Nicole Suto aka “Niki Lee” is an indie singer/songwriter living in Troy, NY who is returning to the live music scene after taking a hiatus to have and raise a child. Her first show in a self-admitted long while will be this Friday, April 1 at the Dinosaur BBQ. She opens up for fellow Lansingburgh natives, The Lawn Sausages, at 9 p.m. The show is free.
With the help of her friends Gary Levitt and Erica Quitzow of New Paltz, she recorded five tracks found on Reverbnation. She plays the guitar and loops her own backup vocals. “Accelerate” is a fun tune that shows off her playful, rocker side and incorporates the organ. Her sound is similar to Liz Phair and other 90s female musicians in the similar genre. Her style however is unique. Instead of your typical chord progressions, Niki often slaps the strings to create both percussion and notes.
“Faith” represents a darker side of Niki. This expression of negative emotion is something she says drives her to write music. Her live performances are a balance of both upbeat positive songs and those that are melancholy.
While performing live is something she intends to do, her real goal is to continue to write, produce and record music.
We recently chatted with Niki about her music and living in Troy.
After listening to your tracks on Reverbnation, we kind of get a Liz Phair vibe. Is that what has influenced you?
I first started really heavy in the singer, songwriter, kind of folksy vein, listening to Ani DiFranco, Suzanne Vega, really growing up with the 10,000 Maniacs, Natalie Merchant stuff. But I think it was really PJ Harvey who kind of hooked me into the electric guitar, not just playing acoustic. Then Liz Phair – I think I’ve probably listened to Exile in Guyville like a million times. I probably can sing the whole album from beginning to end, so yes, that’s a definite influence for me.
What inspires you?
I feel like a lot of the music that I’m playing now has been inspired by relationships, questioning the world about why things are the way they are and how you have an emotional reaction to that. A lot of my songs, I write when I feel upset about things so it’s very hard for me to write upbeat songs. When I’m happy, I’m not in the writing kind of mood, it’s so hard to write a happy song. But I know people don’t want to just hear bitching and moaning when they see me perform so I’ve worked in some positive ones as well.
So your show on April 1 will be the first one in a while, and a hometown show?
I’m opening up for the Lawn Sausages. A lot of us are from Lansingburgh, born and raised there. So it’s a lot of old time friends. I haven’t really played a gig in a long time and one of the members of the Lawn Sausages put this gig up so I asked if I could open for them. It’s going to be a very hometown, packed crowd. It will be a special gig because all my friends and family from years and years, being a Troy native.
I’ve traveled a lot, I’ve lived and played in San Francisco and New York City but I had to come back home. Something about being home it’s hard to get away from sometimes.
Do you have a favorite spot to hang out in Troy?
I really enjoy going down to the Farmer’s Market. It’s one of the best and the fact that it’s all year round is really great. My daughter loves Famous Lunch – we like greasy food in our family.
So I understand you had friends from New Paltz help you with your recordings. Did you go down there to do it?
Yeah. Gary Levitt and Erica Quitzow who I met in San Francisco but were from New York. After we all moved back I reached out to them because they are just amazing engineers and musicians. I asked them if they could record a few songs for me. I had done a few recordings in the past but never ones I felt proud of. I felt OK about them but they just didn’t represent how I wanted my songs to sound in a studio recording. These guys really nailed it. I like Imogen Heap and Tori Amos, people who pull in a lot of different elements and layered harmonies into their music. Unfortunately I can’t recreate that on stage so it will be kind of like a PJ Harvey four-track demos kind of feel at the show (laughs). I like pushing the boundaries of the singer-songwriter into the different musical sounds that you can play with and layer. It’s one of my favorite things about the music that I’m drawn to.
What else do you like to do when not songwriting or recording?
I work for the state as a budget analyst. I really like spreadsheets! (laughs) I do a lot of work with spreadsheets, tracking or spending. It’s nice because it’s really easy, it either adds up or it doesn’t. Plus, I don’t make the decisions of how it’s being spent In my free time I am a 4H Club co-leader for a dog training club call the Clover Paws. It’s something I do with my daughter. We have two dogs, so when I’m not making music or taking care of my daughter, I’m playing with my dogs.
As far as March Madness was concerned, the band didn’t know they were even in the tournament at first. Tompkins said, “I saw the bracket come up on my (Facebook) newsfeed and thought, ‘It would be cool to be a part of that,’ automatically thinking we weren’t. Then saw we were. That was pretty awesome.” Haller added, “We were honored, frankly. We know, respect and have had the pleasure of playing with a bunch of the bands in our bracket, and were honored to be in such great company!”
In the Sweet Sixteen, Sprocket narrowly escaped the round with 53% of the vote over Saratoga’s 
Having been the first time seeing 
The fans handled every sound the band threw at them; the rhythms made each soul move and each body shake that night, bringing a sense of euphoria and enlightenment. Throughout the show, Big Mean rocked the stage with even more hits from their newest album, some of which included “In the Name of What,” “Contraband,” “Sweet Tooth” and “Wolfpack.” They also threw in “Marauders,” a classic from 2012, that brought a different sense of style and flair to the set. 
During her set, she had the audacity to call Buffalo “ratchety.” Some of the crowd booed and most were insulted. She then proceeded to back pedal, gushing about how she loves the fans there etc. Sorry sister, you already insulted us Buffalonians. We have some serious pride in our town, and we have put a lot of work into our town to make it beautiful. Buffalo is far from “ratchety.”
Opening the evening for the musical legend was the amazing 
By the time the lights came back up and Barry Manilow took the stage, this crowd was pumped. It was refreshing to see this packed venue up out of their seats waving their arms and glow sticks in the air as he belted out his opening number, ‘It’s A Miracle’. Thanking all those in attendance at the Turning Stone Event Center for his One Last Time tour , he told the sold out show goers that he’s so lucky to have had such an amazing career. Pulling one lucky lady up on stage for a slow dance to “Could It Be Magic” he serenaded her and asked how long she had been a fan. Claiming to be a fan for numerous years since the early 2000’s, he joked that it’s okay because “..for those of you who may not know, I was the Justin Bieber of the 70’s. Just ask your moms.” And it was true. No matter what you were listening to back then, a jingle on tv about Band-Aids or the famous State Farm ‘like a good neighbor’ ad, music that accompanied films and television, music produced for such artists as Bette Midler, Donna Summer, and/or Dionne Warwick, hosting his own television specials, or tuning in every Saturday morning to American Bandstand as he sang the opening number for Dick Clark’s entrance, Barry Manilow was the Beiber of the 70’s. I’m one mom that will attest to that statement. Everything he touched turned to gold and went to number one. With a trifecta of awards from the Grammy’s, Emmy’s, and Tony’s, he was and still is one of the ultimate musical performers, song writers, composers of our generation.
Let’s talk about that voice. That beautiful voice was just as clear and strong as it was in the beginning, as he belted out hit after hit after hit Friday night hitting every single note spot on. Manilow’s personality shone too through as he spoke with the audience. Growing up in Brooklyn and attending one of the country’s most dangerous high schools, he claimed he had two choices, gangs or music. He thanked the orchestra teachers for offering him the choice of music, because “…can you imagine me in a gang?” His wit, his charm, and his humanitarianism shone through. Sharing information on how the audience can help out others like Manilow, he described 
The absence of an opening act was evident as it took several songs before the crowd matched the energy level of the music being pumped out of the Marshall stacks. Though, with the 25-song setlist clocking in at 3 hours with a 20 minute intermission, it is debatable if an opening act was even feasible.
Then of course there was Buddy Guy, who was doing his thing before Jimi was doing Jimi’s thing. And at 79 years old, Buddy continues to do it. Buddy delivered gritty, witty lyrics in “Louisiana Blues”, and backed them up with shredding solos that reinvigorated the crowd that had started to look at their watches (not out of boredom, but disbelief and exhaustion). There is something about watching an elder statesman ripping through scales with the speed and feel that most guitarists will never know, it gives folks the energy to cheer just a little louder, a little longer.
Leaving the venue, I noted that instead of hearing conversations that started with “I wish they had played…”, what I heard mostly was “I can’t believe they played…” as the crowd was clearly pleased with how deep they dug into Jimi’s catalog. Much like a congregation after mass, those leaving the Landmark Theater appeared to be uplifted, fulfilled, and spiritually satiated, thanks to the service at The Electric Church.