night action. This is another band that seems to get better each time they play. Their stage setup was incredibly psychedelic. Unfortunately these guys rocked so hard a fuse was blown momentarily, but certainly did not take away from the overall set. A cover of Radiohead’s “National Anthem” was absolutely incredible and the horns only added to the depth.

    Sunday was a struggle for many Disc Jammers as the temperatures once again dropped and high winds made wearing a jacket completely necessary. Despite the cold, Formula 5 rocked out to a pretty substantial crowd. They welcomed Ryan Dempsey to the stage as he and Matt Richards played on keys together for Warren Zevon’s “Nighttime in the Switching Yard.”

    After sitting in all weekend with various bands, the Blend Horns finally joined their full band, West End Blend, for an incredibly funky set, helping to warm up those shivering in front of them. Front woman and lead vocalist Erica Bryan got fans off their feet with her tambourine skills. The band welcomed The Turkuaz Horns, Shira Elias and Craig Brodhead on stage. With 15 people on stage, the Sunday-funday party had officially started.

    Local bluegrass band Eastbound Jesus welcomed Lowell Wurster for some twangy fun before Aqueous hopped on stage for their harder rocking set. Soule Monde showed off their talents making it easy to see why the drum and organ duo has such an impressive résume including being members of Trey Anastasio’s touring band.

    Disc Jam 2016 came to an incredible close with Gubbulidis, or Mihali Savoulidis and Zdenek Gubb of Twiddle. By now, it should be clear from the events of the weekend that they’d be joined by guests including their own Ryan Dempsey who took a moment to crawl across the stage for a lick on Mihali’s leg. The set was packed full of jams including Twiddle favorites “Lost in the Cold” and “Syncopated Healing, as well as Sublime’s “What I Got,” Blues Traveler’s “Run Around” and Hendrix’s “All Along the Watchtower.” The amount of pure energy on stage was exactly what the frigid crown needed and the perfect period to the end of an incredible weekend.

  • Nanola Announces Schedule for Phish SPAC Pre and Post-Parties

    Looking for your pre- and post-show plans during Phish’s run at Saratoga Performing Arts Center (SPAC) July 1 through 3? NYS Music and Nanola have you fully covered.

    The Capital Region’s own Mister F will host three nights of pre-shows and after-parties at Nanola in Malta to keep the fun going long after the lots have cleared after Phish each night. You can even take a shuttle to and from SPAC, just a short 10-minute ride from Nanola to SPAC.

    Friday’s after-party starts with Mister F at 12 a.m. and Lespecial at 2:15 a.m. Saturday’s pre-party features Hayley Jane and the Primates at 4 p.m., and Mister F is on again at 12 a.m. following the show, with Strange Machines hitting the stage at 2:15 a.m. Sunday’s pre-party has Mister F on at 4 p.m. and The McLovins closing out the weekend with an after-party beginning at 12 a.m.

    In addition to these pre- and post-shows, Nanola will be offering a $13 brunch buffet on Sunday, July 3, for Holly Bowling‘s performance. Reservations are recommended for table service and can be made by calling 518-587-1300.

    All pre-parties are free, with each nightly show costing $10. Shuttles are also $10, and a combo pass including all shuttles and after-shows is $50. You can pick up tickets here.

    Nanola features a full bar, great beer selection and traditional pub fare in addition to creole favorites like jambalaya, oysters and po’ boys.

  • Hearing Aide: Devon Allman ‘Ragged and Dirty’

    Life on the road, the sights in the rearview mirror and the hard lessons learned along the way, Devon Allman and his latest album Ragged and Dirty is the perfect soundtrack to crank on the speakers over a nice long summer road trip, perhaps one marked with a few stops at some biker bars and dives.

    Devon Allman’s latest album “Ragged & Dirty” debuted at #4 on the Billboard Blues Charts upon its release on Ruf Recording last October.

    Raised in Texas by his mother, Shelley, he did not meet his famous father, Gregg Allman, until he was 16 years old. Now 43, he’s been touring nationally and has released eight albums with bands including Honeytribe and Royal Southern Band.

    Ragged and Dirty, Allman’s third solo work, debuted at No. 4 on the Billboard Blues Charts upon its release on Ruf Records last October. It’s produced by Grammy winner Tom Hambridge, who also co-wrote three songs on the album. Allman shakes the dust off his father’s signature style of guitar-driven blues and rock and infuses it with his own modern, hard-hitting licks and powerful lyrics in this latest incarnation.

    You can almost feel the grit in your teeth throughout this professional, polished album, which runs the gamut of styles from country roots in track one, “Half the Truth,” to blues and rock n’ roll with a slight edge of funkiness in the album’s title track 11, “Ragged and Dirty.” Get lost in the soulful, sultry steam guitar-laden sixth track, “Midnight Lake Michigan,” and then find yourself in the honky-tonk stylings of track 10, “Times Have Changed.”

    A highlight for me was track number three, “Leavin’,” which reminds me of a mix of Joe Cocker and the Allman Brothers Band in a song about running away from the same old problems and falling into old routines. A solid rock n’ roll journey with heartfelt lyrics, it’s a great song for a road trip without a destination.

    The seventh tune, “Ten Million Slaves,” a song about the journey and trials faced by millions of slaves as they were ripped from their homeland and brought to America to be sold, came as a timely surprise as the original A&E mini-series “Roots” recently aired on television.

    Track 10, “Times Have Changed,” is a good reminder to stay relevant and not get caught up in looking back on the past and making up your mind to change things. As the lyrics note, “I’d do anything you say, and now there ain’t no way/ That was yesterday, and times have changed/You’ve got to pick and choose, and I was bound to lose, but I’ve got some news for you, times have changed.”

    Track 12, “Leave the City,” is the perfect way to wrap up this album, with Allman’s soothingly familiar voice gently commingled with sounds of a resonator guitar seeping through to wash you clean, as you leave the dirty city for land of riversides and mountain tops.

    It’s clear this an album inspired by life on the road. To steal a line from the fifth song, “a road runner baby, Citadel platinum frequent flier,” Allman brings his tour to New York with a June 15 show at Iron Works in Buffalo, at the Wescott Theater in Syracuse on June 16 and Albany’s Empire State Plaza on June 29. Catch him before he travels on.

    Key Tracks: Times Have Changed, Midnight Lake Michigan, Leave the City

  • Mountain Jam 2016: Day 4

    Unlike the previous three days, the weather at the onset of Sunday, June 5, at Mountain Jam 2016 was gloomy with continuing patches of rain. People throughout the campgrounds were picking up their equipment and assessing any damage. The storm hadn’t been overly aggressive, but that didn’t stop things like camping canopies from collapsing under the weight of accumulated rainfall.S Malinski - Michael Franti - Mountain Jam 2016-8

    Once everyone completed their morning cleanup, regular plans for the last day of the festival started. Parents and kids joined together in Healey Hall at 9 a.m. for Yogarama with Bari Koral, a yoga instructor who brings fun music into the mix to make yoga interesting for kids. And of course yoga for the older kids was next, led by none other than Michael Franti. Originally scheduled to be held in Dolan’s Lake Park, across Ski Bowl Road from the festival grounds, Franti’s yoga session had to be moved into Healey Hall due to the inclement weather.S Malinski - Micheal Franti yoga - Mountain Jam 2016

    After yoga with Franti, Michael joined Radio Woodstock in their Mountain Jam booth for an interview and a quick song. NYS Music was there to experience his time on the radio and sing-along with him and the rest of the crowd who gathered around; Franti loves to be surrounded by people, while he plays—it really fuels his love-filled music and performance.

    Meanwhile, Woodstock native Elijah Wolf, Boston-based Quilt and New York City’s London Souls played on the Valley Stage. The continuing mist didn’t stop fans from throwing on rain gear and enjoying themselves on the final day of Mountain Jam 2016. Like the previous day, the schedule had a change, and it caused Michael Franti’s Mountain Stage performance to be the last main stage show of the weekend—except this time the schedule change was caused by mother nature.

    S Malinski - The London Souls - Mountain Jam 2016

    Severe weather alerts came across the PA system, and everyone was instructed to pack-up their belongings as quickly as possible and either leave the grounds or seek shelter immediately. No one knew exactly what to expect from the weather, but the general fear was that high winds would cause structures, like the stages, to become unsafe. Attendees complied as best as possible. Some were able to pack-up and depart, while others fastened down their equipment and congregated in the main lodge to wait out the storm.

    Many festival-goers were sad that they had to miss the final three acts of the weekend—Brandi Carlisle, Third World and especially, the Avett Brothers. Safety is always understandable, but that doesn’t quell unrest about an upheaval of musical plans. Luckily, thanks to Radio Woodstock, a secret set popped up in the media loft where the radio station had been broadcasting all festival long.S Malinski - Avett Brothers - Mountain Jam 2016

    The buzz about this secret set started to spread throughout the crowd inside the lodge, just downstairs from the loft, but no one knew exactly who was going to play and where. Suddenly, some stage crew started carrying in instruments and brought them up to the radio booth, followed by four gentlemen who make up the originally scheduled closing band, the Avett Brothers. After some audio setup, the indie-folk quartet played a four-song set over the airwaves and over the station’s PA system, which was turned up and pointed at the crowd downstairs. After each song, applause erupted from below. It was clear that the remaining festival-goers recognized just how lucky they were and how much they appreciated the Avett Brothers’ humble and apologetic attitude toward having to cancel last minute.

    As the weekend finally drew to a close, people sat around recapping the events of this year’s Mountain Jam. Everyone had their own individual experiences, but the final product of all experiences was joy and an overall feeling of fulfillment. Much sought-after music had been enjoyed to the fullest, and everyone knew that the 2016 festival season was truly underway.

    Check out the photo gallery below—captured by Steve Malinski—to experience the fourth and final day of the twelfth annual Mountain Jam.

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