Rihanna has always compensated for shortcomings in technical vocal ability with showmanship and arresting charisma. The international star delivered on levels with fashion, choreography, impressive stage aesthetics, dancers, and the band this past week as she played to a pack stadium at the First Niagara Center.
Promoting her Anti album, Rihanna will be playing 75 shows in 18 countries this time around. She stopped in Buffalo at First Niagara Center this past Wednesday, and the energy in the arena was explosive and contagious as fans danced, yelled, jumped, cheered, took pictures, and recited the lyrics to their favorite Rihanna tracks. Fans were in full force with a multi-generational diverse crowd displaying their best Rihanna inspired fashion trends, hair and make-up.
She opened the evening with the ballad “Stay,” emerging on a high platform in the rear of the arena wearing a boxer’s robe. She was then whisked away by a floating platform to meet with the rest of her band, who arose from beneath the stage like a magic trick.
During her set, she had the audacity to call Buffalo “ratchety.” Some of the crowd booed and most were insulted. She then proceeded to back pedal, gushing about how she loves the fans there etc. Sorry sister, you already insulted us Buffalonians. We have some serious pride in our town, and we have put a lot of work into our town to make it beautiful. Buffalo is far from “ratchety.”
Vocally, she was what she has always been. Stunning at her ballads, but not pleasing to the ear when it comes to her other music. It was partially a mumbled mess, especially during the song “Work”. She sang to a backing track most of the night.
The clothing options of the night left a lot to be desired. Her band and backup singers looked like they were civilians in the Star Wars movies. Regardless of poor costume choices, Rihanna’s several costume changes seemed to flow seamlessly between songs. While some were sexy; she wore her signature over-sized men’s suit, some were risqué and quite questionable.
Despite a lengthy set list of her biggest hits, the entire show was only about 90 minutes. The singer appeared to be having fun throughout the night, it appeared that she had her foot on the gas, speeding from one song to another in what felt like a race to the finish. “This is the sad part of the show, when you know it’s almost over,” she said shortly before closing out with “Kiss It Better.” Regardless of the disappointments of the evening, true Rihanna fans were not disappointed and definitely got their money`s worth in theatrics and sex appeal.
Opening the evening for the musical legend was the amazing 
By the time the lights came back up and Barry Manilow took the stage, this crowd was pumped. It was refreshing to see this packed venue up out of their seats waving their arms and glow sticks in the air as he belted out his opening number, ‘It’s A Miracle’. Thanking all those in attendance at the Turning Stone Event Center for his One Last Time tour , he told the sold out show goers that he’s so lucky to have had such an amazing career. Pulling one lucky lady up on stage for a slow dance to “Could It Be Magic” he serenaded her and asked how long she had been a fan. Claiming to be a fan for numerous years since the early 2000’s, he joked that it’s okay because “..for those of you who may not know, I was the Justin Bieber of the 70’s. Just ask your moms.” And it was true. No matter what you were listening to back then, a jingle on tv about Band-Aids or the famous State Farm ‘like a good neighbor’ ad, music that accompanied films and television, music produced for such artists as Bette Midler, Donna Summer, and/or Dionne Warwick, hosting his own television specials, or tuning in every Saturday morning to American Bandstand as he sang the opening number for Dick Clark’s entrance, Barry Manilow was the Beiber of the 70’s. I’m one mom that will attest to that statement. Everything he touched turned to gold and went to number one. With a trifecta of awards from the Grammy’s, Emmy’s, and Tony’s, he was and still is one of the ultimate musical performers, song writers, composers of our generation.
Let’s talk about that voice. That beautiful voice was just as clear and strong as it was in the beginning, as he belted out hit after hit after hit Friday night hitting every single note spot on. Manilow’s personality shone too through as he spoke with the audience. Growing up in Brooklyn and attending one of the country’s most dangerous high schools, he claimed he had two choices, gangs or music. He thanked the orchestra teachers for offering him the choice of music, because “…can you imagine me in a gang?” His wit, his charm, and his humanitarianism shone through. Sharing information on how the audience can help out others like Manilow, he described 
The absence of an opening act was evident as it took several songs before the crowd matched the energy level of the music being pumped out of the Marshall stacks. Though, with the 25-song setlist clocking in at 3 hours with a 20 minute intermission, it is debatable if an opening act was even feasible.
Then of course there was Buddy Guy, who was doing his thing before Jimi was doing Jimi’s thing. And at 79 years old, Buddy continues to do it. Buddy delivered gritty, witty lyrics in “Louisiana Blues”, and backed them up with shredding solos that reinvigorated the crowd that had started to look at their watches (not out of boredom, but disbelief and exhaustion). There is something about watching an elder statesman ripping through scales with the speed and feel that most guitarists will never know, it gives folks the energy to cheer just a little louder, a little longer.
Leaving the venue, I noted that instead of hearing conversations that started with “I wish they had played…”, what I heard mostly was “I can’t believe they played…” as the crowd was clearly pleased with how deep they dug into Jimi’s catalog. Much like a congregation after mass, those leaving the Landmark Theater appeared to be uplifted, fulfilled, and spiritually satiated, thanks to the service at The Electric Church.
Last weekend, F
Right off the bat, FOB launched into “Irresistible,” a song they also recorded with Demi Lovato. As heads bobbed to the beat and hands waved back and forth in the air, they followed with an earlier hit “We’re Going Down,” as the already incited crowd danced and sang along with every word. This momentum continued throughout the entire set, including the more acoustic piano numbers. Ending with their signature “Saturday,” front man Patrick Stump was hoisted above the crowd allowing those in the pit to become a hands on part of the show.
