Category: NYS Music Staff

  • The Jesus and Mary Chain Announce First New Studio Release Since 1998

    Post-punk sensations The Jesus and Mary Chain have been getting back up to speed of late. In 2014 and 2015 they played several tour dates in the run up to last year’s release of Live from Barrowlands, and now longtime Jesus and Mary Chain handler Alan McGee, of Creation Records, has announced that the band is set to release a new studio album in March 2017 on Warner Brothers Records. In an interview with CBC Music, McGee exclaimed, “they’ve made another album. It’s a big deal! It’s unbelievable.”

    While the Jesus and Mary Chain, led by brothers Jim and William Reid, released a compilation record, 21 Singles, in 2002, the upcoming release will give fans their first dose of new material since 1998’s Munky. Eighteen years is a long time to wait, but this announcement comes as a taste of candy for all the devoted fans who feared this day would never arrive.

    No tour dates have been announced in support of the new release as of yet, however, there remain three chances to catch The Jesus and Mary Chain live in the act before the year ends. The brothers Reid, who are now joined by Scott Van Ryper on guitar, Mark Crozer on bass, and Brian Young on drums, will take the stage at the Georgia Theatre in Athens on December 13, 2016, followed by a performance at The Masquerade in Atlanta, GA on December 14, and then a trip to New Orleans for a show at The Joy Theater on December 16.

    Click here for further details, including tickets, and check out the official video for “You Trip Me Up,” from 1985’s landmark release Psychocandy.

  • Bob Dylan Awarded 2016 Nobel Prize in Literature

    The Swedish Academy announced today that it will award the 2016 Nobel Prize in Literature to Bob Dylan “for having created new poetic expressions within the great American song tradition.” The announcement breaks with convention, as past recipients of the prize have composed primarily in one or more of the traditional genres of fiction, poetry, non-fiction, or drama.

    According to the New York Times story by Altar, Chan, and Sisario, “the Nobel comes with a prize of eight million Swedish kronor, or just over $900,000. The literature prize is given for a lifetime of writing rather than for a single work.” Dylan is the first American to receive the honor since Toni Morrison in 1993.

    bob dylan Nobel Prize
    Photo by Kevin Lamarque / Reuters

    Dylan is widely recognized as one of the most influential artists of the twentieth and twenty-first centuries, having been inducted in to the Rock and Roll Hall of Fame in 1988, while receiving twelve Grammy awards, an Oscar, a Golden Globe, a special citation from the Pulitzer prize committee, Kennedy Center honors, a National Medal of Arts, and the Presidential Medal of Freedom along the way. With this capstone achievement, Dylan has indubitably fulfilled the destiny many of his fellow musicians ascribed to him long ago. As Jerry Garcia had it, “Dylan gave rock n’ roll the thing I’d wished it had when I was a kid—respectability, some authority. He took it out of the realm of ignorant guys banging away on electric instruments and put it somewhere else altogether.” Though Garcia did not live to see it, we now know that ‘somewhere else altogether’ is to be among the planet’s foremost creators and thinkers in the annals of the Swedish Academy.

    Bob Dylan was born as Robert Allen Zimmerman May 24, 1941 in Duluth, MN, and was subsequently raised in nearby Hibbing, MN. At the age of nineteen, he cut out for Greenwich Village with a few songs and a guitar, a wannabe folk singer following in the footsteps of Woody Guthrie. It was during this time, while performing at coffeehouses like the Gaslight Café and the Café Wha? that he honed his songwriting talent, cultivated his creative persona, and whetted his deft delivery to a razor-sharp edge. With the help of famed producer John Hammond, he released his eponymous debut in 1962. Its follow-up, The Freewheelin’ Bob Dylan came out in 1963, and when the folk trio Peter, Paul, and Mary recorded the timeless single “Blowin’ in the Wind,” it skyrocketed to number two on the Billboard charts, thus catapulting Bob Dylan into the American consciousness. In August of 1963, at the age of twenty-two, Dylan, accompanied by Joan Baez, performed “When the Ship Comes In” and “Only a Pawn In Their Game” at the March on Washington for Jobs and Freedom just before Dr. Martin Luther King, Jr. delivered his “I Have a Dream” speech.

    Over the course of his decades-long career, Dylan has confounded audiences at every turn. In 1965 he took the Newport Folk Festival by storm, toppling the acoustic expectations of the folk enthusiasts in a blaze of electric guitar-driven guerrilla rock heretofore unknown, declaring “I ain’t gonna work on Maggie’s farm no more,” and taking the whole of pop music with him. In 1966, during the height of a hugely successful foray into electric rock, which saw the release of Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde, following a devastating motorcycle crash, he disappeared from the scene altogether, holing up with The Band in Woodstock, NY to work on The Basement Tapes in secrecy, which would not be released until 1975. Of this period, Allen Ginsberg said, “He was writing shorter lines, with every line meaning something. Each line had to advance the story, bring the song forward…There was to be no wasted language, no wasted breath.”

    Photo by Billy Name, 1963
    Photo by Billy Name, 1963

    More surprises followed in the coming decades, as Dylan went on to record a country album, 1969’s Nashville Skyline, score and star in the 1970 film Pat Garrett & Billy the Kid, and embrace a Christian rock phase, during which he released Slow Train Coming in 1979 and Saved in 1980. And in the years leading up to and following the turn of the millennium, Dylan experienced a profound reemergence as a supremely influential songwriter, albeit in a decidedly more jaded, wise, and curatorial register than that of his younger self’s high-strung psychedelic prophecies. His influence spread for the first time to a younger generation in search of stability in insoluble times, and for the second time for an older generation having grown decidedly jaded, wise, and curatorial themselves. Oh Mercy (1989), Time Out of Mind (1997), Love and Theft (2001), Modern Times (2006), Together Through Life (2009), and The Tempest (2012) form the canon for the latter half of Dylan’s recording career, which he has dutifully supported on his “Never Ending Tour,” which has been going strong since 1988. In keeping with tradition, Dylan has continued to defy expectations over the last few years by releasing a trio of classic cover albums, taking on tunes mostly from the traditional Christmas and Sinatra catalogues.

    In addition to a prolific songwriting career, Dylan is a recognized painter, poet, scriptwriter, and memoirist. His drawings and paintings have been exhibited in galleries and museums around the world and featured in his Drawn Blank series, his experimental prose-poetry piece, Tarantula, appeared in 1971, a compilation titled “Writings and Drawings” was released in 1973, and his memoirs, Chronicles, came out in 2004.

    In what has been a strange and unsurprising autumn already, the announcement of Bob Dylan, a simple song and dance man, as the newest Nobel laureate in literature comes as yet another strange unsurpise. Strange in that, like most aging institutions, we are here to stand witness to the dissolution of the borders and guidelines that have so far constituted the Nobel prize for literature; yet unsurprising because Bob Dylan’s mystic oral erudition is so worthy and deserving of this honor, despite having immigrated from a genre far, far away. Perhaps Kris Kristofferson, the songwriter, actor, Rhodes scholar, and William Blake expert, offered the best summary of Dylan’s body of work, proclaiming, “His songs take us to another level. He is absolutely a poet. He made songwriting into an art form, and made it worthy of committing your soul to.”

    For more information, including tour dates and tickets, check out bobdylan.com, and for a full list of this year’s Nobel laureates visit nobelprize.org.

    And if you need “something to open a new door / to show you something you seen before / but overlooked a hundred times or more,” then enjoy Bob Dylan’s spoken word performance, “Last Thoughts on Woody Guthrie,” from 1963.

    bob Dylan Nobel Prize

  • English Rock Legends UFO and Saxon Announce U.S. Spring Tour

    Pioneering English hard-rockers UFO have announced a spring tour commencing March 9, 2017 at Scout Bar in Houston, TX and concluding April 2, 2017 at Brighton Music Hall in Allston, MA. The tour also includes a two-night stay at the B.B. King Blues Club in New York, NY. UFO will be joined on all dates by fellow New Wave of British Heavy Metal progenitors Saxon along with special guest Jared James Nichols. This will be the first time UFO and Saxon have toured together since the 1980s.

    Visit UFO, Saxon, and Jared James Nichols’ facebook pages to learn more.

    UFO is busy in the studio comleting their 22nd album, the follow-up to 2015’s A Conspiracy of Stars, which is reportedly a collection of covers. The current lineup features original members Phil Mogg (vocals) and Andy Parker (drums), as well as Paul Raymond (keyboard/guitar), Vinnie Moore (guitar), and Rob De Luca (bass).

    Here’s live footage from earlier this year of UFO playing their classic “Rock Bottom.”

    [embedyt] http://www.youtube.com/watch?v=l-kvk21KbsA[/embedyt]

    Let Me Feel Your Power, a new double live album from British metal stalwarts Saxon, is due out October 28, 2016 in the United States on UDR Music. Saxon consists of Biff Byford (vocals), Paul Quinn (guitar), Nigel Glockler (drums), Doug Scarrett (guitar), and Tim “Nibbs” Carter (bass).

    Check out Saxon performing “Wheels of Steel” in support of their new live album.

    [embedyt] http://www.youtube.com/watch?v=iE4d4wjc1Lo[/embedyt]

    UFO and Saxon Tour Dates: 

    Mar. 9 – Houston, TX – Scout Bar
    Mar. 10 – Dallas, TX – Gas Monkey Live
    Mar. 11 – San Antonio, TX – Alamo City Music Hall*
    Mar. 14 – San Diego, CA – House Of Blues
    Mar. 15 – San Francisco, CA – The Independent
    Mar. 16 – Los Angeles, CA – Belasco
    Mar. 18 – Anaheim, CA – The Grove
    Mar. 19 – Las Vegas, NV – House Of Blues
    Mar. 21 – Denver, CO – Summit Concert Hall
    Mar. 24 – Sioux City, IA – Anthem at Hard Rock Casino
    Mar. 26 – St. Charles, IL – Arcada Theater
    Mar. 28 – Cleveland, OH – House Of Blues
    Mar. 29 – New York, NY – B.B. King Blues Club & Grill
    Mar. 30 – New York, NY – B.B. King Blues Club & Grill
    Apr. 1 – Jim Thorpe, PA – Penn’s Peak
    Apr. 2 – Allston, MA – Brighton Music Hall

  • Taste of Country Music Festival 2016, Day Three: Jake Owen Fights The Cold To Close Out A Three Day Party

    The third day of the Taste of Country Music Festival 2016 kicked off around 1:30 pm on June 12th in Hunter, NY. Coming back to the mountain for the third and last day of the festival was bittersweet for me. On one hand, I was looking forward to seeing country super star Jake Owen perform. But on the other hand, I knew that once he finished his performance, the awesome three day Taste of Country festival would be over until next year.

    Taste of Country Music Festival 2016Despite the weather being fairly pleasant and warm the first two days of the festival, the third day of the festival had 40 mile per hour winds which made it feel more like a late fall NY day. At one point there even appeared to be snow flakes in the air. Needless to say, I immediately regretted not packing any sweatshirts or coats for what I assumed would be a blazingly hot three day summer music festival.

    The day started on the festival’s main stage with the up and coming country group, Outshyne. The group was started in 2007 in South Carolina by high school friends who had previously only participated in rock bands. The members of the group did not start to appreciate country music until after they had graduated High School and had grown into adulthood.  The group members site their main influences to be Merle Haggard, Lynyrd Skynyrd and John Mayer. Outshyne has a notable rock vibe to some of their music and has recently gained considerable ground on the country music scene, with their latest single “That Girl”. They had a country rock sound to their music that reflected their roots.

    Taste of Country Music Festival 2016Up next at around 3 pm was country music veteran, Neal McCoy who started his country music career in 1981 by winning a talent contest. Since then he has released 10 studio albums and 34 country music singles. This included three platinum albums, one gold album and seven top 10 country hits. I had never seen Mr. McCoy in concert, and did not know what to expect when the 58 year old took the stage. I was impressed with the amount of time he took interacting with the crowd, shaking his butt, and even jumping up and down. McCoy had more energy on stage than half of the younger performers that I have had the pleasure to photograph and his anecdotes made the crowd laugh and stay engaged throughout his performance.

    Taste of Country Music Festival 2016After a short break, Mr. “Buy me a Boat” himself, Chris Janson took the stage. Janson moved to Nashville when he was 19 years old, in 2005 to become a country music star. Like so many country stars of today he began his career first proving himself as song writer. His first hint of success came in 2012 when he wrote the Tim McGraw hit, “Truck Yeah”. But his dreams did not actually come true until, despite not being backed by a record label at the time, he came out with the song, “Buy Me A Boat”. He sent the song to country radio show host, Bobby Jones, who loved it and as a result played the song on his show. Following the exposure, the song became a favorite of country music fans around the country and jumped to the top of the country charts. The mega hit caught the attention of major record labels around the country and Janson was soon signed to Warner Music Nashville.

    Janson has a blue collar style and friendly demeanor that makes him a perfect country music star. Several times during the concert, Janson would break into energetic harmonica solos, announcing at one point, “are ya’ll ready to see how 135 pounds of skinny white boy can play this harmonica like you never seen?!” to cheers of the crowd. When Janson would play the harmonica, he would throw his entire body into the performance, swinging his arms and legs, dancing back and forth and truly enjoying every second of it. Janson even threw a few lines from Bruce Springsteen’s “Dancing In The Dark” and Hank William’s “Country Boys Can Survive” into his performance to keep things interesting.

    I was especially impressed with Janson’s latest single, a song that he wrote about his wife named “Holdin’ Her”. In the song, Janson tells the story of how he met his wife and how much love he feels when he hold’s his her in his arms. Off to the left of the stage, I could see Janson’s wife, Kelly Lynn Janson holding their beautiful infant son, Jesse Bo Janson in her arms (pictured in the gallery at the bottom of the page).  During several of the songs, I could see a smile come across Janson’s wife’s face as she watched her husband perform.

    Taste of Country Music Festival 2016Following Janson’s amazing set, I rushed over to the secondary, indoor concert stage of the festival to watch newcomer, Jake Worthington perform. The twenty year old, Texas native attempted to start his country music career in 2013, by auditioning for the fifth season of the NBC reality music competition show, “The Voice”.  Unfortunately, he was not chosen by any of the judges and did not make it on to the show.

    Worthington showed his resilience by coming back and trying out for the sixth season of the show. This time Worthington was chosen by three out of the four judges, including Adam Levine, Blake Shelton and Shakira, but he unsurprisingly picked country music star, Blake Shelton as his coach for his show. Not only did Worthington make it on the show but he finished the season in second place. All three songs that Jake performed on the show became iTunes top 10 hits.

    Shortly after his success on the show, Worthington was signed to record label, W3 Entertainment and released his self titled debut album. Despite his young age, Worthington has a twangy, heartfelt, vintage country sound that reminds me of how country music used to sound decades ago. I would not be surprised to see him accomplishing great things in the industry in the coming years.

    At around 6 pm, I rushed back to the main festival stage to watch veteran country singer, Gary Allan begin his performance.  Allan has been performing since the age of 12, when he would tour country bars with his father’s band. He was offered a record contract at the age of 15, but was forced by his parents to reject the offer and finish high school. After high school, Allan spent several years finding his sound. At the age of 29, in 1996 he signed a contract with Decca Records. Since then, he has released 11 albums and has had four number one singles.

    While playing his set, Allan and his band solidified their country music star status by passing around a bottle of Jack Daniels. Allan has what I would describe as a great balance of modern pop country while still keeping some songs faithful to the original, old school, country music sound.

    Giving another newcomer a chance to shine on the secondary stage, up next was up and coming singer, Adley Stump. Like several other performers in this years Taste of Country Festival, Stump got her start on NBC’s singing competition reality show, “The Voice” and was on Blake Shelton’s team during the competition. Earlier this year, Stump was recognized with a Grammy Amplifier award, and was the featured music performer at the 2015 Miss USA telecast. I was truly impressed by the passion that Stump displayed during her performance. She kept a large smile across her face, dancing around, shaking hands with the crowd throughout the whole show.

    As a photographer, it was a challenge keeping up with her, but at the same time, when an artist loves what they do, they are also quite a bit more fun to shoot. You could tell that there was nowhere else that she would rather be at that moment. She played a mixture of country favorites and her own songs. I especially loved the upbeat, full of attitude song, “Like This” and the heartfelt salute to our troops and the families that support them from home “Stay At Home Soldier”. Her impressive vocal range also made it easier to feel the emotion behind her songs.

    Last but most definitely not least, Jake Owen took the main festival stage around 7:45 pm. Despite the images of warm summer days, beautiful beaches displayed on the large screen and fake palm trees on the stage behind Owen, a 40 mile per hour, freezing cold wind with some snow flurries made things feel like the concert was taking place in early November rather than early June. I was honestly shocked that I was seeing snow flurries in June. Before I traveled to Hunter Mountain, I was warned to expect crazy weather due to the altitude, so I packed a poncho and an umbrella. What I forgot to pack was a decent coat. Despite the cool weather, Owen’s performance kept the cooled crowd captivated with a memorable performance.

    Owen kicked off his set with the title track of his latest album, “American Love”. Despite the weather, Owen stuck to his tradition of performing in bare feet, and did not seem to be phased by the cold weather. At one point during the show, Owen jumped off stage and interacted with fans in the front rows. Owen showed the range of his talent by mixing some of his hits with the theme song from the Fresh Prince of Bel Air, Drake’s “Hold On We’re Going Home” and even “Crazy in Love” by Beyonce. Owen prefaced his hit song “Beachin’,” by laughing and saying “Who wants to go to the beach with me……in 40 mile an hour winds”. Owen closed out an amazing set and an unforgettable Taste Of Country Music Festival with his first number one hit, “Barefoot Blue Jean Night”.

    After three days of awesome music, extremely unhealthy yet delicious food, and meeting hoards of friendly country fans, Hunter Mountain had begun to feel like a second home to me. I always found it amazing how strangers who would ordinarily ignore each other in their normal day to day life, could become almost instant buddies during a music festival. There is something wonderful about a good concert that can take an ordinarily shy person and turn them into a “smiling, while singing at the top of their lungs” party animal. The environment created, somehow punches through the awkward/shy barrier that prevents strangers who have never met from becoming friends. I suppose that knowing that everyone around also loves country music, is great common ground to start on.

    During the festival, I met many very cool and interesting people. As I was in the crowd with my professional grade Canon 5D Mk III taking some pictures of the concert, a short woman in a gray cowboy hat, who reminded me of my grandmother, yelled at me and with a big smile across her face, asked me if I would take a picture of her and her friends. I smiled and agreed, she pulled a small drugstore disposable camera out of her pocket and dropped it on the ground, she picked it up and handed it to me. Looking at the cardboard covered camera, I smiled and offered to use my own camera. That is the way I met Santa Bellino, Jessica McGraw and Paul Campione Jr. who traveled from Staten Island, NY to enjoy the festival (pictured below).

    Over the three days of the festival, I also met a group calling themselves the Taste Of Country Family. The group started in 2014, during the second annual Taste of Country Music Festival with 4 people from Marlborough, Massachusetts, John Trotta, Danielle Trotta, Britney Hisman and Bethany Hisman. Since then, the group has grown every year and now includes over 31 people from New Hampshire, New York, Vermont, Rhode Island and New Jersey. Each year of the festival, the group creates a community of tents at one of the official Taste of Country camp grounds and spends the weekend partying and enjoying country music.

    In addition to the concerts which usually don’t start until after noon, a typical day includes a campfire breakfast (with mimosas), drinking games, and later at night sitting by the camp fire singing songs while one of the group members, Tyler Senecal, plays the guitar. This year they even had group T-shirts with the phrase “BEER CAMPIN & COUNTRY MUSIC” made for the group. I find it amazing that this festival was able to bring all of these strangers together over the years and in my opinion this group embodies what the Taste Of Country Music Festival is all about.

    The 2016 Taste of Country Music Festival was an amazing experience and I look forward to coming back next year, as a reporter or even just as a country music fan. As of this writing, two major headlining artists have been announced for the Fifth Annual, 2017 Taste Of Country Music Festival, Jason Aldean and Sam Hunt.

  • Taste of Country 2016 Day Two: Kenny Chesney Starts A Party On The Mountain

    The second day of The Taste of Country Music Festival in Hunter Mountain, NY kicked off around 1:30 pm on Saturday, June 11. As I walked into the ski resort, things felt somewhat different than they did on the first day of the festival. After spending the previous day photographing, exploring the mountain and meeting the hordes of friendly music fans that had made the journey from the surrounding states to spend the weekend enjoying some of the biggest artists in country music, I no longer felt like a stranger on the Mountain. This was the day of the festival that I was most looking forward to, since my favorite country artist is Kenny Chesney. I have seen dozens of great artists perform over the years, and most of them were great shows, but there are very few that I would not get tired of seeing over and over again. Chesney is one those few artists. But before we got to Mr. Chesney, there were many great artists that were going to get the day started, some of which truly impressed me.

    Kenny Chesney taste of countryUp first was 23 year old William Michael Morgan. Morgan released his self titled debut album this past March 18th, which is coincidentally only a few days from the day that his first child, a beautiful baby girl named Presley was born. When I heard Morgan sing I was surprised at how mature he sounded for his age. He had a deep twangy, classic country sound, that reminded me of Clint Black and Merle Haggard. Given that the country music industry of late has gone in the direction of a pop and sometimes even rap fusion of music, I was did not expect to see such a young artist concentrate on the roots of the genre. Most notable was the single that has brought the new artist on to the country charts, “I Met A Girl” which was co-written by country Star, Sam Hunt. The country love ballad reminded me of how country music used to sound.

    After a short break, around 3:00 p.m., Old Dominion took the stage.  The group consists of Matthew Ramsey on lead vocals, Trevor Rosen on guitar and keyboard, drummer Whit Sellers, Geoff Sprung on bass, and Brad Tursi on guitar. Three of the band’s members, Ramsey, Rosen and Tursihad, had success in the country industry writing hit songs for the Band Perry, Kenny Chesney, Tyler Farr and even NBC’s country music based drama, Nashville. Their energetic stage presence and unique fusion of pop-rock and country seemed to get the crowd in a great mood. Old Dominion is currently on tour with Kenny Chesney.

    Kenny Chesney taste of countryUp next to the stage was sibling duo, the Swon Brothers, made up of Zach and Colton Swon. Like so many country artists, the Swon Brothers got their start singing and playing music in their local church. They went on tour with their parents’ gospel group, Exodus, when they were just children. In 2000 they decided to form their own group, and the Swon Brothers band was born. In 2008 Colton Swon was picked to be an American Idol contestant and reached the Top 48 before being eliminated. More recently in 2013, the Swon Brothers were picked by coaches Usher, Blake Shelton and Shakira to be on the artist’s teams for the music competition, in the NBC show, The Voice. They ultimately decided to be on Blake Shelton’s team. The brothers finished in third place on fourth season of The Voice. Their appearance  led to a contract with record label, Arista Nashville. During the show, the duo performed their own material as well as covers of Merle Haggard, and even Kings of Leon. Their sound showed hints of their gospel roots, and also mixed in some good old fashion rock.

    Kenny Chesney taste of countryI made my way to the smaller,  indoor Bud Light Stage to see newcomer Elizabeth Lyons. Lyons has had a love for performing from a young age, but decided to complete her education at Vanderbilt University in 2013 before dedicating herself to becoming a full time country artist.  She has been featured on CMA Close Up’s “Who is New To Watch in 2014.” She has also opened for country stars like Luke Bryan and Cole Swindell. I would describe Lyons’s music as having a country-pop sound reminiscent of early Taylor Swift which is exhibited in songs like “Boys in Every Zip Code” and “Go Girl”.

    Kenny Chesney taste of countryStarting at around 6:00 p.m., Eric Paslay began his show on the main outdoor festival stage. Like so many current country music stars, Paslay got his foot in the door of the country music industry writing songs for other artists. He has written hits like “Rewind” for Rascal Flatts, “Barefoot Blue Jean Night” for Jake Owen, and many other songs for the likes of Lady Antebellum and Eli Young Band. Paslay ventured out as a solo artist in 2014 with his self titled debut album. Unsurprisingly, he continued to make hits with songs such as “Song About A Girl” and “Friday Night.” Watching Paslay perform with a great deal of passion definitely made me appreciate  the hard work the he had put into his music. I believe that if an artist performs music that he wrote, it can add a whole new layer of visible dedication to the music and that was definitely present in Paslay’s set.

    Like a game of tennis between stages, where this reporter was the ball, following Eric Paslay’s set, I ran inside to the secondary stage to catch the performance of McKenna Faith. Faith is a California native and currently the number one selling “Independent Female Country Artist” on iTunes. I would describe the rookie artist’s on stage mannerisms as “girl next door” with a little bit of bad girl thrown in for good measure. Faith had a grin on her face her entire set, which the crowd ate right up. Her enthusiasm and the happiness that she got from performing made me wish her a whole lot of success. Her talent and vocal rage made me believe that this wish will likely come true.

    Continuing the trend, following Faith’s last song, I rushed back to the main outdoor stage to see Frankie Ballard at around 7:30. Ballard took the stage dressed like a modern day James Dean, with slicked back hair, wearing blue shoes, blue jeans, a vintage black leather jacket and a red handkerchief around his neck to finish off the look. His rock and roll look fit perfectly with his country rock sound. He kicked off his set with his hit “Young and Crazy” and had the crowd singing along right off the bat. He rolled through his set with his other hits “Sunshine & Whiskey,” “It All Started With a Beer,” and “Helluva Life.” To keep things interesting, Ballard threw a cover of Elvis Presley’s “Hound Dog” into the mix and finished his show with “Knockin’ on Heaven’s Door.”

    Ending the night was the legendary Kenny Chesney, who took the stage at around 9:45. As soon as he walked on stage, the crowd exploded into cheers. Kenny Chesney is one of the reasons that I became a fan of country music. There is something about Chesney’s music with the pictures his songs paint of carefree paradise and loving life, that inherently make you feel good. There is also something amazing about a Kenny Chesney concert that you can only say about a few artists. He leaves it all on the stage and after watching several of his shows in different venues, I believe he is incapable of giving a bad performance.

    At the age of 48, Chesney runs, jumps and shouts all around the stage for hours most of the summer and doesn’t show one sign of fatigue. It almost makes me wonder if the secret to the fountain of youth involves drinking Corona and spending your winters in the Virgin Islands (or perhaps that is just what I trained myself to believe). Chesney didn’t waste any time, kicking his set off with his mega hit, “Beer In Mexico,” which got the crowd into the party mood right away. Chesney played all of his hits and the crowd seemed to sing every word with him. In the middle of his set, Chesney spoke about how he was currently touring with Old Dominion and that two members of the band had written a single that he released last year, “Save It For A Rainy Day.” To everyone’s surprise, he then proceeded to invite the two writers and now Old Dominion band members on stage to sing the song they co-wrote.

    The collaboration among the three country stars was something awesome to see. The way he flirted and chatted with the crowd, by the end of the night, you felt more like  you were one of Chesney’s drinking buddies rather than a fan in the middle of a giant crowd (once again, this may be just what I have talked myself into believing).

    At the end of the show, as I walked out to the parking lot of Hunter Mountain, my legs and back were hurting, I was tired and hungry, but I still had a big smile on my face and wouldn’t have changed a thing about my day.