Category: Show Reviews

The Disco Biscuits Tear Up New Amphitheater at Coney Island Boardwalk

After putting the run on hold last year, The Disco Biscuits revamped City Bisco this summer and relocated to the biggest and brightest city of them all, New York City. On April 18 and 19 the band performed at Irving Plaza in downtown Manhattan, playing back to back heaters that included fan favorites “Therapy,” “Confrontation,” and “Kitchen Mitts.” Friday the 19th also saw the band debuting a new original, “The Champions.” Switching locations but losing no momentum, the Disco Biscuits moved the party to the new Ford Amphitheater on the Coney Island Boardwalk for the final night of the run, Saturday August 20.

It was an interesting scene, seeing Disco Biscuits heads mingle among the usual weekend patrons of Coney Island. Roller coasters whipping past, the wafting smell of the salt water battling for dominance with the odor of the famous boardwalk hot dog, and good ol’ White Castle Express. It reminds you of a time past, but the New York City energy is still unmistakably crackling up and down the worn boards just as much as in the asphalt a few boroughs away. The Ford Amphitheater opened its doors at 6PM, revealing state of the art facilities and high quality monitors flanking the stage.

The Hungry March Band provided a nice introduction for the Biscuits, with members of the headlining act slowly joining as the March proceeded into a familiar melody. Both acts broke into “Spectacle,” and as the Biscuits began to take over the groove the Hungry Marchers exited stage left. Jon “The Barber” Gutwillig seemed to have some intonation issues during the opener, stopping abruptly to re-tune during the noodley 11/8 time section. He wasted no time getting his mojo right back in line however, as his solo during “¿Donde?” melted more than a few faces. The song was extremely put together considering the last time they played it live was September of 2010. Keyboardist Aron Magner provided a surreal acoustic piano introduction for a stunningly tight “The Very Moon,” which gave way to an absolutely raging “Tempest.” The segment transitioned into a flawless inverted “Digital Buddha,” continuing seamlessly into the funk section of “The Very Moon.” Seguing into the end of “And the Ladies Were the Rest of the Night” would complete the unfinished version from the previous evening, as well as bring the set to a dramatic close.

The Biscuits chose the Beastie Boys classic “No Sleep Till Brooklyn” as a perfectly apt opener for the second set, giving a nod to the Hip Hop titans as well as the location of the evening’s show. Having only played it out one other time in October of 2009, bassist Marc Brownstein seemed positively giddy to play an anthem from one of his childhood influences. “Run Like Hell” provided back to back covers for the last set of City Bisco. Without a single standalone song the entire set, the boys seemed to get into the pocket and stay there for a few songs after “Run Like Hell,” playing off of each other effortlessly but effectively. “Cyclone” seemed an obvious choice considering the name of the local minor league baseball team who’s stadium was about a quarter mile down the board walk and was a complete shredder.

Allen Aucoin’s drum rolls were so pristine that it actually hurt a little. An inverted version of “Crickets” got everyone on their feet, but an inverted “Aquatic Ape” sort of quelled the vibrations building from the previous jams. Some thought it was a strange choice considering the previous and forthcoming compositions: the end of “Bernstein and Chasnoff” seemed to lack following such a down tempo diddly. Coming back out for the encore with “Highwire” was sort of a slap in the face for some fans after a weekend of song choices that left us on our toes; “Highwire” being the epitome of the opposite concept.

After yet another weekend of unexpected bust outs and crazy set list arrangements, Bisconauts both tenured and amateur have a lot to look forward to. The Biscuits have proved that they’re back on the right track, 2016 seeming their comeback year. They’ll be headlining this upcoming Saturday, August 27 at Imagine Festival in Atlanta, as well as two nights in September at the Great North festival in Maine. This should give curious jam fans plenty of time to relax with the Disco Biscuits. And remember…they nasty, but they good.

August 24, 2016
Blink-182 Brings Classic Pop-Punk to the Lakeview Amphitheater

Flinging toilet paper, throwing bras and shooting fireworks is just the beginning of the beautiful chaos presented by a Blink-182 show. On Aug. 23, All Time Low, A Day To Remember and Blink-182 presented the Lakeview Amphitheater in Syracuse, NY with nothing less than an outstanding rock show.

The show opened with Maryland natives All Time Low who gave a performance that left fans in awe. During their opening song, “Lost In Stereo,” guitarist Jack Barakat ran off stage and into the audience surprising hundreds of fans with pictures and high-fives.

Barakat went out of his way to hit every part of the venue from the floor seats, to out past the lawn, while continuing to perform “Lost In Stereo.” As exciting as it was to watch, Barakat should have expected the fans that ran after him in droves trying to get his attention.

“I grabbed some dude’s hand and he grabbed my ass,” said Barakat after he returned to the stage from being in the crowd. When returning, they played what was their best song of the night, “Weightless,” which showed off the most energy and excitement from the crowd.

As an opener, All Time Low expressed their incomparable joy for being asked to be a part of the tour with Blink-182. Frontman Alex Gaskarth opened up to the crowd about how they started playing music in high school, and found their influence from bands like Blink-182.

“We started this band when we were just in high school and we had just found out about bands like NOFX, Blink-182 and Green Day, and all of those bands are basically the reason we are a band,” said Gaskarth.

With some vocal issues to start off the night, Gaskarth stabilized his voice when singing the acoustic song, “Missing You,” which showed off his rich tonal quality, and less strain in his vocals.

As excited as fans were to see Barakat out-and-about in the venue, during All Time Low’s closing song, “Dear Maria, Count Me In,” Gaskarth followed the trend by running with his microphone up the halls of the amphitheater and ending against the barricade of the lawn.

Like every All Time Low performance, by the end of their set, the stage and their mic stands showed off a rainbow assortment of bras thrown on stage by young fans.

Opening with All Time Low’s pop-punk style, the crowd was ready to hear five-piece rock band, A Day To Remember, fill the Amphitheater with their heavier sound.

Starting their set with fan-favorite “The Downfall Of Us All,” dozens of beach balls were released into the audience, but this wasn’t the only thing shot out to the crowd during their set.

During their beloved song, “Right Back At It Again,” a man came out with a costume and a t-shirt cannon shooting shirts to fans the entire song. Besides the t-shirts, the band starting throwing out dozens of rolls of toilet paper during, “All Signs Point To Lauderdale,” which made the venue sparkle with the white rolls being thrown every direction.

With t-shirts and toilet paper shot across the venue from song-to-song, fans were screaming from excitement. With all of the energy and smiles from their set, “Right Back At It Again” and “All Signs Point To Lauderdale”, became the most memorable parts of their performance.

“How many people grew up listening to heavy music?” asked frontman Jeremy McKinnon before performing the popular, “2nd Sucks.” Although this was the heaviest song of their set, A Day To Remember also played their heavy, recent single, “Paranoia,” off of their upcoming release, Bad Vibrations out Sept. 2.

A Day To Remember used their stage presence, performing abilities and outstanding stage effects to stand out as putting on the best performance of the night.

As soon as punk legends Blink-182 took the stage, they immediately went into performing their ever popular, “Feeling This.” Blink-182, which now includes original members drummer Travis Barker and vocalist and bassist Mark Hoppus, were accompanied by their fill-in member, Matt Skiba.

Although there were attempts by Skiba to nail Delonge’s vocals in songs like “Stay Together For The Kids” and “Reckless Abandon,” these attempts backfired on Skiba. With vocal strains and pitch issues, Skiba struggled to stay true to the original vocal parts of songs. This being said, in songs like “Los Angeles” and “Cynical,” Skiba hit the nail on the head vocally.

Despite their new album, California being released a few months ago, Blink-182 presented a diverse selection of songs that stretched across their discography for their set list. With their mix of performing older songs like, “Dumpweed” and newer songs like, “San Diego,” Blink-182 built their set list to accommodate fans of all eras.

Possibly the highlight of Blink-182’s set was when Hoppus brought smiles to the faces of fans all across the venue as he decided to do a song entirely in the dark.

“We invite you to take part in rock and roll history, as you take out your cellular phones, turn on the flashlight feature, and watch in utter f-cking awe and amazement, as we perform this song entirely in the dark,” said Hoppus.

Against what the crowd anticipated, the song that they went into performing was the minute long, infamous, humorous song, “Happy Holidays, You Bastard,” which after finishing the song, Hoppus said “You’re welcome” to the audience.

Along with Blink-182’s traditional humor, before performing their hit, “Stay Together For The Kids,” Hoppus gave the audience a briefing of the upsetting nature of the song.

“It’s so sad, you want to put on eyeliner, be alone in your room and listen to Taking Back Sunday and tell your parents to f-ck off,” said Hoppus.

With fans of all ages attending and singing along to Blink-182, it is easy to see how influential of a band they are. Some fans, like 26-year-old Tatianna Davis, were seeing Blink-182 as a celebration. Celebrating her two-year anniversary with her boyfriend, Davis and her boyfriend attended the show together. “These are bands I grew up listening to that I absolutely adore,” said Davis.

Blink-182 closed their set with, “Dammit,” but surprised the crowd by bringing out Landon Barker to close the set. By following the footsteps of his father on the drums, young Barker was the perfect close to the evening.

The smiles on the faces of fans covered in confetti, toilet paper and dirt was priceless, which should be more than enough motivation to see a Blink-182 tour in a town near you.

All Time Low Setlist: Lost In Stereo, Love Like War, Dancing With A Wolf, Six Feet Under The Stars, Backseat Serenade, Something’s Gotta Give, Missing You, Weightless, Dear Maria, Count Me In

A Day To Remember Setlist: Downfall of us All, I’m Made of Wax Larry, What Are You Made of?, It’s Complicated, 2nd Sucks, Right Back At It Again, Have Faith in Me, All Signs Point To Lauderdale, Paranoia, All I Want, If It Means A Lot To You, The Plot to Bomb the Panhandle

Blink-182 Setlist: Feeling This, What’s My Age Again?, Family Reunion, Rock Show, Cynical, First Date, Down, I Miss You, Bored To Death, Built This Pool, Dumpweed, Stay Together For The Kids, Reckless Abandon, San Diego, Not Now, Violence, Kings of the Weekend, Dysentery Gary, Happy Holidays, You Bastard, Los Angeles, Carousel, All The Small Things, Brohemian Rhapsody, Dammit

August 24, 2016
Disturbed and Breaking Benjamin Tour Raise More Than 10,000 Fists at SPAC

Capital Region area rock fans came out on a beautiful Tuesday summer night, at the Saratoga Performing Arts Center, and had their faces melted off by one of the best rock lineups that have been assembled for a tour run. Fans were not only treated to some of the best bands in rock and metal today, all four bands have very recognizable frontmen. Metalheads had the pleasure of seeing Adam Gontier and super group Saint Asonia, Myles Kennedy with Alter Bridge, Ben Burnley and his band Breaking Benjamin, and Mr. oh wah himself, David Draiman of Disturbed.

The co-headlined Disturbed/Breaking Benjamin tour, not only saw four of todays best frontman, fans were also treated to some of the top musicians in the business. When you break down the lineup as individuals, you realize how good some of these musicians really are. Fans had the privilege to see the likes of guitarist Mike Mushok (Staind), guitarist Mark Tremonti (Alter Bridge), and Dan Donegan (guitar) and Mike Wengren (drums) from Disturbed, to name a few, perform right in front of their eyes.

Every band on the bill was right down to business, and kept the talking to a minimum and the music on maximum. I like when bands introduced their songs and tell the back story of how they came about, and maybe for the singer to take a breather, but this was a welcome change, as it gives fans who paid their money, to hear more live music. The reason everyone buys a ticket for a live show is to hear music, and for some, drink beer and get shit faced. Less talking equals more songs that bands can put in their setlist, given the amount of time some bands have to play.

Fans who were smart enough to show up early, saw Saint Asonia take the stage first. Drummer Rich Beddoe, came out pumped up, as he stood behind his kit and yelled to the crowd to get the fuck up, while he waited for the other members of the band to take the stage. The band started the night off with the song “Fairy Tale.” Frontman Adam Gontier sounded really good on vocals. Gontier also looked rested and healthy and sported a fresh Mohawk and some bad ass sunglasses. Gontier was full of energy. Guitarist Mike Mushok and bassist Corey Lowery showed a lot of fire while they played.

Gontier thanked the fans for showing up early, and thanked them after every song. Gontier stated how beautiful upstate New York is, and before he actually named off a city, he told the crowd that he has recently moved to upstate NY, not far from Saratoga. Gontier also answered the question that many may have wondered. He stated that Saint Asonia will be around for awhile and that they were not gonna be a one album band like some.

Before playing the song “I Hate Everything About You,” by Gontier’s former band Three Days Grace, Gontier said that the band is asked all the time if they play songs by their former bands. He then said “Fuck Yes we Do.” He then went one to say I’m gonna play a song that I wrote a long time ago for that other band. Saint Asonia ended with “Let Me Live My Life.”

Alter Bridge took the stage in the second spot on the card. Alter Bridge started things off with “Addicted To Pain.” Singer Myles Kennedy was amazing on every track. I just wish his mic was turned up a little louder. Kennedy’s guitar skills are pretty good. The crowd had Kennedy smiling from ear to ear throughout the bands set, as fans sang each song with him. Now talking about skilled guitarist, Mark Tremonti is a down right beast guitar. Watching him play live is almost mesmerizing. His guitar solos are on point and totally flawless. Tremonti was feeling really feeling it, as he would make facial expressions to the sound of his guitar. You can feel Tremonti’s passion as he plays. At one point, Tremonti was jamming so hard he accidently unplugged his guitar. Alter Bridge had the whole crowd going crazy during the song “Metalingus.” Kennedy gave props to a fan playing air guitar in the upper balcony. Kennedy told the fan that he loves seeing that shit. The band ended their set with “Rise Today.”

First headliner of the night was Breaking Benjamin. The band has been touring relentlessly over the last two years ever since frontman Benjamin Burnley pieced together a new lineup and studio album. Their stage set consisted of C.O.2 blasters, that would shoot off at various times during the bands set. The cool air from the blasters helped cool off the fans down front in the pit. The band started things off with “So Cold.” Being the Star Wars fan that frontman Benjamin Burnley is, the band played the “Imperial March Theme,” from the movie. Ben pledged his allegiance to the darkside of the force giving a shoutout to Darth Vader, Kylo Ren, and The First Order, as he wielded a red lightsaber.

Guitarist Keith Wallen, provided the vocal duties for the song “Sooner Or Later,” doing a decent job in the process. Breaking Benjamin played a throwback cover medley that consisted of “Schism” (Tool), “Smells Like Teen Spirit” (Nirvana) and “Walk” (Pantera).

Burnley told the crowd on many occasions, that they were singing along beautiful and to keep it going. Burnley gave a speech and paid tribute to the men and women in our Armed Forces. Breaking Benjamin ended their night with “The Diary Of Jane.”

Fans by now were foaming at the mouths. For most in the venue, this was the first performance from Disturbed in the area in over four years, and for some, their first Disturbed concert ever. David Draiman and the rest of the boys showed that they were worth the wait. The band played a good mix of fan favorite tunes and some new tracks from the bands current studio album Immortalized.

Disturbed kicked things off with “10,000 Fist.” Standing in the pit looking back, it looked like more than 10,000 fist were in the air, as frontman David Draiman conducted the packed crowd inside the Saratoga Performing Arts Center by pumping his fist in the air. Pyro was in full effect, as flames shot out from various parts of the stage that made it feel like your face was gonna melt off.

These four guys have a one of a kind aura about them. When fans and critics talk about who’s the best this, and who’s the best that, all four musicians in Disturbed, should be in those conversations. There is no doubt that this band will be in the Rock & Roll Hall of Fame someday.

Bassist John Moyer has this cool swagger about him as he plays, and his Go Pro camera that is attached to the end of his bass can prove it. Drummer Mike Wengren can bang the cans with the best of them. They way he can consistently twirl his drum stick and hit the cymbals on cue for an extended period of time is insane. Wengren also has one of the sickest looking drum kits in business. Guitarist Dan Donegan doesn’t get enough credit as a guitarist. His riffs and solos are some of the best in rock and metal. Singer David Draiman is one of the most recognizable voices not only in rock music but music alone. His style is like no other. His calm bad ass personality is intoxicating.

After Draiman said to the crowd “My brothers, my sisters, my blood….SPEAK TO ME!,” to a deafening response from the crowd, the band jammed out song after song. At the mid point in the set. The lights started to dim down, as the band took on some different instruments while Draiman sat on a stool in the middle of the stage. It was now time for the song that has now made Disturbed a household name. It was time for the bands cover of the Simon and Garfunkel classic “The Sound Of Silence.” Seeing this performed live is not only amazing, but one hell of a concert moment to be a part of. Every fan in the house lit up their lighters and cell phones like Draiman requested, and set the whole atmosphere for the performance.

Near the end of the bands set, an intoxicated fan kept flipping off Draiman from the crowd. Draiman asked the fan, in David Draiman fashion, why the fan was giving him the finger. After not being able to hear what his response was he continued to the next song. Still flipping the singer off, when the song ended, Draiman acknowledged the fan again, and asked him to come closer so he could hear what he was saying. The fan responded incoherently something about making a bad deal with someone, and screwing him over. Draiman responded by saying that he didn’t think he made a bad deal and everyone is entitled to their opinion. He then said “But sir I would appreciate it if you would show me the respect I deserve by not flipping me off while I’m up on stage.” Disturbed ended one indestructible evening with “Down With The Sickness.” Disturbed showed why they are Immortalized by many.

August 21, 2016
Rockin’ in Paradise: Styx at American Music Theatre

It wasn’t at the famed Chicago Paradise Theatre that the legendary classic-rock band Styx performed. This time it was the stunning and fairly modern American Music Theatre in Lancaster, Pennsylvania on a warm summer night, August 15, 2016. The 1600 seat American Music Theatre first opened its doors in 1997 and has been the host of a multitude of Grammy winners, Grand Ole Opry legends, National Broadway Tours as well as numerous top musical acts and performers over its two decade span.

It may not have the history as the famed Chicago’s Paradise Theatre, however, but the classy modern AMT is surely a beautiful and relaxing place to catch a show with its wonderful mezzanine accessible by two grand staircases on each side of its spacious open lobby, a nice and unique gift shop, clean modern restrooms and two plentiful and delicious refreshment areas that are easily accessible from the main lobby directly outside the theatre doors. Seating is very comfortable and spacious with a good open view of the stage. There really isn’t a “bad seat” in the house. The AMT provides state of the art sound and lighting as well as top notch production, sound, lighting, crew, very friendly ushers and accommodating staff.

Styx, one of the world’s best selling bands of all time, formed in Chicago in 1972 by twin brothers Chuck and John Panozzo and Dennis DeYoung along with Guitarist James Young. Tommy Shaw would join the band in 1975. Styx signed with A&M Records and released Equinox in 1975 as well which gained the band considerable recognition and airplay on FM radio in the relatively new Album Oriented Rock (AOR) format. The band’s 1976 album, Crystal Ball, would be the first to feature Shaw. The bands real breakthrough triple platinum smash album The Grand Illusion was released on July 7, 1977 and featured the mega-hits “Come Sail Away,” “The Grand Illusion” and “Fooling Yourself (The Angry Young Man)”.Â Styx would go on making huge albums and selling out arenas and stadiums throughout the late 1970’s and 1980’s with albums Pieces of Eight, Cornerstone, Paradise Theatre and 1983’s Killroy Was Here.

At just a little after 7:30 p.m. in the sold out 1600+ seat AMT, the house lights went down and Styx drummer Todd Sucherman could be seen settling in behind his kit while waving to the crowd. As the intro music intensified, the other members of Styx walked out a stage door just to the right of the drum riser waving and moving into position. As the intro reached its crescendo the band, guitarist/singer Tommy Shaw, founding guitarist James Young, keyboardist/singer Lawrence Gowan, drummer Todd Sucherman and bassist Ricky Philips established their musical diversity and ageless sound right away opening with “The Grand Illusion” followed by the timeless 1981 hit “Too Much Time on My Hands” and another from the 1977 Grand Illusion album, “Fooling Yourself (The Angry Young Man)” which featured original founding bassist Chuck Ponazzo joining the band on stage.

The band was musically superb. Without a doubt the performance was outstanding as the band was as tight as could be, delivering a loud but clean sound with the amazing vocal harmonies the band is known for, dazzling guitar tones blended well with the mix of electric and acoustic six and twelve stringers along with the synth and piano from Gowan, who replaced founding keyboardist/singer Dennis DeYoung in 1999. Shaw however soaks up the majority of the spotlight while sharing frontman duties with Gowan as he took lead on at least half of the 18 song set as well as explained a little history of the band including Styx being one of the founders of “Album Rock” and “Story Telling” through LP’s. He commented that the goal in the late seventies for bands was the idea of Album Oriented Rock and that “If you made it through side A of the album and flipped over to side B, the more experimental and personal songwriting and sounds tended to find its way to the B sides”. Shaw introduced the next song as the second song from side two of the Grand Illusion album, “Man in the Wilderness,” as he strummed his beautifully crafted Gibson acoustic guitar.

Styx continued throughout the night with Young engaging with the crowd as well as he took lead on several numbers and introduced the next song, “Light Up,” from the 1975 Equinox album. He talked about the days when President Ford was still in office, before the cell phone era, when the band would engage in “not so healthy choices,” and when the crowd forty years ago would hold up actual lighters and a “so called aroma would permeate the air.” He urged the modern concert goers to instead hold up and light their cell phones as the band broke into the song sung by Gowan. Young then took lead on the 1977 song, again from the Grand Illusion album, “Miss America” and later on the 1981 song “Snowblind” from the Paradise Theatre album making reference to how hot it has been recently and for the audience to relax and cool down a bit for this song.

Shaw and Gowan performed a mesmerizing tribute to David Bowie with their rendition of “Space Oddity” featuring bewitching harmonies with only Shaw’s acoustic guitar and Gowin’s piano accompanying their vocals. A few other surprises were covers by The Beatles with “I am the Walrus,” Elton John’s “Rocket Man,” and Prince’s “1999,” as well as a rendition of Otis Redding’s “(Sittin’ On) The Dock of the Bay” all performed solo by Gowan while the rest of the band stepped offstage for a bit. It seemed the hits kept coming one after another. With close to 45 years as a band and over 15 studio albums with four consecutive albums being certified as Multi-Platinum from 1977-1981, the set-list could continue for hours. Styx’s AMT set included thirteen of their well known hits as well as five covers. The band tends to avoid adding some Dennis DeYoung songs to their set-list including “Babe,” “Mr. Roboto,” and “The Best of Times.” Needless to say, the set, the songs, the musicianship, the showmanship, the enthusiasm and energy all made for an amazing show in the very classy and comfortable American Music Theatre.

Styx had the audience highly entertained and engaged throughout the night in between their powerful guitar heavy rock songs such as “The Grand Illusion,” “Too Much time on my Hands,” and “Miss America,” and their more laid back hits such as “Man in the Wilderness,” “Crystal Ball,” and “Lights.” As the show progressed, Shaw urged the crowd to move up to the front of the stage and move around. And again, as expected, the crowd was enthralled in the moment, with much of the audience choosing to sit and watch the show from their relaxing theatre seats many of the other fans moved right up to the front of the stage waving and extending their arms in the air hoping to slap hands or catch a guitar pick from one of the band members.

The hits kept coming all night including “Blue Collar Man” and the mega power rock ballad “Come Sail Away.” Styx came out and performed two encores including “Rockin’ the Paradise” complete with confetti blasters on both sides of the stage and finally, from the 1978 album Pieces of Eight, “Renegade.”

Styx continues their summer 2016 tour throughout the months of August, September, October and November. Whether you’re an old fan or a newcomer to Styx, the band is timeless and the band features amazing musicians that perform all the Styx hits with flawless sound, energy and passion. Check out their upcoming tour dates, news and more at their website below.

Styx, August 15, 2016 – American Music Theatre, Lancaster, PA

Setlist: The Grand Illusion, Too Much Time on My Hands, Fooling Yourself (The Angry Young Man), Man in the Wilderness, Light Up, Miss America, Space Oddity, Crystal Ball, I Am the Walrus, Snowblind, Lights, Blue Collar Man, 1999, Rocket Man, Dock of the Bay, Come Sail Away

Encore: Rockin’ the Paradise, Renegade

August 18, 2016
String Cheese Has An Incident At The Kings Theatre In Brooklyn

Colorado’s String Cheese Incident made their two-night debut at the newly renovated Kings Theatre in Brooklyn this past weekend to showcase their electronic fused jams rooted in Americana sounds and instruments. After months of not playing the big apple, the return was rewarding to fans in bust out covers and phenomenal playing across the board.

The first night’s first set started strong with “Johnny Cash,” and the energy would carry through as lead guitarist and violinist Michael Kang took the vocal duties from rhythm guitarist Bill Nershi. A favorite amongst the full room of fans came with “Don’t It Make You Wanna Dance,” a song that lives up to its name. The first half of the first night came to a close with the SCI classic “Born On The Wrong Planet,” which flowed into an energetic rendition of the Talking Heads’ “Life During Wartime,” and ending the set strong with “Colliding.”

The second set ignited with keyboardist Kyle Hollingsworth’s gritty and groovy original “You’ve Got The World.” The electronic influence on this once stripped down group shined through on “Hi Ho No Show” where drummers Jason Hann and Michael Travis showcased their talents alongside Hollingsworth’s synth playing. Bassist Keith Moseley would take his turn at vocals during the uplifting song he wrote known as “Joyful Sound,” Perhaps the most favorable cover came with the encore of the classic folk song “I Know You Rider” that many in the crowd were familiarized with by the Grateful Dead.

Night two continued the theme of uplifting pockets of exploration and danceable music. The synthesizer and techno beat laced Irish trance opener “Valley of the Jig” picked right back up from the previous night and showed that the band was eager to put on a great performance. Moseley took the lead on “Sweet Spot” midway through the set, holding down the microphone and bass at the same time. To close out the set, the Cheese men reached into their bag of tricks and pulled out an age old classic known as “Round The Wheel.”

Set number two was filled with brilliant covers and SCI originals to close out the run. Hot off their performance at Peach Fest where they performed an Allman Brothers Band set, Nershi and the boys were joined by Greg Allman’s guitarist Scott Sharrad while they ran through the instrumental “Hot Lanta” followed by Cheese’s “On The Road,” and finally the Allman’s “Southbound.” The set ended with “Way Back Home,” the bluegrass standard “Whiskey Before Breakfast,” and the Led Zeppelin staple “Kashmir,” pushing the envelope on all three. A three-piece encore emerged featuring Nershi leading his bandmates through “Honky Tonk Heroes” and “Hobo Song,” and sharing the mic during “Rosie,” which was highlighted by Kyle Hollingsworth’s finger work.

After both nights were in the bag, the fun had been had, the music had been played, and there were positive memories to be cherished because of the music and the festive atmosphere that Cheese shows are notorious for. The only downside to having the String Cheese circus in town is the reminder that it doesn’t come to the New York market often enough.

August 18, 2016
Strangefolk Returns to Eden, 20 Years Later
Photographs by Andrew Francke

“It’s like seeing an old friend again.”

This phrase was repeated a few times during Strangefolk‘s Garden of Eden weekend run in Jay, VT. Held only a few miles from Eden, VT, the original site of Garden of Eden festival in 1996, the weekend featured Strangefolk, Percy Hill and Assembly of Dust that brought back memories of Edens of the past, but also looked to the future of Strangefolk in an idyllic setting in Northern Vermont.

Photo by Andrew Francke

This was one of the shows where, even if you could stream it and take part in couch tour, the feeling of seeing faces from throughout the history of Strangefolk, their peers in the 90’s New England jam community, and weather that enveloped the mountains and Stateside Amphitheater in a cloud for much of the weekend, you had to be there. While FOMO is something alleviated by streaming services, there’s the innate ability to be there hearing new Strangefolk songs performed live for the first time that made a 5-hour drive from Albany beyond worth it.

Photo by Andrew Francke

Percy Hill opened each night with soul and funk found deep in the annals of bands that grew from the influence of the 90’s jam scene, bringing a familiar tone that is back for select shows this year, including a performance on Jamcruise 15 next January. “Color in Bloom” had a early SCI/Paul Simon vibe with the crowd getting down as each familiar song made an appearance.

Photo by Andrew Francke

Jason Crosby was on hand all weekend with Strangefolk playing fiddle and keys, as they kicked off the night with “So Well,” which later closed the second set on Saturday, appropriate for the line “20 years gone by,” sung aloud by the crowd and band in unison. Solid versions of “All the Same” and “Furnace” preceded a lengthy “Paperback Book” and a surprise “While My Guitar Gently Weeps” to end the first set.

Strangefolk buttons at Garden of Eden #strangeart #vt

A photo posted by pete mason (@phanart) on Aug 12, 2016 at 7:45pm PDT

“Rather Go Fishin’” and “Faces” kicked off a looser, more jam heavy second set. The debut of “California Love,” a new Trafton tune, led to “Walnut” which gave way to two unique sandwiches – “Take it Easy on Me” > “Songbeard” > “Take it Easy on Me” and “Roads” > “Like You Anyway” > “Roads”, the latter featuring an ambient “Mind Left Body” jam. An encore of “Stout Hearted Man” and “Get Down Tonight” brought Percy Hill to the stage. And that was only night 1.

Saturday was a rainy one for much of the Northeast, and Jay Peak didn’t escape a drenching from Mother Nature. A VIP set in the Stateside Lodge featured fan favorites “Sidestep Blues,” “Things That Fly,” “New Glock 2,” and “Whatever.” As the evening arrived, so did a warm wind that blew in from every direction, sometimes bringing rain and other times blowing EZ-ups like tumbleweed.

Photo by Andrew Francke

Strangefolk arrived on stage one by one, first with Luke Smith working into “Strange Ranger” as bandmates joined him, then an intense and well received “Westerly.” “Come on Down” dropped smoothly into “Sometimes,” which led into “Udderly Addled.” “As…” and “So Far Gone” closed the set, which featured incredibly tight segues that were fluid and un-orchestrated.

Photo by Andrew Francke

The second set started out with the fan-favorite jingle “Juicy Fruit,” where a guy in a turtle costume joined the band and proceeded to smash a guitar on stage – hopefully not Reid’s, as he was performing on a Telecaster throughout the Amphitheater sets. A rare “Folka Polka,” a Crosby-led jam in “Pawn,” and the debut of “Sunday Soon” highlighted the middle of the set; the new songs that Strangefolk debuted over the weekend have that pure and familiar Strangefolk sound. A combo of “Diary” and “Lines & Circles” were a high peak of the set, yet the hits and heat kept coming: “Dance” followed by the ending of “So Well” capped of a throwdown set. An encore of the new “Introducing Everything” followed by “Speculator” with Yahuba Garcia from Percy Hill and Ryan Montbleau on vocals closed out a family affair, 20 years gone by.

Photo by Andrew Francke

To end the weekend, Assembly of Dust’s late night set in the lodge had friends gathering round to celebrate a successful return to Eden, with highlights “Love Junkie,” “Whistle Clock” which featured Crosby teasing “China Cat Sunflower” in a smooth jam, and “Songs We Sing” to close the night.

Stream or Download Friday and Saturday from Archive.org and watch video of the weekend below.

Friday

Set 1: So Well, Valhalla, All the Same, Near and Far, Furnace, Shift My Step, Paperback Book, Oxbow, While My Guitar Gently Weeps

Set 2: Rather Go Fishin, Faces, California Luck*, Walnut, Take it Easy on Me > Songbeard > Take it Easy on Me**, Roads > Like You Anyway > Roads > What Say You > Reuben’s Place

E: Stout Hearted Man&, Get Down Tonight&

Saturday

VIP Set: Sidestep Blues, I Tell Myself, Angry at the Sun, Things That Fly, New Glock 2, Rachel, Sad, Hildegard, Whatever, Poland

Set 1: Strange Ranger, Westerly, Come on Down, Sometimes, Udderly Addled, As…, So Far Gone

Set 2: Juicy Fruit, Folka Polka, Alaska, Pawn, Sunday Soon*, Diary, Lines & Circles, Elixer, Dance > So Well

Encore: Introducing Everything* > Speculator^

* debut

& with Percy Hill

^ with Ryan Montbleau and Yahuba Garcia
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
- Photo by Andrew Francke
August 17, 2016
Heavy Montréal Stands Strong With 30,000+ Metalheads

Once again, Montréal brought in thousands upon thousands of the world’s biggest heavy metal fans last weekend. The event known now as Heavy Montréal, was held on August 6 and 7 at the Plaine des Jeux at Parc Jean-Drapeau. The weekend was host to more than 37 bands that played across 3 different stages. Out of the 30,000+ fans that attended, approximately 23 countries were represented. Those countries include fans from, the United States, Germany, Australia, Brazil, Switzerland, France, Great Britain and more.

For those who attended the festival last year, there were two main differences. Those differences were the festival was dropped down to only Saturday and Sunday instead of Friday, Saturday and Sunday. The other difference being in the actual festival grounds. This year, the festival moved to the smaller side of the island known as the Plaine des Jeux. Over the same weekend, metal fans may have run across many hipsters wearing their colorful tank tops and board shorts while taking the metro to Heavy Montréal. The reason for the mix of music scenes was because right next door at the old Heavy Montréal festival grounds was the ÎLESONIQ festival which was headlined by artists such as Zedd and Skrillex.

Anyways, back to the metal. Saturday was a busy day for everyone it seemed. Only the most loyal fans to the headlining bands camped along the rail all day to catch that one band they came for. Pop Evil was one of the bands who started off the weekend and they seemed to love Montréal and the crowd loved them. The band opened up with the crunching riff of “Deal With The Devil”. Festival sets are never long, so everyone has to bring their ‘A’ game. The crowd support and reaction at just 1:30 in the afternoon was incredible.

In the middle of the afternoon on Saturday, it seemed to go back and forth from one great artist to the next. Bands like The Dillinger Escape Plan, Skeletonwitch, Fear Factory and Kataklysm were only some of the options early in the day. Each of those bands all seemed to draw respective crowds which was surprising when some of the sets overlapped. Somehow it seemed like no matter who was playing next, each stage was packed.

Saturdays biggest surprise was Escape The Fate. Playing on the Blabbermouth.net stage, these guys absolutely stole the show. Skeptical on how the crowd would react at a festival dominated by “heavier” bands, Escape The Fate provided that breath of fresh air in the afternoon. The band’s setlist consisted of mainly songs off of their last 2 studio albums, which were both solid from start to finish.

Other bands that played Saturday that put on unforgettable performances were Sabaton, Sebastian Bach and Black Label Society. Sabaton had the best stage set of the entire weekend hands down. The Swedish power metal guys in Sabaton brought both pyro to their stage set and a tank. Yes, you read that correctly, a tank. To go along with the awesome stage show, Sabaton ripped through a 10 song set list that consisted of songs like “Ghost Division,” “To Hell and Back” and “Night Witches.”

Sebastian Bach, who everyone knows as the voice of Skid Row, seemed to surprise the audience with a high energy impressive set. Sebastian came on stage to “Slave to the Grind” and was headbanging while swinging his microphone around him. Sebastian connected with the Montréal crowd by speaking lots of French to them, which brought roars from the packed audience. Fans of the TV show “Trailer Park Boys” were present in the crowd, which is a show Sebastian is commonly featured on. Fans brought in a sign for Sebastian, which he took, not to rip up and throw away like Axl Rose would have done, but instead Sebastian held it up high with laughs and propped it up on stage. It could easily be seen that Sebastian was in high spirits and truly loved performing at Heavy Montréal.

Black Label Society was one band that not a single person in Montréal should have missed. Friday night the band played a headline show in the city and on Saturday once again at Heavy Montréal. Watching Zakk Wylde shred on the guitar is mind-blowing. The man can virtually play anything with his eyes closed. The band was tight and ripped through a quick 8 song setlist, highlighted by “Funeral Bell,” “Bleed for Me,” “Godspeed Hell Bound” and “Stillborn.” The end of the set wasn’t the end of Zakk for the weekend. Everyone knew that Zakk and his band would be back on Sunday for more, but not to perform as Black Label Society, but under Zakk’s name instead for a softer set.

The end of the day 1 for Heavy Montréal was capped off by Mastodon, Nightwish, and last but not least Five Finger Death Punch. Mastodon, who was scheduled to play last year’s Heavy Montréal but was forced to cancel, came back this year and gave fans what they’ve been waiting for. The group from Atlanta, Georgia mixed with tremendous talent all around has been on the round behind their 2014 release of Once More ‘Round the Sun. As many fans hoped, Mastodon focused on that album playing track from it such as “The Motherload” and personal favorite “High Road.” Other fan favorites from the set included “Oblivion”, “Divinations” and “Blood and Thunder.”

Nightwish made its only stop in North America of 2016 at Heavy Montréal. For being a symphonic metal band from Finland, the crowd support for Nightwish was unbelievable. The band opened with “Shudder Before the Beautiful” which was off their 2015 release Endless Forms Most Beautiful. Their latest album seemed to be the focus of the night with 5 songs played off it in total. The band brought in an impressive pyro display wish some fans certainly didn’t expect. Between the frequent pyro blasts right in front of singer Floor Jansen and guitarist Emppu Vuorinen, the C02 cannons going off gave Nightwish the complete production package.

Night 1 of Heavy Montréal was closed out by one of the most bad-ass bands of today, Five Finger Death Punch. These guys have been non-stop with a vicious cycle of releasing albums and touring without taking a break. Work has already begun for their next album after just recently putting out Got Your Six. The road warriors opened their set with “Lift Me Up” which was off Volume 1 of The Wrong Side of Heaven And The Righteous Side of Hell. With a short set and so many tracks to choose from, it’s hard for the band to really dig into their catalog. The guys seemed to try and keep everything balanced by playing at least 1 song off of 6 different albums. The night ended strong with “Got Your Six,” “Under and Over It” and “The Bleeding.” Five Finger Death Punch gave the crowd everything they had and the crowd showed no signs of letting up. Fans at Heavy Montréal were ready for day 2 before they even left the island.

Sunday started off with bands I Prevail and We Came As Romans. Both drew in the younger crowds early in the afternoon. I Prevail played their hit cover song “Blank Space” which was made famous by Taylor Swift. Surprisingly, this rendition was awesome and I Prevail really made it their own.

Guitar genius Tosin Abasi was on site Sunday with his band Animals as Leaders. This instrumental djent band drew in all the guitar nerds in the crowd over to the Scène HEAVY stage to get a glimpse at Tosin doing his thing. Animals as Leaders was definitely one of the standouts of the weekend for their uniqueness.

One of the summer’s biggest metal tours made their stop in Montréal on Sunday. The tour features Saint Asonia, Alter Bridge, Breaking Benjamin and Disturbed. Saint Asonia was the creation of Adam Gontier, formally of Three Days Grace and Mike Mushok of Staind. Joining them in Saint Asonia are Corey Lowery on bass and Rich Beddoe on drums. Basically a “supergroup” these guys have been going strong after their formation in 2014 and touring behind their 2015 self-titled release.

Hatebreed also played on Sunday. Many fans may have missed the fact that Hatebreed was at Heavy Montréal because they were a very late addition for Trivium who had to cancel last minute. For a last minute add-on, Hatebreed came to destroy Parc Jean-Drapeau. Ironically, the band opened up with “Destroy Everything” and then immediately went into “Looking Down The Barrel of Today.” The band a total of 4 songs off of The Concrete Confessional which was a heavy hitting album Hatebreed released last May.

Both Blind Guardian and Zakk Wylde drew big crowds on day 2 of Heavy Montréal. Blind Guardian who just played Wacken Open Air in Germany 2 days before coming to Montréal, had the best sound of the weekend. The German power metal band played a 8 song set that featured tracks from 6 different albums. The most popular album of the setlist for Blind Guardian was Nightfall in Middle-Earth. The tracks featured on that album that were played during the set were “Into the Storm,” “Mirror Mirror,” and “Time Stands Still(At The Iron Hill).”

Zakk Wylde was playing for his 3rd time in 3 days. This time just under the name Zakk Wylde, but still with his BLS bandmates on stage with him. The set started out with “Sold My Soul,” which seemed like a 20 minute guitar solo that features Zakk going nuts by playing behind his head and with his teeth. The band played “In This River” which is a Black Label Society song, but this version definitely had a different spin to it. Watching the band transform and play something completely different than the day before was very cool. There probably aren’t many bands out there that can do what Zakk and his Black Label crew could.

Sometime during the late afternoon the rain finally came down. While it started out as a light shower and then stopped, things changed shortly after with a downpour. The rain didn’t last long but from what fans were saying, it was the first time it had ever rained at Heavy Montréal.

As stated earlier, Alter Bridge was in Montréal and ready to show the city what they’re made of. Myles Kennedy and Mark Tremonti together make one of the best guitar combos in rock. Together, with the rest of Alter Bridge, the band puts on an incredible live performance. Myles is one of the best vocalist there are today and the band creates some heavy hitting riffs that are hard to get out of your head once you hear them. Songs like “Come To Life,” “Ties That Bind,” “Isolation” and “Addicted to Pain” are just some of what Alter Bridge played during their short set. The only thing that can be said is that Alter Bridge needs to do a headlining tour and come back to Montréal very soon. With a new album The Last Hero due out on October 7, Alter Bridge fans may very well get that headlining tour they’ve been wanting.

One of the best bands of the day if not the best overall was the mighty Killswitch Engage. The guys in Killswitch Engage squeezed in 11 songs into their short set time and showed every other band over the weekend how it’s done. Guitarist Adam Dutkiewicz lead the charge and opened up the set with “My Curse.” Between songs Dutkiewicz made sure the crowd did not calm down. This was definitely the set to see at Heavy Montréal. The crowd was a constant circle pit with crowd surfers and topless chicks. To sum it all up, the word would be chaos. Vocalist Jesse Leach was quite impressive in his ability to not only cover his original songs, but also some of the songs Howard Jones originally sang on. Songs like “Rose of Sharyn,” “The End of Heartache,” and “Holy Diver” sounded incredible with Jesse back in the band. On top of that, their newest material from Incarnate and Disarm the Descent was absolutely killer live. The mix of fast brutal riffs and energy Killswitch Engage brings to the table makes them a hard act to top for the rest of Heavy Montréal.

The 8th Heavy Montréal was closed out with Breaking Benjamin, Volbeat and Disturbed. Breaking Benjamin has been on the road ever since their release of Dark Before Dawn in 2015. With Benjamin Burnley is the only original member left in the band and he’s done a spectacular job filling the spaces next to him on stage. The reformed Breaking Benjamin sounds awesome together, especially Ben. It’s a pleasure to be able to see Ben back out on the road playing songs such as “So Cold,” “Breath,” “I Will Not Bow” and last but not least “The Diary of Jane.” To add to that, the new material off of Dark Before Dawn is also great live and the crowd in Montréal certainly helped Ben out by singing basically every word alongside with him.

Volbeat, who just released Seal the Deal & Let’s Boogie came out with “The Devil’s Bleeding Crown.” The highlight of their set was performing “Evelyn” with the Barney from Napalm Death. Volbeat who now features a new bass player, Kaspar Boye Larsen and Rob Caggiano on guitar, still puts on a great live show, but the energy on stage was missing that came from their former bass player Anders, who left the band last year. The band was sure to play hits like “Sad Man’s Tongue,” which was introduced with a little “Ring of Fire” intro by Johnny Cash. The crowd was definitely familiar with Volbeat and their love and respect for Johnny Cash. The night for Volbeat ended with “Still Counting” and just about everyone at the festival could be heard singing, “Counting all the assholes in the room,” even the people waiting across the way waiting for Disturbed.

Back from their hiatus and hitting the road after releasing Immortalized, Disturbed has been destroying every arena, amphitheater and festival it can play at. Heavy Montréal was no exception to that statement. Bringing an onslaught of pyro, just like Nightwish did the evening before, David Draiman and the rest of Disturbed were there to show Montréal they were back and meant business. The set opened with “Ten Thousand Fists,” “The Game” and “The Vengeful One.” For a band that took a long break, one would expect them to be rusty and still not be in the swing of things. Not Disturbed, this band is a well oiled machine that shows no signs of slowing down. The biggest surprise was hearing the band play “Land of Confusion,” a song that hasn’t been featured in their setlist often on tour. The band obviously played it’s insanely popular cover of Simon & Garfunkel, “The Sound of Silence.” Just about every cell phone and lighter was in the air for this song and it was a powerful performance to say the least. The night was full of other hits like “Stupify,” “Inside the Fire,” “Stricken,” “Indestructible” and “Voices.” The night and entire weekend came to a close with the song that just about everyone in the world could have predicted, “Down With the Sickness.” This was the perfect ending for a perfect weekend of metal music at Heavy Montréal.

If anyone has thought about going to Montréal for this festival, it’s highly recommended. The city is beautiful, the people are friendly and getting to and from the festival is easy. On top of that, Heavy Montréal is one of the most organized and put together festivals in North America. Look for a lineup announcement coming to NYS Music for Heavy Montréal 2017 early next year.

August 16, 2016
Arise Festival Stands Tall Among Giants
There is an ancient Eastern ritual cycle known as Jo-Ha-Kyu which has been applied to tea ceremonies, martial arts rituals, and even theater performances. The cycle was created to create intention and awareness to the different stages of life. From August 5-7 outside Loveland, Colorado, a family-run, independent music festival, called Arise, enacted the spirit of that intentional cycle through its three-day event. The festivities opened with a beautiful opening ceremony that included a series of “Jo”-like songs, chants, and prayers aimed at infusing festival-goers with an air of respect and care not often found at music festivals.

The ritual “Ha” concept emphasizing the activity of becoming, often referred to “the swirl of days,” spun its way through the Arise weekend with a constant parade of live and electronic music acts including Jurassic 5, Colorado’s own, Elephant Revival, the Hard Working Americans, and Papadasio. The Area 51 stage hosted a bevy of bass-thumping EDM acts throughout the weekend. Still, mixed into the swirl were a number of self-reflective activities including yoga, philosophical discussion groups, and environmentalist workshops, including one led by the world-renowned activist, Julia Butterfly.

Certainly there are other festivals attempting to infuse self-reflective elements of artistic expression with art structures, live painting, play spaces, and spiritual growth workshops into the music scene. However, it is a testament to Arise organizers that they continue to grow as a family-run event in a saturated festival market that is increasingly being dominated by large-corporately-funded events. Arise grew this year even as a new festival, backed by a music industry giant, sprung up in a nearby location the same weekend.

The Arise weekend closed with rousing performances by the likes of Ziggy Marley, the New Mastersounds, and the Old World beats of Dirtwire, an EDM project founded by members of Beats Antique. A final ceremony closed the festival early Monday morning. “Kyu” rituals are designed to acknowledge the collections of communal experiences with the hope that participants have created a singular experience that is more than just another multi-day party. As the sun peaked over the rust-colored hills, and festival-goers slowly gathered in a circle to join hands, the sight was enough make one’s heart grow three sizes too large.
August 15, 2016
Photo Gallery: The Machine at Paramount Hudson Valley

No one can replace the likes of Roger Waters, David Gilmour, Rick Wright, Nick Mason, or Syd Barrett of Pink Floyd, but in The Machine’s recent stop in Peekskill the band showed that it’s possible to get fairly close to doing so.

The Machine lived up to their 26-year reputation for accurately recreating the Pink Floyd catalog in their first ever appearance at Paramount Hudson Valley, a sort of hometown show as they are from across the river to the south in Nyack, NY.

The set list pulled from each of Pink Floyd’s distinct sounding eras including the songwriting of Syd Barrett, the Roger Waters-driven songwriting, and the post-Waters take-off under the wing of David Gilmour’s guitar. The Machine wasn’t shy in reaching deep, either. “Wut’s…Uh the Deal” and “Burning Bridges” were in the mix as treats to the true Pink Floyd fans in the crowd.

Each of the key elements that identify Pink Floyd’s style were obvious during The Machine’s set. Joe Pascarell’s guitar intonation mimicked that of Gilmour’s Black Strat and was almost note-for-note on solos, particularly the show-closing “Comfortably Numb.” The distinct vocal leads of both Waters and Gilmour were well represented in similar tones particularly when the two roles play off each other in “Run Like Hell.”

The Machine returns to New York for two shows in November in Ithaca and Tarrytown.

Setlist

Set 1: Welcome to the Machine, Another Brick in the Wall, Wot’s…Uh the Deal, Hey You, Astronomy Domine, Sheep, On the Turning Away

Set 2: Shine On You Crazy Diamond (Parts 1-5), What Do You Want From Me, Echoes, Money, Arnold Layne, Wish You Were Here, Shine On You Crazy Diamond (Parts 6-9)

Encore: Burning Bridges, Comfortably Numb

August 13, 2016
The Evolving Evolfo at Shea Stadium Brooklyn

The night was dirty, loud, revolutionary, beer-soaked and pleasantly dark. I’m not only describing the inside of indie Brooklyn’s sacred sanctuary, Shea Stadium, but also the band behind the interior madness, Evolfo. As the band entered the stage, their UFO style of music was introduced to the crowd with a thunderous instrumental intro highlighting everything from the keyboard and bass to the drums and horn section.

One of their newer installments, “Bloody, Bloody Knife,” had a familiar, almost White Stripes meets 60’s punk sound and included a guitar solo by Matt Gibbs. During the solo, his hair completely covered his face while he melted our faces. The crowd favorite, “Mechanicals,” created an infectious dance party with a late night lounge feel. The whirling keyboard effect used by Rafferty Swink sounded like something Dr. Dre may steal for his next album while Matt Gibbs’ creative lyrics were politely screamed in a Shakespearean manner. As soon as it feels like the song couldn’t get anymore genre blending, the bursting horns march their way into the room like an impromptu parade down Bourbon Street. Gibbs gave the crowd a minute to catch our breath as he highlighted how ecstatic the group was to play in such an iconic, underground sonic space.

After boogieing through “Love Like a Freak,” Evolfo kept the most recent songs coming with “Rat City.” Imagine David Bowie’s “Suffragette City” played with a faster tempo by a psychedelic garage band like The 13^th Floor Elevators, but with just the perfect amount of brass to shackle it to the ground. Next up was “Let’s Carry On” which saw bass player Ronnie Lanzilotta stomping back and forth like an air guitarist on Red Bull. His energy was so intense he cosmically summoned one of the members from the opening act, Mobile Steam Unit, to jump on stage and rage with him equally as hard. The momentum spread like the Zika virus and before you knew the entire crowd was infected; one of the highlights of the hour long set.

Judging by the “Herbie and the Headhunters” t-shirt worn by their bearded saxophonist, Jared Yee, this gnarly crew were no strangers to the realm of funk. They have no shame in fronting as a “funk band” even though they consider themselves “garage-soul.” One of the best tunes that display their thrilling, chilling funk talent is “Wild Man” which Evolfo played with delightfully terrifying precision. I had a moment to speak about the visually freaky yet addicting music video for “Wild Man” with Gibbs before the set, inquiring about the first music video regarding any correlation to the imagery in the video compared to what he thinks about while on stage. He replied:

“Well some things in the video do quite literally have a place in our show. Some of the outfits and the demon mask and other small things have made their way onto the stage over the years. And then, of course, I hope that we portray some of that raw animal magnetism. I would love for real life to be as crazy as “Wild Man.” If we’re in the zone and we’re getting the energy from the audience I believe we can really live up to that fun with reckless abandon. As far as what’s on my mind while I play, I pretty much always wish I could pour some ambrosia on the audience and make them turn into animals. That would be ideal.”

After the “Wild Man” lit up the room with aerobic weirdness, they were ready to give us what we wanted, the title track to the newly announced EP, Last of the Acid Cowboys. The lyrics are coming from a place of pure spacey madness. Swink’s keyboard is projecting a surfin’ synthesizer sound while he sings in an eerily familiar Jim Morrison tone. If this song doesn’t wind up on the next Quentin Tarantino soundtrack, someone isn’t doing enough research.

Gibbs shed some details about the new EP and it was time for one more classic Evolfo tune for the brass-aholics in the crowd. Loaded with sexual innuendos, tantalizing bass lines and mod soul-funk, the climax during “You Light Me Up” is definitely the horn (or horny, sorry, I had to) section. Their time on stage was short and sweet, but the memory of that performance will last a long time, even for the fans in the booziest of states.

Musical evolution has been as much a staple of New York City as pizza, or more recently, Pokemon Go. Much like the global sensation of walking around with a smart phone and searching for rare creatures from a different dimension, a new species of music is evolving right before us. Label it whatever you want, but for those of us lucky enough to discover the rare Evolfo at Shea Stadium on a Wednesday night, we have a new band that is about to morph. After the release of their new EP, a tour is sure to follow and if they continue to put on shows with that sort of allure and creativity, I gotta catch em’ all.

August 12, 2016